{"title":"Royer Labs","description":"","products":[{"product_id":"royer-labs-r-121","title":"Royer Labs R-121","description":"\u003cp\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eReleased in 1998, the award-winning R-121 is our flagship microphone; the world's first radically reengineered ribbon microphone\u003cstrong\u003e \u003c\/strong\u003e and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile \"classic\" approach to ribbon microphones and went in a completely new direction. The R-121 gives all of the warmth and natural sound that experienced engineers\u003cstrong\u003e \u003c\/strong\u003e have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the R-121. In its 10+ years in the market, thousands of R-121's have been sold around the world and it's well established as a standard for tracking electric guitar and brass\u003cstrong\u003e \u003c\/strong\u003e. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eThe R-121 redefined ribbon microphones so completely that Recording Magazine wrote \"...the Royer R-121 is destined to become one of the classic microphones of the 21st century.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eLike many of the best classic ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. But that's where the similarities end. By using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the R-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. Cranked up electric guitars\u003cstrong\u003e \u003c\/strong\u003e, close up brass, drums - you name it, the R-121 will help you record it with realism you have to hear to believe.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eWe build the R-121 solid enough to give it a lifetime warranty\u003cstrong\u003e \u003c\/strong\u003e. We expect you to own it for as long as you record, and we'll stand behind it the whole way.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePatented Offset Ribbon Technology\u003c\/strong\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\"\u003e\u003cbr\u003e\u003cbr\u003eThe R-121's proprietary offset ribbon transducer\u003cstrong\u003e \u003c\/strong\u003e (Patent # 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It's an integral piece of the magic of all Royer R-series microphones.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"display: block;\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eHigh SPL Capabilities\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eNo internal active electronics to overload or produce distortion up to maximum SPL rating\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eExtremely low residual noise\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eRibbon element is not affected by heat or humidity\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eAbsence of high frequency phase distortion\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eEqual sensitivity from front or back of element\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eConsistent frequency response regardless of distance\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cstrong\u003eTechnical Data:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eAcoustic Operating Principle: Electrodynamic pressure gradient\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003ePolar Pattern: Figure-8\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eGenerating Element: 2.5-micron aluminum ribbon\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eMagnets: Rare Earth Neodymium\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eFrequency Response: 30 -15,000 Hz +\/- 3dB\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eSensitivity: -50 dBv Re. 1v\/pa \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eOutput Impedance: 300 Ohms @ 1K (nominal)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eRated Load Impedance: \u0026gt;1500 Ohms @ 300 Ohms\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eMaximum SPL: \u0026gt;135dB @ 20 Hz\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eOutput Connector: Male XLR 3 pin (Pin 2 Hot)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eDimensions: 58mm L, 25mm W (6.13\" L, 1\" W) Weight: 244g (8.6 oz) Finish: Dull Satin Nickel\/Matte Black Chrome optional\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"R-121","offer_id":7062758981,"sku":"R-121","price":1599.0,"currency_code":"USD","in_stock":true},{"title":"R-121 Matched pair","offer_id":24950196937,"sku":"R-121-MP","price":3198.0,"currency_code":"USD","in_stock":true},{"title":"R-121 bundled with RSM-SS1","offer_id":44587757764858,"sku":"R-121-BNDL","price":1898.0,"currency_code":"USD","in_stock":true},{"title":"R-121 Matched pair bundled with 2 x RSM- SS1","offer_id":44587757797626,"sku":"R-121-MP-BNDL","price":3796.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/30118c103721ea2e0a76b7d551448187.jpeg?v=1571498923"},{"product_id":"royer-labs-r-122","title":"Royer Labs R-122 MKII","description":"\u003cp\u003eThe R-122 MKll takes the R-122 to a whole new level, delivering unprecedented flexibility for ribbons via the addition of a switchable -15 dB pad and a switchable bass-cut filter. The switches are completely out of the circuit when disengaged so when both are off, the microphone is for all purposes an original R-122. The switches are located on the back of the microphone and recessed to prevent accidental activation. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Pad\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe R-122 MKll's switchable -15 dB pad is positioned before the microphone's electronics and, when engaged, eliminates any potential for headroom-related distortion on even the loudest sound sources. Wide open electric guitars are no problem. With the pad in, the R-122 MKll's output is actually 2 dB\u003cem\u003e lower\u003c\/em\u003e than our flagship R-121.\u003cbr\u003e\u003cbr\u003eThe R-122 MKll's well-designed pad has no sonic imprint. Once levels are matched, the R-122 MKll reproduces sound exactly the same with the pad in as with the pad out.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Bass Cut\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen switched in, the R-122 MKll's bass cut starts filtering at 100 Hz, 6 dB per octave, effectively reducing the mic's bass buildup due to proximity effect. This smooth filter is extremely useful on vocals, many acoustic instruments, and close-miked electric guitars when less bottom end is desired.\u003c\/p\u003e\n\u003cp\u003eThe R-122 MKll's electronics are hand-wired in our Burbank, CA factory. The microphone utilizes a special Royer-designed toroidal transformer that delivers a faster transient response then traditional ribbons, making it a first call ribbon mic for drum overheads, percussion and all acoustic instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConventional ribbon microphones need high-quality, high-gain microphone preamplifiers to record softer sound sources. The R-122 MKll's output level is much higher, allowing you to use practically any mic preamplifier or board pre's to record even the quietest sounds. The R-122 MKll contains a fully balanced, hand-wired, discrete head amplifier system utilizing a specially wound toroidal transformer and ultra-low noise FET's. This system is extremely quiet and brings the R-122 MKll's sensitivity to 37 dB, all while allowing for high SPL recording! Go ahead and plug a MKll into any preamp with average gain - you'll get full Royer performance and enough level to drive any recording medium.