{"title":"NAMM","description":"","products":[{"product_id":"sontronics-orpheus","title":"Sontronics Orpheus Multi-Pattern Condenser microphone","description":"\u003cp\u003e\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003eSontronics Orpheus\u003c\/strong\u003e\u003cem\u003e offers a unique take on condenser mics with a three-position, -10dB\/+10dB cut and boost switch, 3 polar patterns, and eye-catching design.  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhile there are microphones do an excellent job on a number of sources, some will excel on a given function, which pretty much sums up the Sontronics Orpheus-a must-have for practically any studio or live application, which many users call the best room mic they've ever heard. If that doesn’t sound like a big enough deal to you, keep in mind that many producers and engineers, including Chris Lord Alge, depend on room mics as a crucial component of their drums and other instruments. The Orpheus features extremely low self-noise, lively presence, and defined clarity, especially in the higher frequencies, allows you to record the subtlest instruments or voices without the need to edit afterward. Sontronics spent a lot of time and effort honing the Orpheus body as well as its capsule and electronics, to ensure that it could be hugely flexible for studio work as well as live recording.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSontronics Orpheus-Just the Facts:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eCondenser mic with 3 polar patterns: cardioid, omni, figure-eight\u003c\/li\u003e\n\u003cli\u003eClean, clear, open sound\u003c\/li\u003e\n\u003cli\u003eSuper-defined in high frequencies\u003c\/li\u003e\n\u003cli\u003e-10dB pad with unique 10dB boost\u003c\/li\u003e\n\u003cli\u003eA favorite with voiceover artists\u003c\/li\u003e\n\u003cli\u003eComes with a lifetime warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eSontronics Orpheus-Behind the Grille\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Sontronics Orpheus has a highly compliant, 35mm dual-diaphragm capsule suspended in its own special mount. The diaphragm virtually floats in a large, spherical basket, which allows Orpheus to soak up every detail of the space you’re recording in. Orpheus’ body is cast from zinc alloy, which gives a very low resonance, helping to keep signal capture tight and accurate.\u003c\/p\u003e\n\u003cp\u003eSince Orpheus was introduced (it formed part of Sontronics' initial range of mics for Sontronics launch back in 2005), it has become a favorite with live sound engineers for drum overheads (when used in pairs) and has also become extremely popular in the voiceover community, thanks to the fact that it delivers crisp, classy results on male and female spoken word.\u003c\/p\u003e\n\u003cp\u003eSontronics Orpheus is ships in a luxury, velvet-lined wooden box and comes with a special angled mount adaptor, giving you plenty of flexibility, whether onstage, in a vocal booth, or in the studio. Like all Sontronics mics, Orpheus is protected by a lifetime warranty.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eSontronics Orpheus applications \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThree polar patterns also mean that Orpheus is fantastically versatile when it comes to recording groups and ensembles (in omni mode), for use in mid-side and other experimental applications (in figure-eight mode) or even for Foley and sound effects work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecommended uses:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcoustic guitar\u003c\/li\u003e\n\u003cli\u003eGuitar amps (especially when used in tandem with a ribbon mic)\u003c\/li\u003e\n\u003cli\u003eVocals, voiceover, broadcast\u003c\/li\u003e\n\u003cli\u003eChoir and backing vocals\u003c\/li\u003e\n\u003cli\u003ePiano\u003c\/li\u003e\n\u003cli\u003eSolo and ensemble strings\u003c\/li\u003e\n\u003cli\u003ePercussion and drum overheads, live or in the studio (especially in pairs)\u003c\/li\u003e\n\u003cli\u003eRoom and ambient recording\u003c\/li\u003e\n\u003cli\u003eFoley and sound effects\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eWhat the pros are saying about the Sontronics Orpheus \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e“It never fails to deliver-whatever it’s being used on!”\u003cstrong\u003e - Will Jackson, \u003c\/strong\u003eproducer-engineer (\u003cem\u003eKaiser Chiefs, Pigeon Detectives\u003c\/em\u003e)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Orpheus has such great bite without losing any clarity or detail. It's become a real go-to mic for anything and everything, from vocals to snare drum, acoustic guitar to autoharp, piano or incredible room ambience\" - \u003cstrong\u003eFlood\u003c\/strong\u003e, producer (\u003cem\u003eFoals, PJ Harvey, Depeche Mode, U2, NIN, Goldfrapp\u003c\/em\u003e)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"I'm constantly excited by the results I get from my Orpheus. It's sounds so full bodied with excellent presence on vocals, drum overhead or as a room mic\" - \u003cstrong\u003eSimon Gogerly\u003c\/strong\u003e, producer-engineer (\u003cem\u003ePaloma Faith, U2, Massive Attack, No Doubt\u003c\/em\u003e)\u003c\/p\u003e\n\u003cp\u003e\"The ORPHEUS sounds so classy and clean - I find it enhances my performance and sound… it's a great British broadcast-quality mic to be proud of!\" - \u003cstrong\u003eHannah Patterson\u003c\/strong\u003e, voiceover artist-presenter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrpheus users include: \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFlood, producer (\u003cem\u003ePJ Harvey, Foals, Editors, U2, Goldfrapp\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eQueens of the Stone Age\u003c\/li\u003e\n\u003cli\u003eSimon Gogerly, producer\/engineer (\u003cem\u003ePaloma Faith, Massive Attack\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eEagles of Death Metal\u003c\/li\u003e\n\u003cli\u003eAlan Moulder, producer\u003c\/li\u003e\n\u003cli\u003eWill Jackson, producer (\u003cem\u003eKaiser Chiefs, Pigeon Detectives\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eMark Rankin, producer\/engineer (\u003cem\u003eFlorence + The Machine, Adele\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eBlur (Graham Coxon's live amp rig)\u003c\/li\u003e\n\u003cli\u003eExtreme (for drum overheads)\u003c\/li\u003e\n\u003cli\u003eAndy Gray, producer\/composer\u003c\/li\u003e\n\u003cli\u003eGary Bromham, producer\u003c\/li\u003e\n\u003cli\u003eCiaran Byrne, producer\u003c\/li\u003e\n\u003cli\u003eTim Bran, producer\/writer\u003c\/li\u003e\n\u003cli\u003ePete Parada, drummer (\u003cem\u003eThe Offspring\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eFulsonic, sound\/foley designers\u003c\/li\u003e\n\u003cli\u003ePaul Glover, drummer\/clinician\u003c\/li\u003e\n\u003cli\u003ePaul Fawcus, engineer (\u003cem\u003eBBC Big Band, Syd Lawrence Orchestra\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eHannah Patterson, voiceover artist\u003c\/li\u003e\n\u003cli\u003eDella Phillips, voiceover artist\u003c\/li\u003e\n\u003cli\u003eStevie Cripps, voiceover artist\u003c\/li\u003e\n\u003cli\u003eOlivier UNIA Totti, artist\/producer\u003c\/li\u003e\n\u003cli\u003ePip Williams, producer (\u003cem\u003eStatus Quo, Elton John, Prague Symphonia\u003c\/em\u003e)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eIf you’re looking for a live sound or studio workhouse, or mics to dedicate to room recording, the Sontronics Orpheus is for you. Order yours today. For more information, call or chat online with your PAD Studio Specialist.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003ePolar patterns: Omnidirectional, cardioid, figure-of-eight\u003c\/li\u003e\n\u003cli\u003ePad: -10dB cut, 0dB, +10dB boost\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20Hz - 20kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: -20mV\/Pa -32dB ±2dB\u003c\/li\u003e\n\u003cli\u003e(0dB = 1V\/Pa @ 1,000Hz)\u003c\/li\u003e\n\u003cli\u003eImpedance: ≤200 ohm\u003c\/li\u003e\n\u003cli\u003ePower: Phantom power 48V required\u003c\/li\u003e\n\u003cli\u003eConnector: 3-pin XLR\u003c\/li\u003e\n\u003cli\u003eDimensions: 8\" x 3-3\/8\" x 3-3\/8\" (204 x 86 x 86mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 2 lb. (894g)\u003c\/li\u003e\n\u003cli\u003eComes with: Angled mount adaptor, wooden box\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sontronics","offers":[{"title":"Default Title","offer_id":7066291845,"sku":"Sontronics Orpheus","price":799.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/3a99b0e1554222686e79432726764b31.jpeg?v=1637794455"},{"product_id":"ams-neve-1073dpx","title":"AMS Neve 1073DPX","description":"\u003ch4\u003e\n\u003cstrong\u003e\u003ci\u003eThe \u003c\/i\u003eTEC award\u003ci\u003e-winning \u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eAMS Neve 1073DPX\u003c\/strong\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e features dual 1073 preamp\/EQs in a 2U standalone rack with additional features including output level control, pre-EQ, post-EQ, post output stage metering, insert loop, instrument DI, stereo headphone jack, and slot for digital I\/O option card with sample rates up to DXD 384\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe AMS Neve 1073DPX answers the age-old question, “What's better than a Neve 1073 preamp and EQ?” The answer is: two Neve 1073 preamp and EQs. The 1073DPX also solves another dilemma you'll have if you buy a single 1073, which is that fact that you're going to want two of them. Like potato chips, one is never enough. After all, you're going to want to record drum overheads with classic Neve sound, but how are you going to feel when you look down at your rack and realize that something's missing-and you can only record half a drum kit. Then again, you may want to put two mics on that guitar cabinet; mic on the top and bottom of a Leslie speaker; close and distance mic on an acoustic guitar; or simply record everything in stereo to take advantage of the spatial realism that comes with Neve 1073 preamps. The 1073DPX holds two separate 1073s in a standalone 2U rackmount unit. The 1073DPX retains the same basic circuitry and sonic essence as the original 1073, but includes many additional features to accommodate the modern studio environment. And with the Digital I\/O (AES\/FireWire) option card, the AMS Neve 1073DPX makes a DAW front end that can't be beaten.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 1073DPX-Just the Facts: \u003c\/b\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e2 independent, genuine Neve 1073 transformer-coupled microphone preamplifier\/EQ circuits, in a single 2U 19\" rackmount enclosure \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eExclusive Neve custom Marinair™ input and output transformers \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eConvenient front-panel connections for Mic, Line, and DI inputs, with switchable mic\/line input connections on the rear panel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSwitchable +48v phantom power, Hi\/Lo impedance, -20dB pad, and DI ground-lift on the input stage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSwitchable phase, and EQ in\/out\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eInsert send and return loop feature allows external equipment to be connected easily to the 1073DPX audio chain, such as mono\/stereo limiter\/compressors\u003c\/span\u003e\u003c\/li\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003ePre-EQ insert send\/return - a line level send is available from the mic- preamp output stage and a return just before the EQ stage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003ePost-EQ insert send\/return - a line level send is available from the post-EQ stage and a return just before the main output stage\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIndependent channel output level controls\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e7-stage LED signal level meters for each channel can show mic\/line\/DI input-stage level, EQ-stage level, or output-stage level up to +24dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHeadphone output with adjustable volume control can listen to channel 1, channel 2, or both channels combined\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eExternal multi-voltage PSU\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eOptional Digital I\/O module supports AES and FireWire at sample rates from 24-bit\/44.1kHZ to DXD 384\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eWinner of \u003cem\u003eTEC\u003c\/em\u003e, \u003cem\u003eSound On Sound\u003c\/em\u003e, and \u003cem\u003eResolution\u003c\/em\u003e Magazine awards for best preamp and technical innovation\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 1073DPX-Under the Hood\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe multi award-winning 1073DPX has two channels of Neve 1073 Class A design microphone preamplifiers, each with 3-band EQ (fixed HF plus two switchable bands with cut\/boost capability) and high-pass filter, adding warmth and depth to recordings, bringing out subtle ambience, maintaining spatial positioning, and capturing a more precise image-the essence of the genuine Neve sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWith classic Neve 1073 module features as a jumping-off point, the 1073DPX introduces extra functionality with integrated DI input, phantom power, selectable Insert feature, level meters, selectable headphone monitoring, and front input connectors on each channel for easy and direct connection of microphones and instruments. The 19” rack-mount 2U unit includes an external multi-voltage PSU.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAn optional Digital I\/O module can be fitted into the 1073DPX and provides AES and FireWire digital connectivity at a range of sample rates. Mastering-grade converters are used and the simple configuration and convenience of digital connectivity make the 1073DPX the ultimate front-end for capturing the best possible recordings. When combined with the rich euphonic sound of the 1073 mic preamp and EQ, the 1073DPX gives you the ultimate front-end for your DAW. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eAMS Neve 1073DPX front-panel controls\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003ePower\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSwitches the unit on or off. The adjacent LED lights when the unit is on\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eFront\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSwitches the audio input to the front mic\/line combo connector\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eNote: The DI input always overrides the Mic input, whether the FRONT switch is pressed or not\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDIGI\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eSwitches the line input and output to the rear digital module. In digital mode, the front\/rear mic input, DI input, and analog line output continue to operate normally\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eNote: The digital module is an optional extra and is not included as standard.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eXLR\/Jack Combo Input\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eUse the XLR input for microphone sources and the 6.35mm jack input for line-level sources\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003e48V\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eApplies 48V phantom power to the XLR microphone input (front and rear). The adjacent LED lights when phantom power is active\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eLo-Z\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe default input impedance on the microphone input is 1,200 ohm. Pressing the Lo-Z switch reconfigures the input for 300-ohm input impedance\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eLift\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eProvides ground lift for the DI input. If hum\/buzz occurs when using a DI input, pressing this switch may alleviate the problem by breaking any ground loop\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003e-20\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eProvides 20dB of attenuation to the DI input. In the default position (no attenuation) the input impedance of the DI input is approximately 1M ohm. When set to -20dB attenuation (switch depressed) the input impedance of the DI input is approximately 10k ohm\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDI I\/P\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHigh-impedance balanced input for direct injection\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eNote: When a 6.3mm jack is inserted into the DI input, all other microphone inputs are automatically disconnected. Use the Mic side of the gain control when using the DI input.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHigh Frequency\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSmooth +\/-16dB fixed frequency shelving at 12kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eMid Frequency\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSmooth +\/-18dB peaking, fixed 'Q' with selectable center frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8Kh, 7.2kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eLow Frequency\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSmooth +\/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 10Hz, 220Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eHigh-Pass Filter\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz, 300Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003ePhase\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eReverses the phase of the output signal. In the default position, absolute phase is preserved through the unit\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eEQ\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSwitches the equalization circuit into the signal path\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eINS\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSwitches the insert loop into the signal path\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003ePRE\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003ePositions the insert loop before the equalization circuit (pre-EQ). In the default position (switch not depressed) the insert loop is positioned immediately after the equalization circuit (post-EQ)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eLevel\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAdjusts the output audio level. This control is post-EQ be pre-output stage. The thick line on the graticule indicates the point of nominal unity gain; the unit has ~5dB in hand. Pressing this knob cycles the level meter takeoff point through three possible points in the signal path, indicated by the adjacent LEDs\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eTake-off LEDs and Clip Indication\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eOne of three LEDs lights green to indicate the selected takeoff point for the level meter, chosen by pressing the LEVEL knob. The three possible takeoff points are pre-EQ, post-EQ, post output stage. In addition, LEDs will light red if their respective takeoff point is close to clipping. Clip indication is always active whichever takeoff point happens to be selected\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eLevel Meter\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003ePeak-responding level meter. The audio level can be monitored at one of three locations chosen by pressing the LEVEL knob\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eVolume\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eControls the volume of the headphone output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003ePressing the knob cycles the headphone monitoring location through three options, indicated by the adjacent \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLEDs: Channel 1 only; Channel 1 (left ear) + Channel 2 (right ear); Channel 2 only\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003ePhone Jack\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eStereo headphone output jack\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eAMS Neve 1073DPX rear panel\u003c\/b\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e+48V DC: Connects the accompanying power supply (PS10501) to power the unit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFuse: Always use the correct fuse rating as indicated beside the fuse holder: T1A, 250v 20mm, Ø 5mm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eMic input: Balanced XLR-F\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLine input: Balanced XLR-F\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLine output: Balanced XLR-M\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eInsert send: Balanced 1\/4\" line-level output for insert loop\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eInsert return: Balanced 1\/4\" line-level input for insert loop\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003ch3\u003e\u003cspan style=\"font-weight: 400;\"\u003eDigital option panel: Optional Digital I\/O module fitted here\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eThe AMS 1073DPX is the classic 1073 expanded for the modern age. Whether you're looking for a golden stereo channel or the ultimate DAW front end, you'll find all that and more in the 1073DPX. For more information, call or chat online with your PAD Studio Specialist today.\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone Input: Input Impedance 300 ohm or 1,200 ohm, gain +80dB to +20dB in 5dB steps\u003c\/li\u003e\n\u003cli\u003eLine input: Input Impedance 10k ohm bridging, gain +20dB to -10dB in 5dB steps; both inputs are transformer-balanced and earth-free\u003c\/li\u003e\n\u003cli\u003eDI input: Input impedance 1M ohm (PAD off) 10k ohm (pad on); Gain +80dB to +20dB in 5dB steps\u003c\/li\u003e\n\u003cli\u003eOutput: Maximum output is \u0026gt;+26dBu into 600 ohm\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 75 ohm @1kHz; outputs are transformer-balanced and earth-free\u003c\/li\u003e\n\u003cli\u003eDistortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth) into 600 ohm\u003c\/li\u003e\n\u003cli\u003eFrequency response: +\/-0.5dB 20Hz to 20kHz, -3dB at 40kHz (EQ out)\u003c\/li\u003e\n\u003cli\u003eNoise: Not more than -82dBu at all line gain settings; EQ in flat\/out (22Hz to 22kHz bandwidth, 150 ohm input termination)\u003c\/li\u003e\n\u003cli\u003eEIN: Better than -125dBu @ 60dB gain\u003c\/li\u003e\n\u003cli\u003ePower: 48VDC, 480mA ±20mA excluding digital module; negative earth\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 3-1\/5\" (88 mm)\u003c\/li\u003e\n\u003cli\u003eWidth: 19\" (480 mm)\u003c\/li\u003e\n\u003cli\u003eDepth: 14\" (356 mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 10 (22 lb.)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":7078671109,"sku":"SKU3821","price":3450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/1073DPXFrontRT.png?v=1753471228"},{"product_id":"ams-neve-genesys-black","title":"AMS Neve Genesys Black","description":"\u003ch4\u003e\n\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003eAMS Neve Genesys Black\u003c\/strong\u003e\u003cem\u003e is a modular digitally controlled analog console with eight channels of Neve 1073 preamps, 16-channel monitoring and dedicated DAW control with touch display-choose configurations up to 48-fader, 96 inputs\u003c\/em\u003e\n\u003c\/h4\u003e\n\n\u003cp\u003eCheck out the new Genesys Control software, which gives full control and instant reset\/recall of all digital functionality of the console. \u003c\/p\u003e\n\n\u003cp\u003e\u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/genesys-control-software\"\u003ehttps:\/\/www.proaudiodesign.com\/products\/genesys-control-software\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"315\" width=\"560\" src=\"\/\/www.youtube.com\/embed\/2UjWDXAPN98\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe Neve Genesys Black is a very versatile digitally controlled analog console that offers the distinct advantages of classic Neve sound with direct DAW control. Plus, instead of setting up a digital mix station perpendicular to your monitors, the Neve Genesys Black enables you to sit centered between your monitors as nature intended. Thanks to a central control screen that sits below the monitors, out of the way of their positive-going acoustic excursions (that's slang for “pushing air”), Genesys Black eliminates unwanted reflections off the computer monitor. But that's not all that's front and center in your control room. The Genesys Black forms a fully integrated centralized bridge for your personal Enterprise, starting with eight channels of classic 1073 mic\/line preamps, 16-channels of DAW\/tape monitoring, hands-on control for Pro Tools, Nuendo, and other DAWs (Mac\/PC), eight channels of digitally controlled 88R-style 4-band EQ, eight channels of VCA dynamics (optional), and channel ADA conversion up to 96kHz over MADI, AES, and FireWire. There are also 24 motorized faders, six aux buses (4 mono, two stereo) eight group buses, two main outputs with faders, four effects returns, comprehensive metering, 5.1 monitoring, two cue mixes, talkback, USB stick storage and reset, plus an internal power supply.\u003c\/p\u003e\n\u003ch2\u003eAMS Neve Genesys Black-Just the Facts: \u003cbr\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEight channels of Neve 1073 mic pre\/line amplifiers (base configuration)\u003c\/li\u003e\n\u003cli\u003eDedicated DAW control section with touch display\u003c\/li\u003e\n\u003cli\u003e16 dedicated DAW control faders with corresponding stereo DAW metering on the meter bridge\u003c\/li\u003e\n\u003cli\u003e16-channel DAW monitoring\u003c\/li\u003e\n\u003cli\u003eTotal Reset and Total Recall\u003c\/li\u003e\n\u003cli\u003eMotorized 8-track and main output faders with DAW control\u003c\/li\u003e\n\u003cli\u003eEight channels of Neve 88R-style, 4-band EQ\u003c\/li\u003e\n\u003cli\u003eEight channels of A\/D\/D\/A converters\u003c\/li\u003e\n\u003cli\u003eSix aux send\/returns (4 mono and 2 stereo)\u003c\/li\u003e\n\u003cli\u003eEight groups, 2 stereo mix busses (Main Mix LR + 2-track)\u003c\/li\u003e\n\u003cli\u003eFour stereo effects returns with width control\u003c\/li\u003e\n\u003cli\u003eChannel, DAW, 8-ttrack, 2-track, and monitor metering\u003c\/li\u003e\n\u003cli\u003eTwo stereo monitoring speaker sets\u003c\/li\u003e\n\u003cli\u003e1 mixing and 2x 5.1 monitoring speaker sets\u003c\/li\u003e\n\u003cli\u003e2 independent cue mixes\u003c\/li\u003e\n\u003cli\u003eFull talkback and reverse talkback capability\u003c\/li\u003e\n\u003cli\u003eInternal power supply units\u003c\/li\u003e\n\u003cli\u003eUSB flash drive for store, load, and reset functionality\u003c\/li\u003e\n\u003cli\u003eHands-on DAW control for Pro Tools, Logic, Cubase, and more\u003c\/li\u003e\n\u003cli\u003eAD\/DA cassette to provide digital Ins\/Outs (16 in, 8 out per card)\u003c\/li\u003e\n\u003cli\u003eDigitally controlled EQ and optional dynamics (88R or 1084 EQ circuitry and 88R-style Dynamics)\u003c\/li\u003e\n\u003cli\u003eOptional digital monitoring cassette providing I\/O for Aux, 8-track, Main Mix and monitoring\u003c\/li\u003e\n\u003cli\u003eExpandable to 56 channels, either in straight or wedge formation\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAMS Neve Genesys Black-Beneath the Surface \u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch3\u003eModular and upgradable \u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eBefore the Genesys Black arrived on the scene, analog consoles were commissioned to a fixed channel count. If you wanted to add preamps and faders, you needed to add a sidecar, such as the Neve BCM10\/2, which, in the case of the BCM, needed modification and added clutter. Modern control surfaces, since they don't pass audio, can be upgraded easily. However, it's a tricky thing to do with analog desks, but that didn't stop AMS Neve. The Genesys Black is also modular. As your business expands (and it surely will with Neve prominently displayed in your control room) so can your Genesys Black, all the way up to a 48-fader, 96-input big dog. Other options include upgrading to digitally controlled, analog Neve 1084 Classic EQs, VCA-style digital control of analog dynamics, and Neve A\/D-D\/A converters for the monitoring section.\u003c\/p\u003e\n\u003cp\u003eIn its basic configuration, the Genesys Black offers eight channels of 1073 mic\/line preamps, 16-channels DAW\/Tape monitoring; hands-on DAW control for Pro Tools, Nuendo, and more; eight channels of Neve digitally controlled, 4-band analog EQ; and an option for eight channels of Neve digitally controlled analog VCA dynamics and channel A\/D\/D\/A conversion via MADI, AES, and FireWire formats. The Genesys Black also has a central touchscreen, 6 auxiliary buses, 8 group buses, 2 main outputs, 4 effects returns, comprehensive metering, 5.1 monitoring, 2 cue mixes, talkback and reverse talkback facility, and an integrated footprint with internal power supply.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eCustomize your workflow \u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eAnother advantage Genesys Black offers that is no longer the sole province of control surfaces is the ability to customize the control surface to suit the way you work, or, create custom workflows. Plus, there's that classic Neve look and feel to the controls. But don't let looks deceive you; they're ultra modern too. Every switch is “soft,” which enables benefits beyond merely letting you customize your setup. It also means every routing decision and every switch setting can be saved and instantaneously reset. Add the legendary sounding Neve analog EQ and optional dynamics cassettes and you can instantly recall these settings too. Just think of the reconfiguration time that saves when you're balancing multiple projects in your studio.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eErgonomic control \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAs mentioned earlier, using a computer keypad and mouse can be clumsy at best with an analog desk. However, the Genesys Black puts keyboard and mouse along with transport controls in a molded armrest in front of the faders. Instead of EQ controls inline on each channel strip, while admittedly eliminating an engineer's customary lower back workout and stretching exercises, EQ and dynamics are controlled by four knobs and two rows of buttons in the center section within easy reach. Not only can you make digital adjustments of analog Neve EQs and dynamics plug-in-style on the control screen, you also have total recall of those settings as well. Not something that you get with a large-format analog desk.\u003c\/p\u003e\n\u003cp\u003eThe Genesys Black gives you one-touch access to essential controls, no pounding through menus. Plus, you have fast and easy access to two cue mixes right on the console, so you don't have to futz with two or three different software control screens only to find you may not have enough level available for say a vocalist in the software mixer, or you experience playback distortion when you boost software levels. In such a case, the only option is turning down instrument channels in relation to vocals, which loses the impact of the mix (digital gets fuzzy and loses punch at low volumes, analog doesn't), leaving the vocalist with a less-than-inspiring cue mix.\u003c\/p\u003e\n\u003cp\u003eWith the AMS Neve Genesys Black, everything you need for music production sits right in front of you-no machine room necessary, no complicated power-up sequences, and no rear-racks full of spaghetti connecting it all together. Sadly, it won't provide an alternative heat source for your control room in the winter, like the old Focusrite Forte console did at Electric Lady, but on the plus side, your air-conditioning needs and electric bill will decrease significantly. And, since versatility is the name of the game in our industry, the Genesys Black is also eminently suited to post-production, giving you the ability to mix and monitor in 5.1 on two sets of monitors, plus LCR panning, bass management, and fold-down.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eA cost-effective analog\/digital hybrid solution\u003c\/h3\u003e\n\u003cp\u003eFor a system roughly equivalent to a Neve Genesys Black, a 24-fader Avid S6 M10, which has no meter displays (apart from the master module) and a rack of eight 1073s would set you back $46,995** for the S6, plus an additional $21,450 for the 1073s. Granted the S6 has much deeper control of Pro Tools, but the Genesys offers all of the functionality of an automated analog desk and more, with control of the most used DAW features, all combined into one central unit, including MADI, AES3, and ADA conversion, and you know, 1073s. If you're working in the box, hit the DAW button on the Genesys and all faders control your DAW, so, even if you're starting out with an 8-channel Genesys Black, you can still have a 24-fader, touch-sensitive control surface-all for $19,195 less than the mid-size control surface and eight channels of classic Neve 1073s, and we haven't even figured in converters or MADI card. Did we mention that the Avid control surface is not upgradeable beyond 24 faders? No?\u003c\/p\u003e\n\u003cp\u003eBe aware that while we're comparing costs, this is not a debate between large-format control surface vs. console and which is better. Each has its advantages depending on the type of work you're doing. If the focus of your work is mixing large projects in Pro Tools ITB, a control surface makes more sense. However, if your work is divided between tracking and mixing, in essence, doing the things consoles evolved over the years to handle efficiently, the Neve Genesys Black is a no-brainer-and as we've pointed out, far more budget-friendly than you would suspect from a piece of kit that proudly bears the name, “Neve.”\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eThat Neve console that features prominently in your fantasies is not as out of reach as you might think. For more information and assistance integrating an AMS Neve Genesys Black into your studio, call or chat online with your PAD Professional today.\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cdiv class=\"col-md-6\"\u003e\n  \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WZXlzHEG2L8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FhYoVBiC3h4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kJ4YZ1eRlFU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\n\n\u003ch5\u003eSpecifications \u003cbr\u003e\n\u003c\/h5\u003e\n\n\u003ch3\u003eRecord Mode \u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eMic Input (electronically balanced) to Insert Send\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise (EIN): \u0026lt;-127.5dBu (20Hz to 22kHz filter, 60dB gain, input terminated 150 ohm R)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Direct Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eMix Mode: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 20kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-80dBu (20Hz to 22kHz filter, 16 channels routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to 8T Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.003% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003cstrong\u003eNoise\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 22kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-87dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Aux Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.12dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-92dBu (20Hz to 22kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eGeneral Specifications: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eControl Room Output feed from Main Mix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+26dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-85dBu (20Hz to 22kHz filter)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInter-channel crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eMix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e8T mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eAux mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 38-3\/16\" \/ 970 mm to top of loudspeaker shelf\u003c\/li\u003e\n\u003cli\u003eFader height: 28-5\/16\" \/ 720 mm\u003c\/li\u003e\n\u003cli\u003eHeight Adjustment: +\/-10 mm (3\/8\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 8 channel console: 1409mm \/ 55.47\"\u003c\/li\u003e\n\u003cli\u003eeach 16 channel section: 672mm \/ 26-3\/8\"\u003c\/li\u003e\n\u003cli\u003eDepth: 1004mm \/ 39-9\/16\" includes loudspeaker shelf\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWeight: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16-channel console and frame: 77 kg \/ 169.75 lb.\u003c\/p\u003e\n\u003cp\u003eEach 16 channel section and frame: 60 kg \/ 132.27\" lb.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeat Dissipation \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8-channel console: \u0026lt; 500 watts\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section: \u0026lt; 350 watts\u003c\/li\u003e\n\u003cli\u003ePower Factor: \u0026gt;0.65\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVoltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Voltage Range 90 – 250 volts AC only, auto ranging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStandard 8-channel: 2.5 to 4 Amps RMS\u003c\/li\u003e\n\u003cli\u003eeach 16 channel section: 1.5 – 3.0 amps RMS\u003c\/li\u003e\n\u003cli\u003eSwitch-on surge: 10 amps for 7ms (average)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n","brand":"AMS Neve","offers":[{"title":"Genesys Black 16 console (24 faders 8 analogue channels \u0026 integrated DAW display)","offer_id":7078756101,"sku":"AMS Neve Genesys Black-16","price":54950.0,"currency_code":"USD","in_stock":true},{"title":"Genesys Black 32 console (32 faders 16 analogue channels \u0026 integrated DAW display)","offer_id":18916265669,"sku":"AMS Neve Genesys Black-32","price":75950.0,"currency_code":"USD","in_stock":true},{"title":"Genesys Black 48 console (40 faders 24 analogue channels \u0026 integrated DAW display)","offer_id":18916265861,"sku":"AMS Neve Genesys Black-48","price":96950.0,"currency_code":"USD","in_stock":true},{"title":"Genesys Black 64 console (48 faders 32 analogue channels \u0026 integrated DAW display)","offer_id":18916265989,"sku":"AMS Neve Genesys Black-64","price":117950.0,"currency_code":"USD","in_stock":true},{"title":"Genesys Black 96 console (64 Faders 48 analogue channels \u0026 integrated DAW display)","offer_id":37230873444513,"sku":"AMS Neve Genesys Black-96","price":159950.0,"currency_code":"USD","in_stock":true},{"title":"Genesys Black 80 console (40 faders 8 analogue channels \u0026 integrated DAW display)","offer_id":47235711467770,"sku":"","price":138950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/4bc9153fd1ff8735ec3776646ff07f5a.jpeg?v=1627659604"},{"product_id":"ams-neve-genesys-g48","title":"AMS Neve Genesys G48","description":"\u003ch4\u003e\n\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003eAMS Neve Genesys G48\u003c\/strong\u003e\u003cem\u003e is a hybrid analog\/digital console that combines modular upgradeability with 24 channels of Neve 1073 mic pre\/line amplifiers, 16-channel DAW monitoring, total reset and total recall, motorized faders, Encore automation, remote preamp control and much more-\u003c\/em\u003e\u003cstrong\u003e24-fader, 48-input console\u003c\/strong\u003e\n\u003c\/h4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eCheck out the new Genesys Control software, which gives full control and instant reset\/recall of all digital functionality of the console. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/genesys-control-software\"\u003ehttps:\/\/www.proaudiodesign.com\/products\/genesys-control-software\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003ePreceding the Genesys Black, but still in production, the AMS Neve Genesys was Neve's first answer to the multi-level convenience of digital technology as well as it's primary deficiency, which is the obvious lack of Neve's analog sound and full midrange. In creating the Genesys, Neve engineers were truly up against some serious hurdles. Control surfaces offer the advantage of modularity, which enables you to build the console as your business needs dictate. However, since the real world is analog, you need to create a hybrid system of analog I\/O and digital control. It's not unusual to see a digital workstation perpendicular to a large analog desk at one end, which means the monitor is firing into one ear. Along with taking up studio real estate, a hybrid system also requires a lot of complicated wiring and interface issues. In a nutshell, the prime directive for AMS Neve engineers was to create a console that combined the advantages of digital control and automation, modular upgradability, and of course, classic Neve analog sound-but also to make owning a Neve console a realistic prospect for smaller studios without compromising on sound quality. Or, in other words, the AMS Neve Genesys.        \u003c\/p\u003e\n\u003ch2\u003e \u003cstrong\u003eAMS Neve Genesys G48-Just the Facts:\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e24 channels of Neve 1073 mic pre\/line amplifiers\u003c\/li\u003e\n\u003cli\u003e24-channel DAW monitoring\u003c\/li\u003e\n\u003cli\u003eTotal Reset and Total Recall\u003c\/li\u003e\n\u003cli\u003eMotorized faders with Encore Automation\u003c\/li\u003e\n\u003cli\u003eRemote mic amp control\u003c\/li\u003e\n\u003cli\u003e6 aux sends (4 mono and 2 stereo)\u003c\/li\u003e\n\u003cli\u003e8 groups\u003c\/li\u003e\n\u003cli\u003e2 main outs\u003c\/li\u003e\n\u003cli\u003e4 effects returns\u003c\/li\u003e\n\u003cli\u003e24ch, 8t, 2t and monitor metering\u003c\/li\u003e\n\u003cli\u003e1 mixing and monitoring\u003c\/li\u003e\n\u003cli\u003e2 cue mixes\u003c\/li\u003e\n\u003cli\u003eFull talkback capability\u003c\/li\u003e\n\u003cli\u003eInternal PSU\u003c\/li\u003e\n\u003cli\u003eUSB stick store, load \u0026amp; reset\u003c\/li\u003e\n\u003cli\u003eHands-on DAW control for Pro Tools, etc.\u003c\/li\u003e\n\u003cli\u003e88R EQ on all channels now included in base console specification\u003c\/li\u003e\n\u003cli\u003e8-channel Neve VCA Dynamics card now included in base console specification\u003cbr\u003eGenesysControl plugin now included in base console specification\u003c\/li\u003e\n\u003cli\u003ePrice reduction for overall new 'base' console specification\u003c\/li\u003e\n\u003cli\u003eNew G3D Dolby Atmos panning option, with new console hardware\/software and ADA16 unit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve Genesys G48-Beneath the Surface\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eGenesys, hand-built in AMS Neve's UK factory, combines superb analog design and true Neve preamp circuitry with hands-on DAW control and connectivity for Pro Tools, etc. In its basic 16-fader configuration you get 16 channels of 1073 mic\/line preamps, 16 channels of DAW mixing, 32-channel analog summing at mixdown, eight auxiliary buses, eight group buses, and 5.1 monitoring.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eModular and upgradable\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eBefore the Genesys arrived on the scene, analog consoles were commissioned to a fixed channel count. If you wanted to add preamps and faders, you needed to add a sidecar, such as the Neve BCM10\/2, which, in the case of the BCM, needed modification and added clutter. Modern control surfaces, since they don't pass audio, can be upgraded easily. However, it's a tricky thing to do with analog desks, but that didn't stop AMS Neve. The Genesys is also modular. As your business expands (and it surely will with Neve prominently displayed in your control room) so can your Genesys, all the way up to a 64-fader, 128-input big dog. Other options include upgrading to digitally controlled, analog Neve 1084 Classic EQs or 88R-style 4-band EQS, VCA-style digital control of analog dynamics, and Neve A\/D-D\/A converters for the monitoring section.