The Variable Mu Limiter Compressor is the GLUE that holds the mix together while crystallizing it into a professional, final product. All-tube, all transformer, an all-American legend. High Pass Side Chain mod now comes standard.
The MANLEY VARIABLE MU® LIMITER COMPRESSOR has been Manley’s best selling product for many years. It is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. "Mu" is tube-speak for gain, and Variable Mu® is their registered trademark for this limiter compressor. It works by using the "remote cut-off" or re-biasing of a vacuum tube to achieve compression. The precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that they know of. Even the side-chain has glowing rectifier bottles. How’s it work? The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.
The COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression. See the gain reduction curves here!
You might notice that the Variable Mu® Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right? The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode, and that’s what Manley’s Variable Mu® Limiter Compressor does better than anything else: final mix, 2-track, or mastering limiting and compression. Like one reviewer put it: “It’s like pouring a bowl of sweet cream over the mix.” Mmmmmm. Yummy. Give your music a big hug.
MS Mod Option
The MS Mod turns the left channel into “middle” and the right into “sides” to compress each phase component independently. For example, squash the vocal, kick, snare, bass (in-phase info) while keeping the out-of-phase program intact to make the stereo image super-wide. Do the opposite to make the result more mono and radio-friendly.
T-Bar Mod Option
The ideal choice for routine extreme limiting, this mod makes the Variable Mu® even smoother when pushed past 6dB of compression. Using two matched 6BA6 pentodes strapped as triodes makes this choice better than an unobtainable & unsortable 6386.
Includes both MS Mod & T-Bar Mod Options. The power switch must be relocated to the rear panel whenever the MS mod is applied.