\u003c\/p\u003e\n\u003cp\u003eThere is no increase in self-noise in the R-122 MKll's higher sensitivity. All of the mic's additional output comes from its large, specially wound toroidal transformer - that wonderful thing called \"free gain.\" The phantom powered circuitry provides impedance conversion only, adding no noise of its own.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImpedance Matching\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe R-122 MK's active electronics put a perfect load on the ribbon element at all times, allowing the microphone to deliver its full sonic potential regardless of the input characteristics of the following pre. Due to its low-impedance output, R-122's can be used on extremely long cable runs with minimal signal loss. In addition, the ribbon element can't be damaged by phantom power, miswired cables or electrical glitches.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePatented Offset Ribbon Technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe R-122's proprietary offset ribbon transducer (Patent # 6,434,252) positions the ribbon element closer to the front (logo) side of the microphone. This configuration gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It's an integral piece of the magic of all Royer R-series microphones.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"display: block;\"\u003e\n\u003cul\u003e\n\u003cli\u003ePhantom powered circuitry provides high output and impedance matching\u003c\/li\u003e\n\u003cli\u003e-15 dB pad before the mic's electronics gives more headroom when activated.\u003c\/li\u003e\n\u003cli\u003eBass cut filter reduces proximity effect and bass below 100 Hz when activated\u003c\/li\u003e\n\u003cli\u003eHigh SPL Capabilities\u003c\/li\u003e\n\u003cli\u003eNo distortion up to maximum SPL rating\u003c\/li\u003e\n\u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n\u003cli\u003eRibbon element is not affected by heat or humidity\u003c\/li\u003e\n\u003cli\u003eAbsence of high frequency phase distortion\u003c\/li\u003e\n\u003cli\u003eEqual sensitivity from front or back of element\u003c\/li\u003e\n\u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n\u003cli\u003eRear side of mic records slightly brighter when three feet or closer to sound source\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"R-122 MKII","offer_id":7062765445,"sku":"R-122 MKII","price":1999.0,"currency_code":"USD","in_stock":true},{"title":"R-122 MKII Matched Pair","offer_id":24986424713,"sku":"R-122 MKII-MP","price":3998.0,"currency_code":"USD","in_stock":true},{"title":"R-122 MKll bundled with RSM-SS1","offer_id":44587763925242,"sku":"R-122 MKII- BNDL","price":2198.0,"currency_code":"USD","in_stock":true},{"title":"R-122 MKII Matched Pair bundled with 2 x RSM- SS1","offer_id":44587763958010,"sku":"R-122 MP-BNDL","price":4396.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/royer_labs_r_122_mkii_mp_l_mid_pro_r_122_s_phantom_powered_large_1128193.jpg?v=1571498923"},{"product_id":"royer-labs-sf-12","title":"Royer Labs SF-12","description":"\u003cp\u003eThe SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance. An SF-12 is actually two matched ribbon microphones placed one above the other; each aimed 45 degrees from center in the classic Blumlein configuration. The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible.\u003c\/p\u003e\n\u003cp\u003eThe SF-12 utilizes two 1.8-micron ribbons, each weighing approximately 1\/3 milligram and producing superb transient response. The two ribbon transducers are magnet\/pole piece structures that produce a wide, uniform frequency response with no substantial peaks or dips. The case is ingot iron and forms part of the magnetic return circuit, an effective system with low leakage flux which accounts for the relatively high sensitivity in a trim package. The SF-12's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labeled \"Upper\" and \"Lower,\" for the upper and lower capsules of the microphone (when held vertically).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrue stereophonic (Blumlein and M-S) recording from one microphone.\u003c\/li\u003e\n\u003cli\u003eHigh SPL capabilities.\u003c\/li\u003e\n\u003cli\u003eNo internal active electronics to overload or produce distortion up to maximum SPL rating.\u003c\/li\u003e\n\u003cli\u003eExtremely low residual noise.\u003c\/li\u003e\n\u003cli\u003eRibbon element not affected by heat or humidity.\u003c\/li\u003e\n\u003cli\u003eAbsence of high frequency phase distortion.\u003c\/li\u003e\n\u003cli\u003eEqual sensitivity from front or back of elements.\u003c\/li\u003e\n\u003cli\u003eConsistent frequency response regardless of distance.\u003c\/li\u003e\n\u003cli\u003eHigh efficiency, matching toroidal transformers.\u003c\/li\u003e\n\u003cli\u003eVery low magnetic leakage.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":7062781765,"sku":"SF-12","price":2999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/25cf68eb1c11fb81965ee6e7a32867c0.gif?v=1571498923"},{"product_id":"royer-labs-sf-24","title":"Royer Labs SF-24","description":"\u003cp\u003eThe SF-24 stereo ribbon microphone is a phantom powered version of our popular SF-12 stereo ribbon microphone. It combines the SF-12's high quality audio performance, outstanding stereo separation and imaging with our exclusive active electronics system for ribbon microphones. The SF-24's output of -38 dB is a full 14 dB more sensitive than our non-powered SF-12, putting its sensitivity on par with that of phantom powered condenser microphones. The unique electronics and custom designed FET's used in the SF-24 allow for ultra-quiet operation, with self-noise of lower than 18 dB.\u003c\/p\u003e\n\u003cp\u003eLike an SF-12, the SF-24 is actually two matched ribbon microphones placed one above the other in a coincident pair, each aimed 45 degrees from center in the classic Blumlein configuration. The magnet\/pole piece structure of each ribbon transducer delivers a wide, uniform frequency response with no substantial peaks or dips, and the 1.8-micron ribbons produce superb transient response. Frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible.\u003c\/p\u003e\n\u003cp\u003eThe SF-24's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labeled \"Upper\" and \"Lower\" for the upper and lower capsules of the microphone (when held vertically).