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCustomize your workflow\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAnother advantage Genesys offers that is no longer the sole province of control surfaces is the ability to customize the control surface to suit the way you work, or, create custom workflows. Plus, there's that classic Neve look and feel to the controls. But don't let looks deceive you; they're ultra modern too. Every switch is “soft,” which enables benefits beyond merely letting you customize your setup. It also means every routing decision and every switch setting can be saved and instantaneously reset. Add the legendary sounding Neve analog EQ and optional dynamics cassettes and you can instantly recall these settings too. Just think of the reconfiguration time that saves when you're balancing multiple projects in your studio.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eWhat the pros are saying about the Neve Genesys \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e“I took a song I mixed on a different console, and I did a quick mix of it on the Genesys . . . I felt, apart from the time-consuming details, I had sonically beaten the other mix in almost a matter of minutes. The Genesys had what I was really hoping for, which is the stereo bus of the 88R from an audio standpoint it sounds the same to me. It sounded so much better than the console I'd originally mixed that song on.” \u003cstrong\u003eJohn O'Mahony-Grammy-nominated mixer and producer)\u003cem\u003e \u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“It's been an absolute pleasure using our 24-channel Genesys over the past year, both in terms of sonics, workflow via the DAW \u0026amp; taking advantage of the large format console options. Producers \u0026amp; engineers who come through 80 HERTZ comment on just how easy it is to integrate their computers with the console-without fuss! AMS Neve customer support is second to none of course, and we enjoy working with their R\u0026amp;D team, developing exciting new features based around our modern hybrid (analog and digital) work flows.”- \u003cstrong\u003eGeorge Atkins, \u003cem\u003eGrammy\u003c\/em\u003e-nominated mixer and producer \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“In my mind, the name Neve has always been synonymous with ‘musical.' Before mixing in the box was even feasible, a console was the center of every mix and a Neve console was always my favorite.”-\u003cstrong\u003eRuss Long, producer-engineer\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIt would be easy to call the AMS Neve Genesys a best-of-both-worlds solution, but in point of fact, it's a best of worlds as yet undiscovered. When you're ready to outfit you're A-room with the impressive G48, call or chat online with your PAD Studio Integrator today. \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/vm1jSdqyIio\" width=\"560\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/L2HCvF6vMnk\" width=\"560\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/f9qvMTIuuuE\" width=\"560\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMic Input (Electronically Balanced) to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise (EIN): \u0026lt;-127.5dBu (20Hz to 22kHz filter, 60dB gain, input terminated 150 ohm R)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Direct Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMix Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 20kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-80dBu (20Hz to 22kHz filter, 16 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to 8T Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.003% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter, no channel routed); \u0026lt;-87dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Aux Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.12dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter, no channel routed); \u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGeneral Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControl Room Output feed from Main Mix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+26dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-85dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInter-channel crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eMix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e8T Mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eAux Mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHeat dissipation \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16-channel console: \u0026lt; 500 watts\u003c\/li\u003e\n\u003cli\u003eEach 16-channel section: \u0026lt; 350 watts\u003c\/li\u003e\n\u003cli\u003ePower factor: \u0026gt;0.65\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVoltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput voltage range: 90 – 250 volts AC only, auto ranging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStandard 16-channel: 2.5 to 4 Amps RMS\u003c\/li\u003e\n\u003cli\u003eEach 16-channel section: 1.5 – 3.0 Amps RMS\u003c\/li\u003e\n\u003cli\u003eSwitch-on surge: 10 amps for 7ms (average)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 38-3\/16\" \/ 970 mm to top of loudspeaker shelf\u003c\/li\u003e\n\u003cli\u003eFader height: 28-5\/16\" \/ 720 mm\u003c\/li\u003e\n\u003cli\u003eHeight Adjustment: 3\/8\" \/ +\/-10 mm\u003c\/li\u003e\n\u003cli\u003eWidth (24-fader console): 69-5\/16\" \/ 1760.5 mm\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section: 26-3\/8\" \/ 672 mm\u003c\/li\u003e\n\u003cli\u003eDepth: 35-13\/16\" \/ 910.5 mm (includes loudspeaker shelf)\u003c\/li\u003e\n\u003cli\u003eWeight: 169.75 lb. \/ 77 kg (Basic 16-fader configuration)\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section and frame: 132.27 lb. \/ 60 kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"Genesys G48 Console \/ No option","offer_id":45120488571130,"sku":"Genesys-G48","price":86800.0,"currency_code":"USD","in_stock":true},{"title":"Genesys G48 Console \/ G3D option","offer_id":45120488603898,"sku":"Genesys-G48-1","price":105545.0,"currency_code":"USD","in_stock":true},{"title":"Genesys G48 Console \/ Upgrade 8-channels of digitally-controlled 88R-style EQ to digitally-controlled 1084 Classic EQ","offer_id":45120488636666,"sku":"Genesys-G48-2","price":92050.0,"currency_code":"USD","in_stock":true},{"title":"Genesys G48 Console \/ 8-channels of digitally-controlled Neve VCA Dynamics","offer_id":45120488669434,"sku":"Genesys-G48-3","price":92050.0,"currency_code":"USD","in_stock":true},{"title":"Genesys G48 Console \/ Integrated AD\/DA conversion (analogue \u003c-\u003e MADI\/AES)","offer_id":45120488702202,"sku":"Genesys-G48-4","price":97800.0,"currency_code":"USD","in_stock":true},{"title":"Genesys G48 Console \/ Producer's table section - 700mm wide - with stand section","offer_id":45120488734970,"sku":"Genesys-G48-5","price":95250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/e067c19840c76c68b512b52d2242bca5.jpeg?v=1571499365"},{"product_id":"ams-neve-genesys-g64","title":"AMS Neve Genesys G64","description":"\u003ch4\u003e\n\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003eAMS Neve Genesys G64 \u003c\/strong\u003e\u003cem\u003eis a hybrid analog\/digital console that combines modular upgradeability with 32 channels of Neve 1073 mic pre\/line amplifiers, 16-channel DAW monitoring, total reset and total recall, motorized faders, Encore automation, remote preamp control and much more-\u003c\/em\u003e\u003cstrong\u003e32-fader, 64-input console\u003c\/strong\u003e\n\u003c\/h4\u003e\n\u003cp\u003ePreceding the Genesys Black, but still in production, the AMS Neve Genesys was Neve's first answer to the multi-level convenience of digital technology as well as it's primary deficiency, which is the obvious lack of Neve's analog sound and full midrange. In creating the Genesys, Neve engineers were truly up against some serious hurdles. Control surfaces offer the advantage of modularity, which enables you to build the console as your business needs dictate. However, since the real world is analog, you need to create a hybrid system of analog I\/O and digital control. It's not unusual to see a digital workstation perpendicular to a large analog desk at one end, which means the monitor is firing into one ear. Along with taking up studio real estate, a hybrid system also requires a lot of complicated wiring and interface issues. In a nutshell, the prime directive for AMS Neve engineers was to create a console that combined the advantages of digital control and automation, modular upgradability, and of course, classic Neve analog sound-but also to make owning a Neve console a realistic prospect for smaller studios without compromising on sound quality. Or, in other words, the AMS Neve Genesys.      \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve Genesys G64-Just the Facts:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e32 channels of Neve 1073 mic pre\/line amplifiers\u003c\/li\u003e\n\u003cli\u003e32-channel DAW monitoring\u003c\/li\u003e\n\u003cli\u003eTotal Reset and Total Recall\u003c\/li\u003e\n\u003cli\u003eMotorized faders with Encore Automation\u003c\/li\u003e\n\u003cli\u003eRemote mic amp control\u003c\/li\u003e\n\u003cli\u003e6 aux sends (4 mono and 2 stereo)\u003c\/li\u003e\n\u003cli\u003e8 groups\u003c\/li\u003e\n\u003cli\u003e2 main outs\u003c\/li\u003e\n\u003cli\u003e4 effects returns\u003c\/li\u003e\n\u003cli\u003e32ch, 8t, 2t and monitor metering\u003c\/li\u003e\n\u003cli\u003e1 mixing and monitoring\u003c\/li\u003e\n\u003cli\u003e2 cue mixes\u003c\/li\u003e\n\u003cli\u003eFull talkback capability\u003c\/li\u003e\n\u003cli\u003eInternal PSU\u003c\/li\u003e\n\u003cli\u003eUSB stick store, load \u0026amp; reset\u003c\/li\u003e\n\u003cli\u003eHands-on DAW control for Pro Tools, etc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve Genesys G64-Beneath the Surface\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eGenesys, hand-built in AMS Neve's UK factory, combines superb analog design and true Neve preamp circuitry with hands-on DAW control and connectivity for Pro Tools, etc. In its basic 16-fader configuration you get 16 channels of 1073 mic\/line preamps, 16 channels of DAW mixing, 32-channel analog summing at mixdown, eight auxiliary buses, eight group buses, and 5.1 monitoring.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eModular and upgradable\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eBefore the Genesys arrived on the scene, analog consoles were commissioned to a fixed channel count. If you wanted to add preamps and faders, you needed to add a sidecar, such as the Neve BCM10\/2, which, in the case of the BCM, needed modification and added clutter. Modern control surfaces, since they don't pass audio, can be upgraded easily. However, it's a tricky thing to do with analog desks, but that didn't stop AMS Neve. The Genesys is also modular. As your business expands (and it surely will with Neve prominently displayed in your control room) so can your Genesys, all the way up to a 64-fader, 128-input big dog. Other options include upgrading to digitally controlled, analog Neve 1084 Classic EQs or 88R-style 4-band EQS, VCA-style digital control of analog dynamics, and Neve A\/D-D\/A converters for the monitoring section.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCustomize your workflow\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAnother advantage Genesys offers that is no longer the sole province of control surfaces is the ability to customize the control surface to suit the way you work, or, create custom workflows. Plus, there's that classic Neve look and feel to the controls. But don't let looks deceive you; they're ultra modern too. Every switch is “soft,” which enables benefits beyond merely letting you customize your setup. It also means every routing decision and every switch setting can be saved and instantaneously reset. Add the legendary sounding Neve analog EQ and optional dynamics cassettes and you can instantly recall these settings too. Just think of the reconfiguration time that saves when you're balancing multiple projects in your studio.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eWhat the pros are saying about the Neve Genesys \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e“I took a song I mixed on a different console, and I did a quick mix of it on the Genesys . . . I felt, apart from the time-consuming details, I had sonically beaten the other mix in almost a matter of minutes. The Genesys had what I was really hoping for, which is the stereo bus of the 88R from an audio standpoint it sounds the same to me. It sounded so much better than the console I'd originally mixed that song on.” \u003cstrong\u003eJohn O'Mahony-Grammy-nominated mixer and producer)\u003cem\u003e \u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“It's been an absolute pleasure using our 24-channel Genesys over the past year, both in terms of sonics, workflow via the DAW \u0026amp; taking advantage of the large format console options. Producers \u0026amp; engineers who come through 80 HERTZ comment on just how easy it is to integrate their computers with the console-without fuss! AMS Neve customer support is second to none of course, and we enjoy working with their R\u0026amp;D team, developing exciting new features based around our modern hybrid (analog and digital) work flows.”- \u003cstrong\u003eGeorge Atkins, \u003cem\u003eGrammy\u003c\/em\u003e-nominated mixer and producer \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“In my mind, the name Neve has always been synonymous with ‘musical.' Before mixing in the box was even feasible, a console was the center of every mix and a Neve console was always my favorite.”-\u003cstrong\u003eRuss Long, producer-engineer\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIt would be easy to call the AMS Neve Genesys a best-of-both-worlds solution, but in point of fact, it's a best of worlds as yet undiscovered. When you're ready to outfit you're A-room with the impressive G64, call or chat online with your PAD Studio Integrator today. \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/vm1jSdqyIio\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/L2HCvF6vMnk\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/f9qvMTIuuuE\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMic Input (Electronically Balanced) to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise (EIN): \u0026lt;-127.5dBu (20Hz to 22kHz filter, 60dB gain, input terminated 150 ohm R)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Direct Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMix Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 20kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-80dBu (20Hz to 22kHz filter, 16 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to 8T Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.003% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter, no channel routed); \u0026lt;-87dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Aux Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.12dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter, no channel routed); \u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGeneral Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControl Room Output feed from Main Mix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+26dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-85dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInter-channel crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eMix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e8T Mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eAux Mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHeat dissipation \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16-channel console: \u0026lt; 500 watts\u003c\/li\u003e\n\u003cli\u003eEach 16-channel section: \u0026lt; 350 watts\u003c\/li\u003e\n\u003cli\u003ePower factor: \u0026gt;0.65\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVoltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput voltage range: 90 – 250 volts AC only, auto ranging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStandard 16-channel: 2.5 to 4 Amps RMS\u003c\/li\u003e\n\u003cli\u003eEach 16-channel section: 1.5 – 3.0 Amps RMS\u003c\/li\u003e\n\u003cli\u003eSwitch-on surge: 10 amps for 7ms (average)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 38-3\/16\" \/ 970 mm to top of loudspeaker shelf\u003c\/li\u003e\n\u003cli\u003eFader height: 28-5\/16\" \/ 720 mm\u003c\/li\u003e\n\u003cli\u003eHeight Adjustment: 3\/8\" \/ +\/-10 mm\u003c\/li\u003e\n\u003cli\u003eWidth (24-fader console): 69-5\/16\" \/ 1760.5 mm\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section: 26-3\/8\" \/ 672 mm\u003c\/li\u003e\n\u003cli\u003eDepth: 35-13\/16\" \/ 910.5 mm (includes loudspeaker shelf)\u003c\/li\u003e\n\u003cli\u003eWeight: 169.75 lb. \/ 77 kg (Basic 16-fader configuration)\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section and frame: 132.27 lb. \/ 60 kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"Stock","offer_id":46863448834298,"sku":"AMS Neve Genesys G64","price":111650.0,"currency_code":"USD","in_stock":true},{"title":"Stock add Integrated AD\/DA Conversion","offer_id":46863448867066,"sku":"AMS Neve Genesys G65","price":125400.0,"currency_code":"USD","in_stock":true},{"title":"Stock with G3D Option","offer_id":47235706028282,"sku":"","price":130395.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/transparent-genesys64-1024x505.png?v=1571499365"},{"product_id":"ams-neve-genesys-g96","title":"AMS Neve Genesys G96","description":"\u003ch4\u003e\n\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003eAMS Neve Genesys G96\u003c\/strong\u003e\u003cem\u003e is a hybrid analog\/digital console that combines modular upgradeability with 48 channels of Neve 1073 mic pre\/line amplifiers, 16-channel DAW monitoring, total reset and total recall, motorized faders, Encore automation, remote preamp control and much more-\u003c\/em\u003e48-fader, 96-input console\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCheck out the new Genesys Control software, which gives full control and instant reset\/recall of all digital functionality of the console. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/genesys-control-software\"\u003ehttps:\/\/www.proaudiodesign.com\/products\/genesys-control-software\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003ePreceding the Genesys Black, but still in production, the AMS Neve Genesys was Neve's first answer to the multi-level convenience of digital technology as well as it's primary deficiency, which is the obvious lack of Neve's analog sound and full midrange. In creating the Genesys, Neve engineers were truly up against some serious hurdles. Control surfaces offer the advantage of modularity, which enables you to build the console as your business needs dictate. However, since the real world is analog, you need to create a hybrid system of analog I\/O and digital control. It's not unusual to see a digital workstation perpendicular to a large analog desk at one end, which means the monitor is firing into one ear. Along with taking up studio real estate, a hybrid system also requires a lot of complicated wiring and interface issues. In a nutshell, the prime directive for AMS Neve engineers was to create a console that combined the advantages of digital control and automation, modular upgradability, and of course, classic Neve analog sound-but also to make owning a Neve console a realistic prospect for smaller studios without compromising on sound quality. Or, in other words, the AMS Neve Genesys.  \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve Genesys G96-Just the Facts:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e48 channels of Neve 1073 mic pre\/line amplifiers\u003c\/li\u003e\n\u003cli\u003e48-channel DAW monitoring\u003c\/li\u003e\n\u003cli\u003eTotal Reset and Total Recall\u003c\/li\u003e\n\u003cli\u003eMotorized faders with Encore Automation\u003c\/li\u003e\n\u003cli\u003eRemote mic amp control\u003c\/li\u003e\n\u003cli\u003e6 aux sends (4 mono and 2 stereo)\u003c\/li\u003e\n\u003cli\u003e8 groups\u003c\/li\u003e\n\u003cli\u003e2 main outs\u003c\/li\u003e\n\u003cli\u003e4 effects returns\u003c\/li\u003e\n\u003cli\u003e48ch, 8t, 2t and monitor metering\u003c\/li\u003e\n\u003cli\u003e1 mixing and monitoring\u003c\/li\u003e\n\u003cli\u003e2 cue mixes\u003c\/li\u003e\n\u003cli\u003eFull talkback capability\u003c\/li\u003e\n\u003cli\u003eInternal PSU\u003c\/li\u003e\n\u003cli\u003eUSB stick store, load \u0026amp; reset\u003c\/li\u003e\n\u003cli\u003eHands-on DAW control for Pro Tools, etc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve Genesys G96-Beneath the Surface\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eGenesys, hand-built in AMS Neve's UK factory, combines superb analog design and true Neve preamp circuitry with hands-on DAW control and connectivity for Pro Tools, etc. In its basic 16-fader configuration you get 16 channels of 1073 mic\/line preamps, 16 channels of DAW mixing, 32-channel analog summing at mixdown, eight auxiliary buses, eight group buses, and 5.1 monitoring.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eModular and upgradable\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eBefore the Genesys arrived on the scene, analog consoles were commissioned to a fixed channel count. If you wanted to add preamps and faders, you needed to add a sidecar, such as the Neve BCM10\/2, which, in the case of the BCM, needed modification and added clutter. Modern control surfaces, since they don't pass audio, can be upgraded easily. However, it's a tricky thing to do with analog desks, but that didn't stop AMS Neve. The Genesys is also modular. As your business expands (and it surely will with Neve prominently displayed in your control room) so can your Genesys, all the way up to a 64-fader, 128-input big dog. Other options include upgrading to digitally controlled, analog Neve 1084 Classic EQs or 88R-style 4-band EQS, VCA-style digital control of analog dynamics, and Neve A\/D-D\/A converters for the monitoring section.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCustomize your workflow\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAnother advantage Genesys offers that is no longer the sole province of control surfaces is the ability to customize the control surface to suit the way you work, or, create custom workflows. Plus, there's that classic Neve look and feel to the controls. But don't let looks deceive you; they're ultra modern too. Every switch is “soft,” which enables benefits beyond merely letting you customize your setup. It also means every routing decision and every switch setting can be saved and instantaneously reset. Add the legendary sounding Neve analog EQ and optional dynamics cassettes and you can instantly recall these settings too. Just think of the reconfiguration time that saves when you're balancing multiple projects in your studio.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eWhat the pros are saying about the Neve Genesys \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e“I took a song I mixed on a different console, and I did a quick mix of it on the Genesys . . . I felt, apart from the time-consuming details, I had sonically beaten the other mix in almost a matter of minutes. The Genesys had what I was really hoping for, which is the stereo bus of the 88R from an audio standpoint it sounds the same to me. It sounded so much better than the console I'd originally mixed that song on.” \u003cstrong\u003eJohn O'Mahony-Grammy-nominated mixer and producer)\u003cem\u003e \u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“It's been an absolute pleasure using our 24-channel Genesys over the past year, both in terms of sonics, workflow via the DAW \u0026amp; taking advantage of the large format console options. Producers \u0026amp; engineers who come through 80 HERTZ comment on just how easy it is to integrate their computers with the console-without fuss! AMS Neve customer support is second to none of course, and we enjoy working with their R\u0026amp;D team, developing exciting new features based around our modern hybrid (analog and digital) work flows.”- \u003cstrong\u003eGeorge Atkins, \u003cem\u003eGrammy\u003c\/em\u003e-nominated mixer and producer \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“In my mind, the name Neve has always been synonymous with ‘musical.' Before mixing in the box was even feasible, a console was the center of every mix and a Neve console was always my favorite.”-\u003cstrong\u003eRuss Long, producer-engineer\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIt would be easy to call the AMS Neve Genesys a best-of-both-worlds solution, but in point of fact, it's a best of worlds as yet undiscovered. When you're ready to outfit you're A-room with the impressive G96, call or chat online with your PAD Studio Integrator today. \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/vm1jSdqyIio\" width=\"560\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/L2HCvF6vMnk\" width=\"560\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/f9qvMTIuuuE\" width=\"560\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/gMi5wVLzAKo\" width=\"560\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eRecord Mode\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eMic Input (Electronically Balanced) to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise (EIN): \u0026lt;-127.5dBu (20Hz to 22kHz filter, 60dB gain, input terminated 150 ohm R)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Direct Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eMix Mode\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 20kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-80dBu (20Hz to 22kHz filter, 16 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to 8T Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.003% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter, no channel routed); \u0026lt;-87dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Aux Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.12dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter, no channel routed); \u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eGeneral Specifications\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eControl Room Output feed from Main Mix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+26dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-85dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInter-channel crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eMix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e8T Mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eAux Mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHeat dissipation \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16-channel console: \u0026lt; 500 watts\u003c\/li\u003e\n\u003cli\u003eEach 16-channel section: \u0026lt; 350 watts\u003c\/li\u003e\n\u003cli\u003ePower factor: \u0026gt;0.65\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVoltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput voltage range: 90 – 250 volts AC only, auto ranging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStandard 16-channel: 2.5 to 4 Amps RMS\u003c\/li\u003e\n\u003cli\u003eEach 16-channel section: 1.5 – 3.0 Amps RMS\u003c\/li\u003e\n\u003cli\u003eSwitch-on surge: 10 amps for 7ms (average)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 38-3\/16\" \/ 970 mm to top of loudspeaker shelf\u003c\/li\u003e\n\u003cli\u003eFader height: 28-5\/16\" \/ 720 mm\u003c\/li\u003e\n\u003cli\u003eHeight Adjustment: 3\/8\" \/ +\/-10 mm\u003c\/li\u003e\n\u003cli\u003eWidth (24-fader console): 95-11\/16\" \/ 2430.5 mm\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section: 26-3\/8\" \/ 672 mm\u003c\/li\u003e\n\u003cli\u003eDepth: 35-13\/16\" \/ 910.5 mm (includes loudspeaker shelf)\u003c\/li\u003e\n\u003cli\u003eWeight: 169.75 lb. \/ 77 kg (Basic 16-fader configuration)\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section and frame: 132.27 lb. \/ 60 kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"Stock","offer_id":46863451554042,"sku":"AMS Neve Genesys G96","price":161350.0,"currency_code":"USD","in_stock":true},{"title":"Stock add Integrated AD\/DA Conversion","offer_id":46863451586810,"sku":"AMS Neve Genesys G97","price":180600.0,"currency_code":"USD","in_stock":true},{"title":"Stock with G3D Option","offer_id":47235704914170,"sku":"","price":180095.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/3cf5e222b88851c5ae7e6dffa061bfef.jpeg?v=1571499365"},{"product_id":"ams-neve-genesys-g128","title":"AMS Neve Genesys G128","description":"\u003ch4\u003e\n\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003eAMS Neve Genesys G128\u003c\/strong\u003e\u003cem\u003e is a hybrid analog\/digital console that combines modular upgradeability with 64 channels of Neve 1073 mic pre\/line amplifiers, 16-channel DAW monitoring, total reset and total recall, motorized faders, Encore automation, remote preamp control and much more-G128 basic 64-channel, 128-input console\u003c\/em\u003e\n\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCheck out the new Genesys Control software, which gives full control and instant reset\/recall of all digital functionality of the console. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/genesys-control-software\"\u003ehttps:\/\/www.proaudiodesign.com\/products\/genesys-control-software\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePreceding the Genesys Black, but still in production, the AMS Neve Genesys was Neve's first answer to the multi-level convenience of digital technology as well as it's primary deficiency, which is the obvious lack of Neve's analog sound and full midrange. In creating the Genesys, Neve engineers were truly up against some serious hurdles. Control surfaces offer the advantage of modularity, which enables you to build the console as your business needs dictate. However, since the real world is analog, you need to create a hybrid system of analog I\/O and digital control. It's not unusual to see a digital workstation perpendicular to a large analog desk at one end, which means the monitor is firing into one ear. Along with taking up studio real estate, a hybrid system also requires a lot of complicated wiring and interface issues. In a nutshell, the prime directive for AMS Neve engineers was to create a console that combined the advantages of digital control and automation, modular upgradability, and of course, classic Neve analog sound-but also to make owning a Neve console a realistic prospect for smaller studios without compromising on sound quality. Or, in other words, the AMS Neve Genesys.        \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve Genesys G128-Just the Facts:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e64 channels of Neve 1073 mic pre\/line amplifiers\u003c\/li\u003e\n\u003cli\u003e64-channel DAW monitoring\u003c\/li\u003e\n\u003cli\u003eTotal Reset and Total Recall\u003c\/li\u003e\n\u003cli\u003eMotorized faders with Encore Automation\u003c\/li\u003e\n\u003cli\u003eRemote mic amp control\u003c\/li\u003e\n\u003cli\u003e6 aux sends (4 mono and 2 stereo)\u003c\/li\u003e\n\u003cli\u003e8 groups\u003c\/li\u003e\n\u003cli\u003e2 main outs\u003c\/li\u003e\n\u003cli\u003e4 effects returns\u003c\/li\u003e\n\u003cli\u003e64ch, 8t, 2t and monitor metering\u003c\/li\u003e\n\u003cli\u003e1 mixing and monitoring\u003c\/li\u003e\n\u003cli\u003e2 cue mixes\u003c\/li\u003e\n\u003cli\u003eFull talkback capability\u003c\/li\u003e\n\u003cli\u003eInternal PSU\u003c\/li\u003e\n\u003cli\u003eUSB stick store, load \u0026amp; reset\u003c\/li\u003e\n\u003cli\u003eHands-on DAW control for Pro Tools, etc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve Genesys G128-Beneath the Surface\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eGenesys, hand-built in AMS Neve's UK factory, combines superb analog design and true Neve preamp circuitry with hands-on DAW control and connectivity for Pro Tools, etc. In its basic 16-fader configuration you get 16 channels of 1073 mic\/line preamps, 16 channels of DAW mixing, 32-channel analog summing at mixdown, eight auxiliary buses, eight group buses, and 5.1 monitoring.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eModular and upgradable\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eBefore the Genesys arrived on the scene, analog consoles were commissioned to a fixed channel count. If you wanted to add preamps and faders, you needed to add a sidecar, such as the Neve BCM10\/2, which, in the case of the BCM, needed modification and added clutter. Modern control surfaces, since they don't pass audio, can be upgraded easily. However, it's a tricky thing to do with analog desks, but that didn't stop AMS Neve. The Genesys is also modular. As your business expands (and it surely will with Neve prominently displayed in your control room) so can your Genesys, all the way up to a 64-fader, 128-input big dog. Other options include upgrading to digitally controlled, analog Neve 1084 Classic EQs or 88R-style 4-band EQS, VCA-style digital control of analog dynamics, and Neve A\/D-D\/A converters for the monitoring section.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCustomize your workflow\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAnother advantage Genesys offers that is no longer the sole province of control surfaces is the ability to customize the control surface to suit the way you work, or, create custom workflows. Plus, there's that classic Neve look and feel to the controls. But don't let looks deceive you; they're ultra modern too. Every switch is “soft,” which enables benefits beyond merely letting you customize your setup. It also means every routing decision and every switch setting can be saved and instantaneously reset. Add the legendary sounding Neve analog EQ and optional dynamics cassettes and you can instantly recall these settings too. Just think of the reconfiguration time that saves when you're balancing multiple projects in your studio.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eWhat the pros are saying about the Neve Genesys \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e“I took a song I mixed on a different console, and I did a quick mix of it on the Genesys . . . I felt, apart from the time-consuming details, I had sonically beaten the other mix in almost a matter of minutes. The Genesys had what I was really hoping for, which is the stereo bus of the 88R from an audio standpoint it sounds the same to me. It sounded so much better than the console I'd originally mixed that song on.” \u003cstrong\u003eJohn O'Mahony-Grammy-nominated mixer and producer)\u003cem\u003e \u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“It's been an absolute pleasure using our 24-channel Genesys over the past year, both in terms of sonics, workflow via the DAW \u0026amp; taking advantage of the large format console options. Producers \u0026amp; engineers who come through 80 HERTZ comment on just how easy it is to integrate their computers with the console-without fuss! AMS Neve customer support is second to none of course, and we enjoy working with their R\u0026amp;D team, developing exciting new features based around our modern hybrid (analog and digital) work flows.”- \u003cstrong\u003eGeorge Atkins, \u003cem\u003eGrammy\u003c\/em\u003e-nominated mixer and producer \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“In my mind, the name Neve has always been synonymous with ‘musical.' Before mixing in the box was even feasible, a console was the center of every mix and a Neve console was always my favorite.”-\u003cstrong\u003eRuss Long, producer-engineer\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIt would be easy to call the AMS Neve Genesys a best-of-both-worlds solution, but in point of fact, it's a best of worlds as yet undiscovered. When you're ready to outfit you're A-room with the impressive G128, call or chat online with your PAD Studio Integrator today. \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/vm1jSdqyIio\" width=\"560\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/L2HCvF6vMnk\" width=\"560\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/f9qvMTIuuuE\" width=\"560\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMic Input (Electronically Balanced) to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise (EIN): \u0026lt;-127.5dBu (20Hz to 22kHz filter, 60dB gain, input terminated 150 ohm R)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Direct Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMix Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 20kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-80dBu (20Hz to 22kHz filter, 16 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to 8T Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.003% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter, no channel routed); \u0026lt;-87dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Aux Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.12dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter, no channel routed); \u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGeneral Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControl Room Output feed from Main Mix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+26dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-85dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInter-channel crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eMix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e8T Mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eAux Mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHeat dissipation \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16-channel console: \u0026lt; 500 watts\u003c\/li\u003e\n\u003cli\u003eEach 16-channel section: \u0026lt; 350 watts\u003c\/li\u003e\n\u003cli\u003e64-channel console: 1550\u003c\/li\u003e\n\u003cli\u003ePower factor: \u0026gt;0.65\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVoltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput voltage range: 90 – 250 volts AC only, auto ranging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStandard 16 channel: 2.5 to 4 Amps RMS\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section: 1.5 – 3.0 Amps RMS\u003c\/li\u003e\n\u003cli\u003eSwitch-on surge: 10 amps for 7ms (average)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 38-3\/16\" \/ 970 mm to top of loudspeaker shelf\u003c\/li\u003e\n\u003cli\u003eFader height: 28-5\/16\" \/ 720 mm\u003c\/li\u003e\n\u003cli\u003eHeight Adjustment: 3\/8\" \/ +\/-10 mm\u003c\/li\u003e\n\u003cli\u003eWidth (64-fader console): 122-1\/16\" \/ 3100.5 mm\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section: 26-3\/8\" \/ 672 mm\u003c\/li\u003e\n\u003cli\u003eDepth: 35-13\/16\" \/ 910.5 mm (includes loudspeaker shelf)\u003c\/li\u003e\n\u003cli\u003eWeight 64-fader console and frame: 565.58 lb. \/ 257 kg\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section and frame: 132.27 lb. \/ 60 kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"Stock","offer_id":46863454798074,"sku":"AMS0040","price":210950.0,"currency_code":"USD","in_stock":true},{"title":"Stock add Integrated AD\/DA Conversion","offer_id":46863454830842,"sku":"AMS0041","price":235700.0,"currency_code":"USD","in_stock":true},{"title":"Stock with G3D Option","offer_id":47235703505146,"sku":"","price":229695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/d3b6ab32571644d351fbca2820cc057b.jpeg?v=1571499365"},{"product_id":"focal-alpha-50-evo","title":"Focal ALPHA 50 EVO","description":"\u003cp class=\"title2\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eACTIVE 2-WAY    \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlpha 50 Evo has a 1” (25mm) aluminium tweeter and a 5” (13 cm) woofer with\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.focal.com\/en\/focal-teach\/the-slatefiber-cone\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.focal.com\/en\/focal-teach\/the-slatefiber-cone\" target=\"_blank\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSlatefiber\u003c\/span\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003econe developed and manufactured in Focal's workshops in France. This monitor stands out for its\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003edynamics\u003c\/strong\u003e, its\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eneutrality of tonal balance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand its excellent\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003esonic coherence\u003c\/strong\u003e, guaranteed wherever you are listening.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIts features include a 1\/4\" (6.35mm) TRS jack input in addition to the XLR and RCA analogue inputs. There is also a disengageable\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eautomatic stand-by mode\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eas well as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003einserts\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efor wall and ceiling fastening.\u003cbr data-mce-fragment=\"1\"\u003eThe high current capacity offered by its\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e2 amplifiers\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esupports total control of the signal dynamics. This also allows high volumes to be reached without distortion.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ebass-reflex design\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003erounded edges\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand modern, robust side panels are another big plus for the Alpha 50 Evo, all contributing to acoustical integration and optimum aesthetics in any location.\u003c\/p\u003e\n\u003cdiv class=\"hoverText-title\"\u003e\u003cstrong\u003eKEY POINTS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"hoverText-text wysiwyg\"\u003e\n\u003cul\u003e\n\u003cli\u003eExcellent dynamics\u003c\/li\u003e\n\u003cli\u003eWide dispersion, even sound retained throughout the room\u003c\/li\u003e\n\u003cli\u003e5”(13 cm)\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.focal.com\/en\/focal-teach\/the-slatefiber-cone\" target=\"_blank\"\u003eSlatefiber cone woofer\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eLarge laminar vent\u003c\/li\u003e\n\u003cli\u003eIdentical tonal balance at both low and high volume\u003c\/li\u003e\n\u003cli\u003eDetailed mixes\u003c\/li\u003e\n\u003cli\u003eConnect up to 3 audio sources\u003c\/li\u003e\n\u003cli\u003eInserts for wall and ceiling fastening\u003c\/li\u003e\n\u003cli\u003eAutomatic disengageable stand-by\u003c\/li\u003e\n\u003cli\u003eProtection grilles included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Focal","offers":[{"title":"Single","offer_id":19628604485,"sku":"FOASSFAL500B003","price":379.0,"currency_code":"USD","in_stock":false},{"title":"Pair","offer_id":19628921413,"sku":"FOPRO-ALPH50EVO-Pair","price":758.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/alpha50_evo_face.jpg?v=1659530083"},{"product_id":"focal-alpha-65-evo","title":"Focal ALPHA 65 EVO - Versatile Professional Loudspeaker","description":"\u003cdiv class=\"product-description content wysiwyg\"\u003e\n\u003cp class=\"title2\"\u003e\u003cstrong\u003eACTIVE 2-WAY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlpha 65 Evo has a 1” (25mm) aluminium tweeter and a 6.5” (16.5 cm) woofer with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.focal.com\/en\/focal-teach\/the-slatefiber-cone\" target=\"_blank\"\u003e\u003cstrong\u003e\u003cspan\u003eSlatefiber\u003c\/span\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003econe developed and manufactured in Focal's workshops in France. This monitor features excellent\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003edynamics\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eneutrality in its tonal balance\u003c\/strong\u003e. Its technologies mean that Alpha 65 Evo can guarantee\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eexcellent sonic coherence\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewherever you are listening.   \u003c\/p\u003e\n\u003cp\u003eIts features include a 1\/4\" (6.35mm) TRS jack input in addition to the XLR and RCA analogue inputs. There is also a disengageable\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eautomatic stand-by mode\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eas well as\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003einserts\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efor wall and ceiling fastening.\u003cbr\u003eThe high current capacity offered by its\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e2 amplifiers\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esupports total control of the signal dynamics. This also allows high volumes to be reached without distortion.\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ebass-reflex design\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003erounded edges\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand modern, robust side panels are another big plus for the Alpha 65 Evo, all contributing to acoustical integration and optimum aesthetics in any location.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-info product-awards carousel carousel-medium ready\"\u003e\n\u003cdiv class=\"slidable-frame\"\u003e\n\u003cdiv class=\"slidable-scroller\"\u003e\n\u003cdiv class=\"slidable-page clearfix\"\u003e\n\u003cdiv class=\"item-award\"\u003e\n\u003cdiv class=\"item-award-table\"\u003e\n\u003cdiv class=\"item-award-cell\"\u003e\n\u003cdiv class=\"hoverText-title\"\u003e\u003cstrong\u003eKEY POINTS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"hoverText-text wysiwyg\"\u003e\n\u003cul\u003e\n\u003cli\u003eExcellent dynamics\u003c\/li\u003e\n\u003cli\u003eWide dispersion, even sound retained throughout the room\u003c\/li\u003e\n\u003cli\u003e6.5”(16.5 cm)\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.focal.com\/en\/focal-teach\/the-slatefiber-cone\" target=\"_blank\"\u003eSlatefiber cone woofer\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eLarge laminar vent\u003c\/li\u003e\n\u003cli\u003eIdentical tonal balance at both low and high volume\u003c\/li\u003e\n\u003cli\u003eDetailed mixes\u003c\/li\u003e\n\u003cli\u003eConnect up to 3 audio sources\u003c\/li\u003e\n\u003cli\u003eInserts for wall and ceiling fastening\u003c\/li\u003e\n\u003cli\u003eAutomatic disengageable stand-by\u003c\/li\u003e\n\u003cli\u003eProtection grilles included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Focal","offers":[{"title":"Single","offer_id":19629186885,"sku":"FOASSFAL650B003","price":439.0,"currency_code":"USD","in_stock":true},{"title":"Pair","offer_id":19629199941,"sku":"FOPRO-ALPH65EVO-Pair","price":878.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/alpha65_evo_face.jpg?v=1659530386"},{"product_id":"focal-alpha-80-evo","title":"Focal ALPHA 80 EVO - Professional Loudspeaker for Low Frequencies","description":"\u003cp\u003e\u003cstrong\u003eACTIVE-2-WAY \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFlagship line\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAlpha 80 Evo\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis particularly recommended for professionals seeking\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ehigh volumes\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003erich sub-bass extension.\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eThis monitor has a 1” (25mm) aluminium inverted dome tweeter and a woofer with a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.focal.com\/en\/focal-teach\/the-slatefiber-cone\" title=\"Slatefiber\"\u003eSlatefiber\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003econe\u003c\/strong\u003e, made in France by Focal. Its\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003elarge laminar vent\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eallows you to significantly limit noises and its dual amplification offers a frequency response from 38Hz to 22kHz (+\/- 3dB).. \u003c\/p\u003e\n\u003cp\u003eAlpha 80 Evo is characterised by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eexcellent dynamics\u003c\/strong\u003e, an impressively\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eneutral\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003etonal balance and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003emultiple features\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(inserts for wall mounting, automatic disengageable stand-by, etc.).\u003c\/p\u003e\n\u003cp\u003eThe Alpha Evo monitors are made from a 5\/8” (15mm)-thick MDF enclosure and incorporates internal braces to ensure the enclosure's high rigidity, even at the highest levels of sound pressure. \u003c\/p\u003e\n\u003cdiv class=\"hoverText-title\"\u003e\u003cstrong\u003eKEY POINTS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"hoverText-text wysiwyg\"\u003e\n\u003cul\u003e\n\u003cli\u003eNeutrality across the full sound spectrum\u003c\/li\u003e\n\u003cli\u003eExcellent dynamics for a very low distortion\u003c\/li\u003e\n\u003cli\u003e8” (21cm) Slatefiber cone woofer\u003c\/li\u003e\n\u003cli\u003eLarge laminar vent \u003c\/li\u003e\n\u003cli\u003eIdentical tonal balance at both low and high volume\u003c\/li\u003e\n\u003cli\u003eConnect up to 3 audio sources\u003c\/li\u003e\n\u003cli\u003eInserts for wall and ceiling fastening\u003c\/li\u003e\n\u003cli\u003eAutomatic disengageable stand-by\u003c\/li\u003e\n\u003cli\u003eProtection grilles included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Focal","offers":[{"title":"Single","offer_id":19629253061,"sku":"FOASSFAL800B003","price":629.0,"currency_code":"USD","in_stock":true},{"title":"Pair","offer_id":19629269189,"sku":"FOPRO-ALPH80EVO-Pair","price":1258.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/alpha_80_evo_face_grille_586x586_a4f910ff-2c03-446c-aec3-83ec90a566e6.jpg?v=1659530660"},{"product_id":"ams-neve-bcm10-2-mk2","title":"AMS Neve BCM 10\/2 Mk2","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003e\n\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003eAMS Neve BCM10\/2 Mk2\u003c\/strong\u003e\u003cem\u003e is an updated reissue of the rare Neve BCM10\/2 broadcast console featuring a choice of 1073N, 1073 Classic, or 1084 Classic preamps, two assignable 2264ALB 500-series compressors, direct channel outputs, four aux sends, 5.1 surround monitoring and more \u003c\/em\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eDesigned in 1969, the classic BCM10’s class-A design, transformer balanced topology delivered ultimate audio performance throughout the golden era of studio recording. The modern BCM10\/2 MkII introduces routing \u0026amp; monitoring options for use in today’s studios, with multiple configurations to allow any artist, producer and engineer to harness the iconic Neve\u003c\/span\u003e\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e sound.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFor industry insiders, the story of the Neve BCM10\/2 is a familiar one. What was intended to be a breakthrough broadcast console in 1970 became an affordable (relatively speaking) and\/or convenient means of adding 10 channels of Neve 1073 preamps as a sidecar to a main console without having to pop for a full-blown Neve desk and try cramming it into your control room. It wasn't easy or cheap finding a number of Neve 1073 preamps ready for action. Due to their modular nature, they had to be removed from an existing vintage Neve desk (which people prefer to keep intact, rare as they are) and specially racked. Those in the know sought out the old BCM10\/2 broadcast consoles, since one in decent condition gave you 10 already-racked 1073 preamps plus 1072 line amps in the summing matrix. Of course, the BCM10\/2 was not without limitations for studio work. In short, the 10 input channels were summed to a stereo bus with no direct outputs per channel (unless modified), making it useful as a sub-mixer, but a tad clumsy as a recording desk. But all those vintage Neve 1073s in one package . . . drool . . .  \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve BCM10\/2 Mk2-Just the Facts:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eClass-A topology with Neve-designed custom transformers\u003c\/li\u003e\n\u003cli\u003eConsole sizes: 10,16, 24, or 32 channels\u003c\/li\u003e\n\u003cli\u003eChoice of 1073N, 1073 Classic, and 1084 Classic preamps for channel input\u003c\/li\u003e\n\u003cli\u003eClassic 1272 summing bus gain makeup\u003c\/li\u003e\n\u003cli\u003e2x 500-series slots fitted with Neve 2264ALB compressors, patchable or selectable across the mix bus\u003c\/li\u003e\n\u003cli\u003eDirect outputs on every channel selectable pre- or post-channel insert\u003c\/li\u003e\n\u003cli\u003eSimple input to each channel doubles the mix inputs and also allows monitor and cue mixes\u003c\/li\u003e\n\u003cli\u003e4x aux sends, 1x stereo cue, 1x main stereo mix bus\u003c\/li\u003e\n\u003cli\u003eStereo and 5.1 monitoring with passive 24 position gold plated monitor level control\u003c\/li\u003e\n\u003cli\u003e3x stereo and 1x 5.1 selectable loudspeaker output sets\u003c\/li\u003e\n\u003cli\u003eComprehensive solo system with destructive and safe\/isolate modes\u003c\/li\u003e\n\u003cli\u003e2x Stereo reverb returns with width, mono, and balance controls \u0026amp; 2x mono DI to bus inputs\u003c\/li\u003e\n\u003cli\u003eMain mix output insertion selectable pre-or post-fade with IMR (Insert Mix Return) parallel processing controls\u003c\/li\u003e\n\u003cli\u003e25-way D-sub connectivity for easy installation into home or studio environments\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOptional side car stand on castors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve BCM10\/2 Mk2-Beneath the Surface\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eAfter decades of requests from audio professionals and witnessing a feeding frenzy in the vintage markets for old BCM10\/2s, AMS Neve answered the call with the recording-oriented BCM10\/2 Mk2-and then upped the ante with 16-, 24-, and 32-channel configurations, optional patchbay, mix-bus compression, aux sends, 5.1 monitoring, and more. If you're looking for a no-frills, “just the fact's ma'am” type of console with the world's best-sounding preamps and EQs, this is the desk for you. With 24 channels of 1073N preamps, plus the ability to upgrade to 1073 Classic and 1084 Classic preamp\/EQs, the BCM24\/2 Mk2 gives you all the analog sound and fury that 1s and 0s just can't compete with.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eBCM10\/2 Mk2 options\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eTo make the BCM10\/2 Mk2 studio friendly or more than just a sidecar, AMS Neve offers a number of options:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e10, 16, 24 or 32 channel configurations\u003c\/li\u003e\n\u003cli\u003eNeve 1073N mic preamps fitted as standard, upgrade to 1073 Classic or 1084 Classic on specified channels\u003c\/li\u003e\n\u003cli\u003ePair of loudspeaker shelves - mount on top of the console\u003c\/li\u003e\n\u003cli\u003eSidecar stand with lockable castors (32-fader stand has fixed feet)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGeneral Specification\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNeve\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eclassic sound using Class A topology\u003c\/li\u003e\n\u003cli\u003eConsole sizes: 10,16,24, 32 or 48 channels\u003c\/li\u003e\n\u003cli\u003e1073N microphone preamp and EQ module in each channel\u003c\/li\u003e\n\u003cli\u003eClassic voltage mixing using 1272 balanced mixing topology\u003c\/li\u003e\n\u003cli\u003e2x 500-series slots fitted with Neve 2264ALB compressors, patchable or selectable across the Mix Bus\u003c\/li\u003e\n\u003cli\u003eDirect outputs on every channel selectable pre or post channel insert\u003c\/li\u003e\n\u003cli\u003eSimple Input to each channel doubles the mix inputs when mixing and also allows monitor and cue mixes\u003c\/li\u003e\n\u003cli\u003e4x Auxes, 1x Stereo Cue, 1x Stereo Main Mix Bus\u003c\/li\u003e\n\u003cli\u003eStereo and 5.1 monitor with passive 24 position gold plated monitor level control\u003c\/li\u003e\n\u003cli\u003e3x Stereo \u0026amp; 1x 5.1 selectable loudspeaker output sets\u003c\/li\u003e\n\u003cli\u003eComprehensive Solo system with destructive and safe\/isolate modes\u003c\/li\u003e\n\u003cli\u003e2x Stereo reverb returns with width, mono and balance controls \u0026amp; 2x mono DI to bus inputs\u003c\/li\u003e\n\u003cli\u003eMain Mix output insertion selectable pre or post fade with IMR (Insert Mix Return) parallel processing controls\u003c\/li\u003e\n\u003cli\u003e25-way D-sub connectivity for easy installation into home or studio environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAudio Performance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMic Input (Transformer-balanced) to Insert Send\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom – \u0026gt;+28.5dBu @ 10kohms bridging (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency Response – Typically +\/- 0.25dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N) – Typically 0.028% @ 1kHz (measured at +20dBu 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise (EIN) – \u0026lt;-126.0 dBu (20Hz to 22kHz filter, 60dB gain, input terminated 150Ω R)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLine Input to Mix Output\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom – \u0026gt;+28.5dBu @ 10kohms bridging (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency Response – Typically +\/- 0.25dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N) – Typically 0.028% @ 1kHz (measured at +20dBu 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise (EIN) – \u0026lt;-126.0 dBu (20Hz to 22kHz filter, 60dB gain, input terminated 150Ω R)\u003c\/li\u003e\n\u003cli\u003eMix bus Noise – typically -86dBu 20Hz to 20kHz filter\u003c\/li\u003e\n\u003cli\u003eOutput noise – typically -95dBu 20Hz to 20kHz filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight (on stand) to top of speaker shelf – 998mm (39.2 inches)\u003c\/li\u003e\n\u003cli\u003eHeight (on stand) to top of faders – 754mm (29.6 inches)\u003c\/li\u003e\n\u003cli\u003eHeight (without stand) to top of speaker shelf – 455mm (17.9 inches)\u003c\/li\u003e\n\u003cli\u003eHeight (without stand) to top of faders – 210mm (8.2 inches)\u003c\/li\u003e\n\u003cli\u003eDepth – 1096mm (43.1 inches)\u003c\/li\u003e\n\u003cli\u003eWidth (10 channel console) – 878mm (34.5 inches)\u003c\/li\u003e\n\u003cli\u003eWidth (16 channel console) – 1158mm (45.5 inches)\u003c\/li\u003e\n\u003cli\u003eWidth (16 channel console with producers table) – 1900mm (74.8 inches)\u003c\/li\u003e\n\u003cli\u003eWidth (24 channel console) – 1529mm (60.1 inches)\u003c\/li\u003e\n\u003cli\u003eWidth (24 channel console with producers table) – 2271mm (89.4 inches)\u003c\/li\u003e\n\u003cli\u003eWidth (32 channel console) – 1900mm (74.8 inches)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePAD For the Record\u003c\/strong\u003e-\u003cem\u003eThe simple truth is that analog consoles can do things that can't be done by mouse or control surface. One such function is riding input faders-the secret to tracking superstar vocals and making a mix percolate with excitement. As any industry pro will tell you, riding faders will always sound better than compression, since there are no artifacts, no raised noise floor, and no loss of transients. Plus, you can anticipate wide dynamic swings where a compressor can only respond after the fact. Yes, it's risky, but that's what separates the pros from the wannabes: rising to the occasion and daring to be great. Another reason to go analog is that pulling back a DAW fader changes the sound, as mixers such as Chris Lord-Alge and Alan Sides will confirm. Lowering volume on a digital fader reduces word-length and subsequently resolution, which changes the makeup of the sound (it gets fuzzy). Whereas in analog, the signal maintains its texture and punch, while the integrity of its wave shape stays intact regardless of level.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003ePAD Tech Note: Neve 1066, 1073, 1081, and 1084; what's the difference? \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eIn the early seventies, Neve consoles were modular enabling studios to choose their channel count. The 10-series preamp\/EQ modules, which included the 1066, 1073, 1081, 1084, and 1072 line amp were built to populate 80-series consoles. They all share the same input and output stages, but differ in terms of equalizer bands having different center frequencies and slopes. The concept was to offer engineers a variety of EQ options while maintaining sonic consistency throughout the desk. In essence, with the exception of the 1072, which was designed for the gain makeup of the summing matrix, they are all essentially the same preamp with different EQs.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eHybrid mixing with the BCM10\/2 Mk2-the best of both worlds\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eIf repeatability is an essential part of your workflow due to client change-requests coming days or weeks after a mix is finished, you can still use a stellar-sounding analog desk for summing or stem mixing. Just set your faders at -20dB, send your stems to the console, and do your automation in the DAW. Even if you route to some outboard, it's still much easier to recall a mix than if you did everything in the analog domain-and with a BCM10\/2, you get the benefits of all those custom Neve transformers warming and widening your mix.\u003c\/p\u003e\n\u003cp\u003eAnother benefit of going through a console is that you don't have to be as careful with your track levels in the DAW. Once you have your sound, red lights be damned (especially with 32-bit floating-point processing). Just make sure you're not losing your tops, watch levels going back into the DAW, and Bob's your uncle.\u003c\/p\u003e\n\u003cp\u003eAt the end of the day, it's sound quality, emotion, and human interaction that makes great music-something that crunching numbers in a no-risk environment just can't stand up to. If you want to make records the way records should be made, there's no substitute for a great-sounding console and the ability to mix like you're playing an instrument.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eUpgrade Options\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/bcm-1073n-to-1073-classic-upgrade\"\u003eAMS Neve BCM 1073N to 1073 Classic Upgrade (Per Channel)\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/bcm-1073n-to-1084-upgrade\"\u003eAMS Neve BCM 1073N to 1084 Upgrade (Per Channel)\u003c\/a\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eFor more information on the AMS Neve BCM10\/2 Mk2, or other Neve consoles that may better suit your needs, call or chat online with your PAD Studio Integrator today.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/rTGu5fhraNA\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOptions\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/nPu1AYXCOYU\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eConnectivity\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/g4-Y7ICbsiU\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e","brand":"AMS Neve","offers":[{"title":"No addons","offer_id":19651279045,"sku":"BCM10","price":79950.0,"currency_code":"USD","in_stock":true},{"title":"Stock with Console Stand (lockable castors or fixed feet)","offer_id":42403994697978,"sku":"BCM10MK2-CS","price":81900.0,"currency_code":"USD","in_stock":true},{"title":"Stock with Pair of genuine Cherry Oak Loudspeaker Shelves (matches the console wooden trims)","offer_id":42403994730746,"sku":"BCM10MK2-LS","price":80345.0,"currency_code":"USD","in_stock":true},{"title":"Stock with Producers section, 700mm wide","offer_id":47235795484922,"sku":"BCM10MK2-LS","price":88400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/AMSNeveBCM10-2Mk2.jpg?v=1661841233"},{"product_id":"sontronics-mercury","title":"Sontronics Mercury Variable Pattern Tube\/Valve Condenser Microphone","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003eSontronics Mercury \u003c\/strong\u003e\u003cem\u003eis a cardioid tube condenser mic with multiple variable polar patterns that offers stunning sound at a reasonable price.   \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"style3\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/vr4DKlvu4_E?rel=0\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThere’s nothing quite like a tube microphone for depth, dimension, and air in vocal recording. However, the truly good ones tend to be out of reach to all but a few-that is, until the Sontronics Mercury took the 2017 NAMM show by storm. The Sontronics Mercury is a variable multi-pattern tube condenser microphone that sits at the top of the Sontronics range, but still remains on the more affordable side of tube mics. In its first two reviews, it received two awards: a “10\/10 Excellence” award from \u003cem\u003eMusic Tech Magazine \u003c\/em\u003eand the Editor's Choice award from \u003cem\u003ePro Tools Expert\u003c\/em\u003e. It also won the “Highly Commended” award from \u003cem\u003eTrusted Music Stores \u003c\/em\u003eand is\u003cstrong\u003e \u003c\/strong\u003eshortlisted for three other awards\u003cstrong\u003e: \u003c\/strong\u003e\u003cem\u003eMusicRadar's \u003c\/em\u003eBest In Tech awards, \u003cem\u003eSound On Sound\u003c\/em\u003e magazine's 2018 Gear Awards and \u003cem\u003eMusic Tech\u003c\/em\u003e magazine's Gear of the Year awards.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSontronics Mercury-Just the Facts:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTube\/valve condenser microphone\u003c\/li\u003e\n\u003cli\u003eVariable polar patterns\u003c\/li\u003e\n\u003cli\u003eDesigned to sound stunning on whatever you're working on\u003c\/li\u003e\n\u003cli\u003eBeta-tested with top producers and artists including Gary Barlow (\u003cem\u003eTake That, Robbie Williams, X Factor UK\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eHand-made in the UK\u003c\/li\u003e\n\u003cli\u003eCovered by a lifetime warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eSontronics Mercury-Behind the Grille \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eSontronics Mercury features variable multiple pickup patterns that give you an infinite choice of polar patterns from omnidirectional to figure-of-eight and everything in between, controlled from the power supply. The mic also boasts a pad (0, -10dB) and low-cut filter (linear, 75Hz) controls, a professional power supply with medical-grade interference filter and boasts incredibly low self-noise for a valve microphone (less than 12dB A-weighted), making this a must-have mic for any studio serious about achieving the best quality results.\u003c\/p\u003e\n\u003cp\u003eAlmost three years in the making, Mercury was painstakingly designed by Sontronics' founder Trevor Coley. Developed in cooperation with top artists and producers, as well as with the input of engineers at Abbey Road Studios, the Mercury is hand-built with only the finest quality components, most of which have less than 1% tolerance (unheard of for a microphone at this or any other price), and a hand-selected and tested, European-made ECC81\/12AT7 vacuum tube, all of which result in absolutely impeccable results. Like all Sontronics microphones, Mercury is covered by a unique lifetime warranty.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMeet your maker\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eSays Sontronics' designer and founder, Trevor Coley, \"Mercury was almost three years in the making, and it truly represents the pinnacle of quality components and British engineering combined with our passion for making versatile, beautifully crafted microphones that don't cost the earth. We've already had some amazing feedback from top artists who loved working with the prototype so much that they bought the real thing. Mercury is regularly being compared to vintage valve microphones that cost up to ten times the price. Every studio should have one!\"\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eSontronics Mercury applications\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Sontronics Mercury is a premium-quality valve\/tube condenser microphone designed to sound stunning on whatever you're recording, from solo instruments, percussion and vocals to ensemble and orchestral work, overhead and room miking, voiceover, and more. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecommended uses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMale and female vocals\u003c\/li\u003e\n\u003cli\u003eVoiceover\u003c\/li\u003e\n\u003cli\u003ePiano and strings\u003c\/li\u003e\n\u003cli\u003eAcoustic guitar and guitar amp\u003c\/li\u003e\n\u003cli\u003eBrass, woodwind, and ethnic instruments\u003c\/li\u003e\n\u003cli\u003eDrums and percussion\u003c\/li\u003e\n\u003cli\u003eEnsemble, choral, and orchestral\u003c\/li\u003e\n\u003cli\u003eRoom and overhead miking\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eWhat the pros are saying about the Sontronics Mercury \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\"MERCURY is just stunning… it's rich yet open-sounding, smooth yet detailed. It's my first choice microphone every time. I love it so much, I need a pair!\" - \u003cbr\u003e \u003cstrong\u003eJames Ivey\u003c\/strong\u003e, producer-multi-instrumentalist (technical editor \u003cem\u003ePro Tools Expert)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"The MERCURY mic is by far the most outstanding microphone I have come across in my career! It boasts phenomenally low self noise and fantastic \u003cbr\u003e range of polar patterns, and it sounds amazing on my didgeridoo, Native American flutes and percussion\" - \u003cstrong\u003eAdam Riviere\u003c\/strong\u003e, multi-instrumentalist-composer-producer\u003c\/p\u003e\n\u003cp\u003e“It’s Clarity and presence are so impressive.” - \u003cstrong\u003eJack Ruston\u003c\/strong\u003e, producer-engineer-mixer (\u003cem\u003eJudas Priest\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003e\"Mercury sounds absolutely stunning with a warm velvety sound and a shimmering air\" - \u003cstrong\u003eMarc JB\u003c\/strong\u003e, producer-remixer (\u003cem\u003eBimbo Jones\u003c\/em\u003e) and reviewer (\u003cem\u003eMusic Tech\u003c\/em\u003e magazine)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMercury users:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGary Barlow (\u003cem\u003eTake That, X Factor UK)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eEd Shearmur, film composer (\u003cem\u003eCharlie’s Angels, Miss Congeneality\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eWolverhampton University\u003c\/li\u003e\n\u003cli\u003eSzkola Rocka, Warsaw (\u003cem\u003eSchool of Rock\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eAndy Gray, composer-producer (\u003cem\u003eHunter, The Bourne Identity, Collateral\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eMarc 'JB' Burrows, producer-remixer (\u003cem\u003eLady Gaga, Pink, Ke$ha\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eMark Owen, singer-songwriter (\u003cem\u003eTake That\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003eKansas Smittys\u003c\/li\u003e\n\u003cli\u003eLocation Recordings (James Ivey)\u003c\/li\u003e\n\u003cli\u003eAdam Riviere (composer)\u003c\/li\u003e\n\u003cli\u003eWoodbury Studios\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eIf you’ve been holding out on adding a high-quality tube condenser to your mic locker, the price and performance of the Sontronics Mercury makes it a no-brainer. Order yours today. For more information, call or chat online with your PAD Studio Specialist.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003ePolar pattern: Sweepable from omni to figure-of-eight \u0026amp; everything in between\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20Hz - 20kHz\u003c\/li\u003e\n\u003cli\u003ePad: 0, -10dB\u003c\/li\u003e\n\u003cli\u003eFilter: Linear, 75Hz\u003c\/li\u003e\n\u003cli\u003eSensitivity: 18mV\/Pa -33dB ±1.5dB\u003c\/li\u003e\n\u003cli\u003e(0dB = 1V\/Pa @ 1,000Hz)\u003c\/li\u003e\n\u003cli\u003eImpedance: ≤200 Ohms\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level: \u0026lt;12dB\u003c\/li\u003e\n\u003cli\u003e(A-weighted)\u003c\/li\u003e\n\u003cli\u003eMax SPL (for 0.5% THD @ 1kHz): 125dB\u003c\/li\u003e\n\u003cli\u003ePower: 115\/230V\u003c\/li\u003e\n\u003cli\u003e*phantom power NOT required*\u003c\/li\u003e\n\u003cli\u003eConnector: 8-pin connector (mic),\u003c\/li\u003e\n\u003cli\u003e3-pin XLR-M (power supply)\u003c\/li\u003e\n\u003cli\u003eDimensions: 9-7\/8\" x 3-1\/2\" x 3-1\/8\" (250 x 90 x 80mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 5.1 lb. \/ 2317g (mic only)\u003c\/li\u003e\n\u003cli\u003eComes with: Wooden box (for Mercury mic), shockmount, cables, power supply, aluminum flight case\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sontronics","offers":[{"title":"Default Title","offer_id":29812305746,"sku":"SONT0021","price":2299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/sontronics_mercury_front-SQ.jpg?v=1571499502"},{"product_id":"focal-shape-50","title":"Focal Shape 50 Bi-amplified Monitor","description":"\u003cp\u003e\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003eFocal Shape 50\u003c\/strong\u003e\u003cem\u003e is an 60W LF, 25W HF bi-amplified monitor comprising several innovative technologies that provide professional reference monitoring in a compact enclosure.  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOptimized for placement in small control rooms or desktop production, the Focal Shape 50 offers exceptional quality, with tight and controlled bass, neutral mid and low-lids, plus extraordinary high-frequency response and spatial localization. The Focal Professional Shape series is a testament to Focal's ongoing effort to innovate new and better ways to improve sound quality. With an improved tweeter, speaker cone material, and dual passive radiators, the Shape 50 blurs the lines between budget and high-end professional monitors. The precision response of Focal's M-shaped tweeter reveals all of the subtle details in the high end, including fast transients, reverb tails, plus any unwanted high-frequency noise or hiss that would otherwise be missed by lesser tweeters. The result of several innovative technologies, the Focal Shape 50 reproduces program material with remarkable acoustic transparency, a wide sound stage, and extremely precise stereo imaging. In short, the Shape 50 tells the absolute truth and sounds great doing it.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eFocal Shape 50 - Just the Facts:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFlax sandwich cone: controlled and well-defined bass, natural and detailed lower mid-range and upper mid-range ranges\u003c\/li\u003e\n\u003cli\u003eTweeter with very low directivity for a flexible listening position \u003c\/li\u003e\n\u003cli\u003eM-shaped inverted dome tweeter reduces distortion and improves off-axis response\u003c\/li\u003e\n\u003cli\u003eDual passive radiators allow it to be placed near walls without bass buildup\u003c\/li\u003e\n\u003cli\u003eNumerous settings for optimal integration\u003c\/li\u003e\n\u003cli\u003eAccurate control, even at the very high end\u003c\/li\u003e\n\u003cli\u003eMounting mechanisms present on the back and underneath the loudspeaker: for installing on a table stand, a microphone stand, the ceiling or a wall (mounting accessories not supplied)\u003c\/li\u003e\n\u003cli\u003eVariable high-pass for use with subwoofers\u003c\/li\u003e\n\u003cli\u003eDual active inputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eFocal Shape 50 - Behind the Grille\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe result of five years of R\u0026amp;D, Focal engineers have surpassed their patented Polyglass cones with the F cone. Made of high-quality flax fibers, the F cone is characterized by its natural sound, low coloration, rich midrange reproduction, and tighter bass. Built on the sandwich technology of Focal's patented Polyglass cone, flax is twice as light as fiberglass, it also has very low elasticity, making it ideal to increase the rigidity of the cone's structure. Which enhances the neutral response of the cone. Combining rigidity and low mass, flax fiber has excellent internal damping, which eliminates unwanted resonances. Flax cones are also less expensive to manufacture, which in turn keeps the cost of the monitors down without any compromise to sound quality.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMidrange obsessed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe midrange register is the most difficult to control in a sound system, and ironically, where most of our music lives. On one hand, there must be a smooth transition with bass. On the other, it must be tuned to the tweeter in terms of dispersion and acceleration. This determines the consistency of timbre and spatialization.\u003c\/p\u003e\n\u003cp\u003eFor the past 20 years, Focal has been working on mastering the \"breakup\" (the frequency at which the cone becomes deformed, leading to distortion) of their 3rd generation \"W\" cones and on drastically reducing the resonance of the tweeter. Thanks to the power of finite element analysis, Focal developed simulation software to visualize the dynamic \u003cspan\u003ebehaviour \u003c\/span\u003eof the suspension that connects the cone to the basket, exposing the areas that required attention.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTuned mass damper\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOnce the breakup frequency was revealed, Focal had to conceptualize and built the equipment to solve the problem. The answer came from a technology used in earthquake-resistant skyscrapers, which is also used for the suspension of racing cars. This technology is called Tuned Mass Damper, which is an additional mass that oscillates in opposition to the resonant frequency to control it.\u003c\/p\u003e\n\u003cp\u003eThe solution consists simply of two tubular rings on the suspension, whose dimensions and position have been meticulously calculated. These tubular rings comprise the Tuned Mass Damper (TMD). They stabilize the dynamic behavior of the surround according to resonance, thus preventing deformation of the cone without afflicting its dynamics.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStabilizing the magnetic field\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe precision and detail of audio reproduction depend on the stability of the speaker's magnetic field. Instability in the magnetic field is modulated by three factors: the movement of the voice coil (Lenz's law); the current passing through it (Foucault current); and the frequency. Consequently, the voice coil and all the moving parts including the cone are in the magnetic field. Too much variation in the field leads to a loss of precision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNeutral inductance circuit technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAfter three years of research, Focal engineers created an incredibly stable magnetic circuit. The solution, NIC technology, is a Faraday ring whose dimensions, materials, and positioning are optimized so that the magnetic field isn't affected by the position of the voice coil.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eFocal Shape 50 - Outside the Box\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePassive radiator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe passive radiator works much like the bass reflex in order to increase bass response in a small cabinet. The radiator is a diaphragm used to cover an inconveniently large port, as well as reduce port turbulence, which can interfere with the direct sound of the drivers up through the low midrange. On the Focal Shape 50, the radiator is a speaker mounted on the side of the cabinet and maintains the same low-frequency response regardless of volume.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet and mounting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Shape 50's cabinet is medium density fiberboard (MDF), which provides greater resistance to sympathetic vibration than \u003cspan\u003emoulded\u003c\/span\u003e plastic enclosures that are commonly used on competing budget monitors. Along with a curved cabinet structure that eliminates front-panel reflections there are four height-adjustable decoupling spikes that enable you to significantly reduce the mechanical coupling of the loudspeakers. They also make it possible to adjust the vertical orientation of the loudspeakers. The spacing and left\/right orientation of each loudspeaker allows you to control the width, centering, and overall coherence of the soundstage. Additionally, due to the side-panel passive radiators, you can wall- or ceiling-mount the Shape 50. Cabinet finish is vinyl, real walnut, and black paint.\u003c\/p\u003e\n\u003cp\u003eRear-panel connections and controls include balanced XLR and unbalanced RCA, which are always active, allowing playback of two simultaneous sources, eliminating the need for monitor management, plus variable high-pass filter for use with subwoofers, low-frequency shelving, low-mid EQ, high-frequency shelving, and mains power connector.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eThe Shape 50 gives home and project studios on a budget the opportunity to step up to Focal's professional, high-precision monitoring. For more information, call or chat with your PAD Studio Specialist today. \u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency response (+\/-3dB): 50Hz - 35kHz\u003c\/li\u003e\n\u003cli\u003eMaximum SPL (musical signal): 106dB SPL (pic @ 1m)\u003c\/li\u003e\n\u003cli\u003eInputs\/Impedance: Balanced XLR, 10k ohm; unbalanced RCA, 10k ohms with sensitivity compensation\u003c\/li\u003e\n\u003cli\u003eMidrange and LF amplifier: 60W, Class AB\u003c\/li\u003e\n\u003cli\u003eHigh-Frequency Amplifier: 25W, Class AB\u003c\/li\u003e\n\u003cli\u003eAutomatic standby on: Approx. 30 minutes no signal\u003c\/li\u003e\n\u003cli\u003eAutomatic standby off: Signal detection \u0026gt; 3mV\u003c\/li\u003e\n\u003cli\u003ePSU: 220-240V (T1AL\/250V fuse), or 100-120V (T2AL\/250V fuse)\u003c\/li\u003e\n\u003cli\u003ePower connector: IEC plug and detachable power cord\u003c\/li\u003e\n\u003cli\u003eHigh-pass filter: Adjustable full range 45\/60\/90Hz\u003c\/li\u003e\n\u003cli\u003eBass EQ: 0-250Hz, adjustable ±6dB\u003c\/li\u003e\n\u003cli\u003eMidrange\/bass: 160Hz, Q=1, adjustable ±3dB\u003c\/li\u003e\n\u003cli\u003eHigh frequency: 4.5kHz - 35kHz, adjustable ±3dB\u003c\/li\u003e\n\u003cli\u003ePower: on\/off switch\u003c\/li\u003e\n\u003cli\u003eStandby consumption: \u0026lt; 0.5W; displays and controls: LED for power on\/off and standby\u003c\/li\u003e\n\u003cli\u003eWoofer: 5\" (16.5cm), membrane flax\u003c\/li\u003e\n\u003cli\u003eTweeter: 1\" “M” profile aluminum-magnesium\u003c\/li\u003e\n\u003cli\u003eCabinet construction: .06\" (15mm) MDF\u003c\/li\u003e\n\u003cli\u003eFinish: Vinyl, real walnut, and black paint\u003c\/li\u003e\n\u003cli\u003eDimensions with four rubber feet (HxWxD): 12.3\" x 7.5\" x 9.5\" (312 x 192 x 242mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 20.7 lb. (6.5kg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Focal","offers":[{"title":"Single","offer_id":36290652498,"sku":"FOASPFSH500N503","price":699.0,"currency_code":"USD","in_stock":true},{"title":"Pair","offer_id":36290652626,"sku":"FOPRO-SHAPE50PR","price":1398.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/shape-50-dessous-fiche-produit.jpg?v=1571499543"},{"product_id":"focal-shape-65","title":"Focal Shape 65 - 6.5\" Active Studio Monitor with Dual Passive Radiators","description":"\u003cp\u003e\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003eFocal Shape 65\u003c\/strong\u003e \u003cem\u003eis an 80W LF, 25W HF bi-amplified monitor featuring dual passive radiators for controlled bass without buildup near walls, proprietary inverted dome tweeter for a wide sweetspot, and room compensation controls.   \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe Focal Professional Shape series is a testament to Focal's ongoing effort to innovate new and better ways to improve sound quality. With an improved tweeter, speaker cone material, and dual passive radiators, the Shape 65 blurs the lines between budget and high-end professional monitors. Optimized for placement in small control rooms, the Focal Shape 65 offers exceptional quality, with tight and controlled bass, neutral mid and low-lids, plus extraordinary high-frequency response and spatial localization. The precision response of Focal's M-shaped tweeter reveals all of the subtle details in the high end, including fast transients, reverb tails, plus any unwanted high-frequency noise or hiss that would otherwise be missed by lesser tweeters. The result of several innovative technologies, the Focal Shape 65 reproduces program material with remarkable acoustic transparency, a wide soundstage, and extremely precise stereo imaging. In short, the Shape 65 tells the absolute truth and sounds great doing it.       \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eFocal Shape 65 - Just the Facts:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFlax sandwich cone: controlled and well-defined bass, natural and detailed lower mid-range and upper mid-range ranges\u003c\/li\u003e\n\u003cli\u003eTweeter with very low directivity for a flexible listening position\u003c\/li\u003e\n\u003cli\u003eM-shaped inverted dome tweeter reduces distortion and improves off-axis response\u003c\/li\u003e\n\u003cli\u003eDual passive radiators allow it to be placed near walls without bass buildup\u003c\/li\u003e\n\u003cli\u003eNumerous settings for optimal integration\u003c\/li\u003e\n\u003cli\u003eAccurate control, even at the very high end\u003c\/li\u003e\n\u003cli\u003eMounting mechanisms present on the back and underneath the loudspeaker: for installing on a table stand, a microphone stand, the ceiling or a wall (mounting accessories not supplied)\u003c\/li\u003e\n\u003cli\u003eVariable high-pass for use with subwoofers\u003c\/li\u003e\n\u003cli\u003eDual active inputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eFocal Shape 65 - Behind the Grille\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe result of five years of R\u0026amp;D, Focal engineers have surpassed their patented Polyglass cones with the F cone. Made of high-quality flax fibers, the F cone is characterized by its natural sound, low coloration, rich midrange reproduction, and tighter bass. Built on the sandwich technology of Focal's patented Polyglass cone, flax is twice as light as fiberglass, it also has very low elasticity, making it ideal to increase the rigidity of the cone's structure. Which enhances the neutral response of the cone. Combining rigidity and low mass, flax fiber has excellent internal damping, which eliminates unwanted resonances. Flax cones are also less expensive to manufacture, which in turn keeps the cost of the monitors down without any compromise to sound quality.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMidrange obsessed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe midrange register is the most difficult to control in a sound system, and ironically, where most of our music lives. On one hand, there must be a smooth transition with bass. On the other, it must be tuned to the tweeter in terms of dispersion and acceleration. This determines the consistency of timbre and spatialization.