{"title":"PAD On Sale","description":"\u003cp\u003e\u003cspan\u003eDiscounts on top audio equipment at PAD! Explore our limited selection of special offers and equip your studio with professional quality at incredible prices - shop now!\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","products":[{"product_id":"akg-c414-xl-ii","title":"AKG C414-XL II","description":"From the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C 414 multi-pattern condenser microphone needs little introduction. There are few microphones that are as widely accepted as a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C 414 as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C 414 XL II this famous line. \n\u003cdiv id=\"video-gallery\" style=\"margin: 20px auto; max-width: 800px; overflow: hidden; color: #444444; font-family: 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; line-height: 19.239999771118164px; background: #000000;\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe C 414 XL II (the successor of the famous C 414 B-TL II) differs from the C 414 XLS by offering a slight presence boost and by providing the spatial reproduction capability of the legendary AKG C 12 microphone. This characteristic response and spatial detailing makes lead vocals and solo instruments stand out, even in a densely packed mix. This signature up-front sound is also excellent for distant miking applications making the C 414 XL II ideal for classic music recording or drum ambience miking. And because of its 9-pattern design, leading-edge technology, state-of-the-art components, and reference-quality results, the AKG C 414 XL II ushers in a new standard in microphone versatility.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe C414 XL II offers nine pickup patterns which enable you to choose the perfect setting for every application. In addition to the five patterns traditionally offered by the C 414 (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure eight), you also get four intermediate settings that let you dial in the best pattern to suite your environment. It also features an astoundingly low noise floor and a 152dB dynamic range, making the C 414 XL II ideal for any musical environment. A locking mode allows you to disable all of the C 414 XL II's controls for live-sound applications and permanent installations, and a special \"Peak Hold\" LED displays even shortest overload peaks.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Single Mic","offer_id":7054763141,"sku":"C414-XL II","price":1099.0,"currency_code":"USD","in_stock":true},{"title":"Stereo pair","offer_id":28466595346,"sku":"C414-XL II-MP","price":2825.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/d6796eae8dad11ff138dc3039b6685a1.jpeg?v=1571498728"},{"product_id":"akg-c414-xls","title":"AKG C414-XLS","description":"\u003cp style=\"font-family: 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; margin: 10px 0px; color: #444444; font-size: 13px; line-height: 19.239999771118164px;\"\u003eFrom the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C 414 multi-pattern condenser microphone needs little introduction. There are few microphones that are as widely accepted as a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C 414 as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C 414 XLS this famous line.\u003c\/p\u003e\n\u003cp style=\"font-family: 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; margin: 10px 0px; color: #444444; font-size: 13px; line-height: 19.239999771118164px;\"\u003eThe C 414 XLS is an astonishing microphone. Engineered for highest linearity and neutral sound, it maintains the reliable sonic character of the legendary C 414 B-ULS (the longest-lived C 414 model) while introducing some astonishing new features. The 5-pattern C 414 has been one of the most universal and versatile large diaphragm microphone for decades — widely used for accurate, exquisitely detailed pickup of acoustic instruments. Now, the C 414 XLS sets a new benchmark in microphone versatility by introducing a 9-pattern design, while achieving reference-quality results through leading-edge technology and state-of-the-art components.\u003c\/p\u003e\n\u003cp style=\"font-family: 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; margin: 10px 0px; color: #444444; font-size: 13px; line-height: 19.239999771118164px;\"\u003eThe C 414 XLS offers nine pickup patterns which enable you to choose the perfect setting for every application. In addition to the five patterns traditionally offered by the C 414 (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure eight), you also get four intermediate settings that let you dial in the best pattern to suite your environment. It also features an astoundingly low noise floor and a 152dB dynamic range, making the C 414 XLS ideal for any musical environment. A locking mode allows you to disable all of the C 414 XLS's controls for live-sound applications and permanent installations, and a special \"Peak Hold\" LED displays even shortest overload peaks.\u003c\/p\u003e\n\u003cp style=\"font-family: 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; margin: 10px 0px; color: #444444; font-size: 13px; line-height: 19.239999771118164px;\"\u003e\u003cstrong\u003eAKG C 414 XLS Multi-pattern Condenser Microphone Features at a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"list-style: none; margin: 0px; padding: 0px; color: #444444; font-family: 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; line-height: 19.239999771118164px;\"\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eOmni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eLock Mode disables all controls easily for live and installation use\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eIncredible Dynamic Range of 152 dB\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eThree different bass cut filters and three pre-attenuation levels\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003ePeak Hold LED even detects shortest overload peaks\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eIncludes carrying case, pop filter, windscreen, and spider-type shock mount\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eFrequency range: 20 to 20 000 Hz\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eSensitivity: 20 mV\/Pa (-34 dBV) +\/- 0.5 dB\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eMax. SPL: 200\/400\/800\/1600 Pa = 140\/146\/152\/158 dB (0\/-6\/-12\/-18 dB) for 0.5% THD\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eEquivalent noise level: 6 dB-A (0 dB preattenuation) (IEC 60268-4)\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eSignal\/noise ratio: 88 dB\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003ePreattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchable\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eBass cut filter slope: 12 dB\/octave at 40 Hz and 80 Hz; 6 dB\/octave at 160 Hz\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eImpedance:\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eRecommended load impedance: \u0026gt;= 2,200 ohms\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eSupply voltage: 48 V phantom power to DIN\/IEC\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003ePowering: approximately 4 mA\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eConnector: 3-pin XLR to IEC\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eDimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eNet weight: 300g (10.6oz.)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Single Mic","offer_id":7054810693,"sku":"C414-XLS","price":1319.0,"currency_code":"USD","in_stock":true},{"title":"Stereo Pair","offer_id":28467091858,"sku":"C414-XLS-MP","price":2825.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/bc6bdf81e29557e9e5af37cb979bf4c6.jpeg?v=1571498728"},{"product_id":"akg-k701","title":"AKG K701","description":"\u003cdiv\u003eWhether you prefer the holistic approach or like to listen analytically, the K 701 will turn perception into pure enjoyment. AKG is the first manufacturer in the world to use revolutionary flat-wire technology in headphones, namely the K 701. The result is a truly dramatic sound that places every musician at his or her correct location with pinpoint accuracy. This kind of agility and spaciousness in addition to brilliant highs and velvety, punchy bass is simply miraculous. These superlative open-back dynamic headphones provide an outstanding accurate sound and excellent imaging. Try the K 701 and find out what ingenious headphone engineering can do for you.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eRevolutionary flat-wire voice coil technology\u003c\/strong\u003e\u003cbr\u003efor extremely accurate sound and transient response\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePatented Varimotion two-layer diaphragm\u003c\/strong\u003e\u003cbr\u003efor sparkling highs and accurate bass response\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComfortable, specially shaped “3D-form” ear pads\u003c\/strong\u003e\u003cbr\u003efor perfect fit\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePadded genuine-leather headband\u003c\/strong\u003e\u003cbr\u003eIndividually tested and numbered\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":7054893253,"sku":"K701","price":549.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/861847987a16827044c4503a96a2c20f.jpeg?v=1571498728"},{"product_id":"api-205l","title":"API 205L","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe API 205L Instrument Direct is specifically designed to accept a guitar or bass direct into it, without any loading on the pickups. The Gain Control is used to normalize the instrument's input level, up to a +4 dBu output level. With the use of the unique TONE control, the low end \"mud\" can be reduced. Turning on the BRIGHT switch adds clarity, like the bright switch on any amp. The combination of these two functions may eliminate the need for any EQ on the instrument when recording, keeping the signal pure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe input is designed specifically to load a pickup the same way that a tube guitar amp would, retaining all of the tone, and minimizing the loading effect on the pickup. This minimal path eliminates the need to use a standard direct box, which more times than not only converts the signal to a balanced mic level output, which still requires a mic input, equalizer, and fader to get the signal to a recordable level.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe 205L is capable of boosting any instrument to a hefty line level without additional amplifiers. With the 100 K LOAD switch, the tone of the pickup can be altered slightly, which tends to darken the high frequency content. The BRIGHT switch adds a treble boost in the same manner that most instrument amplifiers do, clarifying the instrument and adding presence to it without the need for outboard equalization. When inserting an instrument with an internal preamp or a line level instrument such as a sampler or a keyboard, the 205L has a 20 dB PAD switch to drop the level without loading, thereby retaining the full range of the 205L and its features.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eWhen used with other 200L series modules, a complete input strip can be built from input through dynamics, equalization, and final output. Also, the output of the 205L can be fed to tape, or the input of a guitar power amplifier. The artist can then be in the control room while the instrument amp is isolated in the studio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe 205L can be used in the Legacy or Vision Series Consoles, or in the L200 Rack. The 205L Direct makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity characteristic of API products.\u003c\/span\u003e \u003cbr\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eFeatures\u003c\/span\u003e\u003c\/strong\u003e \u003cbr\u003e \u003c\/p\u003e\n\u003cul style=\"font-size: 12px; line-height: 18px; margin-bottom: 1em; margin-top: 1em; text-align: left;\"\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWide range GAIN control\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eHi-Z input, like a Tube Amp\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThin Fat TONE Control reduces low end mud\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBRIGHT Switch boosts the presence\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e20 dB PAD lowers the input level\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e100 K LOAD switch changes the tone of instruments\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e5 Segment LED Meter shows Output Level\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTransformer Coupled Output to +28 dBm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAll Discrete Design\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":7055278725,"sku":"205L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/c063985325072aaafd2624fdd10dc2fe.jpeg?v=1571498729"},{"product_id":"api-212l","title":"API 212L","description":"\u003cp\u003eThe tone of the 212L mic preamp finds its roots in the classic API 2488 series all discrete recording consoles, best known for the famed \"LA\" sound. This same mic preamp design is packaged into a compact module with features like a continuously adjustable Gain control and a unique 5 segment LED VU meter on each panel.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cspan style=\"color: #000000;\"\u003eAn audio chain is only as strong as its weakest link. Often, emphasis is placed on obtaining the highest quality microphones, while neglecting the integrity of the mic preamp. The API 212L incorporates the same circuit as the legendary API console input modules, dating from the 1970's up to and including the Model 1608, thus preserving its sonic qualities. This mic-pre articulates high frequencies with great detail, while delivering the big sounding, warm bottom end that API is famous for. Whether it's a live performance or the private setting of a studio session, the 212L will capture every nuance of the moment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe 212L mic-pre all discrete circuitry features the API 2520 op-amp, the RE 115 K input and the AP-2623 output transformer. A -20 dB pad is provided, allowing the level feeding the mic transformer to be reduced by 20 dB, while keeping the proper load on both the mic and transformer. 48V Phantom power can be locally switched on or off via the front panel switch. An LED VU meter provides a true VU indication of the mic pre output level. The low noise floor, together with a clip point over +28 dBm, makes this preamp suitable for the most extreme applications requiring the highest quality audio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe API 212L microphone pre-amplifier is an integral part of the famous Legacy and Visions Series of consoles and is available for the L200 Rack System. The 212L Microphone Preamplifier makes use of the 2520 op-amp and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.\u003c\/span\u003e \u003cbr\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eFeatures\u003c\/span\u003e\u003c\/strong\u003e \u003cbr\u003e \u003c\/p\u003e\n\u003cul style=\"font-size: 12px; line-height: 18px; margin-bottom: 1em; margin-top: 1em; text-align: left;\"\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWide range GAIN control\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e20 dB Pad\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e48v Phantom Power Switch\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRE 115 K Mic input Transformer\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eLED VU Meter\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eUses API 2520 Op-Amp\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAll Discrete Circuit\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTransformer Coupled Inputs \u0026amp; Outputs to +28 dBu\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default","offer_id":7055288773,"sku":"212L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/de563dc086e2280f0ba5b15f5fdd83bf.jpeg?v=1571498729"},{"product_id":"api-215l","title":"API 215L","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe API 215L is a unique passive, sweepable filter, designed specifically to contour the sound to preserve the natural tone of the signal. Its extreme flexibility, repeatable settings and superb sound make it ideal for all studio, live sound and broadcast applications.\u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe 215L design is a passive low pass filter with a slope of only 6 dB per octave, and a passive dual high pass filter with a slope of 12 dB per octave. The filters are isolated from each other with the same discrete transistor buffer used in the famous 550 series equalizers. This minimizes interaction between the filters, as well as providing a low impedance source for the filter following the buffer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe input section is a balanced circuit using the API 2510 all discrete op-amp, minimizing the loading effect on any device plugged into it. The output stage is a transformer balanced output, driven by the all discrete API 2520 op-amp.