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain \u003c\/strong\u003e\u003cbr\u003eOur active ribbon™ mics (SF-24 and R-122) are as sensitive as phantom powered condenser microphones, allowing you to use virtually any mic preamplifier or board pre. Conventional ribbon microphones are 15 to 30 dB less sensitive than condenser mics, necessitating the use of high-quality, high-gain microphone preamplifiers when recording softer sound sources like acoustic instruments, vocals and room ambiance. The SF-24 contains two fully balanced, discrete head amplifier systems utilizing specially wound toroidal transformers and ultra-low noise FET's, each delivering a sensitivity of -38 dB. This lets you mate an SF-24 to any preamplifier with average gain characteristics. Even with quiet sound sources, you'll have enough level to drive any recording medium.\u003c\/p\u003e\n\u003cp\u003eIt is important to note that the SF-24's higher sensitivity does not create additional self-noise. All of the SF-24's increased level comes from its large, specially wound toroidal transformers - that wonderful thing called \"free gain.\" The level at the each of the transformers is actually hotter than what comes out of the microphone. The phantom powered system operates at less than unity, adding no noise of its own. This system took years to develop and is in patent pending status.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImpedance Matching\u003c\/strong\u003e\u003cbr\u003eThe electronics in the SF-24 provide a perfect load to the ribbon elements at all times, allowing the microphone to deliver 100% of its full sonic potential regardless of the input characteristics of the following mic-pre. Due to its low-impedance output, SF-24's can also be used on extremely long cable runs with minimal signal loss.\u003c\/p\u003e\n\u003cp\u003eA good impedance match is critical to ribbon microphones. Impedance mis-matching loads a ribbon improperly, resulting in loss of low end, diminished body, lowered sensitivity and an overall compromised performance. With our Active Series ribbon mics, the ribbon element sees a perfect impedance at all times, regardless of the preamp you use, so its performance will never be compromised by the effects of improper loading. In addition, the ribbon element cannot be damaged by phantom power, electrical glitches or miswired cables.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePhantom powered circuitry provides high output and impedance matching\u003c\/li\u003e\n\u003cli\u003eTrue stereophonic (Blumlein and M-S) recording from one microphone\u003c\/li\u003e\n\u003cli\u003eHigh SPL capabilities\u003c\/li\u003e\n\u003cli\u003eNo distortion up to maximum SPL rating\u0026lt;\u003c\/li\u003e\n\u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n\u003cli\u003eRibbon elements are not affected by heat or humidity\u003c\/li\u003e\n\u003cli\u003eAbsence of high frequency phase distortion\u003c\/li\u003e\n\u003cli\u003eEqual sensitivity from front or back of elements\u003c\/li\u003e\n\u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n\u003cli\u003eHigh efficiency, matching toroidal transformers\u003c\/li\u003e\n\u003cli\u003eVery low magnetic leakage\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":7062784197,"sku":"SF-24","price":4999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/3026b8d68dedb40466fa3d40b8e34035.gif?v=1571498923"},{"product_id":"royer-labs-r-122v","title":"Royer Labs R-122V","description":"\u003cp\u003eThe R-122V is the pinnacle of their R-Series line, a world class tube ribbon microphone exhibiting unparalleled richness, depth and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be truly appreciated, the R-122V offers the ultimate in ribbon microphone performance for those who insist on the very best. \u003c\/p\u003e\n\u003cp\u003eThe R-122V takes the Royer-pioneered concept of active ribbon microphone technology to an unprecedented level by incorporating vacuum tube electronics into the same proven transducer system used in the venerable R-121 and R-122 ribbon microphones. The high operating voltage of the vacuum tube provides headroom far beyond that available from a standard phantom power supply. Sonically this translates into unmatched clarity, detail and airiness, along with the ability to handle brute SPL levels without flinching.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Electronics\u003c\/strong\u003e\u003cbr\u003eThe R-122V's head amplifier consists of a low-noise, triode-connected military grade 5840 vacuum tube. Designed for a wide range of applications, the R-122V offers superb transient response and the drive capabilities only a vacuum tube head amplifier can provide. The circuit is devoid of typical vacuum tube coloration.\u003c\/p\u003e\n\u003cp\u003eThe R-122V's triode-configured cathode follower circuitry enables the microphone to drive long cable runs without sonic degradation or high-frequency loss. This capability is further enhanced by the R-122V's dedicated power supply, which provides ample current to the vacuum tube electronics. Induced noise is virtually eliminated by the microphone's fully balanced output, which is electrically isolated with a special purpose Jensen output transformer.\u003c\/p\u003e\n\u003cp\u003eLike our phantom powered R-122, the R-122V has far more level than non-powered ribbon microphones and its impedance matching circuitry places a perfect load on the ribbon element at all times. This allows the use of a wide variety of mic preamps without concern for gain and impedance matches, two critical issues with ribbon microphones. All of the R122V's increased output comes from its large, specially designed toroidal transformer, so there is no additional noise associated with the microphone's higher output.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePatented Offset Ribbon Technology\u003c\/strong\u003e\u003cbr\u003eThe R-122's proprietary offset ribbon transducer (Patent Number: 6,434,252) positions the ribbon element closer to the front (logo) side of the microphone than the rear. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It's an integral piece of the magic of all Royer R-series microphones.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Mono","offer_id":7062800581,"sku":"R-122V","price":3399.0,"currency_code":"USD","in_stock":true},{"title":"Matched Pair","offer_id":24987781065,"sku":"R-122V-MP","price":6798.