\u003c\/p\u003e\n\u003cp\u003eFor the past 20 years, Focal has been working on mastering the \"breakup\" (the frequency at which the cone becomes deformed, leading to distortion) of their 3rd generation \"W\" cones and on drastically reducing the resonance of the tweeter. Thanks to the power of finite element analysis, Focal developed simulation software to visualize the dynamic \u003cspan\u003ebehaviour\u003c\/span\u003e of the suspension that connects the cone to the basket, exposing the areas that required attention.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTuned mass damper\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOnce the breakup frequency was revealed, Focal had to conceptualize and built the equipment to solve the problem. The answer came from a technology used in earthquake-resistant skyscrapers, which is also used for the suspension of racing cars. This technology is called Tuned Mass Damper, which is an additional mass that oscillates in opposition to the resonant frequency to control it.\u003c\/p\u003e\n\u003cp\u003eThe solution consists simply of two tubular rings on the suspension, whose dimensions and position have been meticulously calculated. These tubular rings comprise the Tuned Mass Damper (TMD). They stabilize the dynamic \u003cspan\u003ebehaviour\u003c\/span\u003e of the surround according to resonance, thus preventing deformation of the cone without afflicting its dynamics.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStabilizing the magnetic field\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe precision and detail of audio reproduction depend on the stability of the speaker's magnetic field. Instability in the magnetic field is modulated by three factors: the movement of the voice coil (Lenz's law); the current passing through it (Foucault current); and the frequency. Consequently, the voice coil and all the moving parts including the cone are in the magnetic field. Too much variation in the field leads to a loss of precision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNeutral inductance circuit technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAfter three years of research, Focal engineers created an incredibly stable magnetic circuit. The solution, NIC technology, is a Faraday ring whose dimensions, materials, and positioning are optimized so that the magnetic field isn't affected by the position of the voice coil.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eFocal Shape 65 - Outside the Box\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePassive radiator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe passive radiator works much like the bass reflex in order to increase bass response in a small cabinet. The radiator is a diaphragm used to cover an inconveniently large port, as well as reduce port turbulence, which can interfere with the direct sound of the drivers up through the low midrange. On the Focal Shape 65, the radiator is a speaker mounted on the side of the cabinet and maintains the same low-frequency response regardless of volume.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet and mounting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Shape 65's cabinet is medium density fiberboard (MDF), which provides greater resistance to sympathetic vibration than molded plastic enclosures that are commonly used on competing budget monitors. Along with a curved cabinet structure that eliminates front-panel reflections there are four height-adjustable decoupling spikes that enable you to significantly reduce the mechanical coupling of the loudspeakers. They also make it possible to adjust the vertical orientation of the loudspeakers. The spacing and left\/right orientation of each loudspeaker allows you to control the width, centering, and overall coherence of the soundstage. Additionally, due to the side-panel passive radiators, you can wall- or ceiling-mount the Shape 65. Cabinet finish is vinyl, real walnut, and black paint.\u003c\/p\u003e\n\u003cp\u003eRear-panel connections and controls include balanced XLR and unbalanced RCA, which are always active, allowing playback of two simultaneous sources, eliminating the need for monitor management, plus variable high-pass filter for use with subwoofers, low-frequency shelving, low-mid EQ, high-frequency shelving, and mains power connector.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eThe Shape 65 gives home and project studios on a budget the opportunity to step up to Focal's professional, high-precision monitoring. For more information, call or chat with your PAD Studio Specialist today.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency response (+\/-3dB): 40Hz - 35kHz\u003c\/li\u003e\n\u003cli\u003eMaximum SPL (musical signal): 109dB SPL (pic @ 1m)\u003c\/li\u003e\n\u003cli\u003eInputs\/Impedance: Balanced XLR, 10k ohm; unbalanced RCA, 10k ohms with sensitivity compensation\u003c\/li\u003e\n\u003cli\u003eMidrange and LF amplifier: 80W, Class AB\u003c\/li\u003e\n\u003cli\u003eHigh-Frequency Amplifier: 25W, Class AB\u003c\/li\u003e\n\u003cli\u003eAutomatic standby on: Approx. 30 minutes no signal\u003c\/li\u003e\n\u003cli\u003eAutomatic standby off: Signal detection \u0026gt; 3mV\u003c\/li\u003e\n\u003cli\u003ePSU: 220-240V (T1AL\/250V fuse), or 100-120V (T2AL\/250V fuse)\u003c\/li\u003e\n\u003cli\u003ePower connector: IEC plug and detachable power cord\u003c\/li\u003e\n\u003cli\u003eHigh-pass filter: Adjustable full range 45\/60\/90Hz\u003c\/li\u003e\n\u003cli\u003eBass EQ: 0-250Hz, adjustable ±6dB\u003c\/li\u003e\n\u003cli\u003eMidrange\/bass: 160Hz, Q=1, adjustable ±3dB\u003c\/li\u003e\n\u003cli\u003eHigh frequency: 4.5kHz - 35kHz, adjustable ±3dB\u003c\/li\u003e\n\u003cli\u003ePower: on\/off switch\u003c\/li\u003e\n\u003cli\u003eStandby consumption: \u0026lt; 0.5W; displays and controls: LED for power on\/off and standby\u003c\/li\u003e\n\u003cli\u003eWoofer: 6.5\" (16.5cm), membrane flax\u003c\/li\u003e\n\u003cli\u003eTweeter: 1\" (25mm) “M” profile aluminum-magnesium\u003c\/li\u003e\n\u003cli\u003eCabinet construction: 0.6\" (15mm) MDF\u003c\/li\u003e\n\u003cli\u003eFinish: Vinyl, real walnut, and black paint\u003c\/li\u003e\n\u003cli\u003eDimensions with four rubber feet (HxWxD): 14\" x 8.6\" x 11.2\" (355 x 218 x 285mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 28.2 lb. (8.5kg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Focal","offers":[{"title":"Single","offer_id":36290902802,"sku":"FOASPFSH650N503","price":899.0,"currency_code":"USD","in_stock":false},{"title":"Pair","offer_id":36290902866,"sku":"FOCPRO-SHAPE65PR","price":1798.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/shape-65-dessous-fiche-produit.jpg?v=1571499543"},{"product_id":"focal-clear-pro-open-back-headphones","title":"Focal Clear Pro Open-back Headphones","description":"\u003cp class=\"title2\"\u003eOPEN-BACK CIRCUM-AURAL\u003c\/p\u003e\n\u003cp\u003eClear professional headphones represent the essential tool for the most demanding professionals. The only objective: to be the ultimate tool for high quality playback. These open circum-aural headphones incorporate a remarkable evolution of the driver and an extremely open design aiming to make the headphones disappear, for the benefit of the sound. Clear Professional headphones are so comfortable that you forget you are wearing them and the listening experience feels like studio monitors. Its M-profile Aluminium\/Magnesium dome has a new copper coil which provides total dynamic respect over the entire audio spectrum, with an extremely well defined and always controlled bass. At the same time, the very low-mass speaker moving parts mean that these headphones reproduce the finest details in the higher frequencies.\u003c\/p\u003e\n\u003cp\u003eTurning to the headband and yokes, their design ensures that the headphones are in full contact with the head, for optimal comfort. The new generation of perforated microfiber ear cushions provides an extremely open design. \u003c\/p\u003e\n\u003cdiv class=\"hoverText-supTitle\"\u003eIn the service of the acoustic absolute\u003c\/div\u003e\n\u003cdiv class=\"hoverText-title\"\u003e35 YEARS' KNOW-HOW\u003c\/div\u003e\n\u003chr class=\"sep hoverText-sep\"\u003e\n\u003cdiv class=\"hoverText-text wysiwyg\"\u003e\n\u003cp\u003eWhat makes headphones significantly different from a pair of monitor speakers is the wave-form generated by the loudspeaker and the listening distance. In order to achieve a plane wave in a very close nearfield, the shaping of the dome had to be rethought carefully because of the few centimeters of distance inside it.\u003c\/p\u003e\n\u003cdiv class=\"hoverText-supTitle\"\u003eMusic revealed\u003c\/div\u003e\n\u003cdiv class=\"hoverText-title\"\u003eMAKING THE HEADPHONES DISAPPEAR\u003c\/div\u003e\n\u003chr class=\"sep hoverText-sep\"\u003e\n\u003cdiv class=\"hoverText-text wysiwyg\"\u003e\n\u003cp\u003eThe design of Clear Professional solves the sensation of space reduction, thanks to their new microfiber ear cushions. Their one-millimeter diameter micro-perforations on the outside edge give a level of openness that is unbeatable at this price range. The listening experience in the room, rather than headphones, is intensified. The second benefit to this design is its extreme tolerance to ear cushion positioning, regardless of head profile and size. This degree of openness also provides the benefit of excellent definition of upper bass and low midrange registers, typically where headphones usually struggle in comparison with monitors.\u003c\/p\u003e\n\u003cdiv class=\"hoverText-title\"\u003ePROVIDED ACCESSORIES:\u003c\/div\u003e\n\u003chr class=\"sep hoverText-sep\"\u003e\n\u003cdiv class=\"hoverText-text wysiwyg\"\u003e\n\u003cp\u003eRigid carrying case. Thermoformed shell in the shape of the headphones. Can store one cable and an iLok® key (not provided), all within its compact dimensions.\u003c\/p\u003e\n\u003cp\u003eTwo OFC copper 24AWG cables with a very low resistance.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA 5m spiral for domestic use\u003c\/li\u003e\n\u003cli\u003eA 1.2m cable fitted with a 3.5mm stereo jack connector\u003c\/li\u003e\n\u003cli\u003e3.5mm and 6.35mm jack adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOptional: Specifically designed stand\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Focal","offers":[{"title":"Default Title","offer_id":7008388087841,"sku":"FOAHALCLEP1R000","price":1499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/ecoute-longue-duree-casque-focal-clear-pro.jpg?v=1571499715"},{"product_id":"augspurger-duo-8-sxe3-2500-system-pair","title":"Augspurger® DUO 8-SXE4 System - Pair","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eActive main monitor System with dual 8\" drivers and MF horn, PAIR \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe TEC Award-nominated \u003cstrong\u003eAugspurger® Duo 8 MiniMain\u003c\/strong\u003e has quickly won-over top producers and artists with its stunning sound and a footprint of only 16”w X 17”d. It's a size breakthrough and game-changer in the world of main monitors. Augspurger's® next generation MF horn and free-standing design allows any room to have the sonic power, precision and performance that the Augspurger® name is famous for. Like all Augspurger® systems, the Duo 8 is an astonishingly accurate and natural sounding monitor, delivering a visceral, enveloping experience. You don't just hear the music, you feel it!\u003c\/p\u003e\n\u003cp\u003eAugsurger's® advanced DSP tuning software puts crossover, phase, and EQ at your fingertips. Experience the Duo 8 MiniMain and you'll discover it is the ideal all-around studio monitor for tracking, mixing and mastering. Duo 8 is a true main monitor in the size of a midfield, expertly hand-crafted in the USA.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(2) Two-way main monitor cabinets loaded with two 8” MF\/LF drivers and one 4’’ high compression driver with beryllium diaphragm on an Augspurger designed solid maple MF (MidFocus) horn. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(1) SXE-4D four-way Class D networkable amplifiers (800W x 4) with Active DSP providing crossover, limiting, driver alignment and system equalization \u0026amp; control software, rack-mounted 2U. SUB-READY Subwoofer cabinets not included in this configuration. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e     \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMAINS -\u003c\/strong\u003e 26”H x 16”W x 13.625”D (66.04 x 40.64 x 34.61 cm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e                        \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003cem\u003eThe speakers come standard in a matte black finish. Custom high gloss automotive paint finishes are available in any color to complement your room decor. Call for custom paint pricing.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePlease note that the prices of Augspurger® products may vary based on color\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Duo 8 Flyer\" href=\"http:\/\/augspurgermonitors.com\/wp-content\/uploads\/2015\/03\/Duo_8_Flyer.pdf\"\u003e\u003cem\u003e Duo 8 Flyer\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cimg alt=\"Augspurger.com\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/AUGSPURGER_Horz_Negative1-300x134_large.png?2038560530778524321\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBreathtaking Power. Unmistakable Clarity.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Augspurger","offers":[{"title":"Default Title","offer_id":44822235939066,"sku":"D8-SXE4","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Duo_8_Front_Matte_Black-ClearBG-Smaller_51ead11e-6375-40bd-baab-41cd769958e4.jpg?v=1713811531"},{"product_id":"augspurger-duo-8-sub12-sxe3-2500-system-pair","title":"Augspurger® DUO 8 Sub12-SXE3\/3500 System","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eActive main monitor System with dual 8\" drivers and MF horn, \u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003eplus 1X12 Sub, priced per PAIR\u003c\/span\u003e \u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe TEC Award-nominated \u003cstrong\u003eAugspurger® Duo 8 MiniMain\u003c\/strong\u003e has quickly won-over top producers and artists with its stunning sound and a footprint of only 16”w X 17”d. It's a size breakthrough and game-changer in the world of main monitors. Augspurger's® next generation MF horn and free-standing design allows any room to have the sonic power, precision and performance that the Augspurger® name is famous for. Like all Augspurger systems, the Duo 8 is an astonishingly accurate and natural sounding monitor, delivering a visceral, enveloping experience. You don't just hear the music, you feel it!\u003c\/p\u003e\n\u003cp\u003eAugspurger's® advanced DSP tuning software puts crossover, phase, and EQ at your fingertips. Experience the Duo 8 MiniMain and you'll discover it is the ideal all-around studio monitor for tracking, mixing and mastering. Duo 8 is a true main monitor in the size of a midfield, expertly hand-crafted in the USA.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTHREE-WAY SYSTEM with:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e(2) Two-way main monitor cabinets loaded with two 8” MF\/LF drivers and one 4’’ high compression driver with beryllium diaphragm on an Augspurger designed solid maple MF (MidFocus) horn. \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e(2) Sub12-D8 Subwoofer cabinets each with single 12” LF driver. (2) SXE-3D Three-way networkable Class D amplifiers (2500W, 1000W \u0026amp; 250W) with Active DSP providing crossover, limiting, driver alignment and system equalization \u0026amp; control software, rack mounted 2U.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e     \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMAINS - \u003c\/strong\u003e26”H x 16”W x 13.625”D (66.04 x 40.64 x 34.61 cm)\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSUBS -\u003c\/strong\u003e 22\"H x 16\"W x 20\"D (55.88 x 40.64 x 50.8 cm )\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e      \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003cem\u003eThe speakers come standard in a matte black finish. Custom high gloss automotive paint finishes are available in any color to complement your room decor. Call for custom paint pricing.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePlease note that the prices of Augspurger® products may vary based on color\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Duo 8 Flyer\" href=\"http:\/\/augspurgermonitors.com\/wp-content\/uploads\/2015\/03\/Duo_8_Flyer.pdf\"\u003e\u003cem\u003e Duo 8 Flyer\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cimg alt=\"Augspurger.com\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/AUGSPURGER_Horz_Negative1-300x134_large.png?2038560530778524321\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBreathtaking Power. Unmistakable Clarity.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Augspurger","offers":[{"title":"Default Title","offer_id":44822236496122,"sku":"D8-S12 SXE3","price":26750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/DUO_8_SUB12_pair.2k.jpg?v=1683912007"},{"product_id":"augspurger-duo-8-sub212-sxe3-2500-system-pair","title":"Augspurger® DUO 8 Sub212-SXE3\/3500 System","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eActive main monitor System with dual 8\" drivers and MF horn, \u003cspan style=\"color: #000000;\"\u003eplus 2X12 Sub, priced per PAIR\u003c\/span\u003e \u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe TEC Award-nominated \u003cstrong\u003eAugspurger® Duo 8 MiniMain\u003c\/strong\u003e has quickly won-over top producers and artists with its stunning sound and a footprint of only 16”w X 17”d. It's a size breakthrough and game-changer in the world of main monitors. Augspurger's® next generation MF horn and free-standing design allows any room to have the sonic power, precision and performance that the Augspurger® name is famous for. Like all Augspurger® systems, the Duo 8 is an astonishingly accurate and natural sounding monitor, delivering a visceral, enveloping experience. You don't just hear the music, you feel it!\u003c\/p\u003e\n\u003cp\u003eAugspurger's® advanced DSP tuning software puts crossover, phase, and EQ at your fingertips. Experience the Duo 8 MiniMain and you'll discover it is the ideal all-around studio monitor for tracking, mixing and mastering. Duo 8 is a true main monitor in the size of a midfield, expertly hand-crafted in the USA.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHREE WAY SYSTEM with:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e (2) Two way main monitor cabinets loaded with two 8” MF\/LF drivers and one 4’’ high compression driver with beryllium diaphragm on an Augspurger designed solid maple MF (MidFocus) horn. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(2) S212-D8 Subwoofer cabinets each with dual 12” LF driver. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(2) SXE-3D THREE way networkable Class D amplifiers (2500W, 1000W \u0026amp; 250W) with Active DSP providing crossover, limiting, driver alignment and system equalization \u0026amp; control software, rack mounted 2U.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e     \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMAINS -\u003c\/strong\u003e 26”H x 16”W x 13.625”D (66.04 x 40.64 x 34.61 cm)\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSUBS -\u003c\/strong\u003e 35” H x 18\" W x 20” D \/ 88.9 x 45.72 x 50.8 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e                        \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003cem\u003eThe speakers come standard in a matte black finish. Custom high gloss automotive paint finishes are available in any color to complement your room decor. Call for custom paint pricing.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePlease note that the prices of Augspurger® products may vary based on color\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Augspurger","offers":[{"title":"Default Title","offer_id":44822237118714,"sku":"D8-S12 SXE3","price":29500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Duo8-S212_480Sqw-amps_SelenGray_StarIsland.jpg?v=1683912294"},{"product_id":"sontronics-drum-pack-plus","title":"Sontronics DrumPack Plus 7-Piece Condenser Microphone Set for Drums","description":"\u003ch3\u003e\u003cstrong\u003eSontronics DrumPack Plus\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003eSontronics DrumPack Plus\u003c\/strong\u003e\u003cem\u003e is a seven-piece set of condenser microphones with design-specific characteristics focused on drum kit and percussion recording with results rivaling mics at ten times the price.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe 7-piece DrumPack Plus features Sontronics award-winning DM-series dedicated DM-series drum condenser mics and also includes a pair of STC-10 pencil condensers for overheads. So, \u003cspan\u003eeven if you do have a favorite pair of ribbons or LDCs for overheads in the studio, there’s nothing wrong with having options-particularly with the price-performance ratio of the Sontronics STC-10. For example, you may find yourself recording live or doing sound reinforcement. Those expensive ribbon mics aren’t going to want to leave home, plus, they won’t cut through a loud stage mix like the Sontronics STC-10 will. Let’s say you’re tracking in a room that’s heavy in the low mids. A small-diaphragm condenser, such as the STC-10 will capture the sound of the top kit without the added boxiness of the room. Plus, if you’re dealing with harsh cymbals, or simply miss the high-end roll-off of your ribbon mics, the STC-10 has a high-frequency roll-off that gives you a smooth high-end and clarity while taming the harshness of certain cymbals-just like a ribbon mic. Keep in mind that the STC-10 is a multi-purpose pencil condenser that can be used on percussion, acoustic guitar, and other instruments. In short, the Sontronics DrumPack Plus gives you everything you need to mic a drum kit with stellar sound, plus a little extra.  \u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eSontronics DrumPack Plus-Just the Facts: \u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eSeven-piece dedicated drum miking set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAll you need for recording full kit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAward-winning condenser mics with high-SPL handling \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eComes with mic clips for stand- or rim-mounting and rugged ABS flight case\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAll microphones covered by Sontronics lifetime warranty\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eSontronics DrumPack Plus-Behind the Grille\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eSontronics DM-1B kick drum and bass mic\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThanks to its high sensitivity, low self-noise, -15dB attenuation pad, and the ability to handle up to 155dB SPL, the DM-1B delivers outstanding results on kick drum and also sounds fantastic on bass guitar cabinets, low brass and woodwind, tenor and baritone sax and even male vocals. Its incredible power handling and highly compliant diaphragm enable it to capture all the attack, resonance, and energy from your kick drum and other bass instruments like nothing you've ever heard before. The DM-1B is designed with its fixed cardioid capsule facing out of the top end of the microphone (end-address style) and can be positioned either to the front head of the drum or even pushed towards or slightly inside the sound hole of the kick drum. The DM-1B comes with its adjustable yoke mount in a sturdy aluminum flight case and, like all Sontronics microphones, is covered by lifetime warranty.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eSontronics DM-1S snare microphone\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe DM-1S is a high-sensitivity (hotter output), small-diaphragm condenser mic with a -10dB attenuation pad that’s capable of capturing up to an impressive 135db SPL. Along with a highly compliant, transient-friendly diaphragm and wide frequency response, the DM-1S is designed to capture all the classic characteristics of your snare; the snap, crack, rattle, and punch that drive a mix. The DM-1S has slightly different frequency response than its sister mic, the DM-1T tom mic, in order to provide exceptional results for their respective specialties: snare and toms. The DM-1S comes with a mic clip that lets you set up quickly and position your mic wherever you need it-either on a mic stand or an additional rim mount. Like all Sontronics microphones, the DM-1S is covered by lifetime warranty. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eSontronics DM-1T tom microphone\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe DM-1T is a small-diaphragm condenser mic with a -10dB attenuation pad, capable of capturing up to an impressive 135db SPL. The DM-1T is designed to capture all the classic characteristics of your drum; the slap, boom, and resonance of your tom. The DM-1T has slightly different frequency response than its sister mic, the DM-1S snare mic, in order to provide exceptional results, for their respective specialties: toms and snare. The DM-1T comes with a mic clip that lets you set up quickly and position your mic wherever you need it-either on a mic stand or an additional rim mount. Like all Sontronics microphones, the DM-1T is covered by lifetime warranty.\u003c\/span\u003e\u003cspan\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eSontronics STC-10 overhead pencil mics\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe STC-10 cardioid condenser microphones (two of which are included in the DrumPack Plus set) boast two-stage pad and filter controls and an extremely precise response, featuring Sontronics' signature smooth high-frequency roll-off. As a pair, they are amazing as drum kit overheads, but they also sound stunning whether used individually for solo percussion, woodwind or stringed instruments, but also together for stereo-miking acoustic guitar, piano and ensemble. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eSontronics DrumPack recommended uses:\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eDrum kit and percussion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDM-1B: Kick drum, orchestral bass drum, bass guitar cabinet, low brass and woodwind, tenor\/baritone sax, male vocals\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDM-1S: Snare drum, cajon, djembe\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDM-1T: Toms, bongos, congas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eSTC-10: Overheads, stereo miking, acoustic guitar, individually for solo percussion, solo strings, theater, video\u003cspan\u003e \u003cbr\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eWhat the pros are saying about the DM series:\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eSontronics mics have received rave reviews, awards, and are featured on the touring kits and studio set-ups of major drummers including \u003cstrong\u003eDave Grohl\u003c\/strong\u003e, \u003cem\u003eAerosmith's\u003c\/em\u003e \u003cstrong\u003eJoey Kramer\u003c\/strong\u003e, \u003cstrong\u003eDom Howard\u003c\/strong\u003e of \u003cem\u003eMuse\u003c\/em\u003e, and \u003cem\u003eBlur's\u003c\/em\u003e \u003cstrong\u003eDave Rowntree.\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eUser quotes:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"We were A\/B testing the Sontronics drum mics set up against some thousand-pound mics and we had to keep checking the tracks because the Sontronics mics sounded as good if not better than the expensive ones. We were totally blown away!\" \u003cstrong\u003eMark Rankin\u003c\/strong\u003e, producer (Florence \u0026amp; The Machine, Adele, Plan B, Queens of the Stone Age)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"I'm so impressed by the sound of these mics (DM-1S\/T) for all my studio and live performances in all genres (rock, jazz, world music), I rely on these mics. Just amazing.\" - \u003cstrong\u003eMarito Marques\u003c\/strong\u003e, Drummer\/Producer\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"The DM-1B sounds better than my vintage Neumann U47fet, which is saying something, and the DM-1S is one of the best close mics I have ever used. Amazing!\" - \u003cstrong\u003eAndy Gray\u003c\/strong\u003e, producer\/composer (Radiohead, Gary Numan, Enter Shikari, TT3D, CSI Miami) \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"DM-1B sounds absolutely brilliant, right out of the box, with no need for any EQ. The DM-1B, DM-1T, and DM-1S truly capture my drums without any need for any enhancement. The results are amazing!\" - \u003cstrong\u003ePete Parada\u003c\/strong\u003e, drummer (My Chemical Romance, The Offspring) \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eSontronics DrumPack and DrumPack Plus\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe DrumPack and DrumPack Plus combine Sontronics’ award-winning DM-series drum microphones into two all-in-one, premium-quality miking options that no drummer or studio should be without. The five- and seven-piece condenser microphone sets will give absolutely stunning results across your whole drum kit, plus they save you more than 30% on buying the mics individually! \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe five-piece \u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/sontronics-drum-pack\" title=\"Sontronics DrumPack Condenser Microphone Set for Drums\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eDrumPack\u003c\/a\u003e comprises a DM-1B for kick drum, DM-1S for snare, and three DM-1T mics for toms, and comes with four mic clips in a rugged, waterproof ABS flight case. Click link to learn more.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe seven-piece DrumPack Plus includes a \u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/sontronics-dm-1b\" title=\"Sontronics DM-1B Condenser Microphone for Kick Drum and Bass\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eDM-1B\u003c\/a\u003e, a \u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/sontronics-dm-1s\" title=\"Sontronics DM-1S Condenser Microphone for Snare\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eDM-1S\u003c\/a\u003e and three \u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/sontronics-dm-1t\" title=\"Sontronics DM-1T Condenser Mic for Toms\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eDM-1T\u003c\/a\u003e as above plus a pair of \u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/sontronics-stc-10\" title=\"Sontronics STC-10 Pencil Condenser for Drum Overheads\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eSTC-10\u003c\/a\u003e pencil condensers for use as overheads or for solo percussion miking. Click links to learn more.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eAffordable, unobtrusive, and a stellar sound that punches well out of its weight class. Even you have drum mics, given a chance, the Sontronics DrumPack Plus will become your go-to drum miking solution. Order yours today. For more information, call or chat online with your PAD Studio Specialist today.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications \u003cbr\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003ePolar pattern (all mics): Cardioid\u003c\/li\u003e\n\u003cli\u003ePad: 0\/-15dB (DM-1B), 0\/-10dB (DM-1S, DM-1T \u0026amp; STC-10)\u003c\/li\u003e\n\u003cli\u003eFilter (STC-10 only): Linear\/75Hz\u003c\/li\u003e\n\u003cli\u003eresponse: 20Hz - 20kHz (DM-1B), 30Hz - 20kHz (DM-1S \u0026amp; 1T, STC-10)\u003c\/li\u003e\n\u003cli\u003eSensitivity: 6mV\/Pa -45dB ±2dB (DM-1B),\u003c\/li\u003e\n\u003cli\u003e8mV\/Pa -42dB ±2dB (DM-1S \u0026amp; 1T),\u003c\/li\u003e\n\u003cli\u003e11mV\/Pa -39dB ±2dB (STC-10)\u003c\/li\u003e\n\u003cli\u003eImpedance (all mics): ≤200 Ohms\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level (A-weighted): 14dB (DM-1B, 1S \u0026amp; 1T), 18dB (STC-10)\u003c\/li\u003e\n\u003cli\u003eSPL*: 155dB (DM-1B), 135dB (DM-1S \u0026amp; 1T), 130dB (STC-10)\u003c\/li\u003e\n\u003cli\u003ePower sources (all mics): 48V ±4V phantom power required\u003c\/li\u003e\n\u003cli\u003eConnector (all mics): 3-pin XLR\u003c\/li\u003e\n\u003cli\u003eSupplied with: 6 mic clips, ABS flight case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDM-1B: 3-6\/8\" x 7\/8\" x 7\/8\" (95 x 22 x 22mm)\u003c\/li\u003e\n\u003cli\u003eDM-1S \u0026amp; 1T: 3-6\/8\" x 7\/8\" x 7\/8\" (95 x 22 x 22mm)\u003c\/li\u003e\n\u003cli\u003eSTC-10: 6\" x 7\/8\" x 7\/8\" (150 x 22 x 22mm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDM-1B: 28 oz. (804g)\u003c\/li\u003e\n\u003cli\u003eDM-1S \u0026amp; 1T: 3.2 oz. (90g)\u003c\/li\u003e\n\u003cli\u003eSTC-10: 4.4 oz. (125g)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e*Max. SPL for 0.5% THD @ 1kHz\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Sontronics","offers":[{"title":"Default Title","offer_id":13260959580183,"sku":"Drum Kit Plus","price":1299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/sontronics_drumpackplus_case_800pix.jpg?v=1571499843"},{"product_id":"focal-shape-twin","title":"Focal Shape Twin","description":"\u003cp\u003eThis standard bearer of the Shape series features two passive radiators, woofers equipped with a new\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.focal.com\/en\/focal-teach\/flax-sandwich-cone\" target=\"_self\"\u003eFlax cone\u003c\/a\u003e, and the latest\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.focal.com\/en\/focal-teach\/m-shaped-inverted-dome-tweeter\" target=\"_self\"\u003e“M”-shaped Aluminium\/Magnesium inverted dome tweeter\u003c\/a\u003e. Perfect weapon of mass production for professionals.\u003c\/p\u003e\n\u003cp\u003eShape Twin is made in France, just like Shape\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.focal.com\/france\/pro-audio\/enceintes-de-monitoring\/shape\/shape-40\" target=\"_self\"\u003e40\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.focal.com\/france\/pro-audio\/enceintes-de-monitoring\/shape\/shape-50\" target=\"_self\"\u003e50\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.focal.com\/france\/pro-audio\/enceintes-de-monitoring\/shape\/shape-65\" target=\"_self\"\u003e65\u003c\/a\u003e. Designed to meet the needs of nearfield monitoring, these monitors combine an ingenuous design and numerous settings optimised for the acoustics of small listening rooms. Shape Twin stands out through its excellent rendering over the whole audio spectrum, its broad frequency response in the low end, and its high SPL considering its size. The compact design makes it easy to integrate even into the most cramped of rooms. Finally, its 2.5-way design gives it a real advantage when it comes to controlling the bass and lower mid-range registers which are the hardest to control in small rooms.\u003c\/p\u003e\n\u003cp\u003eShape Twin's five innovations present a remarkable tonal balance, with very wide and precise stereo imaging. The low frequencies are well defined  as well as controlled. The low-mid and mid ranges provide a true neutral sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey points \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• Tweeter with very low directivity for a flexible sweet spot\u003c\/p\u003e\n\u003cp\u003e• Designed without a port (double passive radiator) allowing it to be placed near a wall\u003c\/p\u003e\n\u003cp\u003e• 2.5 channels to provide optimal control of bass and low mid-range registers\u003c\/p\u003e\n\u003cp\u003e• Numerous settings for optimal integration\u003c\/p\u003e\n\u003cp\u003e• Accurate control, even in the very high frequencies • Flax sandwich cone: controlled and articulated bass, natural and detailed lower mid-range and upper mid-range registers\u003c\/p\u003e\n\u003cp\u003e• Fastening mechanisms for mounting to the ceiling or a wall (fastening accessories not supplied)\u003c\/p\u003e","brand":"Focal","offers":[{"title":"Default Title","offer_id":27901030072343,"sku":"FOASPFSH010N503","price":1149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/shape-twin-visuel-produit.png?v=1571499846"},{"product_id":"focal-trio-11-be","title":"Focal Trio 11 Be","description":"\u003cp class=\"title2\"\u003eTHE LOUDSPEAKER DEDICATED TO NEARFIELD AND MIDFIELD\u003c\/p\u003e\n\u003cp\u003eAs well as new speaker drivers (a 5” midrange and a 10” subwoofer) with high efficiency and power handling, the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTrio11 Be\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emonitor enjoys all of Focal's very latest technologies when it comes to acoustics and electronics:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.focal.com\/en\/focal-teach\/tmd-tuned-mass-damper\" target=\"_self\"\u003eTMD\u003c\/a\u003e and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.focal.com\/en\/focal-teach\/nic-neutral-inductance-circuit\" target=\"_self\"\u003eNIC\u003c\/a\u003e technologies; optimised vents that promote dynamic control and perfect bass definition; high excursion, enabling even more linearity of the subwoofer...\u003c\/p\u003e\n\u003cp\u003eThanks to its class G amplification,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTrio11 Be\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edelivers a high SPL (118dB at 1m) and offers a great versatility of use and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003einstallation configurations in nearfield AND midfield applications\u003c\/strong\u003e. A key asset, always coming along with an extremely precise sound reproduction and stereo image.\u003c\/p\u003e\n\u003cp\u003eWith an extended bandwidth (30 Hz-40 kHz), this loudspeaker is also composed of a 3-way monitor and a 2-way monitor, just like\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.focal.com\/en\/pro-audio\/monitoring-speakers\/sm6\/monitoring-speakers\/trio6-be\" target=\"_self\"\u003eTrio6 Be\u003c\/a\u003e, which lets you check the mix transfer sound quality thanks to\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFOCUS mode\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eWith Trio11 Be, power and versatility are waiting for you!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeel the difference!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"hoverText-title\"\u003e\n\u003cstrong\u003eKEY POINTS\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eHigh SPL: 118 dB @ 393\/8'' (1m).\u003c\/li\u003e\n\u003cli\u003eFOCUS Mode: two monitors in one with remote switchover.\u003c\/li\u003e\n\u003cli\u003ePure Beryllium inverted dome tweeter: very low directivity, linearity, dynamics.\u003c\/li\u003e\n\u003cli\u003e‘W' composite sandwich cone on midrange and subwoofer: neutral sound, no distortion.\u003c\/li\u003e\n\u003cli\u003eBass, mid-bass and treble settings on rear panel: optimum acoustical integration.\u003c\/li\u003e\n\u003cli\u003eOptimised decoupling of the midrange speaker driver thanks to silent blocks.\u003c\/li\u003e\n\u003cli\u003eUltra-low distortion and noise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Focal","offers":[{"title":"Default Title","offer_id":27901122379799,"sku":"FOASBETR112R003","price":4199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/trio11-be_professional-monitoring-loudspeaker_3-4-face.jpg?v=1571499846"},{"product_id":"augspurger-duo-8-s18-sxe3-2500-system-pair","title":"Augspurger® DUO 8-S18 SXE3\/3500 System - PAIR","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eActive main monitor System with dual 8\" drivers and MF horn, p\u003cspan\u003elus 1X18 Sub, priced per PAIR.\u003c\/span\u003e.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe TEC Award-nominated \u003cstrong\u003eAugspurger® Duo 8 MiniMain\u003c\/strong\u003e has quickly won-over top producers and artists with its stunning sound and a footprint of only 16”w X 17”d. It's a size breakthrough and game-changer in the world of main monitors. Augspurger's® next generation MF horn and free-standing design allows any room to have the sonic power, precision and performance that the Augspurger name is famous for. Like all Augspurger systems, the Duo 8 is an astonishingly accurate and natural sounding monitor, delivering a visceral, enveloping experience. You don't just hear the music, you feel it!\u003c\/p\u003e\n\u003cp\u003eAugsurger's® advanced DSP tuning software puts crossover, phase, and EQ at your fingertips. Experience the Duo 8 MiniMain and you'll discover it is the ideal all-around studio monitor for tracking, mixing and mastering. Duo 8 is a true main monitor in the size of a midfield, expertly hand-crafted in the USA.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHREE WAY SYSTEM with:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e(2) Two way main monitor cabinets loaded with two 8” MF\/LF drivers and one 4’’ high compression driver with beryllium diaphragm on an Augspurger designed solid maple MF (MidFocus) horn. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e(2) S18-D8 Subwoofer cabinets each with single 18” LF driver. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e(2) SXE-3D Three-way networkable Class D amplifiers (2500W, 1000W \u0026amp; 250W) with Active DSP providing crossover, limiting, driver alignment and system equalization \u0026amp; control software, rack mounted 2U.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e     \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMAINS - \u003c\/strong\u003e26”H x 16”W x 13.625”D (66.04 x 40.64 x 34.61 cm)\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSUBS -\u003c\/strong\u003e 26\"H x 26\"W x 20”D (66.04 x 66.04 x 50.8 cm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e                        \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003cem\u003eThe speakers come standard in a matte black finish. Custom high gloss automotive paint finishes are available in any color to complement your room decor. Call for custom paint pricing.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePlease note that the prices of Augspurger® products may vary based on color\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Duo 8 Flyer\" href=\"http:\/\/augspurgermonitors.com\/wp-content\/uploads\/2015\/03\/Duo_8_Flyer.pdf\" data-mce-href=\"http:\/\/augspurgermonitors.com\/wp-content\/uploads\/2015\/03\/Duo_8_Flyer.pdf\"\u003e\u003cem\u003e Duo 8 Flyer\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cimg alt=\"Augspurger.com\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/AUGSPURGER_Horz_Negative1-300x134_large.png?2038560530778524321\" data-mce-src=\"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/AUGSPURGER_Horz_Negative1-300x134_large.png?2038560530778524321\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBreathtaking Power. Unmistakable Clarity.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Augspurger","offers":[{"title":"Default Title","offer_id":44822237741306,"sku":"D8-S18-SXE3","price":28450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Duo-8-Angle-MatteBlack-ClearBG-smaller_d429863e-37d1-4d41-9d4c-c5580f667f27.jpg?v=1571499933"},{"product_id":"jocavi-ceraflector-diffuser-panels","title":"JOCAVI Ceraflector Diffuser Panels","description":"\u003cp\u003e\u003cspan\u003eThe acoustic treatment panel CERAFLECTOR® is a 3D controlled dispersion multidirectional reflection panel. The angles of reflection of this radial diffusion panel were thoroughly calculated. The depth factor is logarithmically varied and it is, therefore, a three-dimension omnidirectional reflection panel. His modular design makes it unique in the market. The CERAFLECTOR® panel controls primary reflections and fragments them in 64 vertices of incidence using the theoretical numerical sequence ratio of the primitive root as a basis for calculation. Thus, it produces exceptional results of sound diffusion in all directions and provides spaces with considerable sound perception. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe original model, with more than 20 years in continuous manufacture, it is built with the purest enamelled porcelain. Now JOCAVI® introduces an alternative made on high-density GRP, which has identical mass to the porcelain model, maintaining a very identical acoustic performance as well. As a matter of price and variety of colors, you can prefer to choose the GRP version. BS1 fire resistant. Available in several colors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMade of porcelain, now also available in high-density GRP\u003c\/li\u003e\n\u003cli\u003eAverage diffusion: 0.67\/m2 [\u0026gt;100Hz;\u0026lt;5KHz]\u003c\/li\u003e\n\u003cli\u003eFire-resistance: M1for porcelain model \/ BS1 for high-density GRP model\u003c\/li\u003e\n\u003cli\u003e100% recyclable\u003c\/li\u003e\n\u003cli\u003ePackage: 2 units\u003c\/li\u003e\n\u003cli\u003eInstallation: accessories included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eModels and Sizes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/CERAFLECTOR.jpg?v=1637475277\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eProduct Dimensions\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ctable width=\"538\" height=\"50\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 69.3594px; text-align: center;\" data-mce-style=\"width: 69.3594px; text-align: center;\"\u003e \u003cstrong\u003eModel\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 110.938px; text-align: center;\" data-mce-style=\"width: 110.938px; text-align: center;\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 102.266px; text-align: center;\" data-mce-style=\"width: 102.266px; text-align: center;\"\u003e\u003cstrong\u003eWidth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 97.1094px; text-align: center;\" data-mce-style=\"width: 97.1094px; text-align: center;\"\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 120.328px; text-align: center;\" data-mce-style=\"width: 120.328px; text-align: center;\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 69.3594px; text-align: center;\" data-mce-style=\"width: 69.3594px; text-align: center;\"\u003e\u003cspan\u003eCER015\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 110.938px; text-align: center;\" data-mce-style=\"width: 110.938px; text-align: center;\"\u003e\u003cspan\u003e15 cm (5.91\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 102.266px; text-align: center;\" data-mce-style=\"width: 102.266px; text-align: center;\"\u003e\u003cspan\u003e15 cm (5.91\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 97.1094px; text-align: center;\" data-mce-style=\"width: 97.1094px; text-align: center;\"\u003e\u003cspan\u003e11 cm (4.33\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 120.328px; text-align: center;\" data-mce-style=\"width: 120.328px; text-align: center;\"\u003e\u003cspan\u003e1.4 kg (3.09 lbs)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 69.3594px; text-align: center;\" data-mce-style=\"width: 69.3594px; text-align: center;\"\u003e\u003cspan\u003eCER060\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 110.938px; text-align: center;\" data-mce-style=\"width: 110.938px; text-align: center;\"\u003e\u003cspan\u003e60 cm (23.62\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 102.266px; text-align: center;\" data-mce-style=\"width: 102.266px; text-align: center;\"\u003e\u003cspan\u003e60 cm (23.62\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 97.1094px; text-align: center;\" data-mce-style=\"width: 97.1094px; text-align: center;\"\u003e\u003cspan\u003e13 cm (5.12\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 120.328px; text-align: center;\" data-mce-style=\"width: 120.328px; text-align: center;\"\u003e\u003cspan\u003e23.7 kg (52.26 lbs)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 69.3594px; text-align: center;\" data-mce-style=\"width: 69.3594px; text-align: center;\"\u003e\u003cspan\u003eCER060 (WOOD)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 110.938px; text-align: center;\" data-mce-style=\"width: 110.938px; text-align: center;\"\u003e\u003cspan\u003e60 cm (23.62\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 102.266px; text-align: center;\" data-mce-style=\"width: 102.266px; text-align: center;\"\u003e\u003cspan\u003e60 cm (23.62\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 97.1094px; text-align: center;\" data-mce-style=\"width: 97.1094px; text-align: center;\"\u003e\u003cspan\u003e13 cm (5.12\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 120.328px; text-align: center;\" data-mce-style=\"width: 120.328px; text-align: center;\"\u003e\u003cspan\u003e22.6 kg (49.83 lbs)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eAcoustic Properties\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Chart.png?v=1636122993\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard Ceramic Colors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/cera_bdcd6694-12f4-4e7e-9e5d-9d7f01d5e495_480x480.jpg?v=1636102749\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard Wood Colors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/cera-wood_480x480.jpg?v=1636102829\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlease give us a call and we can help you with what Panel and Color!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JOCAVI","offers":[{"title":"CER060 (D: 60x60x13cm W:23.7Kg)","offer_id":41192367259809,"sku":"CER060","price":1228.0,"currency_code":"USD","in_stock":true},{"title":"CER060 (WOOD) (D: 60x60x13cm W:22.6Kg)","offer_id":41192367456417,"sku":"CER060","price":1452.0,"currency_code":"USD","in_stock":true},{"title":"CER015 (D: 15x15x11cm W:1.4Kg)","offer_id":31459181494317,"sku":"CER060","price":62.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/ProductImageHQ.png?v=1576167036"},{"product_id":"jocavi-two-fx-diffuser-panel","title":"JOCAVI Two FX Diffuser Panel","description":"\u003cp\u003eTWO®FX is an acoustic diffusion panel for High-End Studios and High-Performance room's applications.\u003c\/p\u003e\n\u003cp\u003eThe diffusion pattern is based on a sequence of the 7 musical notes followed by a mathematical routine of transpositions, inversions and retrogrades.\u003c\/p\u003e\n\u003cp\u003eThe shapes of the component parts are predominantly convex, but there are also some concave, they never repeat the positioning before the end of the sequence of the notes' cadence.\u003c\/p\u003e\n\u003cp\u003eDuring 5 years of the production of the TWO®FX, this model was made on HIPS.\u003c\/p\u003e\n\u003cp\u003eNow, JOCAVI® improves this model's characteristics using GRP as raw-material. This model updated on GRP, increases the mass that helps to improve his diffusion acoustic performance.\u003c\/p\u003e\n\u003cp\u003eTWO®FX provides features of a beautiful diffusion surface with highly musical characteristics, simultaneously.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"topicTitle\"\u003eFEATURES\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eManufactured with GRP\u003c\/li\u003e\n\u003cli\u003eAverage diffusion: 0.68\/m\u003csup\u003e2\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e[\u0026gt;100Hz;\u0026lt;5KHz]\u003c\/li\u003e\n\u003cli\u003eFire-resistance: B-s1,d0 (similar to old M1)\u003c\/li\u003e\n\u003cli\u003e100% recyclable\u003c\/li\u003e\n\u003cli\u003eInstallation: accessories included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDrawings and Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/2_fx_tech_drawings_480x480.jpg?v=1576174604\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eProduct Dimensions\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ctable height=\"50\" width=\"538\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 69.3594px; text-align: center;\" data-mce-style=\"width: 69.3594px; text-align: center;\"\u003e \u003cstrong\u003eModel\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 110.938px; text-align: center;\" data-mce-style=\"width: 110.938px; text-align: center;\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 102.266px; text-align: center;\" data-mce-style=\"width: 102.266px; text-align: center;\"\u003e\u003cstrong\u003eWidth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 97.1094px; text-align: center;\" data-mce-style=\"width: 97.1094px; text-align: center;\"\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 120.328px; text-align: center;\" data-mce-style=\"width: 120.328px; text-align: center;\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 69.3594px; text-align: center;\" data-mce-style=\"width: 69.3594px; text-align: center;\"\u003e\u003cspan\u003eTFX060\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 110.938px; text-align: center;\" data-mce-style=\"width: 110.938px; text-align: center;\"\u003e\u003cspan\u003e60 cm (23.62\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 102.266px; text-align: center;\" data-mce-style=\"width: 102.266px; text-align: center;\"\u003e\u003cspan\u003e60 cm (23.62\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 97.1094px; text-align: center;\" data-mce-style=\"width: 97.1094px; text-align: center;\"\u003e\u003cspan\u003e13 cm (5.12\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 120.328px; text-align: center;\" data-mce-style=\"width: 120.328px; text-align: center;\"\u003e\u003cspan\u003e8.2 kg (18.08 lbs)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbsorption Coefficient\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/2_fx_Absorption_Coefficient.jpg?v=1576174701\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColor options\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/TWOFX.jpg?v=1637588621\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003ePlease give us a call and we can help you with what Panel and Color!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTWO FX is shipped with 2 units per box.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wqKff-CDc_8\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"JOCAVI","offers":[{"title":"Black","offer_id":42096074588410,"sku":"TFX060","price":400.0,"currency_code":"USD","in_stock":true},{"title":"Brown","offer_id":42096074621178,"sku":"TFX061","price":400.0,"currency_code":"USD","in_stock":true},{"title":"Purple","offer_id":42096074653946,"sku":"TFX062","price":400.0,"currency_code":"USD","in_stock":true},{"title":"Blue","offer_id":42096074686714,"sku":"TFX063","price":400.0,"currency_code":"USD","in_stock":true},{"title":"Green","offer_id":42096074719482,"sku":"TFX064","price":400.0,"currency_code":"USD","in_stock":true},{"title":"Light blue","offer_id":42096074785018,"sku":"TFX066","price":400.0,"currency_code":"USD","in_stock":true},{"title":"Grey","offer_id":42096074817786,"sku":"TFX067","price":400.0,"currency_code":"USD","in_stock":true},{"title":"Red","offer_id":42096074752250,"sku":"TFX065","price":400.0,"currency_code":"USD","in_stock":true},{"title":"Orange","offer_id":42096074850554,"sku":"TFX068","price":400.0,"currency_code":"USD","in_stock":true},{"title":"Beige","offer_id":42096074883322,"sku":"TFX069","price":400.0,"currency_code":"USD","in_stock":true},{"title":"Yellow","offer_id":42096074916090,"sku":"TFX070","price":400.0,"currency_code":"USD","in_stock":true},{"title":"Light grey","offer_id":42096074981626,"sku":"TFX072","price":400.0,"currency_code":"USD","in_stock":true},{"title":"Gold","offer_id":42096079405306,"sku":"TFX060D","price":400.0,"currency_code":"USD","in_stock":true},{"title":"White","offer_id":42096074948858,"sku":"TFX071","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Two_FX_gold.jpg?v=1576174962"},{"product_id":"sontronics-podcast-pro","title":"Sontronics Podcast Pro","description":"The Sontronics Podcast Pro is a dynamic microphone designed specifically for podcast, broadcast, radio gaming and voiceover applications. \u003cbr\u003e\u003cbr\u003eDesigned, developed and hand-built in the UK, the Podcast Pro has a tightly focused supercardioid pickup pattern, giving excellent clarity and depth with superb side rejection. With its three layers of internal protection and integrated fine-mesh pop filter, the Podcast Pro provides superb control of extraneous noise or rumble and helps control unwanted sibilance or plosives. This mic is guaranteed to give broadcast-quality professional results on any sung or spoken voice, whether you’re broadcasting from a professional radio studio or recording podcasts on the go or in a home set-up. \u003cbr\u003e\u003cbr\u003eEasy to set up and position, and compatible with any desktop or floor-standing mic stand, the Podcast Pro will plug straight into your interface, soundcard or mixer and be ready to go in seconds.\u003cbr\u003e\u003cbr\u003eAvailable in black or red, the Sontronics Podcast Pro is supplied with its angled yoke mount and the microphone is covered, like all Sontronics mics, by Sontronics’ unique Lifetime Warranty.\u003cbr\u003e\u003cbr\u003eWhether you’re recording for podcast, radio, voiceover or even capturing instruments, the Podcast Pro will deliver the best results, every time.\u003cbr\u003e\n\u003ch2\u003e\u003cstrong\u003eHIGHLIGHTS\u003c\/strong\u003e\u003c\/h2\u003e\n• Dynamic supercardioid microphone\u003cbr\u003e• Specifically designed for podcast, broadcast, radio, voiceover and gaming\u003cbr\u003e• Captures superb clarity and depth\u003cbr\u003e• Inner protection reduces noise and sibilance\u003cbr\u003e• Fitted with integrated pop filter\u003cbr\u003e• Available in black or brushed red\u003cbr\u003e• Covered by Lifetime Warranty\u003cbr\u003e\n\u003ch2\u003e\u003cstrong\u003eTECH SPECS\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone type: Dynamic\u003c\/li\u003e\n\u003cli\u003ePolar pattern: Supercardioid\u003c\/li\u003e\n\u003cli\u003eFrequency response: 50Hz – 15kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: -50dB ±2dB\u003c\/li\u003e\n\u003cli\u003eImpedance: ≤600 Ohms\u003c\/li\u003e\n\u003cli\u003eConnector: Three-pin XLR\u003c\/li\u003e\n\u003cli\u003ePower: Phantom power NOT required\u003c\/li\u003e\n\u003cli\u003eDimensions: 180 x 82 x 60mm\u003c\/li\u003e\n\u003cli\u003eWeight: 356g\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sontronics","offers":[{"title":"Black","offer_id":32111507767341,"sku":"PodcastPro-Bk","price":199.99,"currency_code":"USD","in_stock":true},{"title":"Red","offer_id":32111507832877,"sku":"PodcastPro-Rd","price":199.99,"currency_code":"USD","in_stock":true},{"title":"Green","offer_id":39425577549985,"sku":"SONT0004","price":199.99,"currency_code":"USD","in_stock":true},{"title":"Purple","offer_id":39426188181665,"sku":"SONT0005","price":199.99,"currency_code":"USD","in_stock":true},{"title":"Gold","offer_id":39426193522849,"sku":"SONT0006","price":199.99,"currency_code":"USD","in_stock":true},{"title":"Cosmic Grey","offer_id":39426197487777,"sku":"SONT0007","price":199.99,"currency_code":"USD","in_stock":true},{"title":"Blue","offer_id":39426210136225,"sku":"SONT0008","price":199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/sontronics_podcastpro_black_1.jpg?v=1579712775"},{"product_id":"augspurger-treo-812v","title":"Augspurger® Treo 812V-SXE3\/3500 System","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBuilding on the theme of providing compact, full-range monitoring systems with in-built subwoofer, we are pleased to present the Treo 812-V 3-way full-range active monitor designed for modern recording and production.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe vertically oriented cabinet provides the extraordinary power and detail of all Augspurger® systems in a wonderfully elegant format that offers an efficient integration into the listening environment with minimal footprint. The Treo 812-V utilizes the same driver complement as the 812 CFM, providing legendary sonic precision with extended low frequency extension. Augspurger Power SXE-3D networkable amps deliver powerful DSP for the ultimate system control and acoustical integration into your environment.\u003c\/p\u003e\n\u003cp\u003eWith its elegantly compact cabinet (under 36″H) the Augspurger® Treo 812-V monitor system is designed for personal-sized working and listening spaces where accuracy and dynamics are required. By incorporating our unique CIC (cab-in-cab) technology we are able to seamlessly integrate our 12” sub-bass cabinet into the main system. This arrangement perfectly time-aligns all frequencies and delivers a high-impact listening experience with subtle mix details clearly revealed, all from a surprisingly compact floor-standing enclosure using our Treo Riser plinths. The Treo 812-V also excels as either main L\/C\/R speakers or as surround channels in larger theater environments.\u003c\/p\u003e\n\u003cp\u003eSporting in-room frequency response of 24 Hz - 20 kHz and output of 124 dB SPL, Augspurger® continues to establish new market standards in powerful, full-range personal monitoring.\u003c\/p\u003e\n\u003cp\u003eEach system is expertly hand built and tested in Hanover, MA USA. Treo 812-V users include Jay Z's new Roc Nation label HQ in NYC and Audio Engineers of Detroit­.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(2) Three-way cabinets with one 12\" driver, single 8\" LF\/MF driver and one 4’’ high compression driver with beryllium diaphragm on a Malekpour-designed solid maple “MF” (MidFOCUS) horn in a vertical driver array. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(2) SXE-3D three-way Class D networkable amplifiers (2500W, 1000W \u0026amp; 250W) with Active DSP providing crossover, limiting, driver alignment and system equalization \u0026amp; control software, rack-mounted 2U. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe TREO 812-V is designed to operate without the need for any additional LF extension cabinets or subwoofers, making it an ideal solution for smaller listening and working spaces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e     \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMAINS -\u003c\/strong\u003e 34.5\"H x 15.5 \"W x 18.5\"D (87.63 x 39.37 x 46.99 cm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e                        \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003cem\u003eThe speakers come standard in a matte black finish. Custom high gloss automotive paint finishes are available in any color to complement your room decor. Call for custom paint pricing.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePlease note that the prices of Augspurger® products may vary based on color.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Augspurger","offers":[{"title":"Default Title","offer_id":44822247932154,"sku":"Treo 812-V-MB","price":25000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Treo812Vsystemw-risers_amps.2680.jpg?v=1617744587"},{"product_id":"studio-float-ceiling-isorafts","title":"IsoRaft EH – Suspended Ceiling Raft w\/Eye Hook – black silicone, low profile – no. 6 screw eye","description":"\u003cp\u003e\u003cstrong\u003eSuspended Ceiling Isoraft, Black Silicone, Low Profile, Plus eye-ring = +1-1\/4 H\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable class=\"tg\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eSKU\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eSCREH\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eGTIN\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e860010653425\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eProduct Description\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eIsoRaft EH - Suspended Ceiling Raft w\/Eye Hook \u003cbr\u003e black silicone, low profile \u003cbr\u003e75 lbs\/raft no. 6 screw eye\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eDimensions\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eL x W x H\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e2-1\/4″ x 4-7\/8″ x 1-1\/2″ plus eye ring = + 1″ total height = 2-1\/2″\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\"\u003e \u003c\/p\u003e\n\u003cp\u003eIsoRaft's noise reduction and simplicity goes beyond its design to its application in building structures. Many soundproofing solutions require the installation of floating floors and resilient pad over Gypcrete to achieve fire rating and sound isolation. By contrast, IsoRaft achieves effective fire and sound ratings with a simple installation of plywood subfloor with no restriction to the finish floor-simplifying the construction process and providing soundproofing options and flexibility.\u003c\/p\u003e\n\u003cp\u003eInstallation of Studio Float IsoRaft is simple in the way that it defeats noise transmission. The Studio FloatRaft connectors decouple sound vibrations from the building assembly and absorb them in silicone Cores. They silence the noise simply and effectively-an elegant soundproofing solution for the complex problem of sound transmission within buildings as well as noise isolation from the outside world.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Sound_converts_to_heat_graphic_480x480.jpg?v=1601568207\"\u003e\u003c\/p\u003e\n\u003cp\u003eIsoRafts simply attach to the side of studs and joists, followed by wood furring (or metal hat channel) and then drywall. Noise trying to get through the wall or floor is directed into the silicone core where the vibration friction converts the sound energy into a small measure of heat, killing the noise.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Patented_Vi-Bridge_Technology_480x480.jpg?v=1601568594\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Vi-Bridge_graphic_IsoRaft_480x480.jpg?v=1601568197\"\u003e\u003c\/p\u003e\n\u003cp\u003eNoise is vibrational energy that travels in waves.\u003c\/p\u003e\n\u003cp\u003eThose waves collide with the surface of either the wall or floor\/ceiling.\u003c\/p\u003e\n\u003cp\u003eThe sound waves travel very efficiently through rigid materials (metal and wood). So, when noise collides it makes a line connection from the wall, through the stud\/joist, into the opposite wall.\u003c\/p\u003e\n\u003cp\u003eIsoRaft kills the transfer by decoupling the wall or floor\/ceiling assembly and provides a patented pathway for sound waves to travel and die.\u003c\/p\u003e","brand":"Studio Float","offers":[{"title":"Default Title","offer_id":36521903980705,"sku":"SCREH","price":11.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/CeilingIsoraft.lrg.jpg?v=1601502057"},{"product_id":"studio-float-wall-ceiling-isorafts","title":"IsoRaft WC – Standard Profile Wall\/Ceiling Raft – 2-1\/4″ nominal length. Black silicone.","description":"\u003cp\u003e\u003cstrong\u003eWall and non-hung Ceiling Isoraft , 2-1\/4\"H x 1-13\/16\" x 4-13\/16\"\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable class=\"tg\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eSKU\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eSPWCR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eGTIN\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e860010653432\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eProduct Description\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eIsoRaft WC - Standard Profile Wall\/Ceiling Raft \u003cbr\u003e75 lbs\/raft 2-1\/4\" nominal length. Black silicone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eDimensions\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eL x W x H\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e2-1\/4″ x 4-7\/8″ x 2-1\/4″\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\"\u003e\u003c\/p\u003e\n\u003cp\u003eIsoRaft's noise reduction and simplicity goes beyond its design to its application in building structures. Many soundproofing solutions require the installation of floating floors and resilient pad over Gypcrete to achieve fire rating and sound isolation. By contrast, IsoRaft achieves effective fire and sound ratings with a simple installation of plywood subfloor with no restriction to the finish floor-simplifying the construction process and providing soundproofing options and flexibility.\u003c\/p\u003e\n\u003cp\u003eInstallation of Studio Float IsoRaft is simple in the way that it defeats noise transmission. The Studio FloatRaft connectors decouple sound vibrations from the building assembly and absorb them in silicone Cores. They silence the noise simply and effectively-an elegant soundproofing solution for the complex problem of sound transmission within buildings as well as noise isolation from the outside world.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Sound_converts_to_heat_graphic_480x480.jpg?v=1601568207\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eIsoRafts simply attach to the side of studs and joists, followed by wood furring (or metal hat channel) and then drywall. Noise trying to get through the wall or floor is directed into the silicone core where the vibration friction converts the sound energy into a small measure of heat, killing the noise.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Patented_Vi-Bridge_Technology_480x480.jpg?v=1601568594\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Vi-Bridge_graphic_IsoRaft_480x480.jpg?v=1601568197\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eNoise is vibrational energy that travels in waves.\u003c\/p\u003e\n\u003cp\u003eThose waves collide with the surface of either the wall or floor\/ceiling.\u003c\/p\u003e\n\u003cp\u003eThe sound waves travel very efficiently through rigid materials (metal and wood). So, when noise collides it makes a line connection from the wall, through the stud\/joist, into the opposite wall.\u003c\/p\u003e\n\u003cp\u003eIsoRaft kills the transfer by decoupling the wall or floor\/ceiling assembly and provides a patented pathway for sound waves to travel and die.\u003c\/p\u003e","brand":"Studio Float","offers":[{"title":"Default Title","offer_id":36521930326177,"sku":"SPWCR","price":9.3,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Vi-BridgeIsoraft.2350w.jpg?v=1601502390"},{"product_id":"studio-float-deck-isorafts-200-psi-low-profile","title":"IsoRaft 2300LP – Low Profile Deck Raft – 2″ nominal length. Black silicone.","description":"\u003cp\u003e\u003cstrong\u003eLow Profile 1-1\/2\"H x 2\" x 5\"\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable class=\"tg\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eSKU\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eLPDR2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eGTIN\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e860010653470\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eProduct Description\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eIsoRaft 2300LP - Low Profile Deck Raft \u003cbr\u003e300 lbs\/raft 2\" nominal length. Black silicone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eDimensions\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eL x W x H\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e1-7\/8″ x 4-7\/8″ x 1-1\/2″ \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\"\u003e\u003c\/p\u003e\n\u003cp\u003eIsoRaft's noise reduction and simplicity goes beyond its design to its application in building structures. Many soundproofing solutions require the installation of floating floors and resilient pad over Gypcrete to achieve fire rating and sound isolation. By contrast, IsoRaft achieves effective fire and sound ratings with a simple installation of plywood subfloor with no restriction to the finish floor-simplifying the construction process and providing soundproofing options and flexibility.\u003c\/p\u003e\n\u003cp\u003eInstallation of Studio Float IsoRaft is simple in the way that it defeats noise transmission. The Studio FloatRaft connectors decouple sound vibrations from the building assembly and absorb them in silicone Cores. They silence the noise simply and effectively-an elegant soundproofing solution for the complex problem of sound transmission within buildings as well as noise isolation from the outside world.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Sound_converts_to_heat_graphic_480x480.jpg?v=1601568207\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eIsoRafts simply attach to the side of studs and joists, followed by wood furring (or metal hat channel) and then drywall. Noise trying to get through the wall or floor is directed into the silicone core where the vibration friction converts the sound energy into a small measure of heat, killing the noise.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Patented_Vi-Bridge_Technology_480x480.jpg?v=1601568594\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Vi-Bridge_graphic_IsoRaft_480x480.jpg?v=1601568197\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eNoise is vibrational energy that travels in waves.\u003c\/p\u003e\n\u003cp\u003eThose waves collide with the surface of either the wall or floor\/ceiling.\u003c\/p\u003e\n\u003cp\u003eThe sound waves travel very efficiently through rigid materials (metal and wood). So, when noise collides it makes a line connection from the wall, through the stud\/joist, into the opposite wall.\u003c\/p\u003e\n\u003cp\u003eIsoRaft kills the transfer by decoupling the wall or floor\/ceiling assembly and provides a patented pathway for sound waves to travel and die.\u003c\/p\u003e","brand":"Studio Float","offers":[{"title":"Default Title","offer_id":36521937633441,"sku":"LPDR2","price":6.45,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Iso-Raft3A_300LPDeck.175w.jpg?v=1601502501"},{"product_id":"studio-float-deck-isorafts-200-psi-standard-profile","title":"IsoRaft 2300 – Standard Profile Deck Raft -2″ nominal length. Black silicone.","description":"\u003cp\u003e\u003cstrong\u003eStandard Profile Deck Isoraft, 2-1\/4\"H x 2\" x 5\"\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable class=\"tg\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eSKU\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eSPDR2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eGTIN\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e860010653418\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eProduct Description\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eIsoRaft 2300 - Standard Profile Deck Raft \u003cbr\u003e300 lbs\/raft 2\" nominal length. Black silicone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eDimensions\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eL x W x H\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e1-7\/8″ x 4-7\/8″ x 2-1\/4″\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\"\u003e\u003c\/p\u003e\n\u003cp\u003eIsoRaft's noise reduction and simplicity goes beyond its design to its application in building structures. Many soundproofing solutions require the installation of floating floors and resilient pad over Gypcrete to achieve fire rating and sound isolation. By contrast, IsoRaft achieves effective fire and sound ratings with a simple installation of plywood subfloor with no restriction to the finish floor-simplifying the construction process and providing soundproofing options and flexibility.\u003c\/p\u003e\n\u003cp\u003e Installation of Studio Float IsoRaft is simple in the way that it defeats noise transmission. The Studio FloatRaft connectors decouple sound vibrations from the building assembly and absorb them in silicone Cores. They silence the noise simply and effectively-an elegant soundproofing solution for the complex problem of sound transmission within buildings as well as noise isolation from the outside world.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Sound_converts_to_heat_graphic_480x480.jpg?v=1601568207\"\u003e\u003c\/p\u003e\n\u003cp\u003eIsoRafts simply attach to the side of studs and joists, followed by wood furring (or metal hat channel) and then drywall. Noise trying to get through the wall or floor is directed into the silicone core where the vibration friction converts the sound energy into a small measure of heat, killing the noise.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Patented_Vi-Bridge_Technology_480x480.jpg?v=1601568594\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Vi-Bridge_graphic_IsoRaft_480x480.jpg?v=1601568197\"\u003e\u003c\/p\u003e\n\u003cp\u003eNoise is vibrational energy that travels in waves.\u003c\/p\u003e\n\u003cp\u003eThose waves collide with the surface of either the wall or floor\/ceiling.\u003c\/p\u003e\n\u003cp\u003eThe sound waves travel very efficiently through rigid materials (metal and wood). So, when noise collides it makes a line connection from the wall, through the stud\/joist, into the opposite wall.\u003c\/p\u003e\n\u003cp\u003eIsoRaft kills the transfer by decoupling the wall or floor\/ceiling assembly and provides a patented pathway for sound waves to travel and die.\u003c\/p\u003e","brand":"Studio Float","offers":[{"title":"Default Title","offer_id":36521949495457,"sku":"SPDR2","price":7.35,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Isoraft300deck.jpg?v=1601502573"},{"product_id":"studio-float-deck-isorafts-300-psi-low-profile","title":"IsoRaft 3450LP – Low Profile Deck Raft – 3″ nominal length. Black silicone.","description":"\u003cp\u003e\u003cstrong\u003eLow Profile Deck Isoraft, 1-1\/2\"H x 3\" X 5\"\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable class=\"tg\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eSKU\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eLPDR3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eGTIN\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e860010653487\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eProduct Description\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eIsoRaft 3450LP - Low Profile Deck Raft \u003cbr\u003e450 lbs\/raft 3\" nominal length. Black silicone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eDimensions\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eL x W x H\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e2-7\/8″ x 4-7\/8″ x 1-1\/2″\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\"\u003e \u003c\/p\u003e\n\u003cp\u003eIsoRaft's noise reduction and simplicity goes beyond its design to its application in building structures. Many soundproofing solutions require the installation of floating floors and resilient pad over Gypcrete to achieve fire rating and sound isolation. By contrast, IsoRaft achieves effective fire and sound ratings with a simple installation of plywood subfloor with no restriction to the finish floor-simplifying the construction process and providing soundproofing options and flexibility.\u003c\/p\u003e\n\u003cp\u003e Installation of Studio Float IsoRaft is simple in the way that it defeats noise transmission. The Studio FloatRaft connectors decouple sound vibrations from the building assembly and absorb them in silicone Cores. They silence the noise simply and effectively-an elegant soundproofing solution for the complex problem of sound transmission within buildings as well as noise isolation from the outside world.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Sound_converts_to_heat_graphic_480x480.jpg?v=1601568207\"\u003e\u003c\/p\u003e\n\u003cp\u003eIsoRafts simply attach to the side of studs and joists, followed by wood furring (or metal hat channel) and then drywall. Noise trying to get through the wall or floor is directed into the silicone core where the vibration friction converts the sound energy into a small measure of heat, killing the noise.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Patented_Vi-Bridge_Technology_480x480.jpg?v=1601568594\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Vi-Bridge_graphic_IsoRaft_480x480.jpg?v=1601568197\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Vi-Bridge_graphic_IsoRaft_480x480.jpg?v=1601568197\"\u003e\u003c\/p\u003e\n\u003cp\u003eNoise is vibrational energy that travels in waves.\u003c\/p\u003e\n\u003cp\u003eThose waves collide with the surface of either the wall or floor\/ceiling.\u003c\/p\u003e\n\u003cp\u003eThe sound waves travel very efficiently through rigid materials (metal and wood). So, when noise collides it makes a line connection from the wall, through the stud\/joist, into the opposite wall.\u003c\/p\u003e\n\u003cp\u003eIsoRaft kills the transfer by decoupling the wall or floor\/ceiling assembly and provides a patented pathway for sound waves to travel and die.\u003c\/p\u003e","brand":"Studio Float","offers":[{"title":"Default Title","offer_id":36521958178977,"sku":"LPDR3","price":9.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Iso-Raft3A_300LPDeck.175w_7638b547-46ee-484b-9f4b-4c769ac1d6e2.jpg?v=1601502627"},{"product_id":"studio-float-deck-isorafts-300-psi-standard-profile","title":"IsoRaft 3450 – Standard Profile Deck Raft – 3″ nominal length. Black silicone.","description":"\u003cp\u003e\u003cstrong\u003eStandard Profile Deck Isoraft, 2-1\/4\"h x 3\" x 5\"\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable class=\"tg\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eSKU\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eSPDR3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eGTIN\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e860010653463\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eProduct Description\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eIsoRaft 3450 - Standard Profile Deck Raft \u003cbr\u003e450 lbs\/raft 3\" nominal length. Black silicone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eDimensions\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eL x W x H\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e2-7\/8″ x 4-7\/8″ x 2-1\/4″\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\"\u003e\u003c\/p\u003e\n\u003cp\u003eIsoRaft's noise reduction and simplicity goes beyond its design to its application in building structures. Many soundproofing solutions require the installation of floating floors and resilient pad over Gypcrete to achieve fire rating and sound isolation. By contrast, IsoRaft achieves effective fire and sound ratings with a simple installation of plywood subfloor with no restriction to the finish floor-simplifying the construction process and providing soundproofing options and flexibility.\u003c\/p\u003e\n\u003cp\u003eInstallation of Studio Float IsoRaft is simple in the way that it defeats noise transmission. The Studio FloatRaft connectors decouple sound vibrations from the building assembly and absorb them in silicone Cores. They silence the noise simply and effectively-an elegant soundproofing solution for the complex problem of sound transmission within buildings as well as noise isolation from the outside world.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Sound_converts_to_heat_graphic_480x480.jpg?v=1601568207\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eIsoRafts simply attach to the side of studs and joists, followed by wood furring (or metal hat channel) and then drywall. Noise trying to get through the wall or floor is directed into the silicone core where the vibration friction converts the sound energy into a small measure of heat, killing the noise.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Patented_Vi-Bridge_Technology_480x480.jpg?v=1601568594\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Vi-Bridge_graphic_IsoRaft_480x480.jpg?v=1601568197\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eNoise is vibrational energy that travels in waves.\u003c\/p\u003e\n\u003cp\u003eThose waves collide with the surface of either the wall or floor\/ceiling.\u003c\/p\u003e\n\u003cp\u003eThe sound waves travel very efficiently through rigid materials (metal and wood). So, when noise collides it makes a line connection from the wall, through the stud\/joist, into the opposite wall.\u003c\/p\u003e\n\u003cp\u003eIsoRaft kills the transfer by decoupling the wall or floor\/ceiling assembly and provides a patented pathway for sound waves to travel and die.\u003c\/p\u003e","brand":"Studio Float","offers":[{"title":"Default Title","offer_id":36521963716769,"sku":"SPDR3","price":11.1,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Isoraft300deck_243b9318-ffea-4afb-a986-9d9073564fc6.jpg?v=1601502711"},{"product_id":"studio-float-deck-isorafts-400-psi-low-profile","title":"IsoRaft 4600LP – Low Profile Deck Raft – 4″ nominal length. Black silicone.","description":"\u003cp\u003e\u003cstrong\u003eLow Profile Deck Isoraft, 1-1\/2\"H x 4\" X 4-13\/16\"\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable class=\"tg\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eSKU\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eLPDR4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eGTIN\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e860010653401\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eProduct Description\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eIsoRaft 4600LP - Low Profile Deck Raft \u003cbr\u003e600 lbs\/raft 4\" nominal length. Black silicone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eDimensions\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eL x W x H\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e3-7\/8″ x 4-7\/8″ x 1-1\/2″\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\"\u003e\u003c\/p\u003e\n\u003cp\u003eIsoRaft's noise reduction and simplicity goes beyond its design to its application in building structures. Many soundproofing solutions require the installation of floating floors and resilient pad over Gypcrete to achieve fire rating and sound isolation. By contrast, IsoRaft achieves effective fire and sound ratings with a simple installation of plywood subfloor with no restriction to the finish floor-simplifying the construction process and providing soundproofing options and flexibility.\u003c\/p\u003e\n\u003cp\u003e Installation of Studio Float IsoRaft is simple in the way that it defeats noise transmission. The Studio FloatRaft connectors decouple sound vibrations from the building assembly and absorb them in silicone Cores. They silence the noise simply and effectively-an elegant soundproofing solution for the complex problem of sound transmission within buildings as well as noise isolation from the outside world.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Sound_converts_to_heat_graphic_480x480.jpg?v=1601568207\"\u003e\u003c\/p\u003e\n\u003cp\u003eIsoRafts simply attach to the side of studs and joists, followed by wood furring (or metal hat channel) and then drywall. Noise trying to get through the wall or floor is directed into the silicone core where the vibration friction converts the sound energy into a small measure of heat, killing the noise.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Patented_Vi-Bridge_Technology_480x480.jpg?v=1601568594\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Vi-Bridge_graphic_IsoRaft_480x480.jpg?v=1601568197\"\u003e\u003c\/p\u003e\n\u003cp\u003eNoise is vibrational energy that travels in waves.\u003c\/p\u003e\n\u003cp\u003eThose waves collide with the surface of either the wall or floor\/ceiling.\u003c\/p\u003e\n\u003cp\u003eThe sound waves travel very efficiently through rigid materials (metal and wood). So, when noise collides it makes a line connection from the wall, through the stud\/joist, into the opposite wall.\u003c\/p\u003e\n\u003cp\u003eIsoRaft kills the transfer by decoupling the wall or floor\/ceiling assembly and provides a patented pathway for sound waves to travel and die.