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe filters are both continuously adjustable, with a range from 20 Hz to 20 kHz in two bands. The low pass filter has a range from 500 Hz to 20 kHz, and the high pass filter has a range from 20 Hz to 600 Hz. This covers a broad range of frequencies throughout the entire audio spectrum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eBecause of the subtle nature of the 215L filter, it finds a home with uses like rolling off the low end of a hi-hat, where a natural sound is desired, not the usual \"phase-shifter\" sound of a 18 to 24 dB per octave filter found on most consoles. It can also be used to thin out room mics, without the complete loss of low end which again usually results from steep filter circuits.\u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe 215L can be used in the Legacy, Legacy Plus or Vision Series Consoles, or in the L200 Rack. The 215L Filter makes use of the 2520 and 2510 op-amps and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.\u003c\/span\u003e \u003cbr\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eFeatures\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWide range 6 dB per octave LOPASS control\u003c\/li\u003e\n\u003cli\u003eWide range 12 dB per octave HIPASS control\u003c\/li\u003e\n\u003cli\u003eBalanced input stage\u003c\/li\u003e\n\u003cli\u003ePassive filter design for smooth tone\u003c\/li\u003e\n\u003cli\u003eUnity gain throughout\u003c\/li\u003e\n\u003cli\u003eHard Wire BYPASS switch\u003c\/li\u003e\n\u003cli\u003eTransformer Coupled Output to +28 dBu\u003c\/li\u003e\n\u003cli\u003eAll Discrete Design\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":7055328773,"sku":"API 215L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/889afbda569b9d2ac3a9f472bcc0b3f8.jpeg?v=1571498729"},{"product_id":"api-225l","title":"API 225L","description":"\u003cp\u003eThe API 225L Compressor is ideal for all studio, live sound and broadcast applications. Regardless of the threshold or ratio settings, the output level always remains at unity. This unique feature allows for real-time adjustments without the need for changing the output level.\u003c\/p\u003e\n\u003cp\u003eBoth NEW (\"feed forward\") and OLD (\"feed back\") methods are selectable on the front panel, providing two choices of gain reduction. NEW gain reduction is typical of the newer VCA type compressors that rely on RMS detectors for the gain control voltage. OLD or Feed-Back method is what most of the classic compressors used for the gain control circuit There also is a SOFT or HARD selector. SOFT provides a more subtle compression resulting in a very natural, less compressed sound. HARD results in a more typical, sharp knee type compression that has a much more severe limiting effect.\u003c\/p\u003e\n\u003cp\u003eRelease time is adjusted by rotating the inner concentric R knob. Release time constants: continuously variable from .3 seconds to 3 seconds. Attack time is adjusted by rotating the outer concentric A knob. Attack time constants: continuously variable from 1 millisecond to 25 milliseconds.\u003c\/p\u003e\n\u003cp\u003eAPI's 225L is designed for individual channel use, or through the use of the external LINK funcauto-makeuption. Two units can be combined for Stereo applications via a rear access pin. The 225L also has a side-chain input for the detector amplifier.\u003c\/p\u003e\n\u003cp\u003eThe 225L can be used in the Legacy, Legacy Plus or Vision Series Consoles, or in the L200 Rack. The 225L Compressor makes use of the 2520 and 2510 op-amps and therefore exhibits the reliability, long life and uniformity which are characteristic of all API products.\u003c\/p\u003e\n\u003cdiv class=\"article_h2\"\u003eFeatures\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eThreshold control from +10 to -20 dBu\u003c\/li\u003e\n\u003cli\u003eVariable compression ratio from 1 to infinity\u003c\/li\u003e\n\u003cli\u003eRelease time constants: continuously variable from .3 seconds to 3 seconds\u003c\/li\u003e\n\u003cli\u003eAttack time constants: continuously variable from 1 millisecond to 25 milliseconds\u003c\/li\u003e\n\u003cli\u003e\"OLD\" or \"NEW\" sound\u003c\/li\u003e\n\u003cli\u003eHARD or SOFT compression knee\u003c\/li\u003e\n\u003cli\u003eAuto-makeup Gain\u003c\/li\u003e\n\u003cli\u003eLED Gain Reduction meter\u003c\/li\u003e\n\u003cli\u003eAPI 2510 and API 2520 op-amps\u003c\/li\u003e\n\u003cli\u003eTransformer output to +28 dBu\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default","offer_id":7055333829,"sku":"225L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/9ff9c53ee8da99cbdd38b2e622827c47.jpeg?v=1571498729"},{"product_id":"api-235l","title":"API 235L","description":"The API 235L Noise Gate\/Expander has the ability to reduce noise in any type of program. The 235L can open unusually fast, without losing any part of the sound. Its extreme flexibility, repeatable settings, and superb sound make it ideal for all studio, live sound, and broadcast applications. \u003cbr\u003eThe 235L is one of the fastest noise gates manufactured today. When an engineer is faced with program material with a high level of background noise, the 235L can either Gate the signal at a preset Threshold, or with the use of the Expander function, can reduce the background noise to an almost undetectable level. This can be achieved without the typical loss of the program material caused by slow triggering of the signal, or \"pinging\" caused by false triggering. \u003cbr\u003eWith a wide range of adjustment, the 235L can operate from -45 to +25 dBu, fitting into any audio situation regardless of program level. Once the Threshold level is set, the Attack time can be selected to react faster than 100uS or slightly slower than 25mS to reduce false triggering. Although the Depth control has a full range of -80 dB, the scale is expanded in the first half of rotation so 0 to 9 dB is available for fine tuning of subtle, undetectable gating. The second half of rotation is from 10 to 80 dB for more drastic noise reduction. \u003cbr\u003eThe Expander function uses a 1:2 ratio, allowing the signal to \"sneak up\" to the full signal level without any loss of \"under threshold\" vocal or percussion nuances. Setting the threshold in the Gate function to the desired level, then switching to the Expander mode is the perfect setup. \u003cbr\u003eFor special gating functions such as the famed \"gated snare reverb\", the Release function can be switched to Hold, and the Release control becomes the Hold time. In both scenarios, the unselected function has a set time of 100mS. \u003cbr\u003eWhen used with the other 200L series modules, a complete input strip can be built from input through dynamics, equalization, and final output. \u003cbr\u003eThe 235L makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity which are characteristic of all API products.\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"font-size: 12px; line-height: 18px; margin-bottom: 1em; margin-top: 1em; text-align: left;\"\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003eThreshold control from -45 to +25 dBu\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003eVariable Fine Adjustable Depth to -80 dB\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003eAdjustable Release\/Hold Time, 50mS to 3 sec\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e2:1 Expander or Noise Gate Selection\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003eRelease or Hold Switch for Release control knob\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003eAlways at Unity Gain, Regardless of settings\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003eLED Gain Reduction Meter\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003eUses the API 2510 and API 2520 Op-Amps\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003eTransformer Output, to +28 dBu\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default","offer_id":7055348613,"sku":"235L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/088b61be39acc3fd0c812061da66602d_08b13508-b621-446b-9ca7-66fa2dff3759.jpeg?v=1571498729"},{"product_id":"api-2500-plus","title":"API 2500+ - Discrete 2 Channel Stereo Bus Compressor wih Mix\/Blend Control","description":"\u003cp\u003eThe API 2500+ Stereo Bus Compressor allows adjustment of sonic qualities to alter the punch and tone of the stereo mix. The 19-inch, rack-mountable unit features a dual-channel design that can be configured for stereo compression or for use as two separate units via a single compression setting.\u003c\/p\u003e\n\u003cp\u003eAmong the many qualities which make the 2500+'s unique is its use of API's patented\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"thrust_bold_italic\"\u003eTHRUST\u003c\/span\u003e\u003cspan class=\"thrust_reg\"\u003e®\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ecircuit for a chest-hitting, punchy bottom end. Another distinctive feature of the 2500+ is its selectable \"old\" or \"new\" compression, with the old style using the \"feed back\" type of compression found in the API 525, and the new style using the \"feed forward\" type in which the compressor side chain is fed directly from the unit input. Additionally, the output stage of the 2500+ offers an auto-makeup gain button that permits the user to vary the threshold or ratio while automatically maintaining a constant output level.\u003c\/p\u003e\n\u003cp\u003eAdded to the 2500+ is the Mix\/Blend circuit. First featured in the limited production 50th Anniversary Edition, Mix\/Blend control provides either cross fader or parallel mixing of the compressed and uncompressed signal. Three different user settings are offered:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOFF - compressed signal only\u003c\/li\u003e\n\u003cli\u003eX (Cross) - allows the MIX control to adjust between 100% uncompressed to 100% compressed - increasing one, while decreasing the other\u003c\/li\u003e\n\u003cli\u003e|| (Parallel) - allows the MIX control to dial in compressed signal to blend into the uncompressed signal, (which remains the same).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe 2500+ ensures fidelity with its fully balanced design and two front panel VU meters showing input, output and gain reduction levels. The 2500+ features API's industry exclusive five-year parts warranty and offers the user the reliability, sonic excellence and long life characteristic of all API products.\u003c\/p\u003e\n\u003cdiv class=\"article_h2\"\u003eFeatures\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eAPI 2520 Op Amps\u003c\/li\u003e\n\u003cli\u003eExpanded variable threshold between -20dBu to +20dBu\u003c\/li\u003e\n\u003cli\u003eSelectable ratio, attack, and release times\u003c\/li\u003e\n\u003cli\u003ePatented\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"thrust_bold_italic\"\u003eTHRUST\u003c\/span\u003e\u003cspan class=\"thrust_reg\"\u003e®\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003efilter with 3 settings for frequency dependent side chain control\u003c\/li\u003e\n\u003cli\u003eVariable link between left and right channels\u003c\/li\u003e\n\u003cli\u003eOld \"feed back\" and new \"feed forward\" compression\u003c\/li\u003e\n\u003cli\u003eSoft, Medium, or Hard knee for easy to sharp compression\u003c\/li\u003e\n\u003cli\u003eAuto or manual gain make up\u003c\/li\u003e\n\u003cli\u003e1\/4\" balanced side chain inputs\u003c\/li\u003e\n\u003cli\u003eOutput clips at +32dBu\u003c\/li\u003e\n\u003cli\u003eNew Mix\/Blend circuit\u003c\/li\u003e\n\u003cli\u003e\"Over Threshold\" LED illuminates when input audio crosses the set threshold\u003c\/li\u003e\n\u003cli\u003eStereo analog meters to show input level, output level, and gain reduction\u003c\/li\u003e\n\u003cli\u003eFull hard-wired relay bypass\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul style=\"font-size: 12px; line-height: 18px; margin-bottom: 1em; margin-top: 1em; text-align: left;\"\u003e\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":7055354821,"sku":"2500PLUS","price":3295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/prod_2500PLUS_1_l.jpg?v=1645696749"},{"product_id":"api-565-discrete-filter-set","title":"API 565 Discrete Filter Set","description":"\u003ch1 style=\"font-size: 18px; line-height: 21.600000381469727px; margin-top: 0em; padding-bottom: 0em;\"\u003e\u003c\/h1\u003e\n\u003cp\u003eThe 565 Filter Bank module has circuits that are true to the musical filters of the famed 215 module found in large format API consoles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003esweepable low-pass filter (500Hz to 20kHz, -6 or -12dB slope)\u003c\/li\u003e\n\u003cli\u003esweepable high-pass filter (20Hz to 400Hz, -12 or -18dB slope)\u003c\/li\u003e\n\u003cli\u003evariable notch filter (fully sweepable between 20Hz and 20kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"font-size: 12px; line-height: 18px;\"\u003e \u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default","offer_id":7055384325,"sku":"API 565 Discrete Filter Set","price":595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/72470500ee8cfd0e8256ce9fb113536c.jpeg?v=1571498729"},{"product_id":"api-505-discrete-di","title":"API 505 Discrete DI","description":"\u003ch1 style=\"font-size: 18px; line-height: 21.600000381469727px; margin-top: 0em; padding-bottom: 0em;\"\u003e\u003c\/h1\u003e\n\u003cul style=\"font-size: 12px; line-height: 18px;\"\u003e\u003c\/ul\u003e\n\u003cp\u003eLike the console-based API 205L, the 505-DI is specifically designed to accept a guitar, bass or keyboard direct input while minimizing any loading effect on Hi-Z instrument pickups. Additionally, the 505-DI's Gain Control is used to normalize an instrument's input level, up to a +4 dBu output level. API's unique TONE control reduces potential low end \"mud\" in the signal, while turning on the BRIGHT switch adds additional clarity if desired. The various combinations of TONE and BRIGHT controls can eliminate the need for any EQ on the instrument while recording, keeping the signal path short and pure.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis minimal signal path eliminates the need to use a standard direct box, which many times still requires a mic input, equalizer, and a fader to get the signal to a recordable level. The 505-DI is capable of boosting any instrument to a hefty line level without additional amplifiers. Use of the 100K \/ 400K LOAD switch allows the tone of the pickup to be altered slightly, alternately brightening or darkening the high frequency content. When inserting an instrument with an internal preamp or a line level instrument such as a sampler or a keyboard, the 505-DI offers a 20 dB PAD switch to drop the level without loading, thereby retaining the integrity of the incoming signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWide Range Gain Control with 55dB of gain\u003c\/li\u003e\n\u003cli\u003eFront Panel Hi-Z Input\u003c\/li\u003e\n\u003cli\u003eFront Panel Thru routing\u003c\/li\u003e\n\u003cli\u003eTONE Control helps customize your sound\u003c\/li\u003e\n\u003cli\u003eBRIGHT Switch boosts clarity and presence\u003c\/li\u003e\n\u003cli\u003e10 segment LED VU meter for monitoring output level\u003c\/li\u003e\n\u003cli\u003ePeak Output LED Indicator\u003c\/li\u003e\n\u003cli\u003e20 dB pad switch, applies to mic\/line\/instrument\u003c\/li\u003e\n\u003cli\u003e100K \/ 400K Switchable Load\u003c\/li\u003e\n\u003cli\u003eTraditional API fully discrete circuit design\u003c\/li\u003e\n\u003cli\u003eUses the famous API 2520 and 2510 Op-Amps\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default","offer_id":7055392069,"sku":"API 505 Discrete DI","price":595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/713d68ae23b0c938b590ae7312eb86a9.jpeg?v=1571498729"},{"product_id":"api-512c","title":"API 512c","description":"","brand":"Professional Audio Design, Inc","offers":[{"title":"Default Title","offer_id":7055407941,"sku":null,"price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/747f2c152634d6c3403e830b9ece3401.jpeg?v=1571498729"},{"product_id":"api-525","title":"API 525","description":"\u003cp style=\"font-size: 12px; line-height: 18px; margin-bottom: 1em; margin-top: 1em; text-align: left;\"\u003e\u003cspan style=\"font-size: 15px;\"\u003eOriginally released in the 70's, the API 525 is a \"feedback\" type compressor. An input (threshold) control and output (make-up gain) control are provided, along with an additional \"Ceiling\" fine-tune function which can increase gain reduction (lower threshold) while simultaneously raising output level to match, so the user can alter dynamics \"on the fly\" without level changes. A compression\/limit switch sets ratio at either 2:1 or 20:1. Attack time is as fast as 15u\/s. Four auto release modes are offered via two switches, 0.1s, 0.5s, 1.5s, \u0026amp; 2.0s. A De-Ess function inserts an inverse vocal energy curve filter in the detector for effective sibilance\/pop reduction. The 525 design has been taken from the original blue prints and spec control drawings from the API archives.