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/R-122VLG.gif?v=1571498923"},{"product_id":"royer-labs-sf-2","title":"Royer Labs SF-2","description":"\u003cp\u003eThe SF-2 ribbon microphone is a phantom powered version of Royers original SF-1 ribbon microphone. Designed primarily for classical applications and acoustic instruments, the SF-2 combines high-quality audio performance with our exclusive active electronics for ribbon microphones. The SF-2's output of -38 dB puts its sensitivity on par with that of phantom powered condenser microphones, allowing it to be used with a wide variety of mic pre's regardless of gain characteristics. The unique electronics and custom designed FET's used in the SF-2 deliver ultra-quiet operation, with self-noise of lower than 18 dB. \u003c\/p\u003e\n\u003cp\u003eThe SF-2's magnet\/pole piece transducer structure gives a wide, uniform frequency response with no substantial peaks or dips, and the 1.8-micron ribbon element delivers superb transient response. Frequency response is excellent regardless of the angle of sound striking the ribbon and off-axis coloration is negligible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOur Active Series ribbon mics are as sensitive as phantom powered condenser microphones, allowing you to use virtually any mic preamplifier or board pre. Conventional ribbon microphones are 15 to 30 dB less sensitive than condenser mics, necessitating the use of high-quality, high-gain microphone preamplifiers when recording quieter sound sources like acoustic instruments, vocals, room ambiance, etc. The SF-2 contains a fully balanced, discrete head amplifier system which utilizes a specially wound toroidal transformer and ultra-low noise FET's to deliver a sensitivity of -38 dB. Even with extremely quiet sound sources, you'll have enough level to drive any recording medium.\u003c\/p\u003e\n\u003cp\u003eThe SF-2's electronics create no additional self-noise. All of the SF-2's higher output comes from its large, specially wound toroidal transformer which provides an additional 14 dB of 'free gain.' The phantom powered system operates at less than unity, adding no noise of its own.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImpedance Matching\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe electronics in the SF-2 provide a perfect load to the ribbon element at all times, allowing the microphone to deliver 100% of its full sonic potential regardless of the input characteristics of the following mic-pre. Due to its low-impedance output, SF-2's can be used on extremely long cable runs with minimal signal loss.\u003c\/p\u003e\n\u003cp\u003eA proper impedance match is critical to the performance of ribbon microphones. Impedance mismatching loads a ribbon element improperly, resulting in loss of low end and body, lower sensitivity, and an overall diminished performance. With our Active Series ribbon mics, the ribbon element sees a perfect impedance at all times regardless of the preamp you choose, so its performance is never compromised by the effects of improper loading. In addition, the ribbon element cannot be damaged by phantom power, electrical glitches or miswired cables.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe SF-2 Story\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTwenty prototype SF-2's circulated in major studios and scoring stages for years before the microphone's release. They were extremely well received in classical circles, where they excel on choir, piano, woodwinds, strings and many other applications. They were also well received in studios focusing more on acoustic instruments, singer\/songwriters, etc. We couldn't get most of the prototypes back...\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePackaging\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe SF-2 ships in an aluminum presentation case with an SFS-2 shock mount, mic sock, documentation and manual.\u003c\/p\u003e\n\u003cp\u003eThe optional SF-2 Deluxe packaging includes a beautiful Padauk wood presentation case, a Royer-made 20' microphone cable, a premium RSM-24 shock mount, documentation and manual, all packaged in an aluminum carrying\/storage case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePhantom powered circuitry provides high output and impedance matching\u003c\/li\u003e\n\u003cli\u003eHigh SPL capabilities (130 dB @ 70 Hz)\u003c\/li\u003e\n\u003cli\u003eNo distortion up to maximum SPL rating\u003c\/li\u003e\n\u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n\u003cli\u003eRibbon element not affected by heat or humidity\u003c\/li\u003e\n\u003cli\u003eAbsence of high frequency phase distortion.\u003c\/li\u003e\n\u003cli\u003eEqual sensitivity from front and back of microphone\u003c\/li\u003e\n\u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n\u003cli\u003eHigh efficiency toroidal transformer and gold plated output connector\u003c\/li\u003e\n\u003cli\u003eVery low magnetic leakage\u003c\/li\u003e\n\u003cli\u003eMatte Black finish reduces reflected light for live and on-camera use\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer Labs","offers":[{"title":"Mono","offer_id":7070962885,"sku":"SF-2","price":2499.0,"currency_code":"USD","in_stock":true},{"title":"Matched Pair","offer_id":24988131977,"sku":"SF-2-MP","price":4998.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/1ead22dcac801c04ce6b29c68da8ecbd.jpeg?v=1571499194"},{"product_id":"royer-labs-sf-24v","title":"Royer Labs SF-24V","description":"\u003cp\u003eThe SF-24V vacuum tube stereo ribbon microphone is the pinnacle of our SF-series stereo microphones. The sound pickup is lush, smooth and natural, with outstanding stereo imaging and superb transient response. The tube electronics provide increased midrange reach, unmatched clarity and detail, and an airiness previously unheard of in ribbon mics. Utilizing the same proprietary tube electronics as in our TEC Award winning R-122V ribbon microphones, the SF-24V delivers the ultimate in stereo ribbon miking for the true connoisseur of recorded sound.\u003c\/p\u003e\n\u003cp\u003eThe SF-24V's independent tube circuits provide an output level of -38 dB, suitable for use with any professional preamplifier. With self-noise of lower than 18 dB, the SF-24V's ultra-quiet operation is suitable for the most demanding classical and acoustic recording applications.\u003c\/p\u003e\n\u003cp\u003eLike an SF-12, the SF-24V is actually two matched ribbon microphones, placed one above the other in a coincident pair, each aimed 45 degrees from center in the classic Blumlein configuration. The magnet\/pole piece structure of each ribbon transducer delivers a wide, uniform frequency response with no substantial peaks or dips, and the 1.8-micron ribbons produce superb transient response. Frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Electronics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe SF-24V's twin head amplifiers consist of low-noise, triode-connected military grade 5840 vacuum tubes. Designed for a wide range of applications, the SF-24V delivers -38 dB output and the drive capabilities only vacuum tube head amplifiers can provide. The circuits are devoid of typical vacuum tube coloration.\u003c\/p\u003e\n\u003cp\u003eThe SF-24V's triode-configured cathode follower circuitry enables the microphone to drive long cable runs without sonic degradation or high-frequency loss. This capability is further enhanced by the SF-24V's dedicated power supply, which provides ample current to the vacuum tube electronics. Induced noise is virtually eliminated by the microphone's fully balanced outputs, which are electrically isolated with special purpose Jensen output transformers.