\u003c\/p\u003e","brand":"Studio Float","offers":[{"title":"Default Title","offer_id":36521972203681,"sku":"LPDR4","price":13.05,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/400LPDecIsoraft.lrg.jpg?v=1601502841"},{"product_id":"studio-float-deck-isorafts-400-psi-standard-profile","title":"IsoRaft 4600 – Standard Profile Deck Raft – 4″ nominal length. Black silicone.","description":"\u003cp\u003e\u003cstrong\u003eStandard Profile Deck Isoraft, 2-1\/4\"h x 3\" x 5\"\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable class=\"tg\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eSKU\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eSPDR4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eGTIN\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e860010653456\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eProduct Description\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eIsoRaft 4600 - Standard Profile Deck Raft \u003cbr\u003e600 lbs\/raft 4\" nominal length. Black silicone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eDimensions\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eL x W x H\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e3-7\/8″ x 4-7\/8″ x 2-1\/4″\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\"\u003e\u003c\/p\u003e\n\u003cp\u003eIsoRaft's noise reduction and simplicity goes beyond its design to its application in building structures. Many soundproofing solutions require the installation of floating floors and resilient pad over Gypcrete to achieve fire rating and sound isolation. By contrast, IsoRaft achieves effective fire and sound ratings with a simple installation of plywood subfloor with no restriction to the finish floor-simplifying the construction process and providing soundproofing options and flexibility.\u003c\/p\u003e\n\u003cp\u003eInstallation of Studio Float IsoRaft is simple in the way that it defeats noise transmission. The Studio FloatRaft connectors decouple sound vibrations from the building assembly and absorb them in silicone Cores. They silence the noise simply and effectively-an elegant soundproofing solution for the complex problem of sound transmission within buildings as well as noise isolation from the outside world.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Sound_converts_to_heat_graphic_480x480.jpg?v=1601568207\"\u003e\u003c\/p\u003e\n\u003cp\u003eIsoRafts simply attach to the side of studs and joists, followed by wood furring (or metal hat channel) and then drywall. Noise trying to get through the wall or floor is directed into the silicone core where the vibration friction converts the sound energy into a small measure of heat, killing the noise.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Patented_Vi-Bridge_Technology_480x480.jpg?v=1601568594\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Vi-Bridge_graphic_IsoRaft_480x480.jpg?v=1601568197\"\u003e\u003c\/p\u003e\n\u003cp\u003eNoise is vibrational energy that travels in waves.\u003c\/p\u003e\n\u003cp\u003eThose waves collide with the surface of either the wall or floor\/ceiling.\u003c\/p\u003e\n\u003cp\u003eThe sound waves travel very efficiently through rigid materials (metal and wood). So, when noise collides it makes a line connection from the wall, through the stud\/joist, into the opposite wall.\u003c\/p\u003e\n\u003cp\u003eIsoRaft kills the transfer by decoupling the wall or floor\/ceiling assembly and provides a patented pathway for sound waves to travel and die.\u003c\/p\u003e","brand":"Studio Float","offers":[{"title":"Default Title","offer_id":36521989013665,"sku":"SPDR4","price":14.55,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Vi-BridgeIsoraft.2350w_6e5d0d6f-b1f1-4f1b-b0e1-02721565ae87.jpg?v=1601568069"},{"product_id":"neve-genesys-black-16","title":"AMS Neve Genesys Black 16","description":"\u003ch4\u003e8-channels of digitally controlled analogue 1084 Classic EQ\u003cbr\u003eTotal Recall software, Console stand\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCheck out the new Genesys Control software, which gives full control and instant reset\/recall of all digital functionality of the console. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/genesys-control-software\"\u003ehttps:\/\/www.proaudiodesign.com\/products\/genesys-control-software\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/2UjWDXAPN98\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe Neve Genesys Black is a very versatile digitally controlled analog console that offers the distinct advantages of classic Neve sound with direct DAW control. Plus, instead of setting up a digital mix station perpendicular to your monitors, the Neve Genesys Black enables you to sit centered between your monitors as nature intended. Thanks to a central control screen that sits below the monitors, out of the way of their positive-going acoustic excursions (that's slang for “pushing air”), Genesys Black eliminates unwanted reflections off the computer monitor. But that's not all that's front and center in your control room. The Genesys Black forms a fully integrated centralized bridge for your personal Enterprise, starting with eight channels of classic 1073 mic\/line preamps, 16-channels of DAW\/tape monitoring, hands-on control for Pro Tools, Nuendo, and other DAWs (Mac\/PC), eight channels of digitally controlled 88R-style 4-band EQ, eight channels of VCA dynamics (optional), and channel ADA conversion up to 96kHz over MADI, AES, and FireWire. There are also 24 motorized faders, six aux buses (4 mono, two stereo) eight group buses, two main outputs with faders, four effects returns, comprehensive metering, 5.1 monitoring, two cue mixes, talkback, USB stick storage and reset, plus an internal power supply.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e AMS Neve Genesys Black - Just the Facts: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEight channels of Neve 1073 mic pre\/line amplifiers (base configuration)\u003c\/li\u003e\n\u003cli\u003eDedicated DAW control section with touch display\u003c\/li\u003e\n\u003cli\u003e16 dedicated DAW control faders with corresponding stereo DAW metering on the meter bridge\u003c\/li\u003e\n\u003cli\u003e16-channel DAW monitoring\u003c\/li\u003e\n\u003cli\u003eTotal Reset and Total Recall\u003c\/li\u003e\n\u003cli\u003eMotorized 8-track and main output faders with DAW control\u003c\/li\u003e\n\u003cli\u003eEight channels of Neve 88R-style, 4-band EQ\u003c\/li\u003e\n\u003cli\u003eEight channels of A\/D\/D\/A converters\u003c\/li\u003e\n\u003cli\u003eSix aux send\/returns (4 mono and 2 stereo)\u003c\/li\u003e\n\u003cli\u003eEight groups, 2 stereo mix busses (Main Mix LR + 2-track)\u003c\/li\u003e\n\u003cli\u003eFour stereo effects returns with width control\u003c\/li\u003e\n\u003cli\u003eChannel, DAW, 8-ttrack, 2-track, and monitor metering\u003c\/li\u003e\n\u003cli\u003eTwo stereo monitoring speaker sets\u003c\/li\u003e\n\u003cli\u003e1 mixing and 2x 5.1 monitoring speaker sets\u003c\/li\u003e\n\u003cli\u003e2 independent cue mixes\u003c\/li\u003e\n\u003cli\u003eFull talkback and reverse talkback capability\u003c\/li\u003e\n\u003cli\u003eInternal power supply units\u003c\/li\u003e\n\u003cli\u003eUSB flash drive for store, load, and reset functionality\u003c\/li\u003e\n\u003cli\u003eHands-on DAW control for Pro Tools, Logic, Cubase, and more\u003c\/li\u003e\n\u003cli\u003eAD\/DA cassette to provide digital Ins\/Outs (16 in, 8 out per card)\u003c\/li\u003e\n\u003cli\u003eDigitally controlled EQ and optional dynamics (88R or 1084 EQ circuitry and 88R-style Dynamics)\u003c\/li\u003e\n\u003cli\u003eOptional digital monitoring cassette providing I\/O for Aux, 8-track, Main Mix and monitoring\u003c\/li\u003e\n\u003cli\u003eExpandable to 56 channels, either in straight or wedge formation\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve Genesys Black - Beneath the Surface \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eModular and upgradable \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eBefore the Genesys Black arrived on the scene, analog consoles were commissioned to a fixed channel count. If you wanted to add preamps and faders, you needed to add a sidecar, such as the Neve BCM10\/2, which, in the case of the BCM, needed modification and added clutter. Modern control surfaces, since they don't pass audio, can be upgraded easily. However, it's a tricky thing to do with analog desks, but that didn't stop AMS Neve. The Genesys Black is also modular. As your business expands (and it surely will with Neve prominently displayed in your control room) so can your Genesys Black, all the way up to a 48-fader, 96-input big dog. Other options include upgrading to digitally controlled, analog Neve 1084 Classic EQs, VCA-style digital control of analog dynamics, and Neve A\/D-D\/A converters for the monitoring section.\u003c\/p\u003e\n\u003cp\u003eIn its basic configuration, the Genesys Black offers eight channels of 1073 mic\/line preamps, 16-channels DAW\/Tape monitoring; hands-on DAW control for Pro Tools, Nuendo, and more; eight channels of Neve digitally controlled, 4-band analog EQ; and an option for eight channels of Neve digitally controlled analog VCA dynamics and channel A\/D\/D\/A conversion via MADI, AES, and FireWire formats. The Genesys Black also has a central touchscreen, 6 auxiliary buses, 8 group buses, 2 main outputs, 4 effects returns, comprehensive metering, 5.1 monitoring, 2 cue mixes, talkback and reverse talkback facility, and an integrated footprint with internal power supply.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCustomize your workflow \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAnother advantage Genesys Black offers that is no longer the sole province of control surfaces is the ability to customize the control surface to suit the way you work, or, create custom workflows. Plus, there's that classic Neve look and feel to the controls. But don't let looks deceive you; they're ultra modern too. Every switch is “soft,” which enables benefits beyond merely letting you customize your setup. It also means every routing decision and every switch setting can be saved and instantaneously reset. Add the legendary sounding Neve analog EQ and optional dynamics cassettes and you can instantly recall these settings too. Just think of the reconfiguration time that saves when you're balancing multiple projects in your studio.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eErgonomic control \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAs mentioned earlier, using a computer keypad and mouse can be clumsy at best with an analog desk. However, the Genesys Black puts keyboard and mouse along with transport controls in a molded armrest in front of the faders. Instead of EQ controls inline on each channel strip, while admittedly eliminating an engineer's customary lower back workout and stretching exercises, EQ and dynamics are controlled by four knobs and two rows of buttons in the center section within easy reach. Not only can you make digital adjustments of analog Neve EQs and dynamics plug-in-style on the control screen, you also have total recall of those settings as well. Not something that you get with a large-format analog desk.\u003c\/p\u003e\n\u003cp\u003eThe Genesys Black gives you one-touch access to essential controls, no pounding through menus. Plus, you have fast and easy access to two cue mixes right on the console, so you don't have to futz with two or three different software control screens only to find you may not have enough level available for say a vocalist in the software mixer, or you experience playback distortion when you boost software levels. In such a case, the only option is turning down instrument channels in relation to vocals, which loses the impact of the mix (digital gets fuzzy and loses punch at low volumes, analog doesn't), leaving the vocalist with a less-than-inspiring cue mix.\u003c\/p\u003e\n\u003cp\u003eWith the AMS Neve Genesys Black, everything you need for music production sits right in front of you - no machine room necessary, no complicated power-up sequences, and no rear-racks full of spaghetti connecting it all together. Sadly, it won't provide an alternative heat source for your control room in the winter, like the old Focusrite Forte console did at Electric Lady, but on the plus side, your air-conditioning needs and electric bill will decrease significantly. And, since versatility is the name of the game in our industry, the Genesys Black is also eminently suited to post-production, giving you the ability to mix and monitor in 5.1 on two sets of monitors, plus LCR panning, bass management, and fold-down.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eA cost-effective analog\/digital hybrid solution\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFor a system roughly equivalent to a Neve Genesys Black, a 24-fader Avid S6 M10, which has no meter displays (apart from the master module) and a rack of eight 1073s would set you back $46,995** for the S6, plus an additional $21,450 for the 1073s. Granted the S6 has much deeper control of Pro Tools, but the Genesys offers all of the functionality of an automated analog desk and more, with control of the most used DAW features, all combined into one central unit, including MADI, AES3, and ADA conversion, and you know, 1073s. If you're working in the box, hit the DAW button on the Genesys and all faders control your DAW, so, even if you're starting out with an 8-channel Genesys Black, you can still have a 24-fader, touch-sensitive control surface - all for $19,195 less than the mid-size control surface and eight channels of classic Neve 1073s, and we haven't even figured in converters or MADI card. Did we mention that the Avid control surface is not upgradeable beyond 24 faders? No?\u003c\/p\u003e\n\u003cp\u003eBe aware that while we're comparing costs, this is not a debate between large-format control surface vs. console and which is better. Each has its advantages depending on the type of work you're doing. If the focus of your work is mixing large projects in Pro Tools ITB, a control surface makes more sense. However, if your work is divided between tracking and mixing, in essence, doing the things consoles evolved over the years to handle efficiently, the Neve Genesys Black is a no-brainer - and as we've pointed out, far more budget-friendly than you would suspect from a piece of kit that proudly bears the name, “Neve.”\u003cstrong\u003e  \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eThat Neve console that features prominently in your fantasies is not as out of reach as you might think. For more information and assistance integrating an AMS Neve Genesys Black into your studio, call or chat online with your PAD Professional today.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WZXlzHEG2L8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/FhYoVBiC3h4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kJ4YZ1eRlFU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications \u003cbr\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003ch3\u003e\u003cstrong\u003eRecord Mode \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eMic Input (electronically balanced) to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise (EIN): \u0026lt;-127.5dBu (20Hz to 22kHz filter, 60dB gain, input terminated 150 ohm R)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Direct Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eMix Mode: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 20kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-80dBu (20Hz to 22kHz filter, 16 channels routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to 8T Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.003% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003cstrong\u003eNoise\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 22kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-87dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Aux Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.12dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-92dBu (20Hz to 22kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eGeneral Specifications: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eControl Room Output feed from Main Mix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+26dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-85dBu (20Hz to 22kHz filter)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInter-channel crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eMix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e8T mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eAux mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 38-3\/16\" \/ 970 mm to top of loudspeaker shelf\u003c\/li\u003e\n\u003cli\u003eFader height: 28-5\/16\" \/ 720 mm\u003c\/li\u003e\n\u003cli\u003eHeight Adjustment: +\/-10 mm (3\/8\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 8 channel console: 1409mm \/ 55.47\"\u003c\/li\u003e\n\u003cli\u003eeach 16 channel section: 672mm \/ 26-3\/8\"\u003c\/li\u003e\n\u003cli\u003eDepth: 1004mm \/ 39-9\/16\" includes loudspeaker shelf\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWeight: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16-channel console and frame: 77 kg \/ 169.75 lb.\u003c\/p\u003e\n\u003cp\u003eEach 16 channel section and frame: 60 kg \/ 132.27\" lb.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeat Dissipation \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8-channel console: \u0026lt; 500 watts\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section: \u0026lt; 350 watts\u003c\/li\u003e\n\u003cli\u003ePower Factor: \u0026gt;0.65\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVoltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Voltage Range 90 – 250 volts AC only, auto ranging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStandard 8-channel: 2.5 to 4 Amps RMS\u003c\/li\u003e\n\u003cli\u003eeach 16 channel section: 1.5 – 3.0 amps RMS\u003c\/li\u003e\n\u003cli\u003eSwitch-on surge: 10 amps for 7ms (average)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AMS Neve","offers":[{"title":"Genesys Black 16 console (24 faders 8 analogue channels \u0026 integrated DAW display)","offer_id":40475326480545,"sku":"AMS Neve Genesys Black-1","price":54950.0,"currency_code":"USD","in_stock":true},{"title":"Genesys Black 16 add integrated AD\/DA Conversion","offer_id":47235742367994,"sku":"","price":60450.0,"currency_code":"USD","in_stock":true},{"title":"Genesys Black 16 with G3D Option","offer_id":47235743121658,"sku":"","price":73695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/4bc9153fd1ff8735ec3776646ff07f5a_08a7cdc1-7d49-4b64-9b8c-d9d9920b32e1.jpeg?v=1627590528"},{"product_id":"neve-genesys-black-32","title":"AMS Neve Genesys Black 32","description":"\u003ch4\u003e16-channels of digitally controlled analogue 1084 Classic EQ\u003cbr\u003eTotal Recall software, Console stand\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCheck out the new Genesys Control software, which gives full control and instant reset\/recall of all digital functionality of the console. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/genesys-control-software\"\u003ehttps:\/\/www.proaudiodesign.com\/products\/genesys-control-software\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/2UjWDXAPN98\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe Neve Genesys Black is a very versatile digitally controlled analog console that offers the distinct advantages of classic Neve sound with direct DAW control. Plus, instead of setting up a digital mix station perpendicular to your monitors, the Neve Genesys Black enables you to sit centered between your monitors as nature intended. Thanks to a central control screen that sits below the monitors, out of the way of their positive-going acoustic excursions (that's slang for “pushing air”), Genesys Black eliminates unwanted reflections off the computer monitor. But that's not all that's front and center in your control room. The Genesys Black forms a fully integrated centralized bridge for your personal Enterprise, starting with eight channels of classic 1073 mic\/line preamps, 16-channels of DAW\/tape monitoring, hands-on control for Pro Tools, Nuendo, and other DAWs (Mac\/PC), eight channels of digitally controlled 88R-style 4-band EQ, eight channels of VCA dynamics (optional), and channel ADA conversion up to 96kHz over MADI, AES, and FireWire. There are also 24 motorized faders, six aux buses (4 mono, two stereo) eight group buses, two main outputs with faders, four effects returns, comprehensive metering, 5.1 monitoring, two cue mixes, talkback, USB stick storage and reset, plus an internal power supply.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e AMS Neve Genesys Black - Just the Facts: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEight channels of Neve 1073 mic pre\/line amplifiers (base configuration)\u003c\/li\u003e\n\u003cli\u003eDedicated DAW control section with touch display\u003c\/li\u003e\n\u003cli\u003e16 dedicated DAW control faders with corresponding stereo DAW metering on the meter bridge\u003c\/li\u003e\n\u003cli\u003e16-channel DAW monitoring\u003c\/li\u003e\n\u003cli\u003eTotal Reset and Total Recall\u003c\/li\u003e\n\u003cli\u003eMotorized 8-track and main output faders with DAW control\u003c\/li\u003e\n\u003cli\u003eEight channels of Neve 88R-style, 4-band EQ\u003c\/li\u003e\n\u003cli\u003eEight channels of A\/D\/D\/A converters\u003c\/li\u003e\n\u003cli\u003eSix aux send\/returns (4 mono and 2 stereo)\u003c\/li\u003e\n\u003cli\u003eEight groups, 2 stereo mix busses (Main Mix LR + 2-track)\u003c\/li\u003e\n\u003cli\u003eFour stereo effects returns with width control\u003c\/li\u003e\n\u003cli\u003eChannel, DAW, 8-ttrack, 2-track, and monitor metering\u003c\/li\u003e\n\u003cli\u003eTwo stereo monitoring speaker sets\u003c\/li\u003e\n\u003cli\u003e1 mixing and 2x 5.1 monitoring speaker sets\u003c\/li\u003e\n\u003cli\u003e2 independent cue mixes\u003c\/li\u003e\n\u003cli\u003eFull talkback and reverse talkback capability\u003c\/li\u003e\n\u003cli\u003eInternal power supply units\u003c\/li\u003e\n\u003cli\u003eUSB flash drive for store, load, and reset functionality\u003c\/li\u003e\n\u003cli\u003eHands-on DAW control for Pro Tools, Logic, Cubase, and more\u003c\/li\u003e\n\u003cli\u003eAD\/DA cassette to provide digital Ins\/Outs (16 in, 8 out per card)\u003c\/li\u003e\n\u003cli\u003eDigitally controlled EQ and optional dynamics (88R or 1084 EQ circuitry and 88R-style Dynamics)\u003c\/li\u003e\n\u003cli\u003eOptional digital monitoring cassette providing I\/O for Aux, 8-track, Main Mix and monitoring\u003c\/li\u003e\n\u003cli\u003eExpandable to 56 channels, either in straight or wedge formation\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve Genesys Black G32\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e8-channel Neve VCA Dynamics card now included in base console specification\u003c\/li\u003e\n\u003cli\u003eGenesysControl plugin now included in base console specification\u003c\/li\u003e\n\u003cli\u003ePrice reduction for overall new 'base' console specification\u003c\/li\u003e\n\u003cli\u003eNew G3D Dolby Atmos panning option, with new console hardware\/software and ADA16 unit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve Genesys Black - Beneath the Surface \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eModular and upgradable \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eBefore the Genesys Black arrived on the scene, analog consoles were commissioned to a fixed channel count. If you wanted to add preamps and faders, you needed to add a sidecar, such as the Neve BCM10\/2, which, in the case of the BCM, needed modification and added clutter. Modern control surfaces, since they don't pass audio, can be upgraded easily. However, it's a tricky thing to do with analog desks, but that didn't stop AMS Neve. The Genesys Black is also modular. As your business expands (and it surely will with Neve prominently displayed in your control room) so can your Genesys Black, all the way up to a 48-fader, 96-input big dog. Other options include upgrading to digitally controlled, analog Neve 1084 Classic EQs, VCA-style digital control of analog dynamics, and Neve A\/D-D\/A converters for the monitoring section.\u003c\/p\u003e\n\u003cp\u003eIn its basic configuration, the Genesys Black offers eight channels of 1073 mic\/line preamps, 16-channels DAW\/Tape monitoring; hands-on DAW control for Pro Tools, Nuendo, and more; eight channels of Neve digitally controlled, 4-band analog EQ; and an option for eight channels of Neve digitally controlled analog VCA dynamics and channel A\/D\/D\/A conversion via MADI, AES, and FireWire formats. The Genesys Black also has a central touchscreen, 6 auxiliary buses, 8 group buses, 2 main outputs, 4 effects returns, comprehensive metering, 5.1 monitoring, 2 cue mixes, talkback and reverse talkback facility, and an integrated footprint with internal power supply.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCustomize your workflow \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAnother advantage Genesys Black offers that is no longer the sole province of control surfaces is the ability to customize the control surface to suit the way you work, or, create custom workflows. Plus, there's that classic Neve look and feel to the controls. But don't let looks deceive you; they're ultra modern too. Every switch is “soft,” which enables benefits beyond merely letting you customize your setup. It also means every routing decision and every switch setting can be saved and instantaneously reset. Add the legendary sounding Neve analog EQ and optional dynamics cassettes and you can instantly recall these settings too. Just think of the reconfiguration time that saves when you're balancing multiple projects in your studio.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eErgonomic control \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAs mentioned earlier, using a computer keypad and mouse can be clumsy at best with an analog desk. However, the Genesys Black puts keyboard and mouse along with transport controls in a molded armrest in front of the faders. Instead of EQ controls inline on each channel strip, while admittedly eliminating an engineer's customary lower back workout and stretching exercises, EQ and dynamics are controlled by four knobs and two rows of buttons in the center section within easy reach. Not only can you make digital adjustments of analog Neve EQs and dynamics plug-in-style on the control screen, you also have total recall of those settings as well. Not something that you get with a large-format analog desk.\u003c\/p\u003e\n\u003cp\u003eThe Genesys Black gives you one-touch access to essential controls, no pounding through menus. Plus, you have fast and easy access to two cue mixes right on the console, so you don't have to futz with two or three different software control screens only to find you may not have enough level available for say a vocalist in the software mixer, or you experience playback distortion when you boost software levels. In such a case, the only option is turning down instrument channels in relation to vocals, which loses the impact of the mix (digital gets fuzzy and loses punch at low volumes, analog doesn't), leaving the vocalist with a less-than-inspiring cue mix.\u003c\/p\u003e\n\u003cp\u003eWith the AMS Neve Genesys Black, everything you need for music production sits right in front of you - no machine room necessary, no complicated power-up sequences, and no rear-racks full of spaghetti connecting it all together. Sadly, it won't provide an alternative heat source for your control room in the winter, like the old Focusrite Forte console did at Electric Lady, but on the plus side, your air-conditioning needs and electric bill will decrease significantly. And, since versatility is the name of the game in our industry, the Genesys Black is also eminently suited to post-production, giving you the ability to mix and monitor in 5.1 on two sets of monitors, plus LCR panning, bass management, and fold-down.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eA cost-effective analog\/digital hybrid solution\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFor a system roughly equivalent to a Neve Genesys Black, a 24-fader Avid S6 M10, which has no meter displays (apart from the master module) and a rack of eight 1073s would set you back $46,995** for the S6, plus an additional $21,450 for the 1073s. Granted the S6 has much deeper control of Pro Tools, but the Genesys offers all of the functionality of an automated analog desk and more, with control of the most used DAW features, all combined into one central unit, including MADI, AES3, and ADA conversion, and you know, 1073s. If you're working in the box, hit the DAW button on the Genesys and all faders control your DAW, so, even if you're starting out with an 8-channel Genesys Black, you can still have a 24-fader, touch-sensitive control surface - all for $19,195 less than the mid-size control surface and eight channels of classic Neve 1073s, and we haven't even figured in converters or MADI card. Did we mention that the Avid control surface is not upgradeable beyond 24 faders? No?\u003c\/p\u003e\n\u003cp\u003eBe aware that while we're comparing costs, this is not a debate between large-format control surface vs. console and which is better. Each has its advantages depending on the type of work you're doing. If the focus of your work is mixing large projects in Pro Tools ITB, a control surface makes more sense. However, if your work is divided between tracking and mixing, in essence, doing the things consoles evolved over the years to handle efficiently, the Neve Genesys Black is a no-brainer - and as we've pointed out, far more budget-friendly than you would suspect from a piece of kit that proudly bears the name, “Neve.”\u003cstrong\u003e  \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eThat Neve console that features prominently in your fantasies is not as out of reach as you might think. For more information and assistance integrating an AMS Neve Genesys Black into your studio, call or chat online with your PAD Professional today.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WZXlzHEG2L8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/FhYoVBiC3h4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kJ4YZ1eRlFU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSpecifications \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eRecord Mode \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eMic Input (electronically balanced) to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise (EIN): \u0026lt;-127.5dBu (20Hz to 22kHz filter, 60dB gain, input terminated 150 ohm R)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Direct Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eMix Mode: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 20kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-80dBu (20Hz to 22kHz filter, 16 channels routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to 8T Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.003% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003cstrong\u003eNoise\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 22kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-87dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Aux Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.12dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-92dBu (20Hz to 22kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eGeneral Specifications: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eControl Room Output feed from Main Mix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+26dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-85dBu (20Hz to 22kHz filter)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInter-channel crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eMix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e8T mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eAux mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 38-3\/16\" \/ 970 mm to top of loudspeaker shelf\u003c\/li\u003e\n\u003cli\u003eFader height: 28-5\/16\" \/ 720 mm\u003c\/li\u003e\n\u003cli\u003eHeight Adjustment: +\/-10 mm (3\/8\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 8 channel console: 1409mm \/ 55.47\"\u003c\/li\u003e\n\u003cli\u003eeach 16 channel section: 672mm \/ 26-3\/8\"\u003c\/li\u003e\n\u003cli\u003eDepth: 1004mm \/ 39-9\/16\" includes loudspeaker shelf\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWeight: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16-channel console and frame: 77 kg \/ 169.75 lb.\u003c\/p\u003e\n\u003cp\u003eEach 16 channel section and frame: 60 kg \/ 132.27\" lb.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeat Dissipation \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8-channel console: \u0026lt; 500 watts\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section: \u0026lt; 350 watts\u003c\/li\u003e\n\u003cli\u003ePower Factor: \u0026gt;0.65\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVoltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Voltage Range 90 – 250 volts AC only, auto ranging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStandard 8-channel: 2.5 to 4 Amps RMS\u003c\/li\u003e\n\u003cli\u003eeach 16 channel section: 1.5 – 3.0 amps RMS\u003c\/li\u003e\n\u003cli\u003eSwitch-on surge: 10 amps for 7ms (average)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AMS Neve","offers":[{"title":"Genesys Black 32 \/ No option","offer_id":45120474939642,"sku":"Genesys-Black-G32","price":75950.0,"currency_code":"USD","in_stock":true},{"title":"Genesys Black 32 \/ G3D option","offer_id":45120474972410,"sku":"Genesys-Black-G32-1","price":83695.0,"currency_code":"USD","in_stock":true},{"title":"Genesys Black 32 \/ Upgrade 8-channels of digitally-controlled 88R-style EQ to digitally-controlled 1084 Classic EQ","offer_id":45120475005178,"sku":"Genesys-Black-G32-2","price":75450.0,"currency_code":"USD","in_stock":true},{"title":"Genesys Black 32 \/ 8-channels of digitally-controlled Neve VCA Dynamics","offer_id":45120475037946,"sku":"Genesys-Black-G32-3","price":75450.0,"currency_code":"USD","in_stock":true},{"title":"Genesys Black 32 \/ Integrated AD\/DA conversion","offer_id":45120475070714,"sku":"Genesys-Black-G32-4","price":84200.0,"currency_code":"USD","in_stock":true},{"title":"Genesys Black 32 \/ Producer's table section - 700mm wide - with stand section","offer_id":45120475103482,"sku":"Genesys-Black-G32-5","price":84200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/a03c9f9d14950de7120865d993ac945e_820872d4-6510-41f5-95f0-cb25242a51fd.jpeg?v=1629485939"},{"product_id":"neve-genesys-black-48","title":"AMS Neve Genesys Black 48","description":"\u003ch4\u003e24-channels of digitally controlled analogue 1084 Classic EQ\u003cbr\u003eTotal Recall software, Console stand\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCheck out the new Genesys Control software, which gives full control and instant reset\/recall of all digital functionality of the console. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/genesys-control-software\"\u003ehttps:\/\/www.proaudiodesign.com\/products\/genesys-control-software\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/2UjWDXAPN98\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe Neve Genesys Black is a very versatile digitally controlled analog console that offers the distinct advantages of classic Neve sound with direct DAW control. Plus, instead of setting up a digital mix station perpendicular to your monitors, the Neve Genesys Black enables you to sit centered between your monitors as nature intended. Thanks to a central control screen that sits below the monitors, out of the way of their positive-going acoustic excursions (that's slang for “pushing air”), Genesys Black eliminates unwanted reflections off the computer monitor. But that's not all that's front and center in your control room. The Genesys Black forms a fully integrated centralized bridge for your personal Enterprise, starting with eight channels of classic 1073 mic\/line preamps, 16-channels of DAW\/tape monitoring, hands-on control for Pro Tools, Nuendo, and other DAWs (Mac\/PC), eight channels of digitally controlled 88R-style 4-band EQ, eight channels of VCA dynamics (optional), and channel ADA conversion up to 96kHz over MADI, AES, and FireWire. There are also 24 motorized faders, six aux buses (4 mono, two stereo) eight group buses, two main outputs with faders, four effects returns, comprehensive metering, 5.1 monitoring, two cue mixes, talkback, USB stick storage and reset, plus an internal power supply.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e AMS Neve Genesys Black - Just the Facts: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEight channels of Neve 1073 mic pre\/line amplifiers (base configuration)\u003c\/li\u003e\n\u003cli\u003eDedicated DAW control section with touch display\u003c\/li\u003e\n\u003cli\u003e16 dedicated DAW control faders with corresponding stereo DAW metering on the meter bridge\u003c\/li\u003e\n\u003cli\u003e16-channel DAW monitoring\u003c\/li\u003e\n\u003cli\u003eTotal Reset and Total Recall\u003c\/li\u003e\n\u003cli\u003eMotorized 8-track and main output faders with DAW control\u003c\/li\u003e\n\u003cli\u003eEight channels of Neve 88R-style, 4-band EQ\u003c\/li\u003e\n\u003cli\u003eEight channels of A\/D\/D\/A converters\u003c\/li\u003e\n\u003cli\u003eSix aux send\/returns (4 mono and 2 stereo)\u003c\/li\u003e\n\u003cli\u003eEight groups, 2 stereo mix busses (Main Mix LR + 2-track)\u003c\/li\u003e\n\u003cli\u003eFour stereo effects returns with width control\u003c\/li\u003e\n\u003cli\u003eChannel, DAW, 8-ttrack, 2-track, and monitor metering\u003c\/li\u003e\n\u003cli\u003eTwo stereo monitoring speaker sets\u003c\/li\u003e\n\u003cli\u003e1 mixing and 2x 5.1 monitoring speaker sets\u003c\/li\u003e\n\u003cli\u003e2 independent cue mixes\u003c\/li\u003e\n\u003cli\u003eFull talkback and reverse talkback capability\u003c\/li\u003e\n\u003cli\u003eInternal power supply units\u003c\/li\u003e\n\u003cli\u003eUSB flash drive for store, load, and reset functionality\u003c\/li\u003e\n\u003cli\u003eHands-on DAW control for Pro Tools, Logic, Cubase, and more\u003c\/li\u003e\n\u003cli\u003eAD\/DA cassette to provide digital Ins\/Outs (16 in, 8 out per card)\u003c\/li\u003e\n\u003cli\u003eDigitally controlled EQ and optional dynamics (88R or 1084 EQ circuitry and 88R-style Dynamics)\u003c\/li\u003e\n\u003cli\u003eOptional digital monitoring cassette providing I\/O for Aux, 8-track, Main Mix and monitoring\u003c\/li\u003e\n\u003cli\u003eExpandable to 56 channels, either in straight or wedge formation\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve Genesys Black - Beneath the Surface \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eModular and upgradable \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eBefore the Genesys Black arrived on the scene, analog consoles were commissioned to a fixed channel count. If you wanted to add preamps and faders, you needed to add a sidecar, such as the Neve BCM10\/2, which, in the case of the BCM, needed modification and added clutter. Modern control surfaces, since they don't pass audio, can be upgraded easily. However, it's a tricky thing to do with analog desks, but that didn't stop AMS Neve. The Genesys Black is also modular. As your business expands (and it surely will with Neve prominently displayed in your control room) so can your Genesys Black, all the way up to a 48-fader, 96-input big dog. Other options include upgrading to digitally controlled, analog Neve 1084 Classic EQs, VCA-style digital control of analog dynamics, and Neve A\/D-D\/A converters for the monitoring section.\u003c\/p\u003e\n\u003cp\u003eIn its basic configuration, the Genesys Black offers eight channels of 1073 mic\/line preamps, 16-channels DAW\/Tape monitoring; hands-on DAW control for Pro Tools, Nuendo, and more; eight channels of Neve digitally controlled, 4-band analog EQ; and an option for eight channels of Neve digitally controlled analog VCA dynamics and channel A\/D\/D\/A conversion via MADI, AES, and FireWire formats. The Genesys Black also has a central touchscreen, 6 auxiliary buses, 8 group buses, 2 main outputs, 4 effects returns, comprehensive metering, 5.1 monitoring, 2 cue mixes, talkback and reverse talkback facility, and an integrated footprint with internal power supply.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCustomize your workflow \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAnother advantage Genesys Black offers that is no longer the sole province of control surfaces is the ability to customize the control surface to suit the way you work, or, create custom workflows. Plus, there's that classic Neve look and feel to the controls. But don't let looks deceive you; they're ultra modern too. Every switch is “soft,” which enables benefits beyond merely letting you customize your setup. It also means every routing decision and every switch setting can be saved and instantaneously reset. Add the legendary sounding Neve analog EQ and optional dynamics cassettes and you can instantly recall these settings too. Just think of the reconfiguration time that saves when you're balancing multiple projects in your studio.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eErgonomic control \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAs mentioned earlier, using a computer keypad and mouse can be clumsy at best with an analog desk. However, the Genesys Black puts keyboard and mouse along with transport controls in a molded armrest in front of the faders. Instead of EQ controls inline on each channel strip, while admittedly eliminating an engineer's customary lower back workout and stretching exercises, EQ and dynamics are controlled by four knobs and two rows of buttons in the center section within easy reach. Not only can you make digital adjustments of analog Neve EQs and dynamics plug-in-style on the control screen, you also have total recall of those settings as well. Not something that you get with a large-format analog desk.\u003c\/p\u003e\n\u003cp\u003eThe Genesys Black gives you one-touch access to essential controls, no pounding through menus. Plus, you have fast and easy access to two cue mixes right on the console, so you don't have to futz with two or three different software control screens only to find you may not have enough level available for say a vocalist in the software mixer, or you experience playback distortion when you boost software levels. In such a case, the only option is turning down instrument channels in relation to vocals, which loses the impact of the mix (digital gets fuzzy and loses punch at low volumes, analog doesn't), leaving the vocalist with a less-than-inspiring cue mix.\u003c\/p\u003e\n\u003cp\u003eWith the AMS Neve Genesys Black, everything you need for music production sits right in front of you - no machine room necessary, no complicated power-up sequences, and no rear-racks full of spaghetti connecting it all together. Sadly, it won't provide an alternative heat source for your control room in the winter, like the old Focusrite Forte console did at Electric Lady, but on the plus side, your air-conditioning needs and electric bill will decrease significantly. And, since versatility is the name of the game in our industry, the Genesys Black is also eminently suited to post-production, giving you the ability to mix and monitor in 5.1 on two sets of monitors, plus LCR panning, bass management, and fold-down.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eA cost-effective analog\/digital hybrid solution\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFor a system roughly equivalent to a Neve Genesys Black, a 24-fader Avid S6 M10, which has no meter displays (apart from the master module) and a rack of eight 1073s would set you back $46,995** for the S6, plus an additional $21,450 for the 1073s. Granted the S6 has much deeper control of Pro Tools, but the Genesys offers all of the functionality of an automated analog desk and more, with control of the most used DAW features, all combined into one central unit, including MADI, AES3, and ADA conversion, and you know, 1073s. If you're working in the box, hit the DAW button on the Genesys and all faders control your DAW, so, even if you're starting out with an 8-channel Genesys Black, you can still have a 24-fader, touch-sensitive control surface - all for $19,195 less than the mid-size control surface and eight channels of classic Neve 1073s, and we haven't even figured in converters or MADI card. Did we mention that the Avid control surface is not upgradeable beyond 24 faders? No?