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eRelease times vary with frequency, with high frequency \/ full bandwidth content released faster than lower frequencies for natural envelope tracking. Attack time is fixed, chosen to catch the fastest peaks, without \"pumping\". Equally useful as a tracking, mixdown or program compressor\/limiter, the 525 utilizes \"vintage\" dynamics control and an easy to use multi-function control set. The 525 has a hard-wire bypass switch, a balanced input, and a pinout that is the same as all the other 500 series modules. Two or more 525s can be linked for multi-channel compression.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe API 525 Compressor makes use of the 2510 and 2520 op-amps and exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eFeatures\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExact reissue of API's original 525 from the early 70's\u003c\/li\u003e\n\u003cli\u003ePeak detecting \"feedback\" compressor\/limiter\u003c\/li\u003e\n\u003cli\u003eVariable Threshold and Output levels\u003c\/li\u003e\n\u003cli\u003eUnique \"Ceiling\" control combines key functions\u003c\/li\u003e\n\u003cli\u003eAnalog VU meter for monitoring gain reduction\u003c\/li\u003e\n\u003cli\u003e4 Switchable release modes\u003c\/li\u003e\n\u003cli\u003eDe-Ess function\u003c\/li\u003e\n\u003cli\u003eTraditional API fully discrete circuit design\u003c\/li\u003e\n\u003cli\u003eActive Balanced Input\/Output\u003c\/li\u003e\n\u003cli\u003eHardwire bypass\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default","offer_id":7055411781,"sku":"525","price":1295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/6d0f74c349d450162101b6b4c1136ea7.jpeg?v=1571498729"},{"product_id":"api-550a","title":"API 550A","description":"\u003cp\u003eFew equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late '60s, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eForty years later, the 550A remains the standard against which other EQs are measured, and it has played a major role in the recording industry for decades. Still copied but never duplicated, the 550A became API's standard channel module EQ when the company began manufacturing consoles in 1971. With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004.\u003c\/p\u003e\n\u003cp\u003eThe 550A provides reciprocal equalization at 21 points in 7 steps of boost to a maximum of 12dB of gain at each point. The fifteen equalization points are divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. Frequency ranges and boost\/cut are selected by three dual-concentric switches, and a pushbutton \"in\" switch allows the EQ to be silently introduced to the signal path. A small toggle switch is used to insert the band-pass filter into the 550A.\u003c\/p\u003e\n\u003cp\u003eThe combination of Walker's incomparable 2520 op amp and his \"Proportional Q\" circuitry gives the 550A user an uncomplicated way to generate acoustically superior equalization.\u003c\/p\u003e\n\u003cp\u003eWith the long-awaited reissue of this unit, an EQ that has had such a part in the history of recording is continuing to make history in today's music.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3 bands of classic API equalization\u003c\/li\u003e\n\u003cli\u003eEach band offers 7 API selected frequency centers\u003c\/li\u003e\n\u003cli\u003eReciprocal and repeatable filtering\u003c\/li\u003e\n\u003cli\u003eMaximum 12 dB of boost\/cut per band\u003c\/li\u003e\n\u003cli\u003eEQ Band 1 and 3 offer shelf\/peak switching\u003c\/li\u003e\n\u003cli\u003e\"Proportional Q\" narrows filter Q at extremes\u003c\/li\u003e\n\u003cli\u003eTraditional API fully discrete circuit design\u003c\/li\u003e\n\u003cli\u003eHigh headroom +30 dB clip level\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default","offer_id":7055449541,"sku":"550A","price":1195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/fbac2832b3b8239076888af7665ea968_61e3b94a-15de-4bc1-a0f2-a58ef35cd6eb.jpeg?v=1571498729"},{"product_id":"api-550b","title":"API 550B","description":"\u003cp\u003eBased on API's original 550 from the late '60s, the API 550b is a continuation of the EQ that played a major role in the history of music recording, but with an additional filter band and several new frequencies. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 Op Amp), the 550b artfully blends the past with the present. So many hit records still depend on the unique 550 sound that engineers around the world find it to be an invaluable tool. In fact, the 550b design has been taken from the original blue prints and spec control drawings from the API archives. It is unlike any other EQ you will ever use.\u003c\/p\u003e\n\u003cp\u003eRather than offer a huge assortment of complex features, the API 550b provides exactly the right number of controls. Its four EQ bands are overlapped significantly to aid in dual roles as problem solver and sweetening device with each band offering seven switchable filter frequencies that span four-to-five octaves. These frequencies, purposely selected to be musical rather than numeric, were selected by an experienced \"who's who\" list of the industry's most proficient engineers.\u003c\/p\u003e\n\u003cp\u003eMaking use of API's \"Proportional Q,\" an innovation designed by Saul Walker in the '60s, the 550b intuitively widens the filter bandwidth at minimal settings and narrows it at higher settings without the need for additional bandwidth controls. This unique feature minimizes the \"phase-shift\" sound found in many equalizers. In addition, the reciprocal nature of the 550b enables the user to \"undo\" what has been done previously with exact precision.\u003c\/p\u003e\n\u003cp\u003eThe benefits of the API 550b are most obvious to those who work with EQ on a continuous basis. If major tonal restructuring is required, the extraordinary headroom made possible with API's 2520 Op Amp offers the predictable and warm analog performance, even under duress. With a surprisingly wide range of tonal variations, the 500b is an invaluable and professional audio tool with great flexibility and excellent sonic ability.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour bands of our famous sounding equalization\u003c\/li\u003e\n\u003cli\u003eEach band offers seven API selected frequency centers\u003c\/li\u003e\n\u003cli\u003eReciprocal and repeatable filtering\u003c\/li\u003e\n\u003cli\u003e12 dB of boost\/cut per band\u003c\/li\u003e\n\u003cli\u003eEQ band 1 and 4 offer shelf\/peak switching\u003c\/li\u003e\n\u003cli\u003e\"Proportional Q\" narrows filter Q at extremes\u003c\/li\u003e\n\u003cli\u003eTraditional API fully discrete circuit design\u003c\/li\u003e\n\u003cli\u003eHigh headroom +30 dB clip level\u003c\/li\u003e\n\u003cli\u003eRe-issue of 1967 API 550 EQ with an extra band\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default","offer_id":7055473285,"sku":"550B","price":1295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/d63c41f82523ee02b9ddb08143359334.jpeg?v=1571498729"},{"product_id":"api-l200r","title":"API L200R","description":"\u003cp\u003eAPI's L200 Rack features a level of flexibility designed to meet the needs of the discriminating engineer\/producer. Module interchangeability has always been an API standard and the L200 system follows the tradition. 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Forever upgradable through our free firmware updates.\u003c\/li\u003e\n\u003cli\u003eFuture-proof LSlot design with swappable USB, Thunderbolt and DANTE cards.\u003c\/li\u003e\n\u003cli\u003eReal-time meters and analysis tools, hyper-flexible routing and monitor control.\u003c\/li\u003e\n\u003cli\u003ePowered by mains or 9-18v DC battery packs for location recording.\u003c\/li\u003e\n\u003cli\u003eLynx’s class-leading transparent audio quality.\u003c\/li\u003e\n\u003cli\u003eHilo 2: Upgraded conversion technology provides even more transparent performance.\u003c\/li\u003e\n\u003cli\u003eHilo 2: SynchroLock 2 sample clock provides faster locking and better tracking of external clocks with 7ppm absolute accuracy.\u003c\/li\u003e\n\u003cli\u003eHilo 2: In-plane switching LCD with capacitive touch provides significant increase in brightness, uniform off-axis viewing, and improved touch responsiveness.\u003c\/li\u003e\n\u003cli\u003eHilo 2: Upgrade path to higher sample rates above 192kHz and DSD on input and output.\u003c\/li\u003e\n\u003cli\u003eHilo 2: Selectable linear and minimum phase filters on line I\/O.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2\u003eWho it's for\u003c\/h2\u003e\n\u003cp\u003eHilo 2 is for professionals who demand the purest audio quality. Engineered to be a true all-in-one device, Hilo offers class-leading AD\/DA conversion, built-in metering and analysis, multiple ins and outs, hyper-flexible routing and monitoring control — all easily saved and recalled via touchscreen, whatever work you do.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature-line\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Lynx","offers":[{"title":"Hilo 2 USB-Black","offer_id":27527257033,"sku":"LYN-HILO2-USB","price":3599.0,"currency_code":"USD","in_stock":true},{"title":"Hilo 2 Thunderbolt-Black","offer_id":27527257161,"sku":"LYN-HILO2-TB3","price":4199.0,"currency_code":"USD","in_stock":true},{"title":"Hilo 2 Dante-Black","offer_id":33646098350125,"sku":"LYN-HILO2-DNT","price":4299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/lynx_hilo2_2400x1265_f3c46d69-1126-4244-9dbf-c60b531ebf0b.jpg?v=1707155274"},{"product_id":"ashly-gqx-1502","title":"Ashly GQX-1502","description":"\u003cp\u003eAshly GQX-1502\u003c\/p\u003e\r\n\u003cp\u003eStereo 15-band EQ, 2 rack spaces. 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Sound Channels® is resistant to moisture, mildew, rot, bacteria, and is non-allergenic.   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This microphone provides exceptionally flat response, making it perfect for any ultra-critical recording or live sound application. The mic is extremely quiet, making it ideal for critical digital or analog recording. It operates on standard phantom power of 48-52 volts DC. 20 Hz - 20 kHz response. 150 ohms impedance. Max SPL: 132 dB.\"\u003c\/p\u003e","brand":"Audix","offers":[{"title":"Default","offer_id":7056003653,"sku":"SCX1-o","price":479.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/d6e86594950d9c3bc772a8a9c37fd8e5.jpeg?v=1571498732"},{"product_id":"audix-scx25-a","title":"Audix SCX25-A","description":"\u003cp\u003eAudix SCX25-A\u003c\/p\u003e\r\n\u003cp\u003e\"High-response brass condenser mic with a 25mm gold-sputtered diaphragm. Revolutionary suspension mounting system (patent pending) achieves almost total isolation of the capsule from the housing and electronics for minimized reflective surfaces and maximum phase coherence. Very low noise circuitry, excellent signal to noise. Cardioid condenser requires 48 volts phantom power.\"\u003c\/p\u003e","brand":"Audix","offers":[{"title":"Default","offer_id":7056014725,"sku":"SCX25-A","price":849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/af516fa2b7b6102510ba6f54fd673bf9.jpeg?v=1571498732"},{"product_id":"auralex-dst-lenrd-bass-traps","title":"Auralex DST LENRD Bass Traps","description":"\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cstrong\u003eDST-LENRD™ Bass Traps\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eoffer all of the great benefits of our ever-popular LENRD® Bass Traps, in a design that will make any DST install look great!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eWhen doing an install that needs low frequency sound control, the DST-LENRD™ Bass Trap is a great design alternative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cu\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"clearfix\"\u003e\n\u003cdiv class=\"tech-details\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eDimensions: 1′ x 1′ x 2′\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eQty. Per Box: 8 (16 linear feet)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eSuggested Adhesive: 1 Foamtak™ or 2 Tubetak Pro™ per box\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Auralex Acoustics","offers":[{"title":"Burgundy - 8 DST LENRD Bass Traps","offer_id":44164405821690,"sku":"DSTLENBUR","price":432.99,"currency_code":"USD","in_stock":true},{"title":"Charcoal - 8 DST LENRD Bass Traps","offer_id":44164405854458,"sku":"DSTLENCHA","price":393.99,"currency_code":"USD","in_stock":true},{"title":"Charcoal_HP - 4 DST LENRD Bass Traps","offer_id":44164405887226,"sku":"DSTLENCHA_HP","price":206.99,"currency_code":"USD","in_stock":true},{"title":"Purple - 8 DST LENRD Bass Traps","offer_id":44164405919994,"sku":"DSTLENPUR","price":459.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/DST-LENRD-BUR-1k-web__54375_0753c45a-51a1-4e93-9360-54fda83779b3.webp?v=1681213739"},{"product_id":"auralex-max-wall-1141vb","title":"Auralex MAX-Wall 1141","description":"\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eMAX-Wall™\u003c\/strong\u003e is a portable, acoustic treatment system with excellent broadband absorption, and a fairly high degree of isolation, by virtue of the thickness and density of the panels.  Its NRC rating is 1.05, it comes in three primary colors, and is available in a variety of sizes.  The patented, modular, interlocking design, allows for adjustable panel height and a gap-free enclosure that offers seemingly endless configuration possibilities. Each panel is 48\" wide and 20″ tall, with a thickness of 4″.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMost MAX-Wall™ models come complete with MAX-Stands™. Plus, for those instances where sight lines are desirable, an acrylic window MAX-Wall™ panel is also offered.  Bonus Tips:  Position MAX-Wall™ panels behind you when mixing and you’ll be amazed at how much better you hear into the source material. Also, position your MAX-Wall™ a few inches out from the rear wall of your control room, where it will function as a very effective axial mode bass trap.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMAX-Wall™ stands for \u003cu\u003e\u003cstrong\u003eM\u003c\/strong\u003eobile \u003cstrong\u003eA\u003c\/strong\u003ebsorptive e\u003cstrong\u003eX\u003c\/strong\u003epandable Wall\u003c\/u\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cu\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"clearfix\"\u003e\n\u003cdiv class=\"tech-details\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eVariety Of Sizes Available (All 4.25″ thick Studiofoam®)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eExcellent Broadband Absorption\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e3 Color Options (Charcoal, Burgundy \u0026amp; Purple)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAdjustable Height\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cu\u003e\u003cstrong\u003eMAX-Wall™ 1141 Includes:\u003c\/strong\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e(11) MAX-Wall™ Panels\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e(1) Window Kit\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e(4) MW Stands\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Auralex Acoustics","offers":[{"title":"Burgundy","offer_id":44164406673658,"sku":"MAX1141BUR","price":2179.99,"currency_code":"USD","in_stock":true},{"title":"Charcoal","offer_id":44164406706426,"sku":"MAX1141CHA","price":1949.99,"currency_code":"USD","in_stock":true},{"title":"Purple","offer_id":44164406739194,"sku":"MAX1141PUR","price":2179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/MAXWall-1141-BUR-1k-web__79160.webp?v=1681216616"},{"product_id":"auralex-max-wall-211","title":"Auralex MAX-Wall 211","description":"\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eMAX-Wall™\u003c\/strong\u003e is a portable, acoustic treatment system with excellent broadband absorption, and a fairly high degree of isolation, by virtue of the thickness and density of the panels.  Its NRC rating is 1.05, it comes in three primary colors, and is available in a variety of sizes.  The patented, modular, interlocking design, allows for adjustable panel height and a gap-free enclosure that offers seemingly endless configuration possibilities. Each panel is 48\" wide and 20″ tall, with a thickness of 4″.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMost MAX-Wall™ models come complete with MAX-Stands™ .  Plus, for those instances where sight lines are desirable, an acrylic window MAX-Wall™ panel is also offered.  Bonus Tips:  Position MAX-Wall™ panels behind you when mixing and you’ll be amazed at how much better you hear into the source material. Also, position your MAX-Wall™ a few inches out from the rear wall of your control room, where it will function as a very effective axial mode bass trap.