\u003c\/p\u003e\n\u003cp\u003eThe SF-24V has far more level than non-powered ribbon microphones and its impedance matching circuitry places a perfect load on the ribbon element at all times. This allows the use of a wide variety of mic preamps without concern for gain and impedance matches, two critical issues with ribbon microphones. In addition, the microphone's electronics shield the ribbon elements from any possibility of damage by phantom power, electrical glitches or miswired cables.\u003c\/p\u003e\n\u003cp\u003eIt is important to note that the SF-24V's higher sensitivity creates no additional self-noise. All of the SF-24V's increased level comes from its large, specially wound toroidal transformers, so there is no additional noise associated with the microphone's higher output. The tube system operates at less than unity, adding no noise of its own\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVacuum tube circuitry provides high output and impedance matching\u003c\/li\u003e\n\u003cli\u003eTrue stereophonic (Blumlein and M-S) recording from one coincident microphone\u003c\/li\u003e\n\u003cli\u003eHigh SPL capabilities\u003c\/li\u003e\n\u003cli\u003eNo distortion up to maximum SPL rating\u003c\/li\u003e\n\u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n\u003cli\u003eRibbon elements are not affected by heat or humidity\u003c\/li\u003e\n\u003cli\u003eAbsence of high frequency phase distortion\u003c\/li\u003e\n\u003cli\u003eEqual sensitivity from front or back of elements\u003c\/li\u003e\n\u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n\u003cli\u003eHigh efficiency, matching toroidal transformers\u003c\/li\u003e\n\u003cli\u003eVery low magnetic leakage\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":7070971269,"sku":"SF-24V","price":6999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/12d6e47b47a28c489e120209dd74912d.gif?v=1571499194"},{"product_id":"royer-labs-dbooster2-in-line-signal-booster-di","title":"Royer Labs R-DB22 - dBooster2 - In-Line Signal Booster \u0026 DI","description":"\u003cp\u003eThe Royer model R-DB22 dBooster2 features two channels of dBooster ribbon \u0026amp; dynamic microphone signal boosting and impedance buffering technology. Each channel also doubles as a high-impedance DI.\u003c\/p\u003e\n\u003cp\u003eWhen used as a signal booster, both channels of the dBooster2 increase the level of passive low-output ribbon and dynamic microphones with a minimum of distortion or coloration. Designed for professional applications, each dBooster2 channel offers two levels of clean gain boost: 12dB or 20dB, selectable by a front panel switch.\u003c\/p\u003e\n\u003cp\u003eThe dBooster2’s Class A input presents a high source impedance to microphones, minimizing loading (damping) and improving headroom. By utilizing the 12\/20dB gain switch, optimum balance between gain and headroom can be achieved for a variety of uses.\u003c\/p\u003e\n\u003cp\u003eThe dBooster2’s low-impedance output is an increased microphone-level signal that can drive a digital interface directly or a standard microphone preamplifier. It also minimizes signal loss on long cable runs.\u003c\/p\u003e\n\u003cp\u003eWhen used as a DI for unbalanced guitar level sources, the dBooster2 provides either 0dB or 8dB of gain, selectable from the front panel switch. The single ended high-impedance (230K-Ohm) DI input maintains headroom and gain regardless of load, with minimal distortion or coloration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRECOMMENDED APPLICATIONS\u003c\/strong\u003e\u003cbr\u003e• Miking any low-volume sound source (acoustic instruments, vocals, etc.)\u003cbr\u003e• Recording direct to a DAW interface\u003cbr\u003e• Use on long cable runs to retain sound quality\u003cbr\u003e• DI for direct electric guitar, electric bass, and other instruments\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e• 12dB and 20dB gain stages in Mic mode\u003cbr\u003e• 0dB or 8dB gain in Hi-Z guitar input mode\u003cbr\u003e• High input impedance\u003cbr\u003e• Balanced Low output impedance\u003cbr\u003e• Rugged case construction\u003cbr\u003e• Ultra-low noise performance\u003cbr\u003e• Ultra-low distortion\u003cbr\u003e• Wide frequency bandwidth\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBENEFITS\u003c\/strong\u003e\u003cbr\u003e• Safe for use on all ribbon mics\u003cbr\u003e• Increases headroom at the preamp\u003cbr\u003e• Provides true electrical isolation\u003cbr\u003e• Protects ribbon mics from phantom-power\u003cbr\u003e• Minimizes mic loading\u003cbr\u003e• Capable of driving difficult loads, such as mic splitters and vintage style preamps, without increased distortion or loss of gain\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eGain: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eswitchable 12dB or 20dB in Mic mode,\u003cbr data-mce-fragment=\"1\"\u003eswitchable 0dB or 8dB in DI mode\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHD+N:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e@ 20dB Gain = .0015%, -25dBu input signal,\u003cbr data-mce-fragment=\"1\"\u003e1.3Vp-p output signal\u003cbr data-mce-fragment=\"1\"\u003e@ 12dB Gain = .001%, -6dBu input signal,\u003cbr data-mce-fragment=\"1\"\u003e3.66Vp-p output signal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIM Distortion:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e@ 20dB setting, \u0026lt; .002% @ 800mV output,\u003cbr data-mce-fragment=\"1\"\u003e@ 12dB setting, \u0026lt; .005% @ 2.6volts output\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelf-Noise:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003ereferred to -48dB re. 1V\/Pa ,\u003cbr data-mce-fragment=\"1\"\u003e20dB setting \u0026lt; 11dBa,\u003cbr data-mce-fragment=\"1\"\u003e12dB setting \u0026lt; 15dBa\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeadroom:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003ereferred to -48dB re. 1V\/Pa and 4mV\/Pa,\u003cbr data-mce-fragment=\"1\"\u003e20dB setting: 127dB,\u003cbr data-mce-fragment=\"1\"\u003e12dB setting: 120dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e20Hz-20kHz +\/- .25dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e3.6K-Ohm in Mic mode, 270K-Ohm in DI mode\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput Impedance :\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e(at 20dB setting) 300-Ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent draw:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eapproximately 5mA at zero signal and 7.5mA at full output\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput and output connections:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eBalanced XLR: (Pin 1 Ground, Pin 2 Signal Hot, Pin 3 Signal Cold), HI-Z (DI) ¼-inch\u003cbr data-mce-fragment=\"1\"\u003eunbalanced, tip signal HOT.