\u003c\/p\u003e\n\u003cp\u003eBe aware that while we're comparing costs, this is not a debate between large-format control surface vs. console and which is better. Each has its advantages depending on the type of work you're doing. If the focus of your work is mixing large projects in Pro Tools ITB, a control surface makes more sense. However, if your work is divided between tracking and mixing, in essence, doing the things consoles evolved over the years to handle efficiently, the Neve Genesys Black is a no-brainer - and as we've pointed out, far more budget-friendly than you would suspect from a piece of kit that proudly bears the name, “Neve.”\u003cstrong\u003e  \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eThat Neve console that features prominently in your fantasies is not as out of reach as you might think. For more information and assistance integrating an AMS Neve Genesys Black into your studio, call or chat online with your PAD Professional today.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WZXlzHEG2L8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/FhYoVBiC3h4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kJ4YZ1eRlFU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications \u003cbr\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003ch3\u003e\u003cstrong\u003eRecord Mode \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eMic Input (electronically balanced) to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise (EIN): \u0026lt;-127.5dBu (20Hz to 22kHz filter, 60dB gain, input terminated 150 ohm R)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Direct Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eMix Mode: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 20kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-80dBu (20Hz to 22kHz filter, 16 channels routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to 8T Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.003% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003cstrong\u003eNoise\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 22kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-87dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Aux Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.12dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-92dBu (20Hz to 22kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eGeneral Specifications: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eControl Room Output feed from Main Mix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+26dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-85dBu (20Hz to 22kHz filter)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInter-channel crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eMix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e8T mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eAux mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 38-3\/16\" \/ 970 mm to top of loudspeaker shelf\u003c\/li\u003e\n\u003cli\u003eFader height: 28-5\/16\" \/ 720 mm\u003c\/li\u003e\n\u003cli\u003eHeight Adjustment: +\/-10 mm (3\/8\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 8 channel console: 1409mm \/ 55.47\"\u003c\/li\u003e\n\u003cli\u003eeach 16 channel section: 672mm \/ 26-3\/8\"\u003c\/li\u003e\n\u003cli\u003eDepth: 1004mm \/ 39-9\/16\" includes loudspeaker shelf\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWeight: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16-channel console and frame: 77 kg \/ 169.75 lb.\u003c\/p\u003e\n\u003cp\u003eEach 16 channel section and frame: 60 kg \/ 132.27\" lb.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeat Dissipation \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8-channel console: \u0026lt; 500 watts\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section: \u0026lt; 350 watts\u003c\/li\u003e\n\u003cli\u003ePower Factor: \u0026gt;0.65\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVoltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Voltage Range 90 – 250 volts AC only, auto ranging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStandard 8-channel: 2.5 to 4 Amps RMS\u003c\/li\u003e\n\u003cli\u003eeach 16 channel section: 1.5 – 3.0 amps RMS\u003c\/li\u003e\n\u003cli\u003eSwitch-on surge: 10 amps for 7ms (average)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AMS Neve","offers":[{"title":"Genesys Black 48 console (40 faders 24 analogue channels \u0026 integrated DAW display)","offer_id":40475340767393,"sku":"AMS Neve Genesys Black-3","price":96950.0,"currency_code":"USD","in_stock":true},{"title":"Genesys Black 48 add Integrated AD\/DA Conversion","offer_id":47235724476666,"sku":"","price":107950.0,"currency_code":"USD","in_stock":true},{"title":"Genesys Black 48 with G3D Option","offer_id":47235724837114,"sku":"","price":115695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/4bc9153fd1ff8735ec3776646ff07f5a_6e0f1346-4974-4ae7-908f-082cf4a67466.jpeg?v=1627591013"},{"product_id":"neve-genesys-black-64","title":"AMS Neve Genesys Black 64","description":"\u003ch4\u003e32-channels of digitally controlled analogue 1084 Classic EQ\u003cbr\u003eTotal Recall software, Console stand\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCheck out the new Genesys Control software, which gives full control and instant reset\/recall of all digital functionality of the console. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/genesys-control-software\"\u003ehttps:\/\/www.proaudiodesign.com\/products\/genesys-control-software\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/2UjWDXAPN98\" width=\"560\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe Neve Genesys Black is a very versatile digitally controlled analog console that offers the distinct advantages of classic Neve sound with direct DAW control. Plus, instead of setting up a digital mix station perpendicular to your monitors, the Neve Genesys Black enables you to sit centered between your monitors as nature intended. Thanks to a central control screen that sits below the monitors, out of the way of their positive-going acoustic excursions (that's slang for “pushing air”), Genesys Black eliminates unwanted reflections off the computer monitor. But that's not all that's front and center in your control room. The Genesys Black forms a fully integrated centralized bridge for your personal Enterprise, starting with eight channels of classic 1073 mic\/line preamps, 16-channels of DAW\/tape monitoring, hands-on control for Pro Tools, Nuendo, and other DAWs (Mac\/PC), eight channels of digitally controlled 88R-style 4-band EQ, eight channels of VCA dynamics (optional), and channel ADA conversion up to 96kHz over MADI, AES, and FireWire. There are also 24 motorized faders, six aux buses (4 mono, two stereo) eight group buses, two main outputs with faders, four effects returns, comprehensive metering, 5.1 monitoring, two cue mixes, talkback, USB stick storage and reset, plus an internal power supply.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e AMS Neve Genesys Black - Just the Facts: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEight channels of Neve 1073 mic pre\/line amplifiers (base configuration)\u003c\/li\u003e\n\u003cli\u003eDedicated DAW control section with touch display\u003c\/li\u003e\n\u003cli\u003e16 dedicated DAW control faders with corresponding stereo DAW metering on the meter bridge\u003c\/li\u003e\n\u003cli\u003e16-channel DAW monitoring\u003c\/li\u003e\n\u003cli\u003eTotal Reset and Total Recall\u003c\/li\u003e\n\u003cli\u003eMotorized 8-track and main output faders with DAW control\u003c\/li\u003e\n\u003cli\u003eEight channels of Neve 88R-style, 4-band EQ\u003c\/li\u003e\n\u003cli\u003eEight channels of A\/D\/D\/A converters\u003c\/li\u003e\n\u003cli\u003eSix aux send\/returns (4 mono and 2 stereo)\u003c\/li\u003e\n\u003cli\u003eEight groups, 2 stereo mix busses (Main Mix LR + 2-track)\u003c\/li\u003e\n\u003cli\u003eFour stereo effects returns with width control\u003c\/li\u003e\n\u003cli\u003eChannel, DAW, 8-ttrack, 2-track, and monitor metering\u003c\/li\u003e\n\u003cli\u003eTwo stereo monitoring speaker sets\u003c\/li\u003e\n\u003cli\u003e1 mixing and 2x 5.1 monitoring speaker sets\u003c\/li\u003e\n\u003cli\u003e2 independent cue mixes\u003c\/li\u003e\n\u003cli\u003eFull talkback and reverse talkback capability\u003c\/li\u003e\n\u003cli\u003eInternal power supply units\u003c\/li\u003e\n\u003cli\u003eUSB flash drive for store, load, and reset functionality\u003c\/li\u003e\n\u003cli\u003eHands-on DAW control for Pro Tools, Logic, Cubase, and more\u003c\/li\u003e\n\u003cli\u003eAD\/DA cassette to provide digital Ins\/Outs (16 in, 8 out per card)\u003c\/li\u003e\n\u003cli\u003eDigitally controlled EQ and optional dynamics (88R or 1084 EQ circuitry and 88R-style Dynamics)\u003c\/li\u003e\n\u003cli\u003eOptional digital monitoring cassette providing I\/O for Aux, 8-track, Main Mix and monitoring\u003c\/li\u003e\n\u003cli\u003eExpandable to 56 channels, either in straight or wedge formation\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve Genesys Black - Beneath the Surface \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eModular and upgradable \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eBefore the Genesys Black arrived on the scene, analog consoles were commissioned to a fixed channel count. If you wanted to add preamps and faders, you needed to add a sidecar, such as the Neve BCM10\/2, which, in the case of the BCM, needed modification and added clutter. Modern control surfaces, since they don't pass audio, can be upgraded easily. However, it's a tricky thing to do with analog desks, but that didn't stop AMS Neve. The Genesys Black is also modular. As your business expands (and it surely will with Neve prominently displayed in your control room) so can your Genesys Black, all the way up to a 48-fader, 96-input big dog. Other options include upgrading to digitally controlled, analog Neve 1084 Classic EQs, VCA-style digital control of analog dynamics, and Neve A\/D-D\/A converters for the monitoring section.\u003c\/p\u003e\n\u003cp\u003eIn its basic configuration, the Genesys Black offers eight channels of 1073 mic\/line preamps, 16-channels DAW\/Tape monitoring; hands-on DAW control for Pro Tools, Nuendo, and more; eight channels of Neve digitally controlled, 4-band analog EQ; and an option for eight channels of Neve digitally controlled analog VCA dynamics and channel A\/D\/D\/A conversion via MADI, AES, and FireWire formats. The Genesys Black also has a central touchscreen, 6 auxiliary buses, 8 group buses, 2 main outputs, 4 effects returns, comprehensive metering, 5.1 monitoring, 2 cue mixes, talkback and reverse talkback facility, and an integrated footprint with internal power supply.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCustomize your workflow \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAnother advantage Genesys Black offers that is no longer the sole province of control surfaces is the ability to customize the control surface to suit the way you work, or, create custom workflows. Plus, there's that classic Neve look and feel to the controls. But don't let looks deceive you; they're ultra modern too. Every switch is “soft,” which enables benefits beyond merely letting you customize your setup. It also means every routing decision and every switch setting can be saved and instantaneously reset. Add the legendary sounding Neve analog EQ and optional dynamics cassettes and you can instantly recall these settings too. Just think of the reconfiguration time that saves when you're balancing multiple projects in your studio.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eErgonomic control \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAs mentioned earlier, using a computer keypad and mouse can be clumsy at best with an analog desk. However, the Genesys Black puts keyboard and mouse along with transport controls in a molded armrest in front of the faders. Instead of EQ controls inline on each channel strip, while admittedly eliminating an engineer's customary lower back workout and stretching exercises, EQ and dynamics are controlled by four knobs and two rows of buttons in the center section within easy reach. Not only can you make digital adjustments of analog Neve EQs and dynamics plug-in-style on the control screen, you also have total recall of those settings as well. Not something that you get with a large-format analog desk.\u003c\/p\u003e\n\u003cp\u003eThe Genesys Black gives you one-touch access to essential controls, no pounding through menus. Plus, you have fast and easy access to two cue mixes right on the console, so you don't have to futz with two or three different software control screens only to find you may not have enough level available for say a vocalist in the software mixer, or you experience playback distortion when you boost software levels. In such a case, the only option is turning down instrument channels in relation to vocals, which loses the impact of the mix (digital gets fuzzy and loses punch at low volumes, analog doesn't), leaving the vocalist with a less-than-inspiring cue mix.\u003c\/p\u003e\n\u003cp\u003eWith the AMS Neve Genesys Black, everything you need for music production sits right in front of you - no machine room necessary, no complicated power-up sequences, and no rear-racks full of spaghetti connecting it all together. Sadly, it won't provide an alternative heat source for your control room in the winter, like the old Focusrite Forte console did at Electric Lady, but on the plus side, your air-conditioning needs and electric bill will decrease significantly. And, since versatility is the name of the game in our industry, the Genesys Black is also eminently suited to post-production, giving you the ability to mix and monitor in 5.1 on two sets of monitors, plus LCR panning, bass management, and fold-down.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eA cost-effective analog\/digital hybrid solution\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFor a system roughly equivalent to a Neve Genesys Black, a 24-fader Avid S6 M10, which has no meter displays (apart from the master module) and a rack of eight 1073s would set you back $46,995** for the S6, plus an additional $21,450 for the 1073s. Granted the S6 has much deeper control of Pro Tools, but the Genesys offers all of the functionality of an automated analog desk and more, with control of the most used DAW features, all combined into one central unit, including MADI, AES3, and ADA conversion, and you know, 1073s. If you're working in the box, hit the DAW button on the Genesys and all faders control your DAW, so, even if you're starting out with an 8-channel Genesys Black, you can still have a 24-fader, touch-sensitive control surface - all for $19,195 less than the mid-size control surface and eight channels of classic Neve 1073s, and we haven't even figured in converters or MADI card. Did we mention that the Avid control surface is not upgradeable beyond 24 faders? No?\u003c\/p\u003e\n\u003cp\u003eBe aware that while we're comparing costs, this is not a debate between large-format control surface vs. console and which is better. Each has its advantages depending on the type of work you're doing. If the focus of your work is mixing large projects in Pro Tools ITB, a control surface makes more sense. However, if your work is divided between tracking and mixing, in essence, doing the things consoles evolved over the years to handle efficiently, the Neve Genesys Black is a no-brainer - and as we've pointed out, far more budget-friendly than you would suspect from a piece of kit that proudly bears the name, “Neve.”\u003cstrong\u003e  \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eThat Neve console that features prominently in your fantasies is not as out of reach as you might think. For more information and assistance integrating an AMS Neve Genesys Black into your studio, call or chat online with your PAD Professional today.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WZXlzHEG2L8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FhYoVBiC3h4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kJ4YZ1eRlFU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications \u003cbr\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003ch3\u003e\u003cstrong\u003eRecord Mode \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eMic Input (electronically balanced) to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise (EIN): \u0026lt;-127.5dBu (20Hz to 22kHz filter, 60dB gain, input terminated 150 ohm R)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Direct Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eMix Mode: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 20kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-80dBu (20Hz to 22kHz filter, 16 channels routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to 8T Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.003% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003cstrong\u003eNoise\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 22kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-87dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Aux Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.12dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-92dBu (20Hz to 22kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eGeneral Specifications: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eControl Room Output feed from Main Mix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+26dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-85dBu (20Hz to 22kHz filter)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInter-channel crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eMix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e8T mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eAux mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 38-3\/16\" \/ 970 mm to top of loudspeaker shelf\u003c\/li\u003e\n\u003cli\u003eFader height: 28-5\/16\" \/ 720 mm\u003c\/li\u003e\n\u003cli\u003eHeight Adjustment: +\/-10 mm (3\/8\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 8 channel console: 1409mm \/ 55.47\"\u003c\/li\u003e\n\u003cli\u003eeach 16 channel section: 672mm \/ 26-3\/8\"\u003c\/li\u003e\n\u003cli\u003eDepth: 1004mm \/ 39-9\/16\" includes loudspeaker shelf\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/1nQaLmN-cTePgZWA8qR3YCeZJ63KSx8NR\/view?usp=sharing\" style=\"color: #2b00ff; text-decoration: underline;\"\u003eDrawings\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16-channel console and frame: 77 kg \/ 169.75 lb.\u003c\/p\u003e\n\u003cp\u003eEach 16 channel section and frame: 60 kg \/ 132.27\" lb.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeat Dissipation \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8-channel console: \u0026lt; 500 watts\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section: \u0026lt; 350 watts\u003c\/li\u003e\n\u003cli\u003ePower Factor: \u0026gt;0.65\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVoltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Voltage Range 90 – 250 volts AC only, auto ranging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStandard 8-channel: 2.5 to 4 Amps RMS\u003c\/li\u003e\n\u003cli\u003eeach 16 channel section: 1.5 – 3.0 amps RMS\u003c\/li\u003e\n\u003cli\u003eSwitch-on surge: 10 amps for 7ms (average)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"AMS Neve","offers":[{"title":"Stock","offer_id":46863495528698,"sku":"","price":117950.0,"currency_code":"USD","in_stock":true},{"title":"Stock with G3D Option","offer_id":47235722412282,"sku":"","price":136695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/GB48a.jpg?v=1627591587"},{"product_id":"neve-genesys-black-96","title":"AMS Neve Genesys Black 96","description":"\u003ch4\u003e48-channels of digitally controlled analogue 1084 Classic EQ\u003cbr\u003eTotal Recall software, Console stand\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCheck out the new Genesys Control software, which gives full control and instant reset\/recall of all digital functionality of the console. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/genesys-control-software\"\u003ehttps:\/\/www.proaudiodesign.com\/products\/genesys-control-software\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/2UjWDXAPN98\" width=\"560\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe Neve Genesys Black is a very versatile digitally controlled analog console that offers the distinct advantages of classic Neve sound with direct DAW control. Plus, instead of setting up a digital mix station perpendicular to your monitors, the Neve Genesys Black enables you to sit centered between your monitors as nature intended. Thanks to a central control screen that sits below the monitors, out of the way of their positive-going acoustic excursions (that's slang for “pushing air”), Genesys Black eliminates unwanted reflections off the computer monitor. But that's not all that's front and center in your control room. The Genesys Black forms a fully integrated centralized bridge for your personal Enterprise, starting with eight channels of classic 1073 mic\/line preamps, 16-channels of DAW\/tape monitoring, hands-on control for Pro Tools, Nuendo, and other DAWs (Mac\/PC), eight channels of digitally controlled 88R-style 4-band EQ, eight channels of VCA dynamics (optional), and channel ADA conversion up to 96kHz over MADI, AES, and FireWire. There are also 24 motorized faders, six aux buses (4 mono, two stereo) eight group buses, two main outputs with faders, four effects returns, comprehensive metering, 5.1 monitoring, two cue mixes, talkback, USB stick storage and reset, plus an internal power supply.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e AMS Neve Genesys Black - Just the Facts: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEight channels of Neve 1073 mic pre\/line amplifiers (base configuration)\u003c\/li\u003e\n\u003cli\u003eDedicated DAW control section with touch display\u003c\/li\u003e\n\u003cli\u003e16 dedicated DAW control faders with corresponding stereo DAW metering on the meter bridge\u003c\/li\u003e\n\u003cli\u003e16-channel DAW monitoring\u003c\/li\u003e\n\u003cli\u003eTotal Reset and Total Recall\u003c\/li\u003e\n\u003cli\u003eMotorized 8-track and main output faders with DAW control\u003c\/li\u003e\n\u003cli\u003eEight channels of Neve 88R-style, 4-band EQ\u003c\/li\u003e\n\u003cli\u003eEight channels of A\/D\/D\/A converters\u003c\/li\u003e\n\u003cli\u003eSix aux send\/returns (4 mono and 2 stereo)\u003c\/li\u003e\n\u003cli\u003eEight groups, 2 stereo mix busses (Main Mix LR + 2-track)\u003c\/li\u003e\n\u003cli\u003eFour stereo effects returns with width control\u003c\/li\u003e\n\u003cli\u003eChannel, DAW, 8-ttrack, 2-track, and monitor metering\u003c\/li\u003e\n\u003cli\u003eTwo stereo monitoring speaker sets\u003c\/li\u003e\n\u003cli\u003e1 mixing and 2x 5.1 monitoring speaker sets\u003c\/li\u003e\n\u003cli\u003e2 independent cue mixes\u003c\/li\u003e\n\u003cli\u003eFull talkback and reverse talkback capability\u003c\/li\u003e\n\u003cli\u003eInternal power supply units\u003c\/li\u003e\n\u003cli\u003eUSB flash drive for store, load, and reset functionality\u003c\/li\u003e\n\u003cli\u003eHands-on DAW control for Pro Tools, Logic, Cubase, and more\u003c\/li\u003e\n\u003cli\u003eAD\/DA cassette to provide digital Ins\/Outs (16 in, 8 out per card)\u003c\/li\u003e\n\u003cli\u003eDigitally controlled EQ and optional dynamics (88R or 1084 EQ circuitry and 88R-style Dynamics)\u003c\/li\u003e\n\u003cli\u003eOptional digital monitoring cassette providing I\/O for Aux, 8-track, Main Mix and monitoring\u003c\/li\u003e\n\u003cli\u003eExpandable to 56 channels, either in straight or wedge formation\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve Genesys Black - Beneath the Surface \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eModular and upgradable \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eBefore the Genesys Black arrived on the scene, analog consoles were commissioned to a fixed channel count. If you wanted to add preamps and faders, you needed to add a sidecar, such as the Neve BCM10\/2, which, in the case of the BCM, needed modification and added clutter. Modern control surfaces, since they don't pass audio, can be upgraded easily. However, it's a tricky thing to do with analog desks, but that didn't stop AMS Neve. The Genesys Black is also modular. As your business expands (and it surely will with Neve prominently displayed in your control room) so can your Genesys Black, all the way up to a 48-fader, 96-input big dog. Other options include upgrading to digitally controlled, analog Neve 1084 Classic EQs, VCA-style digital control of analog dynamics, and Neve A\/D-D\/A converters for the monitoring section.\u003c\/p\u003e\n\u003cp\u003eIn its basic configuration, the Genesys Black offers eight channels of 1073 mic\/line preamps, 16-channels DAW\/Tape monitoring; hands-on DAW control for Pro Tools, Nuendo, and more; eight channels of Neve digitally controlled, 4-band analog EQ; and an option for eight channels of Neve digitally controlled analog VCA dynamics and channel A\/D\/D\/A conversion via MADI, AES, and FireWire formats. The Genesys Black also has a central touchscreen, 6 auxiliary buses, 8 group buses, 2 main outputs, 4 effects returns, comprehensive metering, 5.1 monitoring, 2 cue mixes, talkback and reverse talkback facility, and an integrated footprint with internal power supply.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCustomize your workflow \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAnother advantage Genesys Black offers that is no longer the sole province of control surfaces is the ability to customize the control surface to suit the way you work, or, create custom workflows. Plus, there's that classic Neve look and feel to the controls. But don't let looks deceive you; they're ultra modern too. Every switch is “soft,” which enables benefits beyond merely letting you customize your setup. It also means every routing decision and every switch setting can be saved and instantaneously reset. Add the legendary sounding Neve analog EQ and optional dynamics cassettes and you can instantly recall these settings too. Just think of the reconfiguration time that saves when you're balancing multiple projects in your studio.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eErgonomic control \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAs mentioned earlier, using a computer keypad and mouse can be clumsy at best with an analog desk. However, the Genesys Black puts keyboard and mouse along with transport controls in a molded armrest in front of the faders. Instead of EQ controls inline on each channel strip, while admittedly eliminating an engineer's customary lower back workout and stretching exercises, EQ and dynamics are controlled by four knobs and two rows of buttons in the center section within easy reach. Not only can you make digital adjustments of analog Neve EQs and dynamics plug-in-style on the control screen, you also have total recall of those settings as well. Not something that you get with a large-format analog desk.\u003c\/p\u003e\n\u003cp\u003eThe Genesys Black gives you one-touch access to essential controls, no pounding through menus. Plus, you have fast and easy access to two cue mixes right on the console, so you don't have to futz with two or three different software control screens only to find you may not have enough level available for say a vocalist in the software mixer, or you experience playback distortion when you boost software levels. In such a case, the only option is turning down instrument channels in relation to vocals, which loses the impact of the mix (digital gets fuzzy and loses punch at low volumes, analog doesn't), leaving the vocalist with a less-than-inspiring cue mix.\u003c\/p\u003e\n\u003cp\u003eWith the AMS Neve Genesys Black, everything you need for music production sits right in front of you - no machine room necessary, no complicated power-up sequences, and no rear-racks full of spaghetti connecting it all together. Sadly, it won't provide an alternative heat source for your control room in the winter, like the old Focusrite Forte console did at Electric Lady, but on the plus side, your air-conditioning needs and electric bill will decrease significantly. And, since versatility is the name of the game in our industry, the Genesys Black is also eminently suited to post-production, giving you the ability to mix and monitor in 5.1 on two sets of monitors, plus LCR panning, bass management, and fold-down.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eA cost-effective analog\/digital hybrid solution\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFor a system roughly equivalent to a Neve Genesys Black, a 24-fader Avid S6 M10, which has no meter displays (apart from the master module) and a rack of eight 1073s would set you back $46,995** for the S6, plus an additional $21,450 for the 1073s. Granted the S6 has much deeper control of Pro Tools, but the Genesys offers all of the functionality of an automated analog desk and more, with control of the most used DAW features, all combined into one central unit, including MADI, AES3, and ADA conversion, and you know, 1073s. If you're working in the box, hit the DAW button on the Genesys and all faders control your DAW, so, even if you're starting out with an 8-channel Genesys Black, you can still have a 24-fader, touch-sensitive control surface - all for $19,195 less than the mid-size control surface and eight channels of classic Neve 1073s, and we haven't even figured in converters or MADI card. Did we mention that the Avid control surface is not upgradeable beyond 24 faders? No?\u003c\/p\u003e\n\u003cp\u003eBe aware that while we're comparing costs, this is not a debate between large-format control surface vs. console and which is better. Each has its advantages depending on the type of work you're doing. If the focus of your work is mixing large projects in Pro Tools ITB, a control surface makes more sense. However, if your work is divided between tracking and mixing, in essence, doing the things consoles evolved over the years to handle efficiently, the Neve Genesys Black is a no-brainer - and as we've pointed out, far more budget-friendly than you would suspect from a piece of kit that proudly bears the name, “Neve.”\u003cstrong\u003e  \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eThat Neve console that features prominently in your fantasies is not as out of reach as you might think. For more information and assistance integrating an AMS Neve Genesys Black into your studio, call or chat online with your PAD Professional today.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WZXlzHEG2L8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FhYoVBiC3h4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kJ4YZ1eRlFU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications \u003cbr\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003ch3\u003e\u003cstrong\u003eRecord Mode \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eMic Input (electronically balanced) to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise (EIN): \u0026lt;-127.5dBu (20Hz to 22kHz filter, 60dB gain, input terminated 150 ohm R)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Direct Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eMix Mode: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 20kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-80dBu (20Hz to 22kHz filter, 16 channels routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to 8T Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.003% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003cstrong\u003eNoise\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 22kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-87dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Aux Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.12dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-92dBu (20Hz to 22kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eGeneral Specifications: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eControl Room Output feed from Main Mix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+26dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-85dBu (20Hz to 22kHz filter)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInter-channel crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eMix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e8T mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eAux mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 38-3\/16\" \/ 970 mm to top of loudspeaker shelf\u003c\/li\u003e\n\u003cli\u003eFader height: 28-5\/16\" \/ 720 mm\u003c\/li\u003e\n\u003cli\u003eHeight Adjustment: +\/-10 mm (3\/8\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 8 channel console: 1409mm \/ 55.47\"\u003c\/li\u003e\n\u003cli\u003eeach 16 channel section: 672mm \/ 26-3\/8\"\u003c\/li\u003e\n\u003cli\u003eDepth: 1004mm \/ 39-9\/16\" includes loudspeaker shelf\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWeight: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16-channel console and frame: 77 kg \/ 169.75 lb.\u003c\/p\u003e\n\u003cp\u003eEach 16 channel section and frame: 60 kg \/ 132.27\" lb.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeat Dissipation \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8-channel console: \u0026lt; 500 watts\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section: \u0026lt; 350 watts\u003c\/li\u003e\n\u003cli\u003ePower Factor: \u0026gt;0.65\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVoltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Voltage Range 90 – 250 volts AC only, auto ranging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStandard 8-channel: 2.5 to 4 Amps RMS\u003c\/li\u003e\n\u003cli\u003eeach 16 channel section: 1.5 – 3.0 amps RMS\u003c\/li\u003e\n\u003cli\u003eSwitch-on surge: 10 amps for 7ms (average)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AMS Neve","offers":[{"title":"Genesys Black 96 console (64 Faders 48 analogue channels \u0026 integrated DAW display)","offer_id":40475421737121,"sku":"","price":159950.0,"currency_code":"USD","in_stock":true},{"title":"Genesys Black 96 add Integrated AD\/DA Conversion","offer_id":47235718906106,"sku":"","price":179200.0,"currency_code":"USD","in_stock":true},{"title":"Genesys Black 96 with G3D Option","offer_id":47235719627002,"sku":"","price":178695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/GenesysBlack3-4leftrt.jpg?v=1627659472"},{"product_id":"augspurger-mx-65","title":"Augspurger® MX-65 - Pair","description":"\u003ch2\u003e\u003cstrong\u003eAugspurger® MinimaX MX-65 - Pair\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv id=\"content\" class=\"site-content\"\u003e\n\u003cdiv data-elementor-type=\"wp-page\" data-elementor-id=\"1266\" class=\"elementor elementor-1266\" data-elementor-settings=\"[]\"\u003e\n\u003cdiv class=\"elementor-inner\"\u003e\n\u003cdiv class=\"elementor-section-wrap\"\u003e\n\u003csection data-particle_enable=\"false\" data-particle-mobile-disabled=\"false\" class=\"elementor-section elementor-top-section elementor-element elementor-element-82dc19a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"82dc19a\" data-element_type=\"section\" id=\"details\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-row\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2e9f5a8\" data-id=\"2e9f5a8\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-column-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-widget-wrap\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-6b21658 elementor-widget elementor-widget-heading\" data-id=\"6b21658\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cp class=\"elementor-widget-container\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eThe Augspurger® MinimaX MX-65 has been painstakingly designed to deliver legendary Augspurger clarity and power to near-field production and listening environments with a price of entry that will stop you in your tracks.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"elementor-widget-container\"\u003eFeaturing a newly developed patent-pending, solid maple rotatable MinimaX horn driven by a 99.97% pure beryllium diaphragm in a 1.4” compression driver, and paired with a specialized 6.5” high-power woofer to deliver true Augspurger monitoring experience in near-field environments.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-element_type=\"column\" data-id=\"f5a673c\" class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-f5a673c\"\u003e\n\u003cdiv class=\"elementor-column-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-widget-wrap\"\u003e\n\u003cdiv data-widget_type=\"icon-list.default\" data-element_type=\"widget\" data-id=\"c7c1794\" class=\"elementor-element elementor-element-c7c1794 elementor-icon-list--layout-traditional elementor-list-item-link-full_width elementor-widget elementor-widget-icon-list\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cul\u003e\n\u003cli\u003e70 x 110 degree horn, the same dispersion as our larger Augspurger® horns.\u003c\/li\u003e\n\u003cli\u003eRotatable for vertical or horizontal use.\u003c\/li\u003e\n\u003cli\u003eChoose from multiple amp configurations, including 2-way or 3-way active - with DSP.\u003c\/li\u003e\n\u003cli\u003ePerfect for “on the go” engineers who want Augspurger precision monitoring on every mix.\u003c\/li\u003e\n\u003cli\u003eAdd a pair of Augspurger® SUB 12 or 15 for full range 3-way performance.\u003c\/li\u003e\n\u003cli\u003eIdeal for Music, Post-production, Theatrical and fully Immersive applications.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eTechnical Specifications:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: \u003cspan data-mce-fragment=\"1\"\u003e15.75\"H x 9\"W x 9.25\"D (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e40.005 x 22.86 x 23.50 cm)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"gmail_signature\" dir=\"ltr\" data-mce-fragment=\"1\"\u003e\n\u003cdiv dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"elementor-icon-list-items\"\u003e\u003c\/ul\u003e\n\u003cul class=\"elementor-icon-list-items\"\u003e\u003c\/ul\u003e\n\u003cul class=\"elementor-icon-list-items\"\u003e\u003c\/ul\u003e\n\u003cul class=\"elementor-icon-list-items\"\u003e\u003c\/ul\u003e\n\u003cul class=\"elementor-icon-list-items\"\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Professional Audio Design, Inc","offers":[{"title":"Default Title","offer_id":41070502052001,"sku":null,"price":11900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/MX-65_HandVpair.3250W.jpg?v=1678119184"},{"product_id":"jocavi-walltrap-basstrap","title":"JOCAVI WALLTRAP Basstrap","description":"\u003cp\u003eMusic audition rooms, studios, practice rooms, etc., all need a surface that is efficient at absorbing low frequencies. The WALLTRAP is a product that absorbs low frequencies and is tuned to 160 Hz. It is meant to be mounted on walls and ceilings.\u003c\/p\u003e\n\u003cp\u003eThis product has been especially designed to be a main element in the construction of rooms, since it is embedded in the walls.\u003c\/p\u003e\n\u003cp\u003eThis panel is built in a box tuned to 80 Hz, which has a membrane manufactured by us.\u003c\/p\u003e\n\u003cp\u003eThe WALLTRAP is a very easy-to-install high performance panel. It is meant to be mounted on walls or ceilings. It was designed to absorb the incident sound on the back, front or side walls, thus reducing the low energy that is present in excessive levels at the point of hearing. Therefore, it reduces unwanted resonances and helps to accommodate and improve sound perception within the low range of the sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUses 60% of recycled materials\u003c\/li\u003e\n\u003cli\u003eTuned to 80Hz\u003c\/li\u003e\n\u003cli\u003eAverage absorption: 0.82\/m\u003csup\u003e2\u003c\/sup\u003e [\u0026gt;50Hz;\u0026lt;250Hz]\u003c\/li\u003e\n\u003cli\u003eFire-resistance: Euroclass B (similar to old M1)\u003c\/li\u003e\n\u003cli\u003e100% recyclable\u003c\/li\u003e\n\u003cli\u003eInstallation: accessories included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTech drawings and Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/WALLTRAP.jpg?v=1637473933\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cstrong\u003eProduct Dimensions\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"text-align: center;\"\u003e \u003cstrong\u003eModel\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cstrong\u003eWidth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003eWAL060\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003e60 cm (23.6\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003e60 cm (23.6\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003e15 cm (5.9\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003e5.9 kg (13 lbs)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003eWAL120\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003e120 cm (47.2\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003e60 cm (23.6\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003e15 cm (5.9\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003e13.8 kg (30.4 lbs)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003eWAL180\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003e180 cm (70.8\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003e60 cm (23.6\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003e15 cm (5.9\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003e19.7 kg (43.4 lbs)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbsorption Coefficients\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/WALLTRAP1.png?v=1637474403\" style=\"float: none;\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColors and Finishings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/addsorb4.jpg?v=1637333263\" style=\"float: none;\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThese items are highly customizable, so give us a call at \u003ca href=\"tel:1-877-223-8858\" data-mce-href=\"tel:1-877-223-8858\" data-mce-fragment=\"1\"\u003e1-877-223-8858\u003c\/a\u003e for a quote!\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"JOCAVI","offers":[{"title":"WAL120 (D: 120x60x15cm W:13.8Kg)","offer_id":41107441025185,"sku":"WAL120","price":994.0,"currency_code":"USD","in_stock":true},{"title":"WAL060 (D: 60x60x15cm W:5.9Kg)","offer_id":41107440992417,"sku":"WAL060","price":488.0,"currency_code":"USD","in_stock":true},{"title":"WAL180 (D: 180x60x15cm W:19.7Kg)","offer_id":41107441057953,"sku":"WAL180","price":1297.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/wal.png?v=1634802682"},{"product_id":"studio-float-deck-isorafts-suspended-ceiling-raft-for-threaded-rod","title":"IsoRaft TR – Suspended Ceiling Raft w\/Threaded Rod  – black silicone, standard profile – 3\/8″ threaded rod anchor","description":"\u003ch5\u003e\u003cspan style=\"font-size: 1.4em;\"\u003eSuspended Ceiling Raft for 3\/8\" Threaded Rod, 1- 7\/8\" x 4 7\/8\" x 2 1\/4\"\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/h5\u003e\n\u003ctable class=\"tg\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eSKU\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eSCRTR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eGTIN\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e860010653449\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eProduct Description\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003eIsoRaft TR - Suspended Ceiling Raft w\/Threaded Rod \u003cbr\u003e black silicone, standard profile \u003cbr\u003e75 lbs\/raft 3\/8\" threaded rod anchor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tg-4ypd\"\u003eDimensions\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eL x W x H\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd class=\"tg-2fdn\"\u003e1-7\/8\" x 4-7\/8\" x 2-1\/4\" \u003cbr\u003eplus threaded nut = + 3\/8\" \u003cbr\u003etotal height = 2-1\/4\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch5\u003e\u003cspan style=\"font-size: 1.4em;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/h5\u003e\n\u003ch5\u003e\u003cspan style=\"font-size: 1.4em;\"\u003eLoad Cap 75 Lbs\/sq.ft\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\" alt=\"\" style=\"font-size: 1.4em;\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/IsoRaft_300_series_cross-section_image_480x480.jpg?v=1601568186\"\u003e\u003cbr\u003e\n\u003cp\u003eIsoRaft's noise reduction and simplicity goes beyond its design to its application in building structures. Many soundproofing solutions require the installation of floating floors and resilient pad over Gypcrete to achieve fire rating and sound isolation. By contrast, IsoRaft achieves effective fire and sound ratings with a simple installation of plywood subfloor with no restriction to the finish floor-simplifying the construction process and providing soundproofing options and flexibility.