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMAX-Wall™ stands for \u003cu\u003e\u003cstrong\u003eM\u003c\/strong\u003eobile \u003cstrong\u003eA\u003c\/strong\u003ebsorptive e\u003cstrong\u003eX\u003c\/strong\u003epandable Wall\u003c\/u\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cu\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"clearfix\"\u003e\n\u003cdiv class=\"tech-details\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eVariety Of Sizes Available (All 4.25″ thick Studiofoam®)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eExcellent Broadband Absorption\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e3 Color Options (Charcoal, Burgundy \u0026amp; Purple)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAdjustable Height\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cu\u003e\u003cstrong\u003eMAX-Wall™ 211 Includes:\u003c\/strong\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e(2) MAX-Wall™ Panels\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e(1) Window Kit\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e(1) MW Stand\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Auralex Acoustics","offers":[{"title":"Burgundy","offer_id":44164406870266,"sku":"MAX211BUR","price":502.99,"currency_code":"USD","in_stock":true},{"title":"Charcoal","offer_id":44164406903034,"sku":"MAX211CHA","price":444.99,"currency_code":"USD","in_stock":true},{"title":"Purple","offer_id":44164406935802,"sku":"MAX211PUR","price":502.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/MAXWall-211-BUR-1k-web__98751.webp?v=1681216936"},{"product_id":"auralex-max-wall-420","title":"Auralex MAX-Wall 420","description":"\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eMAX-Wall™\u003c\/strong\u003e is a portable, acoustic treatment system with excellent broadband absorption, and a fairly high degree of isolation, by virtue of the thickness and density of the panels.  Its NRC rating is 1.05, it comes in three primary colors, and is available in a variety of sizes.  The patented, modular, interlocking design, allows for adjustable panel height and a gap-free enclosure that offers seemingly endless configuration possibilities. Each panel is 48\" wide and 20″ tall, with a thickness of 4″.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMost MAX-Wall™ models come complete with MAX-Stands™.  Plus, for those instances where sight lines are desirable, an acrylic window MAX-Wall™ panel is also offered.  Bonus Tips:  Position MAX-Wall™ panels behind you when mixing and you’ll be amazed at how much better you hear into the source material. Also, position your MAX-Wall™ a few inches out from the rear wall of your control room, where it will function as a very effective axial mode bass trap.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMAX-Wall™ stands for \u003cu\u003e\u003cstrong\u003eM\u003c\/strong\u003eobile \u003cstrong\u003eA\u003c\/strong\u003ebsorptive e\u003cstrong\u003eX\u003c\/strong\u003epandable Wall\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cu\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"clearfix\"\u003e\n\u003cdiv class=\"tech-details\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eVariety Of Sizes Available (All 4.25″ thick Studiofoam®)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eExcellent Broadband Absorption\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e3 Color Options (Charcoal, Burgundy \u0026amp; Purple)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAdjustable Height\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cu\u003e\u003cstrong\u003eMAX-Wall™ 420 Includes:\u003c\/strong\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e(4) MAX-Wall™ Panels\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e(2) MW Stands\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Auralex Acoustics","offers":[{"title":"Burgundy","offer_id":44164406968570,"sku":"MAX420BUR","price":679.99,"currency_code":"USD","in_stock":true},{"title":"Charcoal","offer_id":44164407001338,"sku":"MAX420CHA","price":599.99,"currency_code":"USD","in_stock":true},{"title":"Purple","offer_id":44164407034106,"sku":"MAX420PUR","price":679.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/MAX-Wall-420-Bur-1k-web__76583.webp?v=1681217081"},{"product_id":"auralex-max-wall-831","title":"Auralex MAX-Wall 831","description":"\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMAX-Wall™\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a portable, acoustic treatment system with excellent broadband absorption, and a fairly high degree of isolation, by virtue of the thickness and density of the panels.  Its NRC rating is 1.05, it comes in three primary colors, and is available in a variety of sizes.  The patented, modular, interlocking design, allows for adjustable panel height and a gap-free enclosure that offers seemingly endless configuration possibilities. Each panel is 48\" wide and 20″ tall, with a thickness of 4″.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eMost MAX-Wall™ models come complete with MAX-Stands™. Plus, for those instances where sight lines are desirable, an acrylic window MAX-Wall™ panel is also offered.  Bonus Tips:  Position MAX-Wall™ panels behind you when mixing and you’ll be amazed at how much better you hear into the source material. Also, position your MAX-Wall™ a few inches out from the rear wall of your control room, where it will function as a very effective axial mode bass trap.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eMAX-Wall™ stands for\u003cspan\u003e \u003c\/span\u003e\u003cu\u003e\u003cstrong\u003eM\u003c\/strong\u003eobile \u003cstrong\u003eA\u003c\/strong\u003ebsorptive e\u003cstrong\u003eX\u003c\/strong\u003epandable Wall\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cu\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"clearfix\"\u003e\n\u003cdiv class=\"tech-details\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eVariety Of Sizes Available (All 4.25″ thick Studiofoam®)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eExcellent Broadband Absorption\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e3 Color Options (Charcoal, Burgundy \u0026amp; Purple)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eAdjustable Height\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cu\u003e\u003cstrong\u003eMAX-Wall™ 831 Includes:\u003c\/strong\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e(8) MAX-Wall™ Panels\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e(1) Window Kit\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e(3) MW Stands\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Auralex Acoustics","offers":[{"title":"Burgundy","offer_id":44164407099642,"sku":"MAX831BUR","price":1429.99,"currency_code":"USD","in_stock":true},{"title":"Charcoal","offer_id":44164407132410,"sku":"MAX831CHA","price":1289.99,"currency_code":"USD","in_stock":true},{"title":"Purple","offer_id":44164407165178,"sku":"MAX831PUR","price":1429.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/MAXWall-831-BUR-1k-web__57627.webp?v=1681217217"},{"product_id":"auralex-metro-lenrd-bass-traps","title":"Auralex Metro LENRD Bass Traps","description":"\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cstrong\u003eThe MetroLENRD™ Bass Trap\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a triangular-shaped bass trap that fits into room corners and\/or wall\/ceiling junctures, and provides outstanding low frequency sound control. Based on the design of our wildly successful LENRD® Bass Trap, the MetroLENRD™ gives a fresh look to a reliable, unbeatable, acoustic sound absorber. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cu\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"clearfix\"\u003e\n\u003cdiv class=\"tech-details\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eQty: 8\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eColors: Charcoal, Burgundy, Purple\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eCoverage: 16 lineal feet\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eSize: 2’x1’x1′\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eSugg. Adhesive: 1 Foamtak™ or 2 Tubetak Pro™\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Auralex Acoustics","offers":[{"title":"Burgundy","offer_id":44164407591162,"sku":"METROLENBUR","price":469.99,"currency_code":"USD","in_stock":true},{"title":"Charcoal","offer_id":44164407623930,"sku":"METROLENCHA","price":393.99,"currency_code":"USD","in_stock":true},{"title":"Purple","offer_id":44164407656698,"sku":"METROLENPUR","price":469.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/METROLEN.jpg?v=1681218688"},{"product_id":"auralex-roominators-deluxe-plus","title":"Auralex Roominators Deluxe PLUS","description":"\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eThe \u003cstrong\u003eDeluxe Plus™ Roominator™ Kit\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis made for an all-in-one, sound control solution, and is easy to install! The Deluxe Plus™ Kit is designed primarily for rooms with a floor square footage of 100 to 250 sq\/ft. The shortest room dimension should be about 10 to 14 feet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"clearfix\"\u003e\n\u003cdiv class=\"tech-details\"\u003e\n\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cu\u003e\u003cstrong\u003eIncludes:\u003c\/strong\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e(24) 2’x2’x2″ Studiofoam® Wedges™\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e(8) LENRD® Bass Traps\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e(6) T’Fusor™ 3D Sound Diffusors\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eMounting Adhesive Included\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Auralex Acoustics","offers":[{"title":"Burgundy","offer_id":44164407787770,"sku":"ROOMDLXPLUSBUR","price":1369.99,"currency_code":"USD","in_stock":true},{"title":"Charcoal","offer_id":44164407820538,"sku":"ROOMDLXPLUSCHA","price":1269.99,"currency_code":"USD","in_stock":true},{"title":"Purple","offer_id":44164407853306,"sku":"ROOMDLXPLUSPUR","price":1369.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/ROOMDLXPLUS2.jpg?v=1681219115"},{"product_id":"auralex-roominators-project-2","title":"Auralex Roominators Project 2","description":"\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eProject 2™ \u003c\/strong\u003e\u003cstrong\u003eRoominator Kit\u003c\/strong\u003e is made for an all-in-one sound control solution and is easy to install! The Project 2™ is primarily designed for rooms with a floor square footage of less than 100 sq\/ft. The shortest room dimension should be about 8 to 12 feet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"clearfix\"\u003e\n\u003cdiv class=\"tech-details\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cu\u003e\u003cstrong\u003eIncludes:\u003c\/strong\u003e\u003c\/u\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e(24) 2’ x 2’ x 2″ Studiofoam® Wedges™ \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e(8) LENRD® Bass Traps\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMounting Adhesive Included\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Auralex Acoustics","offers":[{"title":"Burgundy","offer_id":44164408082682,"sku":"PROJ2ROOMBUR","price":1049.99,"currency_code":"USD","in_stock":true},{"title":"Charcoal","offer_id":44164408115450,"sku":"PROJ2ROOMCHA","price":949.99,"currency_code":"USD","in_stock":true},{"title":"Purple","offer_id":44164408148218,"sku":"PROJ2ROOMPUR","price":1049.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/PROJ2ROOM1.jpg?v=1681220828"},{"product_id":"auralex-roominators-pro-plus","title":"Auralex Roominators Pro PLUS","description":"\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eThe\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003ePro Plus™ Roominator™ Kit\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eis made for an all-in-one, sound control solution, and is easy to install! The Pro Plus™ Kit is designed primarily for rooms with a floor square footage of 250 to 400 sq\/ft. The shortest room dimension should be about 12 to 16 feet.\u003c\/span\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"clearfix\"\u003e\n\u003cdiv class=\"tech-details\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e(36) 2’x2’x2″ Studiofoam® Wedges™\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e(12) LENRD® Bass Traps\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e(8) T’Fusor™ 3D Sound Diffusors\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eMounting Adhesives included.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"https:\/\/auralex.com\/content\/performance\/2wedgenew.pdf\"\u003e2 Inch Wedge Performance\u003c\/a\u003e\u003ca href=\"https:\/\/auralex.com\/content\/performance\/2wedgenew.pdf\"\u003e\u003cspan\u003e \u003c\/span\u003eData\u003c\/a\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"https:\/\/auralex.com\/content\/performance\/LENRDJmount.pdf\"\u003eLENRD Performance\u003c\/a\u003e\u003c\/b\u003e\u003ca href=\"https:\/\/auralex.com\/content\/performance\/LENRDJmount.pdf\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eData\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eNobody else ever did it for you, so Auralex took the guesswork out of acoustics and made it EASY AND AFFORDABLE to improve your sound! We proudly offer our Roominators™ Complete Acoustical Control Kits that can easily tame the sound problems many people run up against in commonly-sized rooms. With Roominators, everyone from the novice to the pro can sound their best!\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Auralex Acoustics","offers":[{"title":"Burgundy","offer_id":44164407984378,"sku":"ROOMPROPLUSBUR","price":2079.99,"currency_code":"USD","in_stock":true},{"title":"Charcoal","offer_id":44164408017146,"sku":"ROOMPROPLUSCHA","price":1958.99,"currency_code":"USD","in_stock":true},{"title":"Purple","offer_id":44164408049914,"sku":"ROOMPROPLUSPUR","price":2079.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/ROOMPROPLUS1.jpg?v=1681220611"},{"product_id":"auralex-sfs-112-sonoflat-system","title":"Auralex SFS-112 SonoFlat System","description":"\u003cp align=\"left\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eAuralex’s\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSonoFlat™ System SFS-112™\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eoffers an all-inclusive, room treatment option, with a sophisticated architectural styling. The SonoFlat™ System offers all of the great advantages of our industry-leading Studiofoam®, such as performance and longevity, and also provides you with a multitude of design possibilities for home theaters, recording studios, and other critical listening environments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eThe SFS-112™ is acoustically engineered to provide accurate sound in small and medium-sized rooms. The various components and color options allow you to create a world-class, sonic environment with great aesthetics at a very reasonable price.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eInstallation is easy, and as always, the Auralex Application Specialists will be glad to assist you in selecting the correct solution for your needs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cstrong\u003e\u003cu\u003eIncludes:\u003c\/u\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"clearfix\"\u003e\n\u003cdiv class=\"tech-details\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e(24) 2″ x 2′ x 2′ SonoFlat™ Panels\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e(4) 6″ x 1′ x 4′  SonoColumns™\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e(4) 7″ x 6″ x 14″ SonoCollars™\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e(5) tubes of Tubetak Pro™\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Auralex Acoustics","offers":[{"title":"Burgundy","offer_id":44164408246522,"sku":"SFS112BUR","price":1939.99,"currency_code":"USD","in_stock":true},{"title":"Charcoal","offer_id":44164408279290,"sku":"SFS112CHA","price":1775.99,"currency_code":"USD","in_stock":true},{"title":"Purple","offer_id":44164408312058,"sku":"SFS112PUR","price":1939.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/SFS1121.jpg?v=1681220967"},{"product_id":"auralex-4-sf-pyramids-24","title":"Auralex 4\" SF Pyramids-24","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eStudiofoam\u003csup\u003e®\u003c\/sup\u003e Pyramids\u003c\/strong\u003e are perfect for treating small to medium-sized areas, including isolation booths, control rooms and sound studios. Pyramids will help effectively kill standing waves and flutter echoes and, when used in conjunction with our LENRD\u003csup\u003e®\u003c\/sup\u003e Bass Traps, tame the full frequency bandwidth in virtually any acoustic environment. Studiofoam\u003csup\u003e®\u003c\/sup\u003e Pyramids are available in both 2″ and 4″ thicknesses. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cu\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eEliminates Standing Waves And Flutter Echoes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReduces Unwanted Reflections\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDecreases Slap-Back And Room Ring\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMeets flammability standard UL 94 HF-1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eRecommended Mounting: \u003ca href=\"https:\/\/auralex.com\/foamtak-adhesive-spray\/\" data-mce-href=\"https:\/\/auralex.com\/foamtak-adhesive-spray\/\" target=\"_blank\"\u003eFoamtak™\u003c\/a\u003e or \u003ca href=\"https:\/\/auralex.com\/tubetak-pro-liquid-adhesive\/\" data-mce-href=\"https:\/\/auralex.com\/tubetak-pro-liquid-adhesive\/\" target=\"_blank\"\u003eTubetak Pro™\u003c\/a\u003e or \u003ca href=\"https:\/\/auralex.com\/ez-stick-pro-tabs\/\" data-mce-href=\"https:\/\/auralex.com\/ez-stick-pro-tabs\/\" target=\"_blank\"\u003eEZ-Stick Pro™ Tabs\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cu\u003e\u003cstrong\u003e\u003cspan\u003eOverall NRC:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e2\" Pyramids = 0.70\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e4\" Pyramids = 0.95\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Auralex Acoustics","offers":[{"title":"Burgundy","offer_id":43453881417978,"sku":"4PYR24BUR","price":639.99,"currency_code":"USD","in_stock":true},{"title":"Charcoal","offer_id":43453881450746,"sku":"4PYR24CHA","price":574.99,"currency_code":"USD","in_stock":true},{"title":"Purple","offer_id":43453881483514,"sku":"4PYR24PUR","price":639.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/STUDIOFOAM2_b3839455-02bd-4aaf-afa5-0dfe9fa49833.jpg?v=1681231817"},{"product_id":"aviom-an-16-i-v-2","title":"Aviom AN-16\/i V.2","description":"\u003cp style=\"margin-top: 0px; margin-bottom: 12px; color: #232323; font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;\"\u003eThe AN-16\/i provides 16 balanced line-level inputs into a Pro16\u003csup\u003e®\u003c\/sup\u003e system. Audio is converted to digital and transmitted via A-Net\u003csup\u003e®\u003c\/sup\u003e, up to 500ft\/150m over Cat-5e. A dedicated audio thru is available for each input channel, allowing the AN-16\/i to be seamlessly inserted into an existing audio signal path.\u003c\/p\u003e\r\n\u003ch4 style=\"font-family: Arial, Helvetica, sans-serif; font-size: 13px; margin-top: 10px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; color: #4d4d4d; line-height: 20px;\"\u003eMonitor System Building Blocks\u003c\/h4\u003e\r\n\u003cp style=\"margin-top: 0px; margin-bottom: 12px; color: #232323; font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;\"\u003ePlaced at a front-of-house or monitor console, the AN-16\/i can be used as a head-end for a Pro16 Monitor Mixing System. Audio from the console - any combination of channel inserts, direct outs, submixes, auxes, or groups - is connected to the TRS input channels on the AN-16\/i. The A-Net Out on the AN-16\/i is connected to the A-Net In of a Pro16 Personal Mixer or A-Net Distributor.\u003c\/p\u003e\r\n\u003ch4 style=\"font-family: Arial, Helvetica, sans-serif; font-size: 13px; margin-top: 10px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; color: #4d4d4d; line-height: 20px;\"\u003eDigital Snakes and Audio Networks\u003c\/h4\u003e\r\n\u003cp style=\"margin-top: 0px; margin-bottom: 12px; color: #232323; font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;\"\u003eUsed in conjunction with the AN-16\/o Output Module, the AN-16\/i can also be used in a digital snake as an input path for main return signals from front-of- house. The built-in A-Net Expansion jack allows two 16-channel A-Net streams to be combined onto a single cable (32x0 or 16x16), and the AN-16SBR System Bridge can be used to combine up to four 16-channel streams onto a single cable in a variety of bidirectional configurations.\u003c\/p\u003e\r\n\u003cp style=\"margin-top: 0px; margin-bottom: 12px; color: #232323; font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;\"\u003eThe flexibility and simplicity of the Pro16 Series allows complex audio distribution systems and snakes to be created quickly and cost-effectively.\u003c\/p\u003e","brand":"Aviom","offers":[{"title":"Default Title","offer_id":7056700485,"sku":"AN-16\/i V.2","price":1399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/5bd42d1500becba538be8477dff67e76.jpeg?v=1571498811"},{"product_id":"cedar-audio-dns-2","title":"Cedar Audio DNS 2 - 2-Channel Dialogue Noise Suppressor","description":"\u003cp data-mce-fragment=\"1\"\u003eCEDAR's dialogue noise suppression (DNS) technology eliminates traffic noise, air conditioning, wind, rain, babble and general background noise from audio signals. It will also help to compensate for unfavourable acoustic conditions and poor microphone placement, and will even suppress excessive reverberation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 2-channel DNS 2 is the first DNS designed specifically for portability and extreme simplicity of use. It hosts a new DNS algorithm that requires nothing more than switching on the Learn function that identifies and adapts to the background noise, and then dialing in the amount of noise attenuation required. Retaining the near-zero latency of all its predecessors, it's suitable for use in all situations - location recording, live-to-air broadcasting, live sound in venues such as theatres, concert halls, conferences venues, and places of worship, as well as studio work and post.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhat's more, despite being so small and light that you can slip it inside your pocket or equipment bag, the DNS 2 offers analogue line and microphone inputs (the latter with optional 48V phantom powering), an AES3\/AES11 digital input, and both analogue and digital outputs. This increases its flexibility even further, and its 12V power input means that you can use it in the middle of a field as easily as in the studio or the edit suite.\u003c\/p\u003e\n\u003ch2\u003eKey features of the DNS 2\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eSmall, light and portable\u003c\/li\u003e\n\u003cli\u003eA unique DNS algorithm with super-fast setup and control\u003c\/li\u003e\n\u003cli\u003eAnalogue (mic\/line) and digital I\/O\u003c\/li\u003e\n\u003cli\u003e12V power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eDSP\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eTwo linkable channels of CEDAR DNS\u003c\/li\u003e\n\u003cli\u003eFully automatic processing in Learn mode\u003c\/li\u003e\n\u003cli\u003eFloating point processor, 2.4 GFLOP\/s, 40-bit resolution\u003c\/li\u003e\n\u003cli\u003eDigital input and output (AES3)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAD\/DA conversion\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e24-bit resolution\u003c\/li\u003e\n\u003cli\u003eSample rate (internal sync.) 48kHz\u003c\/li\u003e\n\u003cli\u003eSample rate (external sync.) 44.1kHz, 48kHz, 96kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eBalanced analogue line inputs and outputs\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eNominal level: +4dBu with 20dB headroom\u003c\/li\u003e\n\u003cli\u003eGain range: -6dB to +54dB\u003c\/li\u003e\n\u003cli\u003eDynamic range: \u0026gt; 102dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eUltra low-noise microphone preamplifiers\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eGain range: +18dB - +78dB\u003c\/li\u003e\n\u003cli\u003eDynamic range: \u0026gt;102dB (at 36dB gain)\u003c\/li\u003e\n\u003cli\u003eIndividually switchable phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003ePower\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e8VDC to 17.5VDC (nominal 12V)\u003c\/li\u003e\n\u003cli\u003ePower consumption: 4W typical, 6W maximum\u003c\/li\u003e\n\u003cli\u003eMains operation (85VAC - 250VAC) via supplied adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003ePhysical\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eDimensions: 164mm x 110mm x 44mm\u003c\/li\u003e\n\u003cli\u003eWeight: \u0026lt;500g\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cedar Audio","offers":[{"title":"Default Title","offer_id":7057184069,"sku":"DNS 2","price":3999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/dns2_500px.png?v=1670002410"},{"product_id":"cedar-audio-dns-8d","title":"Cedar Audio DNS 8D - 8-Channel Dialogue Noise Suppressor with Dante®","description":"\u003cp\u003eCEDAR's Dialogue Noise Suppression technology is the standard for removing background noise from dialogue in studios. With near-zero latency, high-resolution processing, and a fast, intuitive user interface, it eliminates traffic noise, air conditioning, wind, rain, babble and general background noise from audio signals. It will also help to compensate for unfavourable acoustic conditions and poor microphone placement, and will even suppress excessive reverberation.\u003c\/p\u003e\n\u003cp\u003eThe CEDAR DNS 8D has been designed specifically for broadcast and live sound. With eight channels of noise suppression, it hosts a new algorithm that marries the best of the machine learning and signal processing on which the DNS 8 Live and the DNS 2 dialogue noise suppressors are based. With its slick user-interface that includes standard and detailed modes of operation it offers better control than any previous dialogue noise suppressor, both from the front panel and from almost any web browser that can access its internal remote control software. With its near-zero latency and a standard 4-pin 12VDC input in addition to universal mains power, it's suitable for use in all live situations - not just broadcasting, but also live sound in venues such as theatres, concert halls, conference venues and places of worship.\u003c\/p\u003e\n\u003cp\u003eDante\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eis the de-facto standard for media networking, distributing uncompressed, multi-channel digital audio via standard Ethernet networks with near-zero latency and perfect synchronisation. The DNS 8D is the first DNS with a Dante interface in addition to its AES3 audio connections. With support for Dante's redundant mode of operation (which helps to protect against network failure) plus fail-safe AES3 audio bypass implemented in the form of hardware relays that immediately connect the inputs to the outputs in the event of a power failure or other significant disruption, it can be installed with confidence in critical paths anywhere within the audio chain.\u003c\/p\u003e\n\u003ch2\u003e8D\/AES breakout cable\u003c\/h2\u003e\n\u003cp\u003eWe supply an optional high-quality AES3 breakout cable for the DNS 8D, offering a DB25 connector at one end and 4 x XLR (female) plus 4 x XLR (male) at the other. This allows users to connect the DNS 8D to equipment using the traditional XLR format.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eKey features:\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eEight channels of dialogue noise suppression\u003c\/li\u003e\n\u003cli\u003eThe latest DNS algorithm and user interface\u003c\/li\u003e\n\u003cli\u003eA detailed mode ideal for permanent installations\u003c\/li\u003e\n\u003cli\u003eSupports Dante's redundant mode\u003c\/li\u003e\n\u003cli\u003eAES3 fail-safe audio bypass\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAudio specifications:\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eDante\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eand digital PCM (AES3 on DB25 AES59 pin-out) I\/O\u003c\/li\u003e\n\u003cli\u003eSample rates: 441., 48, 88.2, 96kHz\u003c\/li\u003e\n\u003cli\u003eI\/O resolution: 24-bit\u003c\/li\u003e\n\u003cli\u003eProcess resolution: 40-bit floating point\u003c\/li\u003e\n\u003cli\u003eAES3 Latency of \u0026lt;10 samples (\u0026lt;0.2ms at 48kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003ePhysical specifications:\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eMains power: 90-260VAC; 50-60Hz auto-selecting\u003c\/li\u003e\n\u003cli\u003eDC power: 12VDC on standard 4-pin connector\u003c\/li\u003e\n\u003cli\u003eSize: 1U rackmount, 20cm depth\u003c\/li\u003e\n\u003cli\u003eWeight: 3kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eDNS Control System\u003c\/h4\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eBrowser-based remote control for laptops, tablets, and other devices\u003c\/li\u003e\n\u003cli\u003eNot limited to specific operating systems\u003c\/li\u003e\n\u003cli\u003eWorks on almost any browser\u003c\/li\u003e\n\u003cli\u003eIndependent of DAWs\u003c\/li\u003e\n\u003cli\u003eEthernet interface\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cedar Audio","offers":[{"title":"Default Title","offer_id":7057187653,"sku":"DNS 8D","price":8999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/dns8d-front-1000px.png?v=1670002149"},{"product_id":"cedar-audio-dns-4","title":"Cedar Audio DNS 4 - 4-Channel Dialogue Noise Suppressor","description":"\u003cp data-mce-fragment=\"1\"\u003eThe DNS 4 is the most advanced portable model in the DNS series. With its Hirose HR-10 power input and mini-XLRs for many connections, it takes up little more space than the industry-standard DNS 2 yet doubles the number of channels available.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt's incredibly fast and simple to use; the DNS algorithm requires nothing more than switching on the Learn function that identifies and adapts to the background noise, and then adjusting the amount of noise attenuation required. Notwithstanding this simplicity, it can achieve remarkable results. What's more, despite being so convenient that you can slip it into your pocket or equipment bag, it offers analogue line and ultra low-noise microphone inputs (the latter with optional 48V phantom powering), AES3\/AES11 digital inputs, and both analogue and digital outputs. And, to increase its flexibility still further, it runs on 12V power so you can use it in the middle of a field as easily as in the studio or edit suite.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRetaining the near-zero latency of its predecessors, the DNS 4 is suitable for use in all situations - location recording, live-to-air broadcasting and live sound in venues such as theatres, concert halls, conferences venues and places of worship, as well as in the studio.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eThe dialogue noise suppressors that everyone uses everywhere\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCEDAR's dialogue noise suppression (DNS) technology is used on the highest quality productions and broadcasts to eliminate traffic noise, air conditioning, wind, rain, babble and general background noise from audio. It will help to compensate for unfavourable acoustic conditions and poor microphone placement, and will even suppress excessive reverberation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eIt's used to clean up sound for film production, to suppress ambient noise for live broadcasting, to refresh sound libraries, and to enhance speech for audio forensic investigations. It's an industry standard that has earned a string of awards including an Emmy®, an Academy Award®, an IABM Award® and two Cinema Audio Society Awards.