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e48-Volt phantom\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e3.875” (98.425mm) L X 3.875” (98.435mm) W X 1.75” (44.45mm) H\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e10.2 oz (289g)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWARRANTY\u003c\/strong\u003e\u003cbr\u003eThe dBooster2 is covered by a one-year warranty. This warranty covers parts\u003cbr\u003eand labor but does not cover damage as a result of misuse or abuse.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":42475133239546,"sku":"R-DB22","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/royer_labs_dbooster2.jpg?v=1695041718"},{"product_id":"royer-labs-r-10-studio-live-ribbon-microphone","title":"Royer Labs R-10 - Studio\/Live Ribbon Microphone","description":"\u003cp data-mce-fragment=\"1\"\u003eThe Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10’s compact size and mounting system allow for flexible, unobtrusive positioning. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10’s 2.5-micron aluminum ribbon element is formed with our patented direct-corrugation process and is protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The ribbon transducer is wired for humbucking to reject electromagnetically induced noise.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10’s built-in windscreen provides superior protection from air blasts and plosives. It also reduces proximity effect (bass buildup from close miking) so guitar cabinets and acoustic instruments can be close-miked with less bass buildup. The R-10’s internally shockmounted ribbon transducer isolates the ribbon element from shocks and vibrations, increasing the ribbon element’s durability.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You’ll never overload an R-10! The mic’s open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Sound\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRoyer ribbon mics are legendary on electric guitar and the R-10 shows some of its best stuff on studio and live electrics, capturing all the low end, midrange warmth and punch guitarists and engineers have come to expect from a Royer. If you want more bite in the highs but don’t want to multi-mic (particularly on live stages where blending microphones can create phase-related problems), the R-10 takes EQ beautifully and we suggest experimenting with your favorite EQ unit or plugin.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10 is excellent on brass and can handle close-miked trumpets, trombones, and other brass instruments. Brass records naturally on an R-10, as bright as the musician plays but without the added sizzle or harshness commonly experienced when condenser mics are used on brass instruments.\u003c\/p\u003e\n\u003cfigure id=\"attachment_1964\" class=\"thumbnail wp-caption alignleft\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg\" data-rel=\"lightbox\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg\"\u003e\u003cimg data-attachment-id=\"1964\" data-permalink=\"https:\/\/royerlabs.com\/r-10\/r-10-mount-super-cu2\/\" data-orig-file=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?fit=800%2C447\u0026amp;ssl=1\" data-orig-size=\"800,447\" data-comments-opened=\"0\" data-image-meta='{\"aperture\":\"0\",\"credit\":\"\",\"camera\":\"\",\"caption\":\"\",\"created_timestamp\":\"0\",\"copyright\":\"\\u00a9 2017 Dana Hursey Photography\",\"focal_length\":\"0\",\"iso\":\"0\",\"shutter_speed\":\"0\",\"title\":\"\",\"orientation\":\"0\"}' data-image-title=\"R-10-mount-super-CU2\" data-image-description=\"\" data-image-caption=\"\u0026lt;p\u0026gt;Close up of mount\u0026lt;\/p\u0026gt;\" data-medium-file=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?fit=300%2C168\u0026amp;ssl=1\" data-large-file=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?fit=800%2C447\u0026amp;ssl=1\" loading=\"lazy\" class=\"size-medium wp-image-1964\" src=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=300%2C168\" alt=\"\" width=\"300\" height=\"168\" srcset=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=300%2C168\u0026amp;ssl=1 300w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=150%2C84\u0026amp;ssl=1 150w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=768%2C429\u0026amp;ssl=1 768w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=268%2C150\u0026amp;ssl=1 268w, https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?w=800\u0026amp;ssl=1 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" style=\"box-sizing: border-box; border: 0px; max-width: 100%; height: auto; vertical-align: middle; padding: 0px; display: block; margin: auto; border-radius: 0px; transition: all 0.2s ease-in-out 0s; line-height: 20px; box-shadow: none;\" data-mce-fragment=\"1\" data-mce-style=\"box-sizing: border-box; border: 0px; max-width: 100%; height: auto; vertical-align: middle; padding: 0px; display: block; margin: auto; border-radius: 0px; transition: all 0.2s ease-in-out 0s; line-height: 20px; box-shadow: none;\" data-mce-src=\"https:\/\/i1.wp.com\/royerlabs.com\/wp-content\/uploads\/2017\/08\/R-10-mount-super-CU2.jpg?resize=300%2C168\"\u003e\u003c\/a\u003e\n\u003cfigcaption class=\"caption wp-caption-text\" data-mce-fragment=\"1\"\u003eClose up of mount\u003c\/figcaption\u003e\n\u003c\/figure\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDrums are full-bodied with realistic (not over-hyped) transients response, and the R-10’s figure-8 pattern conveys superb ambience and depth when used for room miking applications. A compressed R-10 in front of the kit sounds huge and punchy.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eR-10 recordings of violins, ukuleles, steel-stringed and nylon-stringed acoustic guitars, banjos, and other stringed instruments are warmth and natural and fit into mixes easily. “Airing out” the recorded track by opening up a bit of 12K with an EQ often gives surprisingly good results.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVocals record warm and naturally on an R-10, and the EQ-friendliness of the R-10 allows for dialing in completely different sounds with liberal use of EQ. Try experimenting with cutting bass at 100 Hz and opening up 12K by 3 to 6 dB (or more!). Some great vocal performances were recorded on highly EQ’d ribbon mics (Sixpence None the Richer “There She Goes Again” and “Kiss Me” for example). For audio examples of EQ’d vocals, visit our\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAudio\/Video Library\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSee Audio\/Video tab below for sound samples and mic comparisons.