The ADAM A5X-SUB10 5.1 'PIE TOWN' BUNDLE is a 5.1, 3-way, matched surround system with a 10" subwoofer, five 5.5" active monitors with X-Art ribbon tweeters.
ADAM Audio A5X
The A5X is 5.5", bi-amplified desktop monitor with ADAM Audio’s X-ART ribbon tweeter, 50Hz-50kHz frequency range, 50W HF A/B-style amplifier, 50W LF Class D amplifier, and single-knob volume control via Stereolink.
The A5X desktop monitor is the next model up in ADAM’s AX series. Like all AX-series monitors, the A5X is equipped with ADAM‘s proprietary X-ART tweeter, which extends its high-frequency response up to 50kHz. The smooth and highly musical high-frequency reproduction of the ribbon diaphragm is easy on the ear for long mixing sessions, while its wide-bandwidth frequency range provides all the detail a professional requires, but without the ear fatigue common with brighter metal dome tweeters. The ribbon tweeter is powered by a 50-watt A/B amplifier, custom designed by ADAM to perfectly complement the 50kHz top end. In the midrange, the A5X features a 5.5" bass/midrange woofer, the same found in the higher end of the AX range, driven by a 1.5" voice coil and a powerful 50-watt, low-distortion PWM amplifier. A hit with professionals working in television studios, remote broadcast vans, edit suites, and multimedia applications, the A5X is also a very popular choice among home/project studios and desktop producers.
ADAM Audio A5X—Just the Facts:
- X-ART folded ribbon tweeter
- 5" carbon/Rohacell/glass fiber mid-woofer
- 2 x 50W amplification
- Front-panel on-/off-switch and volume gain
- Single-knob volume control via Stereolink
- Tweeter gain and 2 shelf filters on the rear panel
- 50Hz-50kHz frequency range
- XLR and RCA connectors
- 110dB max peak SPL per pair
- 5-year warranty (2-year + 3-year optional extension)
ADAM A5X—Behind the Grille
X-ART folded ribbon tweeter technology
From its inception, ADAM Audio emerged as a major force to be reckoned with in pro audio monitoring, mainly due to its innovative folded ribbon tweeter. The ribbon tweeter is based on the Air Motion Transformer concept developed by Dr. Oskar Heil, which is a pleated diaphragm similar to the shape of bellows. From the standpoint of surface area response, a 1-inch-wide pleated diaphragm is comparable in function to an 8"-diameter cone. The folded driver acts like a point-source version of a larger driver, which inherently results in lower distortion during sound reproduction. Another property of the folded diaphragm is that its squeezing movement projects air with a speed approximately five times faster than the speed of the ribbon driver itself.
ADAM engineers took this technology and improved on it, incorporating superior geometries and materials to achieve unprecedented audio fidelity. The latest iteration of the ADAM folded ribbon tweeter is the X-ART, which explores new paths in the kinematics of moving air, resulting in a dramatic improvement in the quality of audio reproduction.
The X-ART membrane consists of a pleated diaphragm in which the folds compress or expand according to the audio signal applied to them. The result is that air is drawn in and squeezed out, like the bellows of an accordion.
The ADAM X-ART design overcomes the piston-like motion of all conventional drivers and their inevitable problems, such as narrow directivity, by achieving an improvement in air loading by a factor of 4 over conventional transducers. In addition, the X-ART tweeter’s pleated membrane avoids the typical breakup/distortion and subsequent dynamic limiting at higher frequencies found in dome and cone tweeters. Another positive result of the X-ART design is that the driving “stripes” are in direct contact with the outer air and are cooled immediately.
Diaphragm area is another important factor in determining the dynamic range of a transducer. Basically, what you see is what you get. The cone area you can see is always the acoustically active area of the loudspeaker–this is true for practically all other drive units. By folding the X-ART diaphragm into the 3rd dimension (as seen from the listener’s position) a larger foil can be used, thus increasing the acoustically effective area of the diaphragm by a factor of more than 2.5 times. This results in a higher dynamic output with extremely wide dispersion.