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eKey features\u003c\/h4\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eFour channels of state-of-the-art noise suppression\u003c\/li\u003e\n\u003cli\u003eHigh-resolution 40-bit floating-point processing\u003c\/li\u003e\n\u003cli\u003eNear-zero latency to ensure that there's no loss of lip-sync\u003c\/li\u003e\n\u003cli\u003eSuper-fast setup and control\u003c\/li\u003e\n\u003cli\u003eIt's small, light and eminently portable\u003c\/li\u003e\n\u003cli\u003eIt runs on 12V power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eLine inputs\u003c\/h4\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eConnectors:\u003cbr\u003e Channels 1\u0026amp;2: Balanced XLR3F\u003cbr\u003e Channels 3\u0026amp;4: Balanced TA3 mini-XLR\u003c\/li\u003e\n\u003cli\u003eImpedance: 10kΩ\u003c\/li\u003e\n\u003cli\u003eNominal signal level (0dB gain): +4dBu\u003c\/li\u003e\n\u003cli\u003eADC line up (0dB gain): +4dBu : -20dBFS\u003c\/li\u003e\n\u003cli\u003eClipping level (0dB gain): +24dBu\u003c\/li\u003e\n\u003cli\u003eDynamic range (0dB gain): \u0026gt;102dB (AES17 unweighted)\u003c\/li\u003e\n\u003cli\u003eGain ranges:\u003cbr\u003e Channels 1\u0026amp;2: -6dB to +54dB\u003cbr\u003e Channels 3\u0026amp;4: 0dB to +20dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eMicrophone inputs with ultra low-noise microphone preamplifiers\u003c\/h4\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eConnector: Balanced XLR3F\u003c\/li\u003e\n\u003cli\u003eImpedance: 2kΩ\u003c\/li\u003e\n\u003cli\u003eGain range: 18dB to 78dB\u003c\/li\u003e\n\u003cli\u003eADC line up (36dB gain): -32dBu : -20dBFS\u003c\/li\u003e\n\u003cli\u003eDynamic range (36dB gain): \u0026gt;102dB (AES17 unweighted)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003ePhantom Power\u003c\/h4\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eType: P48 (IEC61958)\u003c\/li\u003e\n\u003cli\u003eUnloaded voltage: +48V ± 4V\u003c\/li\u003e\n\u003cli\u003eCurrent available: 10mA per microphone\u003c\/li\u003e\n\u003cli\u003eShort circuit protection: Indefinite\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eAD\/DA conversion\u003c\/h4\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eFormat: 24-bit linear PCM\u003c\/li\u003e\n\u003cli\u003eSample rate (internal sync.): 48kHz\u003c\/li\u003e\n\u003cli\u003eSample rate (external sync.): 40kHz – 100kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eDigital inputs\u003c\/h4\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eConnector: Balanced TA3 mini-XLR\u003c\/li\u003e\n\u003cli\u003eFormat: AES3 (IEC60958) or AES11 (DARS)\u003c\/li\u003e\n\u003cli\u003eSample rate sync range: 40kHz - 100kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eLine outputs\u003c\/h4\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eConnector: Balanced TA3 mini-XLR\u003c\/li\u003e\n\u003cli\u003eNominal signal level: +4dBu\u003c\/li\u003e\n\u003cli\u003eDAC line up: -20dBFS : +4dBu\u003c\/li\u003e\n\u003cli\u003eMaximum output: +24dBu\u003c\/li\u003e\n\u003cli\u003eDynamic range: 96dB\u003c\/li\u003e\n\u003cli\u003eMinimum load impedance: 600Ω\u003c\/li\u003e\n\u003cli\u003eShort circuit protection: Indefinite\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eDigital outputs\u003c\/h4\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eConnector: Balanced TA3 mini-XLR\u003c\/li\u003e\n\u003cli\u003eFormat: AES3 (IEC60958)\u003c\/li\u003e\n\u003cli\u003eSample rate (internal sync): 48kHz (±50ppm)\u003c\/li\u003e\n\u003cli\u003eSample rate (external sync): locked to digital input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eDSP\u003c\/h4\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eType: Floating point\u003c\/li\u003e\n\u003cli\u003eResolution: 40-bit\u003c\/li\u003e\n\u003cli\u003eSample rates: 44.1kHz, 48kHz, 96kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003ePower input\u003c\/h4\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eVoltage: 8V to 17.5V (nominal 12V)\u003c\/li\u003e\n\u003cli\u003eConnector: Hirose 4-pin HR10 (pin1 -, pin4 +)\u003c\/li\u003e\n\u003cli\u003eReverse polarity protection: Indefinite\u003c\/li\u003e\n\u003cli\u003eOver-voltage protection: Indefinite, up to 50V\u003c\/li\u003e\n\u003cli\u003eMax power consumption @ 12V: 15W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003ePower adapter\u003c\/h4\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eInput voltage: 85VAC - 260VAC, 50 - 60Hz\u003c\/li\u003e\n\u003cli\u003eInput power: 15W\u003c\/li\u003e\n\u003cli\u003eInput connector: UK\/US\/EU\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 12V\u003c\/li\u003e\n\u003cli\u003eOutput connector: Hirose 4-pin HR10 (pin1 -, pin4 +)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003ePhysical\u003c\/h4\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003eDimensions: 185 x 130 x 45 mm\u003c\/li\u003e\n\u003cli\u003eWeight: 750g\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cedar Audio","offers":[{"title":"Default Title","offer_id":7057191173,"sku":"DNS 4","price":4599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/dns4front1200px.png?v=1670002725"},{"product_id":"cedar-audio-ada","title":"Cedar Audio ADA - Intergrated A\/D D\/A Converter","description":"\u003cp data-mce-fragment=\"1\"\u003eThis stereo, 24-bit, 96kHz 1U rackmount unit that produces an AES\/EBU or SPDIF output from a balanced or unbalanced analogue stereo input, and a stereo balanced or unbalanced output from an incoming AES\/EBU or SPDIF input. Designed to complement CEDAR's award-winning DNS-series and Duo-series hardware modules as well as CEDAR Cambridge, the ADA offers four sync modes, professional and consumer formats, emphasis on\/off, user-selectable input levels of up to 27dBu, and a maximum output level of +24dBu.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith both professional (XLR) and consumer (phono) analogue inputs and outputs, the ADA is usable in almost all analogue and digital environments. With a dynamic range of greater than 110dB and a signal to noise ratio of better than 109dBfs, it's suitable for all but the very most demanding converter tasks.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Cedar Audio","offers":[{"title":"Default Title","offer_id":7057193093,"sku":"ADA","price":918.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/ada.png?v=1670002913"},{"product_id":"dbx-driverack-pa2","title":"dbx DriveRack PA2 - Complete Loudspeaker Management System","description":"\u003ch3 data-mce-fragment=\"1\"\u003eALL YOU NEED TO GET THE MOST FROM YOUR PA. NOW WITH COMPLETE CONTROL FROM YOUR MOBILE DEVICE.\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe DriveRack® PA2 provides all the processing you need between your mixer and amplifiers to optimize and protect your loudspeakers. With the latest advancements in dbx’s proprietary AutoEQ™ and AFS™ algorithms, a new input delay module for delaying the FOH system to the backline, Ethernet control via an Android®, iOS®, Mac®, or Windows® device, and updated Wizards, the DriveRack PA2 continues the DriveRack legacy of great-sounding, powerful, and affordable loudspeaker management processors, for a whole new generation.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eAUTOEQ™\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNew, improved AutoEQ algorithm ensures an extremely accurate, fast, and non-intrusive automatic EQ experience.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith the RTA Mic “listening” to your room, the new, updated DriveRack PA2 AutoEQ algorithm sets speaker levels and room EQ automatically in a matter of seconds. This means room adjustments can now be made very quickly, without subjecting the audience to annoying, lengthy broadcasts of pink noise.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eENHANCED AFS™ FEEDBACK ELIMINATION\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEnhanced AFS™ algorithm for faster, more precise feedback elimination, without adversely affecting your system’s tone.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNothing turns audiences away like annoying and potentially painful audio feedback. Fortunately, dbx engineers have revisited their already-stellar Advanced Feedback Suppression algorithm and made it work even better. The DriveRack PA2 listens for and anticipates feedback and adjusts speaker output automatically before it even has a chance, while never altering your sound.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eUPDATED WIZARD SETUP FUNCTIONS\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUpdated Wizards make initial set up easy, while ensuring speaker tunings and other settings are up-to-date.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWizard functions on the DriveRack PA2 guide you through easy, step-by-step processes to help you get the most from your loudspeaker system. Helps you easily configure level balancing, AutoEQ, Advanced Feedback Suppression, and provides access to built-in and constantly updating speaker tunings from most major speaker manufacturers.\u003c\/p\u003e\n\u003ctable border=\"0\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd valign=\"top\" data-mce-fragment=\"1\"\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eAVAILABLE INPUT PROCESSING\u003c\/h4\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003edbx Compression\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAFS™ (Advanced Feedback Suppression)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGraphic EQ\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e8-Band Parametric EQ (adjusted when using the AutoEQ)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSubharmonic Synthesis\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\" data-mce-fragment=\"1\"\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eAVAILABLE OUTPUT PROCESSING\u003c\/h4\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCrossover (supports full range, 2-way, and 3-way systems)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e8-Band Parametric EQs (used for speaker tunings)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003edbx Limiting\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDriver Alignment Delays\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"product-features\" class=\"row product-subheader\"\u003e\n\u003cdiv class=\"small-10 columns\"\u003e\n\u003ch3 data-magellan-destination=\"features\" class=\"content-nav\"\u003eFeatures\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"small-2 columns text-right\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product_main_tab_content content\"\u003e\n\u003cdiv class=\"features text-content\"\u003e\n\u003cul\u003e\n\u003cli\u003eAll New Setup Wizard\u003c\/li\u003e\n\u003cli\u003eStreamlined AutoEQ™\u003c\/li\u003e\n\u003cli\u003eAll New AFS™ (Advanced Feedback Suppression)\u003c\/li\u003e\n\u003cli\u003eMobile Control (Android®, iOS®, Mac®, Windows®)\u003c\/li\u003e\n\u003cli\u003edbx Compression\u003c\/li\u003e\n\u003cli\u003eGraphic EQ\u003c\/li\u003e\n\u003cli\u003e8-Band Parametric EQ (adjusted when using the AutoEQ) Input\u003c\/li\u003e\n\u003cli\u003eSubharmonic Synthesis\u003c\/li\u003e\n\u003cli\u003eCrossover (supports full range, 2-way, and 3-way systems)\u003c\/li\u003e\n\u003cli\u003e8-Band Parametric EQs (used for speaker tunings) Output\u003c\/li\u003e\n\u003cli\u003edbx Limiting\u003c\/li\u003e\n\u003cli\u003eDriver Alignment Delays\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eTESTED WIRELESS ROUTERS:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDlink 636L\u003c\/li\u003e\n\u003cli\u003eDlink Cloud router 2000\u003c\/li\u003e\n\u003cli\u003eCisco \/ linksys: WRT54G2V1\u003c\/li\u003e\n\u003cli\u003eNetgear WGR614 v7\u003c\/li\u003e\n\u003cli\u003eNetgear WNR 1000\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e(Other routers are likely compatible. This list represents those which have been tested thus far.)\u003c\/p\u003e\n\u003cdiv id=\"product-specifications\" class=\"row product-subheader\"\u003e\n\u003cdiv class=\"small-10 columns\"\u003e\n\u003ch3 data-magellan-destination=\"specifications\" class=\"content-nav\"\u003eSpecifications\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"small-2 columns text-right\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product_main_tab_content content\"\u003e\n\u003ctable class=\"specs\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInput\u003c\/td\u003e\n\u003ctd\u003e(2) line inputs. (1) RTA Mic input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInput Connectors\u003c\/td\u003e\n\u003ctd\u003e(2) Female XLR line inputs. (1) Female XLR RTA Mic input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInput Type\u003c\/td\u003e\n\u003ctd\u003eElectronically balanced\/RF filtered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInput Impedance\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;50 kohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eA\/D Converter\u003c\/td\u003e\n\u003ctd\u003edbx Type IV™ Conversion System\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eCMRR\u003c\/td\u003e\n\u003ctd\u003e\u0026gt; 45dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMic Preamp Phantom Power\u003c\/td\u003e\n\u003ctd\u003e+15VDC (RTA)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMic Preamp Equivalent Input Noise (EIN)\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; -117dB, 22Hz-22kHz, 150 ohm (RTA)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eOutput\u003c\/td\u003e\n\u003ctd\u003e(6) Line Outputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eOutput Connectors\u003c\/td\u003e\n\u003ctd\u003eMale XLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eOutput Type\u003c\/td\u003e\n\u003ctd\u003eElectronically balanced, RF filtered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eOutput Impedance\u003c\/td\u003e\n\u003ctd\u003e120 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMax Output\u003c\/td\u003e\n\u003ctd\u003e+20dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eA\/D Dynamic Range\u003c\/td\u003e\n\u003ctd\u003e112 dB A-weighted, 110 dB unweighted\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eType IV Dynamic Range\u003c\/td\u003e\n\u003ctd\u003e123 dB with transient material, A-weighted, 22kHz BW; 121 dB with transient material, unweighted, 22kHz BW; 115 dB typical with program material, A-weighted, 22kHz BW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInput Delay Length\u003c\/td\u003e\n\u003ctd\u003e100ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eAlignment Delay\u003c\/td\u003e\n\u003ctd\u003e10ms per channel (60ms total)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eSample Rate\u003c\/td\u003e\n\u003ctd\u003e48kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eDynamic Range\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;110 dB A-weighted, \u0026gt;107dB unweighted\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eTHD+Noise\u003c\/td\u003e\n\u003ctd\u003e0.003% typical at +4dBu, 1kHz, 0dB input gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e20Hz – 20kHz, +\/- 0.5dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInterchannel Crosstalk\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; -110 dB, -120dB typical (input-to-output: \u0026lt; -100 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eOperating Voltage\u003c\/td\u003e\n\u003ctd\u003e100-120VAC 50\/60 Hz - EU: 220-240 VAC 50\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003ePower Consumption\u003c\/td\u003e\n\u003ctd\u003e22 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eUnit Weight\u003c\/td\u003e\n\u003ctd\u003e5.25 lbs. (2.4 kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eShipping Weight\u003c\/td\u003e\n\u003ctd\u003e6.75 lbs. (3.1 kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003e1.75” (H) x 5.75” (D) x 19” (W), 4.4cm (H) x 14.6cm (D) x 48.26cm (W)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eD\/A Dynamic Range\u003c\/td\u003e\n\u003ctd\u003e112 dB A-weighted, 110dB unweighted\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"dbx","offers":[{"title":"Default Title","offer_id":7057396101,"sku":"DBXPA2-V-TW","price":569.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/DriveRack_PA2_Front_original.png?v=1642856871"},{"product_id":"desk-doctor-zx-card","title":"Desk Doctor ZX Card","description":"\"Machine control card for SSL comuters, which provides SMPTE, 9-Pin and locks to VITC\/Blackburst. Interfaces with DAW systems, like ProTools. Plugs directly in to SSL computer cage, enabling all go-to, play-mix, play-from, commands. Instantaneous locate and play of ProTools through SMPTE. 9-pin allows record punch-in from console in ProTools, as well as Sony 9-pin protocol devices like 3348 or Tascam DA88\/78\/98. Finally, real control of ProTools from SSL console is possible.\"\u003cbr\u003e","brand":"The Desk Doctor","offers":[{"title":"Default","offer_id":7057458693,"sku":"ZX Card","price":2495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/26dacce9da24ca39d6265f1e134663b2.jpeg?v=1571498874"},{"product_id":"drawmer-1960","title":"Drawmer 1960 - Mic Pre \/ Vacuum Tube Compressor","description":"\u003cp\u003eThere is little doubt in the minds of many engineers and producers that vacuum tubes possess a unique sound quality providing a \"warmer, more alive\" sound. Combining eight active tube stages and the low noise and reliability of solid state electronics, the Drawmer 1960 provides the ultimate direct interface between the sound source and the recording medium. The Drawmer 1960 is a two channel unit with each channel comprised of a completely natural sounding \"soft knee\" vacuum tube compressor and an extremely low noise microphone pre-amplifier with switchable 48 volt phantom power. A further auxiliary instrument pre-amp with EQ is also provided. This powerful combination of the classic valve circuit, offering unsurpassed tonality, and the low noise balanced microphone input with up to 60dB of gain has allowed engineers throughout the world to exploit the full potential of high performance condenser microphones. An example of this would be the direct to digital stereo recording of live classical music without the necessity of a mixing console. \u003cbr\u003e\u003cbr\u003eThe Compressor : Because the compressor is a soft knee type, it requires few controls. Strictly speaking, a soft knee design does not have a rigidly defined threshold but the title 'Threshold' has been retained for the \"amount of compression\" control for the sake of familiarity. The Threshold range is continuously variable between infinity and -24dB, the theory being that signals below the threshold are essentially unprocessed and the signals exceeding this threshold are subjected to increasing amounts of gain reduction dependent on by how much they exceed the threshold.