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRoyer’s Patented Offset Ribbon Technology\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10’s patented offset-ribbon design positions the ribbon element toward the front of the transducer, which allows for high SPL handling on the front (logo) side and the option of a brighter response when recording lower SPL sound sources like acoustic guitar, ukulele and vocals on the backside (3 feet or closer; phase reversed position). For more information on the R-series transducer design, see https:\/\/www.youtube.com\/watch?v=B-KaSiYYcDU\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R-10 is available in matched pairs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• High SPL capabilities for electric guitar, brass and other close miking applications\u003c\/p\u003e\n\u003cp\u003e• Multi-layered wind screen provides superior protection to ribbon element\u003c\/p\u003e\n\u003cp\u003e• Internally shock-mounted ribbon transducer gives increased durability\u003c\/p\u003e\n\u003cp\u003e• Passive design and custom transformer minimize high SPL overload\u003c\/p\u003e\n\u003cp\u003e• Hum-bucking transducer design delivers extremely low residual noise\u003c\/p\u003e\n\u003cp\u003e• Ribbon element not affected by heat or humidity\u003c\/p\u003e\n\u003cp\u003e• Absence of high-frequency peaks, “ringing” and phase shifts\u003c\/p\u003e\n\u003cp\u003e• Equal sensitivity from front or back of the element\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRECOMMENDED APPLICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• Close miking in the studio and on live stages\u003c\/p\u003e\n\u003cp\u003e• Electric \u0026amp; acoustic guitars\u003c\/p\u003e\n\u003cp\u003e• Drum overheads, kick drum (see manual for position), room miking\u003c\/p\u003e\n\u003cp\u003e• Percussion instruments\u003c\/p\u003e\n\u003cp\u003e• Brass, horn sections\u003c\/p\u003e\n\u003cp\u003e• Strings - solo \u0026amp; sections\u003c\/p\u003e\n\u003cp\u003e• Acoustic piano\u003c\/p\u003e\n\u003cp\u003e• Vocals\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"R-10","offer_id":42530621653242,"sku":"R-10","price":649.0,"currency_code":"USD","in_stock":true},{"title":"R-10 Matched Pair","offer_id":42530621686010,"sku":"R-10-MP","price":1298.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/R-10.jpg?v=1647350966"},{"product_id":"royer-labs-sling-shock-microphone-shockmount","title":"Royer Labs Sling-Shock Microphone Shockmount","description":"\u003cp data-mce-fragment=\"1\"\u003eThe Sling-Shock™ (Patent No. 8,571,250) is a revolutionary departure from traditional shockmount designs. We’ve done away with unreliable rubberized parts and elastic cords, producing a durable shockmount that provides exceptional isolation from vibration, rumble and resonances.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOur proprietary system of non-resonant nylon cable and damped steel springs acts to isolate the microphone from vibrations induced from the microphone stand. These vibrations appear as rumble and\/or low-grade noise across the bandwidth and are greatly reduced by use of the Sling-Shock.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSling-Shocks also eliminate the self-resonance that traditional shockmounts can generate on high SPL applications like close-miked electric guitar. Shockmount self-resonance creates harmonic interferences at various frequencies – Sling-Shocks eliminate the issue. The Sling-Shock’s superior vibration-reduction capabilities and lack of self-resonance allow engineers to capture performances free of vibration-related interference across the bandwidth.\u003c\/p\u003e\n\u003cdiv class=\"clearfix\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003ca href=\"http:\/\/royerlabs.com\/wp-content\/uploads\/2016\/10\/cable-holder-detail.jpg\" data-rel=\"lightbox\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/royerlabs.com\/wp-content\/uploads\/2016\/10\/cable-holder-detail.jpg\" target=\"_blank\"\u003eA cable clip is included on each Sling-Shock\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Loop a length of cable under the microphone, then secure the cable to the mic clip to minimize cable-related vibrations.\u003c\/span\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSling Shock Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSuperior isolation from vibration, shock and rumble\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLack of self-resonance on high SPL applications\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFelt-lined, scratch-free microphone chamber holds mic securely\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNo rubberized parts to degrade or stretch\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBuilt in microphone cable clip minimizes cable-related vibration\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFlexible for easy microphone positioning\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLifetime warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSling-Shock RSM-SS1\u003c\/h2\u003e\n\u003cp\u003eThe Sling-Shock RSM-SS1 is sized to fit Royer’s 1-inch diameter ribbon mics; R-121, R-122 MKll, R-122V and SF-12 ribbon microphones. The RSM-SS1 will work with any cylindrical microphone measuring approximately one inch in diameter (+\/- 1\/8 inch).\u003c\/p\u003e\n\u003ch2\u003eSling-Shock RSM-SS24\u003c\/h2\u003e\n\u003cp\u003eThe RSM-SS24 accommodates Royer’s SF-2, SF-24 and SF-24V microphones, and any cylindrical microphone measuring approximately 1 ½ inch in diameter (+\/- 1\/8 inch).\u003c\/p\u003e\n\u003ch2\u003eSling-Shock RSM-SS251\u003c\/h2\u003e\n\u003cp\u003eThe RSM-SS251’s two-inch (50mm) diameter chamber accommodates a number of non-Royer microphones, including ELAM 251s, U-67s, U-87s and other similarly sized microphones.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"RSM-SS1","offer_id":42530633941242,"sku":"RSM-SS1","price":299.0,"currency_code":"USD","in_stock":true},{"title":"RSM-SS24","offer_id":42530633974010,"sku":"RSM-SS24","price":349.0,"currency_code":"USD","in_stock":true},{"title":"RSM-SS251","offer_id":42530634006778,"sku":"RSM-SS251","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Sling-Shock.jpg?v=1647351493"},{"product_id":"royer-labs-ps-101-pop-filter","title":"Royer Labs PS-101 Pop Filter","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eFinally, a pop filter that doesn’t filter your sound along with the pops. Look through a Royer PS-101 pop filter and you will see the mic clearly. The secret is the special louvered metal that deflects wind downwards while letting sound go directly through. The PS-101 will last for many years (try that with your nylon!), it can be cleaned with soap and water, and it looks good too!\u003c\/span\u003e\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":42530641674490,"sku":"PS101","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/PS-101PopFilter.jpg?v=1647351909"},{"product_id":"royer-labs-sm-21","title":"Royer Labs SM-21 - AxeMount Dual Microphone Clip","description":"\u003cp\u003eThe R-121\/57-styled dynamic mic combo is legendary for capturing electric guitars. With the AxeMount, using these two classic mics has never been easier, faster to set up, or more stable once they’re set up. You can also move the two mics from one cabinet to another effortlessly – it’s as easy as moving one mic stand.