Custom A/B amplifier
While the X-ART tweeter’s solved certain problems associated with conical tweeter designs, its wide bandwidth up to 50kHz, though responsible for the musicality and openness of the AX3’s high-frequency response, also created a problem in terms of amplification. PWM (pulse-width modulation) amplifiers, which have become popular due to their high power efficiency and low distortion, require a low-pass filter to separate the modulation frequency (the point where power switches from the supply rails) from the audio band. it imposes a limitation on the high-frequency reproduction of the X-ART tweeter. To preserve the wide bandwidth, which in turn preserves the phase coherency and resultant realism of audio in the audible range, ADAM put considerable time and effort into creating a high-frequency power amp to allow the high-frequency tweeter to live up to its potential.
The perfect partner for X-ART
An internal bandwidth of more than 1MHz is externally limited so that the unit delivers an ultra-wide response up to 300kHz. With nothing limiting the abilities of the X-ART tweeter, the monitor has unsurpassed clarity and openness which will daze and amaze even the most jaded professional ear.
The Stereolink (A5X and A3X only) is a feature designed specifically for desktop DAW users who don’t have external monitor control systems. Stereolink, which works only with RCA inputs (not the mono XLR), comprises an input and output jack in each monitor. Connecting to Stereolink allows you to control the volume for both monitors using the volume control of one. The volume control of the slave monitor only affects its own volume to easily compensate for differences in listening distance. Each monitor can function either as a master or a slave.
Front- and rear-panel controls
The front panel of the A5X includes an on-off switch and volume control. The rear-panel inputs include balanced XLR, unbalanced RCA input as well as RCA stereo link input and output. The rear panel also has a ±4dB tweeter level control, ±6dB low-shelf and ±6dB high-shelf room compensation EQs, and an IEC power receptacle plus voltage selector switch (115V/230V) for international use.
ADAM Audio SUB10 MK2
The ADAM Audio Sub10 MK2 is a 200W, 10" powered subwoofer capable of extending the low end of AX-, SX-series, or any nearfield or midfield monitor system down to 25Hz.
If you’ve spent any time with digital recording and mixing, which if you’re reading this, obviously you have, you’ve come to realize that with digital audio, bass is no longer the enemy as it was with analog recording and pressing vinyl (too much bass energy made needles jump out of record grooves). Coincidentally, as 5- and 6-string bass guitars became more prevalent among bassists in order to compete with the low-frequency capabilities of synthesizers, which dominated music in the ’80s, a major portion of our music migrated down to the low end of the audible spectrum. However, despite digital audio’s ability to handle greater amounts of bass, too much LF energy, particularly inaudible frequencies can eat up your headroom. Some engineers solve this problem by filtering every track, in the low end, but even with a low center frequency, filters chop off frequencies above, up into the low mids, where the body of a lot of instruments lives. All that said, wouldn’t it be nice for your mixing if you can actually hear what’s going on in the audio basement? With an ADAM Sub10 MKII you can, making mix decisions based on reality, not just cut and hope for the best. Plus, cranking the bass is a lot of fun . . .
ADAM Audio Sub10 MK2—Just the Facts:
- 10" Subwoofer (paper)
- Amplifier power RMS/Music, 200W/300W
- Frequency response, 25Hz-150Hz
- peak SPL at 1 m: ≥113dB
- Energy-saving “Signal On” mode
- Easy manual or automatic deactivation for monitoring with or without the sub
ADAM Audio Sub10 MK2—Behind the Grille
The ADAM Sub10 MK2 features a special woofer with extended cone travel and heavy-duty coil optimized for accurate reproduction via bass reflex enclosure. The down-firing bass reflex tube avoids intrusive ventilation noise because of its large size and shape.
Efficient Class D amplifier
The PWM (pulse-width modulation) amplifier produces over 90% efficiency and can handle critical passages without overheating for long periods of time. An additional output allows you to cascade as many subwoofers as needed.