\u003cbr\u003eThe attack and release times are switchable rather than being continuously variable and this method of operation falls into line with that of its all valve predecessors. Attack simply offers a-choice of slow, medium and fast whilst release has six settings. Positions one to four have fixed release times whilst positions five and six are two different programme dependent release time modes making the unit ideally suited to programme material with complex dynamics such as complete stereo mixes and vocals. Interestingly, the attack times are further modified by the choice of release setting so the range of choices are wider than it might first appear.\u003cbr\u003e\u003cbr\u003eBecause compression is a form of controlled gain reduction, a stage of make-up amplification follows the compressor section giving a range of +20dB. The VU meters may be switched to monitor either the amount of gain reduction taking place or the output signal level and the two channels may be used either independently or as a stereo pair, depending on the setting of the stereo link switch. \u003cbr\u003e\u003cbr\u003eThe side chain access points may be used to patch in equalisers to enable the compressor to act as a de-esser. As with other Drawmer products, the by-pass switch offers a choice of Normal. By-pass and Side Chain Listen modes so that if you have patched in any additional side chain processing, you can easily monitor what effect it is having. \u003cbr\u003e\u003cbr\u003eIn addition to the balanced microphone and line inputs on the rear of the unit an auxiliary input on the front panel gives direct access for guitars or electronic instruments. Equalization is provided along with sufficient gain to overload the tube pre-amp for sustain effects. The Aux input is a valuable addition as it combines the virtues of a D.I. box and equalizer with the compressor allowing the instrument to be simultaneously processed and routed to the mixing console or directly to the recorder.\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":7057678277,"sku":"1960","price":3029.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/1960_large_3df6f480-5009-44a9-8e1f-d69339036633.jpg?v=1668015340"},{"product_id":"drawmer-da6","title":"Drawmer DA6 - Balanced Distribution Amplifier","description":"\u003cp\u003eThe distribution of mono and stereo balanced audio signals from a single source to multiple destinations has many applications including multi-zone sound reinforcement installations, live sports events coverage, broadcast studios, video suites, duplication or indeed anywhere high quality audio has to be distributed to a number of locations down long cable runs.\u003cbr\u003e\u003cbr\u003eThe Drawmer DA-6 is a six channel stereo (or twelve channel mono) distribution amplifier featuring XLR balanced inputs and outputs with optional transformer balancing where remote amplifiers and recorders are fed from separate power supplies.\u003cbr\u003e\u003cbr\u003eThe stereo Input features individual left\/right level controls with LED bargraph metering enabling the correct balancing of stereo material or two mono signals. Each of the six outputs incorporate further left\/right level controls and a Mono\/Stereo switch providing the selection of either one stereo output or two mono outputs per channel. This feature allows the DA-6 to function as either a 1 x stereo input\/6 x stereo outputs or 1 x mono input\/12 x mono output unit or any combination of the two.\u003cbr\u003e\u003cbr\u003eThe output section consists of a Channel Select so that the individual left\/right output level of each channel is displayed on the output LED bargraph and can be monitored by the Headphone jack socket. A pair of auxiliary link stereo jack sockets (TRS) are provided via the rear panel for connection to further DA-6 units for the distribution of even more channels.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cul class=\"feature\"\u003e\n\u003cli\u003e1x6 Stereo Distribution Amp with Monitoring.\u003c\/li\u003e\n\u003cli\u003e1 set of stereo (2) XLR inputs.\u003c\/li\u003e\n\u003cli\u003e6 sets of stereo (2) XLR outputs.\u003c\/li\u003e\n\u003cli\u003eInput stage has LED level meter.\u003c\/li\u003e\n\u003cli\u003eEach output channel can be switched to mono.\u003c\/li\u003e\n\u003cli\u003eEach output channel can be individually monitored.\u003c\/li\u003e\n\u003cli\u003eBuilt-in headphone amp.\u003c\/li\u003e\n\u003cli\u003eOptional transformer balanced outputs.\u003c\/li\u003e\n\u003cli\u003eElectronically balanced inputs with individual left\/right level controls.\u003c\/li\u003e\n\u003cli\u003eLED metering on input for balancing stereo material or two mono signals.\u003c\/li\u003e\n\u003cli\u003eLeft \/ Right level controls on each output with a stereo \/ mono switch.\u003c\/li\u003e\n\u003cli\u003eHeadphone jack to monitor output of selected channel.\u003c\/li\u003e\n\u003cli\u003eLED metering on output of selected channel.\u003c\/li\u003e\n\u003cli\u003eAuxiliary pair of balanced 1\/4\" output jacks for linking multiple DA6 units.\u003c\/li\u003e\n\u003cli\u003e1 unit rack space.\u003c\/li\u003e\n\u003cli\u003eInputs and Outputs are balanced XLRs at +4dBu.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":7057716293,"sku":"DA6","price":1089.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/da6_large_3835795e-333f-4eee-ae86-fb9c142d24bf.jpg?v=1668014607"},{"product_id":"drawmer-d-clock","title":"Drawmer D-Clock - Clock Measurement \u0026 Distribution","description":"\u003cp\u003eDigital audio facilities often require a number of clock sources, which are used to synchronise outboard processors to the system clock rate using external clock inputs. The Drawmer D-CLock is a dual input, twenty output word clock distributor with a 16 character blue LCD display providing a high accuracy reference measurement of the incoming sample rate. It uses a high stability TCXO (temperature compensated xtal oscillator) along with a microcontroller to measure the incoming sample rate to an accuracy of 2ppm and displays the information in three different formats, actual frequency (to one decimal place), nominal frequency +\/- ppm error, or nominal frequency plus percentage of pull up or pull down.\u003c\/p\u003e\n\u003cp\u003eIt has both AES\/EBU and BNC word clock inputs featuring a zero latency loopthrough output with switchable high impedance to maintain the correct level of the digital signal for onward distribution. Sixteen BNC clock outputs are situated on the rear panel with a further four BNC clock outputs on the front panel for quick patching to other digital devices.\u003c\/p\u003e\n\u003cp\u003eThe wordclock outputs can be fed from the wordclock input at any sample rate between 32KHz and 768KHz or derived from an AES11 input or stripped from an AES3 audio signal at any sample rate between 32KHz and 192KHz. Using an audio signal to provide the clock means even products without a wordclock output, such as some analogue to digital converters, or one of the many mic pre-amplifiers with internal A\/D conversion but no word clock output, can be the master wordclock source for the whole digital studio.\u003c\/p\u003e\n\u003ch3\u003eFeatures Include:\u003c\/h3\u003e\n\u003cul class=\"feature\"\u003e\n\u003cli\u003e2 in x 20 out Clock Measurement and Distribution Amplifier.\u003c\/li\u003e\n\u003cli\u003e16 character blue LCD display providing a reference measurement of the incoming sample rate.\u003c\/li\u003e\n\u003cli\u003eMeasures incoming sample frequencies up to 768 kHz to an accuracy of 2ppm or 2 microseconds.\u003c\/li\u003e\n\u003cli\u003eDisplay modes: ppm, ±ppm \u0026amp; % pull up\/down for video users.\u003c\/li\u003e\n\u003cli\u003eInputs: BNC with zero latency, 33 Ohms impedance.\u003c\/li\u003e\n\u003cli\u003eAES with with zero latency loopthrough.\u003c\/li\u003e\n\u003cli\u003eOutputs: BNC loopthrough \/ AES loopthrough.\u003c\/li\u003e\n\u003cli\u003eUniversal voltage filtered mains power input.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":7057723013,"sku":"D-Clock","price":1229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/dclock_large_42e4b646-10ce-4afb-81ec-7fb497856b39.jpg?v=1668014927"},{"product_id":"drawmer-dl241","title":"Drawmer DL241 - Auto Compressor","description":"\u003cp\u003eThe introduction of the Drawmer DL241 Dual Channel 'Auto-Compressor' highlights the beginning of a new generation of dynamic processors which set new standards of sonic excellence. Its combination of features, displays and well designed control functions make it an outstanding product for a vast range of broadcast, sound reinforcement, and recording applications. The DL241 'Auto-Compressor' incorporates many automatic functions allowing the engineer to achieve optimum results in the minimum set up time but does not compromise skilled users with limited controls. Its sophisticated design produces a smooth, transparent and warm sonic performance.\u003c\/p\u003e\n\u003cp\u003eFacilities available on the DL241 include:\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eExpander\/Gate :\u003c\/strong\u003e Drawmer's unique \"Programmed Adaptive Expansion\" circuitry allows effective 'single control operation' producing a fast smooth response and eliminating 'chatter' on or around threshold. This design differs from that of conventional Expanders in that the Expansion Ratio, Hold Attack and Release continually adapt themselves to the dynamics of the incoming signal. The Expander\/Gate provides 80dB range and variable threshold from +20dB to 70dB with an OFF position. Switching is provided for 'Fast' or 'Slow' release characteristics. The 'Fast' mode can be used for instruments with rapid decay times or for additional tightening of the gating effect. The 'Slow' mode is more suitable for vocals and instruments with longer decay times or can be used to smooth over rough fade outs. A single LED indicates gating action.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eCompressor :\u003c\/strong\u003e A full Auto Attack\/Release Compressor with variable Threshold and Ratio successfully combines the smoothness of the 'Soft Knee' principle with the precision of a 'Ratio' control. The advantage of this combination is that instead of the onset of compression being sudden at the threshold point the ratio increases over a 10dB input level range until it reaches the ratio set on the front panel control, thus achieving a more natural sounding compression. Selectable manual or fully automatic Attack and Release times dramatically extend the application range and user scope of the DL241. Selecting the 'Auto' mode removes the need for manual adjustment and is particularly valuable when the program being treated does not have predictable or consistent dynamics, often the case when processing a complete mix or a virtuoso bass guitar performance. Under manual control the wide range of adjustment available gives the user the ability to create dynamic effects as well as normal compression. \u003cbr\u003ePeak Level. 'Zero Response Time', 'Zero Overshoot' circuitry : This provides an absolute limit to the peak level of the output signal, adjustable from OdB to +16dB above system level. When set to the required level, any excessive peaks will be stopped and the gain momentarily decreased if necessary. The 'Zero Response Time' is essential to avoid unpleasant distortion when mastering for CD or sending any signal to digital equipment. 'Zero Response Time' means that the DL241 provides complete protection from even the fastest and shortest signal 'spikes' (overloads), making the unit also ideally suited for speaker system protection in sound reinforcement applications.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eMetering :\u003c\/strong\u003e Comprehensive bar graph displays give 'at a glance' indications of gain reduction, and output signal level Gain reduction from 1dB to -30dB is shown simultaneously with signal level from -20dB to +15dB Other single LEDs indicate function status of Gating Acton, Auto Mode, Bypass, Peak Limiting, Stereo Linking, and Power On.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eStereo Link :\u003c\/strong\u003e When processing stereo signals, linking should be used to prevent image shifting. This facility ties both channels together. Using channel 1 (left) as the master channel removes the need to duplicate control settings for both channels.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eBypass :\u003c\/strong\u003e A fully balanced hard-wire bypass connects the input directly to the output allowing signal to pass through the unit with no power applied. In bypass the VU level meter displays the Input signal.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eOperating Level :\u003c\/strong\u003e The operating level of the DL241 can be instantly switched, independently on each channel, for either +4dBu or 10dBu operation using a rear panel push switch.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eInput\/Output :\u003c\/strong\u003e The DL241 is available with either XLR connections and fully balanced inputs and outputs, or with stereo jack (TRS) connections, fully balanced inputs and single ended outputs.\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":7057728709,"sku":"DL241","price":1229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/dl241_large_4961224b-9039-4a71-a610-d09e330cb734.jpg?v=1668012156"},{"product_id":"drawmer-dl241xlr","title":"Drawmer DL241XLR","description":"\u003cp\u003e\u003cstrong\u003e**Backordered** Current time is 16 weeks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe introduction of the Drawmer DL241 Dual Channel 'Auto-Compressor' highlights the beginning of a new generation of dynamic processors which set new standards of sonic excellence. Its combination of features, displays and well designed control functions make it an outstanding product for a vast range of broadcast, sound reinforcement, and recording applications. The DL241 'Auto-Compressor' incorporates many automatic functions allowing the engineer to achieve optimum results in the minimum set up time but does not compromise skilled users with limited controls. Its sophisticated design produces a smooth, transparent and warm sonic performance.\u003c\/p\u003e\n\u003cp\u003eFacilities available on the DL241 include:\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eExpander\/Gate : Drawmer's unique \"Programmed Adaptive Expansion\" circuitry allows effective 'single control operation' producing a fast smooth response and eliminating 'chatter' on or around threshold. This design differs from that of conventional Expanders in that the Expansion Ratio, Hold Attack and Release continually adapt themselves to the dynamics of the incoming signal. The Expander\/Gate provides 80dB range and variable threshold from +20dB to 70dB with an OFF position. Switching is provided for 'Fast' or 'Slow' release characteristics. The 'Fast' mode can be used for instruments with rapid decay times or for additional tightening of the gating effect. The 'Slow' mode is more suitable for vocals and instruments with longer decay times or can be used to smooth over rough fade outs. A single LED indicates gating action. \u003cbr\u003eCompressor : A full Auto Attack\/Release Compressor with variable Threshold and Ratio successfully combines the smoothness of the 'Soft Knee' principle with the precision of a 'Ratio' control. The advantage of this combination is that instead of the onset of compression being sudden at the threshold point the ratio increases over a 10dB input level range until it reaches the ratio set on the front panel control, thus achieving a more natural sounding compression. Selectable manual or fully automatic Attack and Release times dramatically extend the application range and user scope of the DL241. Selecting the 'Auto' mode removes the need for manual adjustment and is particularly valuable when the program being treated does not have predictable or consistent dynamics, often the case when processing a complete mix or a virtuoso bass guitar performance. Under manual control the wide range of adjustment available gives the user the ability to create dynamic effects as well as normal compression. \u003cbr\u003ePeak Level. 'Zero Response Time', 'Zero Overshoot' circuitry : This provides an absolute limit to the peak level of the output signal, adjustable from OdB to +16dB above system level. When set to the required level, any excessive peaks will be stopped and the gain momentarily decreased if necessary. The 'Zero Response Time' is essential to avoid unpleasant distortion when mastering for CD or sending any signal to digital equipment. 