\u003c\/p\u003e\n\u003cp\u003eThe AxeMount microphone clip positions an R-121 right next to a 57-style dynamic mic, phase-aligned and ready to record for the ultimate electric guitar microphone package. A good starting point is positioning the clip so the dynamic mic is pointed at where the speaker dome meets the paper. The R-121 will be more on the dome. This is a classic position for these two mics.\u003c\/p\u003e\n\u003cp\u003eThe natural, full bodied sound of the R-121, blended to taste with the fist-forward pointedness of a 57-styled dynamic microphone, allows for phenomenal tailoring of recorded and live guitar tones. In the past, using these two mics required two mic stands, two clips, and time to get the mics lined up properly and in-phase with each other. The AxeMount does away with all that and makes the R-121\/dynamic microphone method as easy as possible.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLegendary R-121\/dynamic mic combo in one compact package.\u003c\/li\u003e\n\u003cli\u003eQuick, easy setup\u003c\/li\u003e\n\u003cli\u003ePhase perfect – alignment marker indicate in-phase positioning for 57-style dynamic mics\u003c\/li\u003e\n\u003cli\u003eInexpensive\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":42530651767034,"sku":"SM-21","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/AxeMount1.jpg?v=1647352168"},{"product_id":"royer-labs-r-db20","title":"Royer Labs R-DB20 - \"dBooster\" In-line Signal Booster","description":"\u003cp data-mce-fragment=\"1\"\u003eThe dBooster has two gain settings, 12 dB and 20 dB, allowing you to dial in just the right amount of in-line gain for your different singers and instruments. The 20 dB setting gives loads of clean boost for recording soft instruments and singers, but when your singer is wailing or you use the dBooster on high volume instruments like electric guitar, switch it down to 12 dB to keep from overloading your preamp or digital interface. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe dBooster’s Class A input stage delivers crystal clean gain with virtually no noise or self-distortion.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe dBooster’s low-impedance output keeps things clean in the studio and also shines on live stages, driving long cable lengths and difficult loads like mic splitters and vintage-style preamps with no loss of gain, no increased distortion, and excellent headroom.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe dBooster gives excellent results with Royer R-121s, R-10s and stereo SF-12s. It also smokes on SM7s and other dynamic mics!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe dBooster is built in the USA and ships from our Burbank headquarters.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSwitchable 12dB\/20dB gain\u003c\/li\u003e\n\u003cli\u003eUltra-low noise, ultra-low distortion\u003c\/li\u003e\n\u003cli\u003eClass A input stage\u003c\/li\u003e\n\u003cli\u003eSafe for use on all ribbon mics\u003c\/li\u003e\n\u003cli\u003eWide frequency bandwidth\u003c\/li\u003e\n\u003cli\u003eRetains sound quality on long cable runs\u003c\/li\u003e\n\u003cli\u003eMaintains headroom and gain regardless of load\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":42530655338746,"sku":"R-DB20","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/dBooster.jpg?v=1647352353"},{"product_id":"royer-labs-flexbar","title":"Royer Labs FlexBar","description":"\u003cp\u003eThe FlexBar is a universal microphone holder designed to hold two microphones on a single microphone stand, with additional flexibility far beyond traditional stereo bar capabilities.\u003c\/p\u003e\n\u003cp\u003eConstructed from aircraft-grade aluminum and finished in matte-black, the FlexBar is lightweight and handles most microphone types. \u003c\/p\u003e\n\u003cp\u003eUnlike traditional stereo bars, the FlexBar’s two movable arms provide a wide range of mic placement options, from the traditional Blumlein and spaced pair positions to however creative you want to get with it (see some good starting place configurations below). Each arm has engraved gradient markers in centimeters, for precise repeatable distancing of the microphones.\u003c\/p\u003e\n\u003cp\u003eThe FlexBar was designed in conjunction with Triad-Orbit and accepts all Triad-Orbit accessories. For fine adjustments of the entire FlexBar unit, the Triad-Orbit ball-swivel adaptor added between the base of the FlexBar and a microphone stand works well.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":44587766972666,"sku":"FlexBar","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/FlexBar-1536x1152.jpg?v=1695730919"},{"product_id":"royer-labs-r-12-active-ribbon-microphone","title":"Royer Labs R-12 Active Ribbon Microphone","description":"\u003cp\u003eDesigned for studio and live recording, the R-12 combines active electronics with a 2.5-micron ribbon for natural reproduction of vocals and instruments.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFigure-8 pickup pattern\u003c\/li\u003e\n\u003cli\u003eSwitchable -15 dB pad and 100 Hz high-pass filter\u003c\/li\u003e\n\u003cli\u003eInternal transducer shock mount and triple-layer windscreen\u003c\/li\u003e\n\u003cli\u003e30 Hz–15 kHz frequency response, ±3 dB\u003c\/li\u003e\n\u003cli\u003eRequires 48 V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eIncludes a microphone holder, protective sock, and carrying case.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":67681898135802,"sku":"R-12","price":949.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/royer-r12-active-ribbon-microphone.jpg?v=1791566930"},{"product_id":"royer-labs-r-12-active-ribbon-microphones-matched-pair","title":"Royer Labs R-12 Active Ribbon Microphones - Matched Pair","description":"\u003cp\u003eA matched pair of two R-12 active ribbon microphones for paired recording setups.\u003c\/p\u003e\u003cp\u003eDesigned for studio and live recording, the R-12 combines active electronics with a 2.5-micron ribbon for natural reproduction of vocals and instruments.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFigure-8 pickup pattern\u003c\/li\u003e\n\u003cli\u003eSwitchable -15 dB pad and 100 Hz high-pass filter\u003c\/li\u003e\n\u003cli\u003eInternal transducer shock mount and triple-layer windscreen\u003c\/li\u003e\n\u003cli\u003e30 Hz–15 kHz frequency response, ±3 dB\u003c\/li\u003e\n\u003cli\u003eRequires 48 V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":67681898266874,"sku":"R-12-MP","price":1898.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/royer-r-12-mp.jpg?v=1791566979"},{"product_id":"royer-labs-r-10-ribbon-microphone-with-dbooster-bundle","title":"Royer Labs R-10 Ribbon Microphone with dBooster Bundle","description":"\u003cp\u003eThis bundle pairs one R-10 passive ribbon microphone with one R-DB20 dBooster in-line signal booster.\u003c\/p\u003e\u003cp\u003eThe R-10 uses a 2.5-micron ribbon, figure-8 pattern, internal transducer shock mount, and three-layer windscreen for studio and live recording. 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