The Sub10 MK2 subwoofer provides a precise combination of low cutoff frequency (-3dB at 25Hz) and an undistorted high sound pressure level (113dB at 1m).
I/O and rear-panel controls
The Sub10 MK2 I/O includes left/right balanced XLR and RCA unbalanced inputs and outputs. The Sub10 MK2 has a phase switch that enables you correct phase in relation to the mains. The rear panel also has a balanced XLR sub out that mirrors the input signal, which allows you to daisy-chain as many Sub10s as you like. The Sub Level control lets you control the volume of all the subs at once. The satellites can be driven full range or with an 85Hz high pass.
The Sub10 M2 controls include Sub Level, which controls the Input Sensitivity from -60dB to +6dB. It also has a Sub Filter control that adjusts the upper-frequency limit, which is variable between 50Hz to 150Hz.
There is also an energy-saving mode switch that determines how the Sub10 MK2 responds to an input signal, which is either continuous, or responds to the input signal, and shuts down when no signal is present for 15 minutes.
ADAM Audio Sub10 Mk2 features and benefits
Linear bass reproduction down to 25Hz:
- An ideal addition to nearfield and midfield monitors for low-frequency extension
Maximum Peak sound pressure in 1 m: ≥ 113dB:
- Powerful, compression-free sound reproduction even at very high sound levels
High-efficiency PWM amplifier:
- Low-distortion amplification at both low and high volume levels
Special 10" woofer with paper diaphragm:
- Unrestricted bass reproduction for low-fatigue operation even at high volumes
Easy manual or automatic deactivation:
- Enables monitoring without the low frequencies
Downward-firing bass reflex tube with generous dimensions and corresponding rounding
- Prevention of air turbulence noise
Upper cut-off frequency is selectable between 50Hz-150Hz:
- Allows optimal adaptation of the total system on the bass performance of the satellites
Connectable high-pass filter for the satellite outputs, which blocks signals below 85Hz
- Dolby-reproduction of film sound
- Disconnects the satellites from the low frequencies
If you want to make intelligent and informed mix decisions throughout the frequency range, an AX5 5.1surround system with a Sub10 MK2 is a wise decision. Order yours today. For more information, call or chat online with your PAD Studio Specialist.
- Tweeter: X-ART
- Velocity transform ratio: 4:1
- Equivalent diaphragm diameter: 2" / 56 mm
- Woofer: 5.5" / 145 mm
- Woofer material: Carbon/Rohacell/glass fiber
- LF amplifier: 50W RMS/75W music, type PWM
- HF amplifier: 50W RMS/75W music, type A/B
- Input sensitivity: -∞ to +14dB
- Tweeter gain: ±4dB
- High shelf EQ > 5kHz: ±6dB
- Low shelf EQ < 300Hz: ±6dB
- Frequency response: 50Hz – 50kHz
- THD 90dB/1m>100Hz: ≤ 0.6%
- SPL with sine wave 100Hz-3kHz in 1m: ≥ 102dB
- peak acoustic output in 1m per pair: ≥ 110dB
- Crossover frequency: 2.5kHz
- Input: XLR/RCA
- Input impedance: 30k ohm
- Magnetically shielded: N/A
- Dimensions (HWD): 11" x 6-1/2" x 8-1/2" (280 x 170 x 220 mm)
- Weight: 14.6 lb. / 6.6 kg
- Subwoofer: 10" / 260 mm
- Voice coil diameter: 2" / 50 mm
- Woofer material: Coated paper
- Built-in amplifiers: 1
- Subwoofer channel 1/2: 200W/300W
- Frequency response: 25Hz-150Hz
- THD >60 Hz: ≤ 1%
- Maximum peak: ≥ 113dB
- Crossover frequency: 50Hz-150Hz
- Inputs: XLR / RCA
- Input impedance 10k ohm
- Weight 46.3 lb. / 21 kg
- Dimensions (H x W x D): 22" x 12" x 15-1/2" / 560 x 300 x 400 mm
- Warranty: 2 years