'Zero Response Time' means that the DL241 provides complete protection from even the fastest and shortest signal 'spikes' (overloads), making the unit also ideally suited for speaker system protection in sound reinforcement applications. \u003cbr\u003eMetering : Comprehensive bar graph displays give 'at a glance' indications of gain reduction, and output signal level Gain reduction from 1dB to -30dB is shown simultaneously with signal level from -20dB to +15dB Other single LEDs indicate function status of Gating Acton, Auto Mode, Bypass, Peak Limiting, Stereo Linking, and Power On. \u003cbr\u003eStereo Link : When processing stereo signals, linking should be used to prevent image shifting. This facility ties both channels together. Using channel 1 (left) as the master channel removes the need to duplicate control settings for both channels. \u003cbr\u003eBypass : A fully balanced hard-wire bypass connects the input directly to the output allowing signal to pass through the unit with no power applied. In bypass the VU level meter displays the Input signal. \u003cbr\u003eOperating Level : The operating level of the DL241 can be instantly switched, independently on each channel, for either +4dBu or 10dBu operation using a rear panel push switch. \u003cbr\u003eInput\/Output : The DL241 is available with either XLR connections and fully balanced inputs and outputs, or with stereo jack (TRS) connections, fully balanced inputs and single ended outputs.\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":7057730181,"sku":"DL241XLR","price":1279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/DL241XLR.jpg?v=1668013918"},{"product_id":"drawmer-dl441","title":"Drawmer DL441 - Quad Auto Compressor Limiter","description":"\u003cp\u003eThe DL441 Quad Auto Compressor\/Limiter captures four channels of Drawmer's innovative DL241 'Auto Compressor' in only 1U of rack space. The inclusion of new sophisticated 'automated' circuitry allows the engineer to precisely control both the dynamic range and 'absolute' peak level of the programme instantly, without sacrificing essential control parameters. This perfect balance of features makes the DL441 ideal for use in sound reinforcement and outside broadcast applications where an economy in rack space is essential. Each channel combines a fully professional 'Auto Attack\/Release' Compressor with a variable threshold 'Peak Level' Limiter on the output providing a transparent 'endstop'. High resolution bar-graph displays on each channel allow gain reduction and output level to be viewed simultaneously, of particular importance in darkened concert hall or control room situations.\u003c\/p\u003e\n\u003cp\u003eFacilities available on the DL441 include:\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eCompressor :\u003c\/strong\u003e The compressor section can be switched to provide either HARD or SOFT knee compression In both the HARD and SOFT modes a Ratio control is available. In the SOFT mode the ratio increases gradually over a 10dB input level range until it reaches the ratio set on the front panel control, thus achieving a more natural sounding compression In HARD mode the compressor provides a more precise means of controlling gain, where the ratio as set on the front panel is applied immediately the signal exceeds threshold. This is particularly useful in many broadcast applications. HARD knee compression can also be used creatively as an effect, particularly in the treatment of drum and guitar sounds, or for giving rock vocals a 'compressed sound'. \u003cbr\u003eAuto Attack and Release : removes the need for manual adjustment by producing a response which constantly follows the dynamics of the signal. This enables the DL441 to preserve crisp transients without allowing excessive peaks to occur. A smooth yet lively recovery from compression minimizes side effects such as 'pumping' and 'breathing'. This feature is particularly valuable when the program being treated does not have predictable or consistent dynamics, such as complete mixes, vocals or 'slapped and pulled' bass guitar. \u003cbr\u003e\u003cstrong\u003ePeak Level Limiter :\u003c\/strong\u003e 'Zero Response Time', 'Zero Overshoot' circuitry provides an absolute limit to the peak level of the output signal, adjustable from 0db to +16dB above system level. 'Zero Response Time' transparent limiting means that the DL441 provides complete protection from even the fastest and shortest signal overloads, making the unit ideally suited for speaker system protection in sound reinforcement applications. The sophisticated circuitry will also prevent unpleasant distortion when used for digital mastering. \u003cbr\u003e\u003cstrong\u003eMetering :\u003c\/strong\u003e Comprehensive bar graph displays give 'at a glance' indications of gain reduction, and input\/output signal level Gain reduction from 1dB to 30dB is shown simultaneously with signal level from 10dB to +10dB. When the channel is in BYPASS the output bar graph displays the input signal level. Other single LEDs indicate function status of Hard\/Soft compression, Bypass, Peak Limiting, Linking, and Power on. \u003cbr\u003e\u003cstrong\u003eBypass :\u003c\/strong\u003e A fully balanced hard-wire bypass connects the input directly to the output allowing signal to pass through the unit with no power applied. \u003cbr\u003eStereo Linking : Channels 1-2 and\/or 3-4 can be stereo linked, where the left channel of the stereo pair becomes the master. \u003cbr\u003e\u003cstrong\u003eOperating Level :\u003c\/strong\u003e The operating level of the DL441 can be instantly switched, independently on each channel, for either +4dBu or 10dBu operation using a rear panel push switch. \u003cbr\u003e\u003cstrong\u003eInput\/Output :\u003c\/strong\u003e The DL441 is provided with balanced inputs and outputs on XLR connections.\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":7057736517,"sku":"DL441","price":1525.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/dl441_large_e3f35831-b98c-426b-81e8-febf9b4a0567.jpg?v=1668014238"},{"product_id":"drawmer-la12","title":"Drawmer LA12 - Line Distribution Amplifier","description":"\u003cp\u003eThe LA12 is a low noise, low crosstalk distribution amplifier with high bandwidth specification, developed specifically for 'real time' cassette duplication. As more and more facilities invest in this form of tape copying, the LA12 offers the efficient solution to interfacing multiples of 'real time' cassette decks. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures include:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOne stereo input with master gain and balance controls \u003c\/li\u003e\r\n\u003cli\u003eTwelve stereo outputs each with individual output level controls \u003c\/li\u003e\r\n\u003cli\u003eAn auxiliary stereo output which follows the input gain and balance controls can be linked to the input of a second LA12 if more than twelve stereo outputs are required \u003c\/li\u003e\r\n\u003cli\u003eThe unit will operate at system levels in the range - 20dB to + 10dB \u003c\/li\u003e\r\n\u003cli\u003eA maximum gain of + 20dB is available through the unit which allows a wide range of 'source' and 'destination' equipment to be interfaced \u003c\/li\u003e\r\n\u003cli\u003eAll audio connections are on professional quality phono (RCA) connectors for ease of installation\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":7057764037,"sku":"LA12","price":990.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/la12_large_7aeba76e-96c5-4df2-9560-0b73607c8f54.jpg?v=1668014754"},{"product_id":"drawmer-mx-30","title":"Drawmer MXPRO-30","description":"\u003cp\u003eThe MX30 Gated\/Comp\/Limiter is a low cost professional quality dynamics processor containing some of the proprietary design circuitry used in the more expensive models in the Drawmer range. The MX30 has many automated features enabling fast, effective dynamic control whilst retaining the instinctively laid out control parameters, sonic character and high technical specification which have made Drawmer the industry standard. The MX30’s competitive price point brings Drawmer’s professional processing into a much wider musician, project studio and live performance area.\u003c\/p\u003e\r\n\u003cp\u003eOperational control is split into three sections:- Gate, Compressor, Output:\u003c\/p\u003e\r\n\u003cp\u003e‘Programme Adaptive’ Gate\u003cbr\u003eUsed to remove unwanted noise below a pre-set level, each channel consists of a variable Threshold Gate incorporating Drawmer’s ‘Programme Adaptive’ circuitry. Although quick and simple to operate, the gate’s auto-circuitry continually optimises such parameters as Attack, Hold, Ratio and Release, completely eliminating ‘chatter’ when the signal is fluctuating on or around Threshold. Two LED’s show when the signal is ‘above’ or ‘below’ Threshold and a push button switch allows additional control of Release time. This design approach also retains all ‘leading edge’ information making the gate ideal for ‘cleaning up’ vocals or retaining the ‘punch’ on gated drums. Switching is provided for 'Fast' or 'Slow' release characteristics. The 'Fast' mode can be used for instruments with rapid decay times or for additional tightening of the gating effect. The 'Slow' mode is more suitable for vocals and instruments with longer decay times or can be used to smooth over rough fade outs. A single LED indicates gating action.\u003c\/p\u003e\r\n\u003cp\u003eSoft Knee ‘Auto Compressor’\u003cbr\u003eThe gate is followed by a variable Threshold, variable Ratio, soft knee compressor with fully automatic Attack and Release. Large transients are controlled instantly whilst small signal variations are treated gently, retaining as much ‘life’ as possible and without generating unpredictable side effects. From the slightest to the most aggressive levels of compression, the MX30 handles it all with ease and displays the amount of compression taking place on a high resolution Gain Reduction bargraph meter.\u003c\/p\u003e\r\n\u003cp\u003eOutput\u003cbr\u003eThe Gain control is used to compensate for the amount of compression and brings the signal to the required output level as displayed by the output bargraph meter. A variable Threshold ‘zero overshoot’ limiter, essential for avoiding distortion when mastering to digital or speaker protection in a ‘live’ situation, adds the final polish to the signal by keeping control over signal peaks. The Limit threshold provides an absolute maximum peak level which no signal can pass. Fast transients are clipped instantly whilst more sustained peaks are dealt with by applying Gain Reduction, indicated by a single LED.\u003c\/p\u003e\r\n\u003cp\u003eControls:\u003c\/p\u003e\r\n\u003cp\u003eGate Threshold: This control sets the level below which gating takes place and may be set anywhere in the range of -70dB to +20dB. A green LED illuminates to show when the signal is above threshold (i.e. gate open) and a red LED illuminates when the signal is below Threshold (i.e. gate closed). \u003cbr\u003eRelease: Either a Fast or Slow auto release contour may be selected depending on the material being processed. An LED indicates when Slow release status is engaged. Percussive material with little or no reverb is generally treated using the Fast release setting, whereas with slow decays or a significant amount of added reverb will usually respond better to the Slow release setting. \u003cbr\u003eCompressor Threshold: This determines the input level above which gain reduction will be applied and may be set anywhere in the range of -40dB to +20dB. Soft Knee compression takes place for signals exceeding the threshold level by up to 10dB above which level, conventional ‘ratio’ compression is applied. \u003cbr\u003eGain Reduction Bargraph Meter: A nine segment LED bargraph meter continuously monitors the gain reduction applied by the compressor over a range of 0dB to 30dB. \u003cbr\u003eRatio: Sets the final compression ratio that will be applied once the 10dB soft knee region is exceeded. The ratio may be continuously adjusted from 1.2:1 to infinity:1 allowing the possibility of true hard limiting. The higher the ratio setting the more compression takes place (eg. A ratio of 8:1 means that an 8dB increase in volume at the input will appear as a 1dB increase in volume at the output). \u003cbr\u003eStereo Link: The unit can function as two independent gated\/compressor\/limiters or when ‘link’ mode is engaged for stereo use Channel 1 becomes the master, automatically duplicating its parameters across to Channel 2. In this mode the same degree of gain reduction is applied to both audio channels to prevent image shifting. \u003cbr\u003eOutput Gain: The output level may be attenuated or amplified by up to 20dB to compensate for level changes caused by compression. This control comes directly before the Peak Limiter detector and this fact should be taken into account when setting the Peak Limiter threshold. \u003cbr\u003ePeak Limit: This control sets an absolute limit that the output signal will not be permitted to exceed. The limiter is ‘zero response time’ and controls peaks without any audible distortion. For transparent ‘peak protection’ the output gain control should be set to ensure that the Peak Limiter operates only occasionally. Alternatively, the unit can be driven into heavy limiting for creative effects. \u003cbr\u003eInput\/Output Bargraph Meter: An eight segment LED bargraph level meter monitors the level of the output signal over a range of -20dB to +15dB. When Bypass is selected this meter reads input level.\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":7057767877,"sku":"MXPRO-30","price":849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/MX30pro_front_rear.jpg?v=1668009919"},{"product_id":"drawmer-mxpro-60","title":"Drawmer MXPRO-60","description":"\u003cp\u003eThe MX60 Front End One is a unique mic\/line\/instrument input channel in a single rack space providing high quality Drawmer processing prior to tape\/hard disc recording. The MX60 is also ideally suited to project studio and live sound applications. Functioning as a studio grade mic pre-amp, Program AdaptiveTM gate, de-esser, compressor, limiter, three band EQ and multi band tube saturation stage, the MX60 offers the user more options than competitive units currently available.\u003c\/p\u003e\r\n\u003cp\u003eGrass Roots - The MX60 draws its technology from the most successful of Drawmer products. The mic pre-amp features the same discrete component design found in the legendary Drawmer 1960, the de-esser is derived from the MX50, the VCA based compressor is similar to the MX30, while the peak limiter and gate can be tracked back to the DL241 compressor\/limiter.\u003c\/p\u003e\r\n\u003cp\u003eControls:\u003c\/p\u003e\r\n\u003cp\u003eInput Stage: The input stage may be switched to accept mic, line, or instrument level signals - the XLR mic input has switchable 48V phantom power and phase reverse, while the line input is on both a balanced +4dB TRS jack and an unbalanced -10dB jack. A high impedance Instrument jack is located on the front panel for use with electric guitars, basses, synths and drum machines. \u003cbr\u003eProgram AdaptiveTM Gate: Drawmer's proprietary Program AdaptiveTM circuitry means that all the time constants are automatically optimised for the material being processed. This enables stable gating and eliminates 'chatter' around threshold. Controls via a single variable threshold and switchable fast\/slow auto release. \u003cbr\u003eDe-Esser: Floating threshold de-ess operation where the de-esser automatically and continually readjusts its own threshold level. The MX60 de-esser is almost completely automatic requiring the user only to select a switchable male or female setting and to adjust the amount of de-essing required. Only the sibilant sounds are subjected to gain reduction so that the lisping effect of simpler de-essers is avoided. \u003cbr\u003eEQ: High and low shelving sections as well as fully parametric mid range EQ with variable frequency, 'Q', and ±18dB cut\/boost. \u003cbr\u003eCompressor: High quality VCA compressor based on that of the MX30 and DL241. Both the attack and release times are Program AdaptiveTM leaving the user with only ratio, threshold and make-up gain to adjust. \u003cbr\u003eTubesound: Multi band 'tube saturation' allows users to create subtle warming, high frequency effects or out-and-out obvious effects via three separate, independently adjustable audio bands. Low settings on all bands enable replication of classic tube mic sounds. \u003cbr\u003eOutput: The output stage includes a limiter with a preset threshold (+16dB) and a variable master fader with output bargraph metering which sets the overall output level from OFF to +15dB. A two stage soft\/hard limiting approach has been adopted with yellow and red LEDs signifying soft (approaching limit point) and hard limiting (hitting limit point).\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":7057819461,"sku":"MXPRO-60","price":1139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/mx60_large_d3ef62ee-1189-4e22-adf0-314ec2a56a01.jpg?v=1668011215"}],"url":"https:\/\/www.proaudiodesign.com\/collections\/pad-promos.oembed?page=6","provider":"Professional Audio Design, Inc","version":"1.0","type":"link"}