$ 179.00 -17%
$ 149.00

McDSP Emerald Pack Native v5 to v6 provides an easy upgrade path from McDSP’s Emerald Pack native version-5 plug-in bundle to Emerald Pack version 6

Emerald Pack is the original music production bundle by McDSP, featuring many of their greatest hits, including the ML4000, FutzBox, Channel G, Analog Channel, and the 6030 Ultimate Compressor.

The McDSP Emerald Pack is a complete music production bundle with powerful plug-ins that make audio sound as good or better than the latest software and hardware audio processors. McDSP plug-ins feature patented processing techniques, the lowest latency in their class, and a wide variety of crossover network designs make McDSP compressors, multi-band processors, and mastering limiters top choices in studios around the world.

McDSP Emerald Pack Native v6 release—Just the Facts:

  • VST support
  • Faster loading times
  • New algorithm optimizations
  • Avid Control Surface support
  • Artist presets
  • HD v6 provides support for: AAX DSP/Native, AU, VST

The McDSP Emerald Bundle includes:

  • MC2000 Multi-Band Compressor
  • 6030 Ultimate Compressor
  • CompressorBank
  • ML4000 Mastering Limiter
  • Channel G Compact
  • Channel G
  • FilterBank
  • DE555 Advanced De-esser
  • NF575 Noise Filter
  • Revolver Convolution Reverb
  • Analog Channel

McDSP Emerald Pack—Cracking the Code:

McDSP made a name for itself in 1998 with the acclaimed FilterBank equalizer plug-in. Adding to the success of the equalizer product line up, McDSP has also earned award nominations for channel strip plug-ins such as Channel G and the 6060 Ultimate Module Collection.

MC2000 Multi-Band Compressor

The MC2000 is a high-end multi-band compressor plug-in designed to emulate the sounds of vintage and modern compressors. The MC2000 gives you complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided.

The MC2000 is three plug-ins:

  • MC202 - Two-band compression
  • MC303 - Three-band compression
  • MC404 - Four-band compression

McDSP MC2000—Just the Facts:

  • Compression curve modeling
  • Multiple peak detection circuits
  • Adjustable crossover filters
  • Multi-band control linking
  • Analog Saturation Modeling
  • Double precision processing
  • Ultra Low Latency
  • Mono and stereo versions

Non-standard Knee and BITE controls allow unique and unprecedented articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent compression bands.

6030 Ultimate Compressor

Using the popular module format, the 6030 Ultimate Compressor offers ten different compressors. All of these designs are by McDSP—some completely from the ground up, while others are emulations of existing gear with unique variations created by McDSP.

6030 Ultimate Compressor—Just the Facts:

  • 10 compressor modules in a single interface
  • Side chain support
  • Analog Saturation modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Each 6030 Ultimate Compressor module is easy to operate, and yet has enough sophistication for the most discerning professional. Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6030 Ultimate Compressor has a custom-made dynamic range control module that is just right for you.

Compressor Bank

CompressorBank is a high-end compressor plug-in designed to emulate the sounds of vintage and modern compressors, while delivering complete control of dynamic compression.

The CompressorBank is three plug-ins:

  • CB101 - Basic compression
  • CB202 - Compression with pre-filtering
  • CB303 - Compression with pre-filtering and static/dynamic EQ

McDSP CompressorBank—Just the Facts:

  • Compression curve modeling
  • Multiple peak detection circuits
  • Static and Dynamic EQ
  • Side chain support and pre- filtering options
  • Analog Saturation Modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

In addition to the standard threshold and ratio controls, the actual shape and response of the compression curve can be adjusted with the Knee and BITE controls. Flexible compression control is complimented with pre-filtering and post-compression EQ.

ML4000 mastering limiter

The ML4000 is a high-resolution limiter and multi-band dynamics processor designed for music, mastering, post, and live sound. The ML4000 is two plug-ins: the ML1 mastering limiter and ML4, a multi-band gate, expander, and compressor that feed into the ML1 mastering limiter. 

The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band’s Gate, Expander, and Compressor can be configured separately or linked together. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands. Multiple real-time metering options in each band allow quick visualization of all signal dynamics.

The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies.

McDSP ML4000—Just the Facts:

  • Brick wall look-ahead limiter
  • Multi-stage peak detection and limiting
  • Unique limiter Knee and Mode controls
  • Multi-band Gate, Expander (up/down), Compressor
  • Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band
  • Multiple real-time metering options
  • Adjustable crossover filters
  • Multi-band control linking
  • Analog Saturation Modeling
  • Double precision processing
  • Low Latency
  • Mono and stereo versions

Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts. The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.

Channel G Compact

Channel G Compact features calibration modes for music, post production, and models of the world’s most popular analog mixing desks. Channel G Compact delivers the same sonic experience as Channel G with a smaller DSP footprint.

McDSP Channel G Compact—Just the Facts:

  • High-pass and low-pass filters with 12 and 24dB/Oct slopes
  • Full featured Compressor/Limiter
  • Four-band EQ with shelving and parametric sections
  • Compressor/limiter operation pre- or post-EQ section
  • Analog Saturation Modeling
  • Double precision processing
  • Ultra-low latency
  • Mono and stereo versions

The Channel G Compact user interface seamlessly integrates with the Avid S1, S4, and S6 control surfaces, the D-Control and D-Command legacy control surfaces, as well as the S6L live sound consoles.

Channel G

The Channel G Compact user interface seamlessly integrates with the Avid S1, S4, and S6 control surfaces, the D-Control and D-Command legacy control surfaces, as well as the S6L live sound consoles. The Channel G is three plug-ins: G Dynamics, a fully featured console style dynamics section with an Expander/Gate, Compressor/Limiter, and a versatile filter section; G Equalizer, a five-band professional-grade, console-style EQ with a versatile filter section; and G Console, a combination of the G Dynamics and G Equalizer configurations.

