M•One XL is a dual effects unit, perfectly designed for LIVE applications. The reverbs truly shine, but it also features lots of other pristine effects such as Compressor, Chorus, Delay, Gate, etc.
- TC Electronic XL Technology - Based on Our Renowned Reverb Heritage
- High-quality Multi Effects - Reverb, Delay, Chorus, Flanger, Compressor, Gate, etc.
- Flexibility - Perfect for LIVE applications as well as in the STUDIO
XL Reverb Technology
Do the measures - it's time to size up! The essence of M-One XL, the XL Technology, is based on our heritage and continual research and development of Reverb technology. XL Reverbs give you new and improved spatial perspectives, across the entire range of Reverb algorithms.
The extended range of the 'reverb size' enables extremely wide or narrow spatial imaging, independently of the decay time. By applying 'Reverb size' to both Early Reflections and the Diffused Field, M-One XL achieves any combination from wide spaces with short decay times to narrow rooms with long decays.
The XL Technology also stands out by applying sophisticated modulation patterns, simulating the modulation of a real room and allowing ranges of modulation from the barely audible real-room modulation to heavy chorusing and detuning reverbs, also simulating the vintage style of reverbs.
In short, you will get a natural and clear result that no other processor in this price range is able to provide.
Small Room Simulation
Simulations of Small Rooms have been a major focus in the tuning of the XL Reverbs. The Early Reflection patterns combined with the new set of Diffused Fields, allows for realistic simulations of real rooms.
If you apply it to source material, the room simulations will bring clarity and presence to the source. With the flexibility of the XL Technology, your can tweak the reverbs from virtually transparent Ambience patterns over large Hall Reverbs to low-resolution Plates or Spring reverbs with ease.
M-One XL offers you all the great types of reverb you need for live performances or in the studio. Depending on the application, you can go for Live, Hall, Room or Plate.
These 'classic' reverbs simulate the reverberation of very large rooms with high ceilings. They have unobtrusive reflections with a density and naturalness you have only been dreaming of - until now. The Hall reverbs are particularly great-sounding for vocals, acoustic guitar and piano.
The Live algorithms are the grainy type of reverbs known as the typical 1980s live reverbs. Use these reverbs whenever you need the extra edge to really 'cut through' any PA system.
Our famous Room reverbs generate a vast array of room settings with different sizes and surfaces. The Room reverbs will make your music come alive by adding ultimate realism and texture to your mix.
The most basic-sounding reverbs in the M-One XL are the 'non-digital', mechanical-sounding ones, which eleminates the need for metal plates: Create the artificial reflections typically found on 'old mechanical' reverbs! Plates 1 & 2 are particularly good for drums and vocal tracks.
M-One XL comes with 200 high-grade Factory Presets, covering any application imaginable. On top of that, M-One XL stores up to 100 of your favorite presets in the User Bank. When you are satisfied with your preset, just hit the STORE key to save. It is so simple, that you almost forget you are actually making presets!
Digital Inpits and Outputs Connectors RCA Phono (S/PDIF)
Formats S/PDIF (24 bit), EIAJ CP-340, IEC 958
Output Dither HPF/TPDF dither 24/20/16/8 bit
Sample Rates 44.1 kHz, 48 kHz
Processing Delay 0.1 ms @ 48 kHz
Frequency Response DIO DC to 23.9 kHz ± 0.01 dB @ 48 kHz
Analog Inputs Connectors XLR, balanced
Impedance, Bal / Unbal 21 kOhm / 13 kOhm
Max. Input Level +24 dBu
Min. Input Level for 0 dBFS 0 dBu
Sensitivity @ 12 dB headroom -12 dBu to +12 dBu
A to D Conversion 24 bit, 128 x oversampling bitstream
A to D Delay 0.65 ms / 0.70 ms @ 48 kHz / 44.1 kHz
Dynamic Range 100 dB typ, 20 Hz - 20 kHz
THD typ < 92 dB (0,0025 %) @ 1 kHz
Frequency Response +0/-0.1 dB @ 48 kHz, 20 Hz to 20 kHz
Crosstalk <-95 dB, 20 Hz to 20 kHz
Analog Outputs Connectors XLR, balanced
Impedance Balanced / Unbalanced 40 Ohm
Max. Output Level +20 dBu (balanced)
Output Ranges Balanced 20/14/8/2 dBu Unbalanced: 14/8/2 dBu
D to A Conversion 24 bit, 128 x oversampling bitstream
D to A Delay 0.63 ms / 0.68 ms @ 48 kHz / 44.1 kHz
Dynamic Range 104 dB typ, 20 Hz to 20 kHz
THD typ <-94 dB (0.002 %) @ 1 kHz, +20 dBu Output
Frequency Response +0/-0.5 dB @ 48 kHz, 20 Hz to 20 kHz <-100 dB, 20 Hz to 20 kHz
EMC Complies with EN 55103-1 and EN 55103-2 FCC part 15, Class B, CISPR 22, Class B Formats: S/PDIF (24 bit), EIAJ CP-340, IEC 958
Safety Certified to IEC 65, EN 60065, UL6500 and CSA E60065 CSA FILE #LR108093
Environment Operating Temperature 32° F to 122° F (0° C to 50° C)
Storage Temperature -22° F to 167° F (-30° C to 70° C)
Humidity Max. 90 % non-condensing
Control Interface MIDI In/Out/Thru 5 Pin DIN
Pedal 1/4" phone jack
General Finish Anodized aluminum front. Plated and painted steel chassis
Display 23 character / 280 icon STN-LCD display
Dimensions 19" x 1.75" x 8.2" (483 x 44 x 195 mm)
Weight 4.1 lb. (1.85 kg)
Mains Voltage 100 to 240 VAC, 50 to 60 Hz (auto-select)
Power Consumption <15 W
Warranty Parts and labor 1 year