Arturia ARP 2600 V3 License - Synthesizer

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Arturia ARP 2600 V3 License - Synthesizer


Arturia ARP 2600 V3 License - Synthesizer

Coveted semi-modular classic.

ARP 2600 V reproduces one of the most desired synthesizers ever created, responsible for sounds ranging from ’70s funk textures to unmistakable special FX. Experience it in perfect plugin detail, with enhancements overflowing with creative ideas for any genre.

The ARP 2600 went from educational concept to rock ’n’ roll icon, and was the sound of both R2-D2 and Edgar Winter’s “Frankenstein.”

A modular synth in a suitcase, the 2600 immediately appealed to musicians. You could patch it like crazy, but didn’t need to. Its versatile sound became a favorite of Stevie Wonder, Josef Zawinul, Tony Banks of Genesis, Martin Gore of Depeche Mode, and many more. Combining True Analog Emulation® signature authenticity with vastly expanded features, ARP 2600 V is designed to become one of your favorites too.

To Patch or Not To Patch

Like the original, ARP 2600 V has a normalled signal path. Get great sounds right away or experiment with patch cables - it’s up to you!

Essential Ingredient

Whatever your musical style, something you do will call for the inimitable sound of the 2600. You may as well have the best software emulation there is.

Modular Mentor

With a left-to-right layout that follows signal flow, there’s no better way to learn the fundamentals of synthesis than with ARP 2600 V.

All Bases Covered

Combining modular freedom, easy sequencing, and real-time keyboard performance controls, ARP 2600 V is an instant gratification machine - you’ll lose yourself in no time.

It Came FromOuter Space

Alan R. Pearlman designed electronics for NASA. His passion for music soon sent a new kind of synthesizer into orbit.

It was this passion, combined with his engineering expertise, that led him to found ARP Instruments. ARP not only built some of the most complex and coveted synths of their time; the name left a lasting impact on the world of synthesis, contemporary music, and even cinema.

By 1968 Pearlman had already helmed and sold a successful company that made operational amps based on his aerospace work, but became interested in building electronic instruments after hearing that a certain famous synth brand had issues with temperature and tuning. His own early designs proved more stable, inspiring him to press forward.

In 1969 Pearlman and David Friend formed Tonus, later rebranded as ARP after Pearlman’s initials. Their first product was the 2500, a large modular system that used a matrix of sliders instead of patch cables.

Main Features

All the parameters of the original ARP 2600:

  • 3 voltage-controlled oscillators
  • Osc2->Osc1 synchronization
  • 24 dB/octave low pass resonant filter with self-oscillation
  • 1 LFO (can be synchronized to the host sequencer’s tempo)
  • 1 sample and hold, 1 ring modulator, 1 noise generator
  • 1 ADSR & 1 AR envelope follower

ARP2500 multimode 12 dB/octave filter with LP, HP, BP and Notch settings

Original ARP Sequencer model 1601

4 exclusive tracking generators with real-time interactive LFO creation ability

Voltage processors can be used as inverters, mixers or lag processors

Onboard effects: chorus, MIDI-syncable stereo delay, reverb

Polyphony from 2 to 32 voices with Unison options

More than 500 presets from top sound designers

Absolutely pure, top quality sound from TAE® analog modeling

Platform specifications


  • Win 8.1+ (64bit)
  • 4 GB RAM
  • 2.5 GHz CPU
  • 2GB free hard disk space
  • OpenGL 2.0 compatible GPU

Required configuration

  • Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).


  • Mac OS 10.13+
  • 4 GB RAM
  • 2.5 GHz CPU
  • 2GB free hard disk space
  • OpenGL 2.0 compatible GPU


  • The software is protected by the Arturia Software Center.

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