McDSP Channel G—Just the Facts:

  • Multi-mode filters (high pass, low pass, notch) with selectable slopes of 6 to 24 dB/Oct
  • Full featured Expander/Gate, Compressor/Limiter
  • Five-band EQ with shelving and parametric sections
  • Compressor/Limiter operation pre or post EQ section
  • Analog Saturation Modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

All Channel G configurations feature calibration modes for music, post production, and models of the world’s most popular analog mixing desks.

Filterbank

FilterBank, McDSP’s first product, is an equalizer plug-in that rivals any analog EQ with its flexible design and substantial feature collection. FilterBank can emulate any EQ, or be used to create a distinct custom EQ.

McDSP FilterBank is three plug-ins:

  • E606 - Parametric, high and low shelving EQ, high and low pass filters
  • F202 - Steep high and low pass filtering with resonant Q control
  • F606 - Parametric EQ with variable Q modes

McDSP Filterbank—Just the Facts:

  • Shelving and parametric EQ
  • High- and Low-pass filters with resonance control
  • Unique peak-slope-dip shelving EQ parameters
  • Variable parametric Q modes
  • Analog Saturation Modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Since its debut in 1998, FilterBank has become a legend within the audio community. With its unique Peak, Slope, Dip controls and variable Q modes FilterBank can emulate any EQ, or be used to create a distinct custom EQ.

DE555 Advanced De-esser

The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility. Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required. Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.

McDSP Advanced De-esser—Just the Facts:

  • Advanced de-essing technology
  • Unique key filter focus and de-essing controls
  • Real-time metering and key filter response plot
  • High frequency (HF) only option
  • Double precision processing
  • Low Latency
  • Mono and stereo versions

Key filter options include high-pass and band-pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored. Real-time displays of de-essing amounts and key filter response enable quick and easy setup.

NF575 Noise Filter

The NF575 Noise Filter is a high-resolution filter set designed to remove a wide variety of noise types from audio. Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible. Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60Hz hum.

McDSP NF575 Noise Filter—Just the Facts:

  • High-pass filtering (HPF) with slopes up to 36dB/Oct
  • Low-pass filtering (LPF) with slopes up to 36 dB/Oct
  • Five bands of Notch filtering with linkable frequency control
  • Analog saturation modeling
  • Double-precision processing
  • Ultra low latency
  • Mono and stereo versions

FutzBox

FutzBox is a distortion and noise generator plug-in for creating low-fidelity versions of audio signals. Typical post productions require distorted, or ‘futzed’ versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less dsp power than conventional convolution based products. Furthermore, SIMs can be scaled in real-time and changed on the fly.

McDSP FutzBox—Just the Facts:

  • Library of Synthetic Impulse Models (SIMs)
  • Configurable ‘futz’ effects including filtering, EQ, and distortion
  • Flexible noise generator with ducking capability
  • Hyper-sensitive gate for signal dropout effects
  • Double-precision processing
  • Ultra low latency
  • Mono and stereo versions

In addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required. Original and distorted audio can be mixed in real-time to accommodate scene changes or other automation requirements.

Revolver Convolution Reverb

Revolver is a high-powered convolution reverb that operates like no other. It provides total impulse response control, dedicated and routable EQ, two sync-able delay lines, a reverb decay crossover network, and specialized stereo imaging for unprecedented flexibility. Revolver provides the most compelling impulse library to date, with hundreds of sounds from rare holy grail out of production reverbs and acoustic spaces. Additional acoustic spaces and outboard gear can be modeled in a few minutes with Revolver and the Revolver impulse response tools.

McDSP Revolver—Just the Facts:

  • Huge preset library containing out of production reverbs, rare vintage reverbs, and acoustic spaces
  • Total impulse response manipulation
  • Pre-delay (positive or negative)
  • Two-band dedicated reverb EQ
  • Three-band routable EQ
  • Two sync-able delay lines
  • Flexible signal routing system
  • Tools for creating custom impulse responses
  • Reverb decay crossover network
  • Double-precision processing
  • Low latency
  • Mono and stereo versions

Controls for the total reverb time (in percent and RT60 values), wet and dry levels are always displayed. The remainder of the Revolver plug-in interface is separated into several control pages and views. Graphical representations of signal flow, impulse response data, EQ responses, and even images of the impulse response source are available. All parameter adjustments are heard immediately, and the outputs are not muted during any control updates. The user does not need to wait while the reverb is re-rendered. It is what convolution reverb was always meant to be.

Analog Channel

Analog Channel emulates the sounds of high-end analog tape machines, tape, and channel amplifiers.

Analog Channel is two plug-ins:

  • AC101 - Emulates analog channel amplifier circuits
  • AC202 - Emulates analog tape machines

The AC101 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio “sits” in the saturation/compression region, and even the attack and release times of the distortion character are adjustable.

McDSP Analog Channel—Just the Facts:

  • Library of presets emulating analog mixing systems
  • Real-time display of saturation curves and calibrations
  • Split mode operation for two separate parallel signal paths.
  • Analog Saturation Modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo version

The AC202 configuration emulates analog tape machines. In addition to standard tape machine parameters such as bias, playback speed, and IEC1/2 equalization, AC202 offers controls well beyond the limits of the reel-world devices including adjustable low frequency roll off and head bump—independent of playback speed. You can select from several playback head types, tape formulations, and even control the tape saturation recovery time. 

You know you need McDSP in your mix but can't afford everything, the Emerald Pack is a great choice. Order yours today. For more information, call or chat online with your PAD Studio Consultant.

  • HD v6: AAX DSP/Native, AU, VST
  • Native v6: AAX Native, AU, VST

 

 

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