\u003c\/p\u003e\n\u003cp\u003e Installation of Studio Float IsoRaft is simple in the way that it defeats noise transmission. The Studio FloatRaft connectors decouple sound vibrations from the building assembly and absorb them in silicone Cores. They silence the noise simply and effectively-an elegant soundproofing solution for the complex problem of sound transmission within buildings as well as noise isolation from the outside world.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Sound_converts_to_heat_graphic_480x480.jpg?v=1601568207\"\u003e\u003c\/p\u003e\n\u003cp\u003eIsoRafts simply attach to the side of studs and joists, followed by wood furring (or metal hat channel) and then drywall. Noise trying to get through the wall or floor is directed into the silicone core where the vibration friction converts the sound energy into a small measure of heat, killing the noise.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Patented_Vi-Bridge_Technology_480x480.jpg?v=1601568594\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/Vi-Bridge_graphic_IsoRaft_480x480.jpg?v=1601568197\"\u003e\u003c\/p\u003e\n\u003cp\u003eNoise is vibrational energy that travels in waves.\u003c\/p\u003e\n\u003cp\u003eThose waves collide with the surface of either the wall or floor\/ceiling.\u003c\/p\u003e\n\u003cp\u003eThe sound waves travel very efficiently through rigid materials (metal and wood). So, when noise collides it makes a line connection from the wall, through the stud\/joist, into the opposite wall.\u003c\/p\u003e\n\u003cp\u003eIsoRaft kills the transfer by decoupling the wall or floor\/ceiling assembly and provides a patented pathway for sound waves to travel and die.\u003c\/p\u003e","brand":"Studio Float","offers":[{"title":"Default Title","offer_id":42124448170234,"sku":"SCRTR","price":14.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Ceiling-2-Isoraft1-1024x1007.jpg?v=1638221590"},{"product_id":"ssl-the-bus-plus","title":"Solid State Logic SSL The Bus+ (Open Box)","description":"\u003cp\u003eIf there is a single piece of analogue processing equipment that is synonymous with SSL, it must be the SSL Bus Compressor. From the very first commercially released SSL 4000 B console in 1976 and through many generations of SSL consoles that have followed, the Bus Compressor has always been the stalwart of the console centre section.\u003c\/p\u003e\n\u003cp\u003eFor many of the world’s top engineers and producers, the Bus Compressor continues to be the most relied upon processing tool for making mixes sound bigger and more complete, with drive and energy from adding that legendary SSL glue and punch.  \u003c\/p\u003e\n\u003cp\u003eWith THE BUS+, Solid State Logic have been on a mission to create the ultimate and most versatile incarnation of the Bus Compressor ever. The bedrock of the design remains faithful to the original circuit and using this as the foundation, they’ve built upon it, adding several unique colouration options and advanced processing tools. If you need it to be clean and punchy like the SuperAnalogue\u003csup\u003eTM\u003c\/sup\u003e 9000 Series version, it can be. If you need it to be gritty and grungy like an early 4000E, it can do that also. Or if you need over-the-top, saturated parallel compression for the drums, THE BUS+ has got you covered.\u003c\/p\u003e\n\u003cp\u003eTHE BUS+ circuit design not only utilises high-grade components, such as the 2181 THAT VCAs in the audio path for superior analogue performance, it is also incredibly flexible, offering four modes of operation and 3 distinct compression colouration options that can be combined to perfectly suit the genre you’re working on. As if that wasn’t enough, THE BUS+ features an all-new Dynamic Equaliser, a Transient Expander and comprehensive connectivity and routing options.\u003c\/p\u003e\n\u003cp\u003eTHE BUS+ is the ultimate SSL Bus Compressor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eThe ultimate, most versatile incarnation of the Bus Compressor ever\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAuthentic SSL Bus Compressor circuit utilising high-performance 2181 THAT VCAs.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e4 modes of operation - Classic Stereo, S\/C Stereo, Dual Mono or Mid-Side.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNew Attack and Release time constant options - more flexibility to shape the Bus Compressor, including the new 'Auto 2' setting.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e3 distinct compression \u003cspan\u003ecolouration options, which can be combined or used individually:\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e4K Mode - single VCA operation with variable harmonic distortion to bring some 'grit' and 'grunge' to the mix.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLOW THD Mode reduces low-frequency distortion caused by compression, cleaning up the bottom-end.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eF\/B Mode alters the compression characteristics for a more 'relaxed' style of compression.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOutstanding sonic performance and stepped pots designed for mastering and precision processing applications. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBuilt-in 2-band Dynamic EQ (D-EQ). \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTransient Expander. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eConfigurable processing order - Bus Compressor pre D-EQ (default) or post.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eExternal side-chain inputs and sends.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVariable side-chain High-Pass Filter control up to 300 Hz in 10 Hz steps.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMix control for instant parallel compression.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Solid State Logic - SSL","offers":[{"title":"Default Title","offer_id":42657870086394,"sku":"729743X2","price":2799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/SolidStateLogicTheBusPlusFront.png?v=1650384947"},{"product_id":"ams-neve-genesys-g32-32-input-16-fader-console","title":"AMS Neve Genesys G32 (32 input, 16 fader) console","description":"\u003ch4\u003eFitted with;\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e16x digitally controllable\/recallable, analogue Neve 88R-style, 4-band EQ\u003c\/li\u003e\n\u003cli\u003e8x digitally controllable\/recallable, analogue Neve Dynamics\u003c\/li\u003e\n\u003cli\u003eEncore Automation\u003c\/li\u003e\n\u003cli\u003eTotal Recall software\u003c\/li\u003e\n\u003cli\u003eConsole stand\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\n\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003eAMS Neve Genesys G32\u003c\/strong\u003e\u003cem\u003e is a hybrid analog\/digital console that combines modular upgradeability with 16 channels of Neve 1073 mic pre\/line amplifiers, 16-channel DAW monitoring, total reset and total recall, motorized faders, Encore automation, remote preamp control and much more-G32 basic 16-channel, 32-input console\u003c\/em\u003e\n\u003c\/h4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eCheck out the new Genesys Control software, which gives full control and instant reset\/recall of all digital functionality of the console. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/genesys-control-software\"\u003ehttps:\/\/www.proaudiodesign.com\/products\/genesys-control-software\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003ePreceding the Genesys Black, but still in production, the AMS Neve Genesys was Neve's first answer to the multi-level convenience of digital technology as well as it's primary deficiency, which is the obvious lack of Neve's analog sound and full midrange. In creating the Genesys, Neve engineers were truly up against some serious hurdles. Control surfaces offer the advantage of modularity, which enables you to build the console as your business needs dictate. However, since the real world is analog, you need to create a hybrid system of analog I\/O and digital control. It's not unusual to see a digital workstation perpendicular to a large analog desk at one end, which means the monitor is firing into one ear. Along with taking up studio real estate, a hybrid system also requires a lot of complicated wiring and interface issues. In a nutshell, the prime directive for AMS Neve engineers was to create a console that combined the advantages of digital control and automation, modular upgradability, and of course, classic Neve analog sound-but also to make owning a Neve console a realistic prospect for smaller studios without compromising on sound quality. Or, in other words, the AMS Neve Genesys.        \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve Genesys G32-Just the Facts:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e16 channels of Neve 1073 mic pre\/line amplifiers\u003c\/li\u003e\n\u003cli\u003e16 channel DAW monitoring\u003c\/li\u003e\n\u003cli\u003eTotal Reset and Total Recall\u003c\/li\u003e\n\u003cli\u003eMotorized faders with Encore Automation\u003c\/li\u003e\n\u003cli\u003eRemote mic amp control\u003c\/li\u003e\n\u003cli\u003e6 aux sends (4 mono and 2 stereo)\u003c\/li\u003e\n\u003cli\u003e8 groups\u003c\/li\u003e\n\u003cli\u003e2 main outs\u003c\/li\u003e\n\u003cli\u003e4 effects returns\u003c\/li\u003e\n\u003cli\u003e16ch, 8t, 2t and monitor metering\u003c\/li\u003e\n\u003cli\u003e1 mixing and monitoring\u003c\/li\u003e\n\u003cli\u003e2 cue mixes\u003c\/li\u003e\n\u003cli\u003eFull talkback capability\u003c\/li\u003e\n\u003cli\u003eInternal PSU\u003c\/li\u003e\n\u003cli\u003eUSB stick store, load \u0026amp; reset\u003c\/li\u003e\n\u003cli\u003eHands-on DAW control for Pro Tools, etc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve Genesys G32-Beneath the Surface\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eGenesys, hand-built in AMS Neve's UK factory, combines superb analog design and true Neve preamp circuitry with hands-on DAW control and connectivity for Pro Tools, etc. In its basic 16-fader configuration you get 16 channels of 1073 mic\/line preamps, 16 channels of DAW mixing, 32-channel analog summing at mixdown, eight auxiliary buses, eight group buses, and 5.1 monitoring.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eModular and upgradable\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eBefore the Genesys arrived on the scene, analog consoles were commissioned to a fixed channel count. If you wanted to add preamps and faders, you needed to add a sidecar, such as the Neve BCM10\/2, which, in the case of the BCM, needed modification and added clutter. Modern control surfaces, since they don't pass audio, can be upgraded easily. However, it's a tricky thing to do with analog desks, but that didn't stop AMS Neve. The Genesys is also modular. As your business expands (and it surely will with Neve prominently displayed in your control room) so can your Genesys, all the way up to a 64-fader, 128-input big dog. Other options include upgrading to digitally controlled, analog Neve 1084 Classic EQs or 88R-style 4-band EQS, VCA-style digital control of analog dynamics, and Neve A\/D-D\/A converters for the monitoring section.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCustomize your workflow\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAnother advantage Genesys offers that is no longer the sole province of control surfaces is the ability to customize the control surface to suit the way you work, or, create custom workflows. Plus, there's that classic Neve look and feel to the controls. But don't let looks deceive you; they're ultra modern too. Every switch is “soft,” which enables benefits beyond merely letting you customize your setup. It also means every routing decision and every switch setting can be saved and instantaneously reset. Add the legendary sounding Neve analog EQ and optional dynamics cassettes and you can instantly recall these settings too. Just think of the reconfiguration time that saves when you're balancing multiple projects in your studio.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eWhat the pros are saying about the Neve Genesys \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e“I took a song I mixed on a different console, and I did a quick mix of it on the Genesys . . . I felt, apart from the time-consuming details, I had sonically beaten the other mix in almost a matter of minutes. The Genesys had what I was really hoping for, which is the stereo bus of the 88R from an audio standpoint it sounds the same to me. It sounded so much better than the console I'd originally mixed that song on.” \u003cstrong\u003eJohn O'Mahony-Grammy-nominated mixer and producer)\u003cem\u003e \u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“It's been an absolute pleasure using our 24-channel Genesys over the past year, both in terms of sonics, workflow via the DAW \u0026amp; taking advantage of the large format console options. Producers \u0026amp; engineers who come through 80 HERTZ comment on just how easy it is to integrate their computers with the console-without fuss! AMS Neve customer support is second to none of course, and we enjoy working with their R\u0026amp;D team, developing exciting new features based around our modern hybrid (analog and digital) work flows.”- \u003cstrong\u003eGeorge Atkins, \u003cem\u003eGrammy\u003c\/em\u003e-nominated mixer and producer \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“In my mind, the name Neve has always been synonymous with ‘musical.' Before mixing in the box was even feasible, a console was the center of every mix and a Neve console was always my favorite.”-\u003cstrong\u003eRuss Long, producer-engineer\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIt would be easy to call the AMS Neve Genesys a best-of-both-worlds solution, but in point of fact, it's a best of worlds as yet undiscovered. Start with the more affordable 16-fader configuration and work your way up to a 64-fader monster as the name “Neve” brings clients to your studio. For more information, call or chat online with your PAD Studio Integrator today.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/vm1jSdqyIio\" width=\"560\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/L2HCvF6vMnk\" width=\"560\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/f9qvMTIuuuE\" width=\"560\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMic Input (Electronically Balanced) to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise (EIN): \u0026lt;-127.5dBu (20Hz to 22kHz filter, 60dB gain, input terminated 150 ohm R)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Direct Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMix Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 20kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-80dBu (20Hz to 22kHz filter, 16 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to 8T Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.003% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter, no channel routed); \u0026lt;-87dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Aux Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.12dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter, no channel routed); \u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGeneral Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControl Room Output feed from Main Mix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+26dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-85dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInter-channel crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eMix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e8T Mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eAux Mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHeat dissipation \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16-channel console: \u0026lt; 500 watts\u003c\/li\u003e\n\u003cli\u003eEach 16-channel section: \u0026lt; 350 watts\u003c\/li\u003e\n\u003cli\u003ePower factor: \u0026gt;0.65\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVoltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput voltage range: 90 – 250 volts AC only, auto ranging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStandard 16 channel: 2.5 to 4 Amps RMS\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section: 1.5 – 3.0 Amps RMS\u003c\/li\u003e\n\u003cli\u003eSwitch-on surge: 10 amps for 7ms (average)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 38-3\/16\" \/ 970 mm to top of loudspeaker shelf\u003c\/li\u003e\n\u003cli\u003eFader height: 28-5\/16\" \/ 720 mm\u003c\/li\u003e\n\u003cli\u003eHeight Adjustment: 3\/8\" \/ +\/-10 mm\u003c\/li\u003e\n\u003cli\u003eWidth 16-channel console: 42-15\/16\" \/ 1090 mm\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section: 26-3\/8\" \/ 672 mm\u003c\/li\u003e\n\u003cli\u003eDepth: 35-13\/16\" \/ 910.5 mm (includes loudspeaker shelf)\u003c\/li\u003e\n\u003cli\u003eWeight 16-channel console and frame: 169.75 lb. \/ 77 kg\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section and frame: 132.27 lb. \/ 60 kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"Stock","offer_id":46863439331578,"sku":"Genesys G32-32-16","price":61950.0,"currency_code":"USD","in_stock":true},{"title":"Stock add Integrated AD\/DA Conversion","offer_id":46863439364346,"sku":"Genesys G32-32-17","price":70200.0,"currency_code":"USD","in_stock":true},{"title":"Stock with G3D Option","offer_id":47235714679034,"sku":"","price":80695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/b80a74d087cde3e583c867c854849ce0.webp?v=1672998686"},{"product_id":"ams-neve-genesys-g48-48-input-24-fader-base-console","title":"AMS Neve Genesys G48 (48 input, 24 fader) Base Console","description":"\u003ch4\u003eFitted with;\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e24x digitally controllable\/recallable, analogue Neve 88R-style, 4-band EQ\u003c\/li\u003e\n\u003cli\u003e8x digitally controllable\/recallable, analogue Neve Dynamics\u003c\/li\u003e\n\u003cli\u003eEncore Automation\u003c\/li\u003e\n\u003cli\u003eTotal Recall software\u003c\/li\u003e\n\u003cli\u003eConsole stand\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\n\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003eAMS Neve Genesys G48\u003c\/strong\u003e\u003cem\u003e is a hybrid analog\/digital console that combines modular upgradeability with 24 channels of Neve 1073 mic pre\/line amplifiers, 16-channel DAW monitoring, total reset and total recall, motorized faders, Encore automation, remote preamp control and much more-\u003c\/em\u003e\u003cstrong\u003e24-fader, 48-input console\u003c\/strong\u003e\n\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCheck out the new Genesys Control software, which gives full control and instant reset\/recall of all digital functionality of the console. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/genesys-control-software\"\u003ehttps:\/\/www.proaudiodesign.com\/products\/genesys-control-software\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003ePreceding the Genesys Black, but still in production, the AMS Neve Genesys was Neve's first answer to the multi-level convenience of digital technology as well as it's primary deficiency, which is the obvious lack of Neve's analog sound and full midrange. In creating the Genesys, Neve engineers were truly up against some serious hurdles. Control surfaces offer the advantage of modularity, which enables you to build the console as your business needs dictate. However, since the real world is analog, you need to create a hybrid system of analog I\/O and digital control. It's not unusual to see a digital workstation perpendicular to a large analog desk at one end, which means the monitor is firing into one ear. Along with taking up studio real estate, a hybrid system also requires a lot of complicated wiring and interface issues. In a nutshell, the prime directive for AMS Neve engineers was to create a console that combined the advantages of digital control and automation, modular upgradability, and of course, classic Neve analog sound-but also to make owning a Neve console a realistic prospect for smaller studios without compromising on sound quality. Or, in other words, the AMS Neve Genesys.        \u003c\/p\u003e\n\u003ch2\u003e \u003cstrong\u003eAMS Neve Genesys G48-Just the Facts:\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e24 channels of Neve 1073 mic pre\/line amplifiers\u003c\/li\u003e\n\u003cli\u003e24-channel DAW monitoring\u003c\/li\u003e\n\u003cli\u003eTotal Reset and Total Recall\u003c\/li\u003e\n\u003cli\u003eMotorized faders with Encore Automation\u003c\/li\u003e\n\u003cli\u003eRemote mic amp control\u003c\/li\u003e\n\u003cli\u003e6 aux sends (4 mono and 2 stereo)\u003c\/li\u003e\n\u003cli\u003e8 groups\u003c\/li\u003e\n\u003cli\u003e2 main outs\u003c\/li\u003e\n\u003cli\u003e4 effects returns\u003c\/li\u003e\n\u003cli\u003e24ch, 8t, 2t and monitor metering\u003c\/li\u003e\n\u003cli\u003e1 mixing and monitoring\u003c\/li\u003e\n\u003cli\u003e2 cue mixes\u003c\/li\u003e\n\u003cli\u003eFull talkback capability\u003c\/li\u003e\n\u003cli\u003eInternal PSU\u003c\/li\u003e\n\u003cli\u003eUSB stick store, load \u0026amp; reset\u003c\/li\u003e\n\u003cli\u003eHands-on DAW control for Pro Tools, etc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve Genesys G48-Beneath the Surface\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eGenesys, hand-built in AMS Neve's UK factory, combines superb analog design and true Neve preamp circuitry with hands-on DAW control and connectivity for Pro Tools, etc. In its basic 16-fader configuration you get 16 channels of 1073 mic\/line preamps, 16 channels of DAW mixing, 32-channel analog summing at mixdown, eight auxiliary buses, eight group buses, and 5.1 monitoring.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eModular and upgradable\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eBefore the Genesys arrived on the scene, analog consoles were commissioned to a fixed channel count. If you wanted to add preamps and faders, you needed to add a sidecar, such as the Neve BCM10\/2, which, in the case of the BCM, needed modification and added clutter. Modern control surfaces, since they don't pass audio, can be upgraded easily. However, it's a tricky thing to do with analog desks, but that didn't stop AMS Neve. The Genesys is also modular. As your business expands (and it surely will with Neve prominently displayed in your control room) so can your Genesys, all the way up to a 64-fader, 128-input big dog. Other options include upgrading to digitally controlled, analog Neve 1084 Classic EQs or 88R-style 4-band EQS, VCA-style digital control of analog dynamics, and Neve A\/D-D\/A converters for the monitoring section.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCustomize your workflow\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAnother advantage Genesys offers that is no longer the sole province of control surfaces is the ability to customize the control surface to suit the way you work, or, create custom workflows. Plus, there's that classic Neve look and feel to the controls. But don't let looks deceive you; they're ultra modern too. Every switch is “soft,” which enables benefits beyond merely letting you customize your setup. It also means every routing decision and every switch setting can be saved and instantaneously reset. Add the legendary sounding Neve analog EQ and optional dynamics cassettes and you can instantly recall these settings too. Just think of the reconfiguration time that saves when you're balancing multiple projects in your studio.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eWhat the pros are saying about the Neve Genesys \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e“I took a song I mixed on a different console, and I did a quick mix of it on the Genesys . . . I felt, apart from the time-consuming details, I had sonically beaten the other mix in almost a matter of minutes. The Genesys had what I was really hoping for, which is the stereo bus of the 88R from an audio standpoint it sounds the same to me. It sounded so much better than the console I'd originally mixed that song on.” \u003cstrong\u003eJohn O'Mahony-Grammy-nominated mixer and producer)\u003cem\u003e \u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“It's been an absolute pleasure using our 24-channel Genesys over the past year, both in terms of sonics, workflow via the DAW \u0026amp; taking advantage of the large format console options. Producers \u0026amp; engineers who come through 80 HERTZ comment on just how easy it is to integrate their computers with the console-without fuss! AMS Neve customer support is second to none of course, and we enjoy working with their R\u0026amp;D team, developing exciting new features based around our modern hybrid (analog and digital) work flows.”- \u003cstrong\u003eGeorge Atkins, \u003cem\u003eGrammy\u003c\/em\u003e-nominated mixer and producer \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“In my mind, the name Neve has always been synonymous with ‘musical.' Before mixing in the box was even feasible, a console was the center of every mix and a Neve console was always my favorite.”-\u003cstrong\u003eRuss Long, producer-engineer\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIt would be easy to call the AMS Neve Genesys a best-of-both-worlds solution, but in point of fact, it's a best of worlds as yet undiscovered. When you're ready to outfit you're A-room with the impressive G48, call or chat online with your PAD Studio Integrator today. \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/vm1jSdqyIio\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-md-6\"\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/L2HCvF6vMnk\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/f9qvMTIuuuE\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMic Input (Electronically Balanced) to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise (EIN): \u0026lt;-127.5dBu (20Hz to 22kHz filter, 60dB gain, input terminated 150 ohm R)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Insert Send\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.05dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input to Direct Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMix Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.1dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.001% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026lt;-90dBu (20Hz to 20kHz filter, no channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003cli\u003e\u0026lt;-80dBu (20Hz to 22kHz filter, 16 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to 8T Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.003% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-90dBu (20Hz to 22kHz filter, no channel routed); \u0026lt;-87dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDAW Return Input to Aux Mix Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+27dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.12dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-92dBu (20Hz to 22kHz filter, no channel routed); \u0026lt;-88dBu (20Hz to 22kHz filter, 1 channel routed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGeneral Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControl Room Output feed from Main Mix\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeadroom: \u0026gt;+26dBu @ 1kHz (\u0026lt;0.5% THD+N)\u003c\/li\u003e\n\u003cli\u003eFrequency response: Typically +\/- 0.15dB, 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eDistortion (THD+N): Typically 0.002% @ 1kHz (measured at +20dBu, 10Hz to 80kHz filter)\u003c\/li\u003e\n\u003cli\u003eNoise: \u0026lt;-85dBu (20Hz to 22kHz filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInter-channel crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eMix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003e8T Mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003cli\u003eAux Mix bus crosstalk: \u0026lt;100dBu @ 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHeat dissipation \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16-channel console: \u0026lt; 500 watts\u003c\/li\u003e\n\u003cli\u003eEach 16-channel section: \u0026lt; 350 watts\u003c\/li\u003e\n\u003cli\u003ePower factor: \u0026gt;0.65\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVoltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput voltage range: 90 – 250 volts AC only, auto ranging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStandard 16-channel: 2.5 to 4 Amps RMS\u003c\/li\u003e\n\u003cli\u003eEach 16-channel section: 1.5 – 3.0 Amps RMS\u003c\/li\u003e\n\u003cli\u003eSwitch-on surge: 10 amps for 7ms (average)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 38-3\/16\" \/ 970 mm to top of loudspeaker shelf\u003c\/li\u003e\n\u003cli\u003eFader height: 28-5\/16\" \/ 720 mm\u003c\/li\u003e\n\u003cli\u003eHeight Adjustment: 3\/8\" \/ +\/-10 mm\u003c\/li\u003e\n\u003cli\u003eWidth (24-fader console): 69-5\/16\" \/ 1760.5 mm\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section: 26-3\/8\" \/ 672 mm\u003c\/li\u003e\n\u003cli\u003eDepth: 35-13\/16\" \/ 910.5 mm (includes loudspeaker shelf)\u003c\/li\u003e\n\u003cli\u003eWeight: 169.75 lb. \/ 77 kg (Basic 16-fader configuration)\u003c\/li\u003e\n\u003cli\u003eEach 16 channel section and frame: 132.27 lb. \/ 60 kg\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":43857673814266,"sku":"AMS Neve Genesys G48","price":86800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/e067c19840c76c68b512b52d2242bca5.webp?v=1672998696"},{"product_id":"augspurger-mx-65-bundle-4-pcs","title":"Augspurger® MX-65 - Bundle 4 PCS","description":"\u003ch2\u003e\u003cstrong\u003eAugspurger® MinimaX MX-65 - Bundle 4 PCS\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv id=\"content\" class=\"site-content\"\u003e\n\u003cdiv data-elementor-type=\"wp-page\" data-elementor-id=\"1266\" class=\"elementor elementor-1266\" data-elementor-settings=\"[]\"\u003e\n\u003cdiv class=\"elementor-inner\"\u003e\n\u003cdiv class=\"elementor-section-wrap\"\u003e\n\u003csection data-particle_enable=\"false\" data-particle-mobile-disabled=\"false\" class=\"elementor-section elementor-top-section elementor-element elementor-element-82dc19a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"82dc19a\" data-element_type=\"section\" id=\"details\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-row\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2e9f5a8\" data-id=\"2e9f5a8\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-column-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-widget-wrap\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-6b21658 elementor-widget elementor-widget-heading\" data-id=\"6b21658\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cp class=\"elementor-widget-container\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eThe Augspurger® MinimaX MX-65 has been painstakingly designed to deliver legendary Augspurger clarity and power to near-field production and listening environments with a price of entry that will stop you in your tracks.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"elementor-widget-container\"\u003eFeaturing a newly developed patent-pending, solid maple rotatable MinimaX horn driven by a 99.97% pure beryllium diaphragm in a 1.4” compression driver, and paired with a specialized 6.5” high-power woofer to deliver true Augspurger monitoring experience in near-field environments.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-element_type=\"column\" data-id=\"f5a673c\" class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-f5a673c\"\u003e\n\u003cdiv class=\"elementor-column-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-widget-wrap\"\u003e\n\u003cdiv data-widget_type=\"icon-list.default\" data-element_type=\"widget\" data-id=\"c7c1794\" class=\"elementor-element elementor-element-c7c1794 elementor-icon-list--layout-traditional elementor-list-item-link-full_width elementor-widget elementor-widget-icon-list\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cul\u003e\n\u003cli\u003e70 x 110 degree horn, the same dispersion as our larger Augspurger® horns.\u003c\/li\u003e\n\u003cli\u003eRotatable for vertical or horizontal use.\u003c\/li\u003e\n\u003cli\u003eChoose from multiple amp configurations, including 2-way or 3-way active - with DSP.\u003c\/li\u003e\n\u003cli\u003ePerfect for “on the go” engineers who want Augspurger precision monitoring on every mix.\u003c\/li\u003e\n\u003cli\u003eAdd a pair of Augspurger® SUB 12 or 15 for full range 3-way performance.\u003c\/li\u003e\n\u003cli\u003eIdeal for Music, Post-production, Theatrical and fully Immersive applications.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eTechnical Specifications:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: \u003cspan data-mce-fragment=\"1\"\u003e15.75\"H x 9\"W x 9.25\"D (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e40.005 x 22.86 x 23.50 cm)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"gmail_signature\" dir=\"ltr\" data-mce-fragment=\"1\"\u003e\n\u003cdiv dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"elementor-icon-list-items\"\u003e\u003c\/ul\u003e\n\u003cul class=\"elementor-icon-list-items\"\u003e\u003c\/ul\u003e\n\u003cul class=\"elementor-icon-list-items\"\u003e\u003c\/ul\u003e\n\u003cul class=\"elementor-icon-list-items\"\u003e\u003c\/ul\u003e\n\u003cul class=\"elementor-icon-list-items\"\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Professional Audio Design, Inc","offers":[{"title":"Default Title","offer_id":45790798741754,"sku":null,"price":23800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/MX65whiteonwhite_2pair.3000W_bd12dcf7-aa7c-4a98-be7c-3943ee0d3e39.jpg?v=1714152893"},{"product_id":"augspurger-mx65-sub15-2-2-system-2-speakers-2-subs-2x-sxe3d-amps","title":"Augspurger® MX65 - Sub15 2.2 System 2 Speakers, 2 subs, 2x SXE3D Amps","description":"\u003ch2\u003e\u003cstrong\u003eAugspurger® MX65 - Sub15 2.2 System \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv class=\"site-content\" id=\"content\"\u003e\n\u003cdiv data-elementor-settings=\"[]\" class=\"elementor elementor-1266\" data-elementor-id=\"1266\" data-elementor-type=\"wp-page\"\u003e\n\u003cdiv class=\"elementor-inner\"\u003e\n\u003cdiv class=\"elementor-section-wrap\"\u003e\n\u003csection id=\"details\" data-element_type=\"section\" data-id=\"82dc19a\" class=\"elementor-section elementor-top-section elementor-element elementor-element-82dc19a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-particle-mobile-disabled=\"false\" data-particle_enable=\"false\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-row\"\u003e\n\u003cdiv data-element_type=\"column\" data-id=\"2e9f5a8\" class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2e9f5a8\"\u003e\n\u003cdiv class=\"elementor-column-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-widget-wrap\"\u003e\n\u003cdiv data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"6b21658\" class=\"elementor-element elementor-element-6b21658 elementor-widget elementor-widget-heading\"\u003e\n\u003cp class=\"elementor-widget-container\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eThe Augspurger® MX65 - Sub15 2.2 System has been painstakingly designed to deliver legendary Augspurger clarity and power to near-field production and listening environments with a price of entry that will stop you in your tracks.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"elementor-widget-container\"\u003eThe Augspurger® MX65 - Sub15 2.2 System offers an exceptional audio experience with its powerful speaker and subwoofer configuration. Meticulously designed for near-field production and listening environments, this system delivers legendary clarity and power.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e70 x 110 degree horn, the same dispersion as our larger Augspurger® horns.\u003c\/li\u003e\n\u003cli\u003eRotatable for vertical or horizontal use.\u003c\/li\u003e\n\u003cli\u003eIncludes 2 speakers and 2 subwoofers.\u003c\/li\u003e\n\u003cli\u003eComes with 2x SXE3D Amps for powerful performance.\u003c\/li\u003e\n\u003cli\u003ePerfect for “on the go” engineers who want Augspurger precision monitoring on every mix.\u003c\/li\u003e\n\u003cli\u003eIdeal for Music, Post-production, Theatrical, and fully Immersive applications.\u003c\/li\u003e\n\u003cli\u003eCustom Paint finishes available in any color, call for pricing details\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-f5a673c\" data-id=\"f5a673c\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-column-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-widget-wrap\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-c7c1794 elementor-icon-list--layout-traditional elementor-list-item-link-full_width elementor-widget elementor-widget-icon-list\" data-id=\"c7c1794\" data-element_type=\"widget\" data-widget_type=\"icon-list.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch3\u003e\u003cstrong\u003eTechnical Specifications:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMains: \u003cspan data-mce-fragment=\"1\"\u003e15.75\"H x 9\"W x 9.25\"D (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e40.005 x 22.86 x 23.50 cm)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv dir=\"ltr\" class=\"gmail_signature\" data-mce-fragment=\"1\"\u003e\n\u003cdiv dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eSubs: \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e26\"H x 21.5\"W x 20\"D (\u003cmeta charset=\"utf-8\"\u003e66.04 x 54.61 x 50.8 cm)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"elementor-icon-list-items\"\u003e\u003c\/ul\u003e\n\u003cul class=\"elementor-icon-list-items\"\u003e\u003c\/ul\u003e\n\u003cul class=\"elementor-icon-list-items\"\u003e\u003c\/ul\u003e\n\u003cul class=\"elementor-icon-list-items\"\u003e\u003c\/ul\u003e\n\u003cul class=\"elementor-icon-list-items\"\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Professional Audio Design, Inc","offers":[{"title":"Matte black (standard) \/ Yes","offer_id":46815141855482,"sku":null,"price":21000.0,"currency_code":"USD","in_stock":true},{"title":"Matte black (standard) \/ No","offer_id":46815141888250,"sku":null,"price":19500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/MX65-Sub15_PAIRglswht..1680_f7865d02-99d1-4cae-a22c-af0a9882e881.jpg?v=1712239963"},{"product_id":"sontronics-podcast-pro-black-friday-sale","title":"Sontronics Podcast Pro","description":"The Sontronics Podcast Pro is a dynamic microphone designed specifically for podcast, broadcast, radio gaming and voiceover applications. \u003cbr\u003e\u003cbr\u003eDesigned, developed and hand-built in the UK, the Podcast Pro has a tightly focused supercardioid pickup pattern, giving excellent clarity and depth with superb side rejection. With its three layers of internal protection and integrated fine-mesh pop filter, the Podcast Pro provides superb control of extraneous noise or rumble and helps control unwanted sibilance or plosives. This mic is guaranteed to give broadcast-quality professional results on any sung or spoken voice, whether you’re broadcasting from a professional radio studio or recording podcasts on the go or in a home set-up. \u003cbr\u003e\u003cbr\u003eEasy to set up and position, and compatible with any desktop or floor-standing mic stand, the Podcast Pro will plug straight into your interface, soundcard or mixer and be ready to go in seconds.\u003cbr\u003e\u003cbr\u003eAvailable in black or red, the Sontronics Podcast Pro is supplied with its angled yoke mount and the microphone is covered, like all Sontronics mics, by Sontronics’ unique Lifetime Warranty.\u003cbr\u003e\u003cbr\u003eWhether you’re recording for podcast, radio, voiceover or even capturing instruments, the Podcast Pro will deliver the best results, every time.\u003cbr\u003e\n\u003ch2\u003e\u003cstrong\u003eHIGHLIGHTS\u003c\/strong\u003e\u003c\/h2\u003e\n• Dynamic supercardioid microphone\u003cbr\u003e• Specifically designed for podcast, broadcast, radio, voiceover and gaming\u003cbr\u003e• Captures superb clarity and depth\u003cbr\u003e• Inner protection reduces noise and sibilance\u003cbr\u003e• Fitted with integrated pop filter\u003cbr\u003e• Available in black or brushed red\u003cbr\u003e• Covered by Lifetime Warranty\u003cbr\u003e\n\u003ch2\u003e\u003cstrong\u003eTECH SPECS\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone type: Dynamic\u003c\/li\u003e\n\u003cli\u003ePolar pattern: Supercardioid\u003c\/li\u003e\n\u003cli\u003eFrequency response: 50Hz – 15kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: -50dB ±2dB\u003c\/li\u003e\n\u003cli\u003eImpedance: ≤600 Ohms\u003c\/li\u003e\n\u003cli\u003eConnector: Three-pin XLR\u003c\/li\u003e\n\u003cli\u003ePower: Phantom power NOT required\u003c\/li\u003e\n\u003cli\u003eDimensions: 180 x 82 x 60mm\u003c\/li\u003e\n\u003cli\u003eWeight: 356g\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sontronics","offers":[{"title":"Black","offer_id":46900877394170,"sku":"PodcastPro-Bk","price":199.99,"currency_code":"USD","in_stock":true},{"title":"Red","offer_id":46900877426938,"sku":"PodcastPro-Rd","price":199.99,"currency_code":"USD","in_stock":true},{"title":"Green","offer_id":46900877459706,"sku":"SONT0004","price":199.99,"currency_code":"USD","in_stock":true},{"title":"Purple","offer_id":46900877492474,"sku":"SONT0005","price":199.99,"currency_code":"USD","in_stock":true},{"title":"Gold","offer_id":46900877525242,"sku":"SONT0006","price":199.99,"currency_code":"USD","in_stock":true},{"title":"Cosmic Grey","offer_id":46900877558010,"sku":"SONT0007","price":199.99,"currency_code":"USD","in_stock":true},{"title":"Blue","offer_id":46900877590778,"sku":"SONT0008","price":199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/sontronics_podcastpro_black_1.jpg?v=1579712775"},{"product_id":"jocavi-atp-coralreef-diffuser-panel-black-friday-special","title":"JOCAVI ATP CORALREEF Diffuser Panel","description":"\u003cp\u003eThe CORALREEF is a 3D controlled dispersion acoustic diffusion panel. It is made of high-density polystyrene and its finishing membrane provides it with the intended acoustic qualities.\u003c\/p\u003e\n\u003cp\u003eIts angular appearance gives dynamics to any space and provides a decorative effect and attractive combinations.\u003c\/p\u003e\n\u003cp\u003eThis acoustic panel is installed on ceilings and walls. Its low weight makes it the ideal product for use on false ceilings, on its own or alternated with flat modules when refinement and quality are required.\u003c\/p\u003e\n\u003cp\u003eThe calculation basis was the theoretical numerical sequence ratio of the primitive root, thus providing excellent results of sound diffusion in all directions. The depth factor is logarithmically varied, and it is, therefore, a three-dimension omnidirectional reflection panel. Due to its quite sinuous shape with deep recesses, as well as the raw material it is made of, this product also has a considerable associated absorption coefficient.\u003c\/p\u003e\n\u003cp\u003eIs the top model of ATP™ diffusers set.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eManufactured with High-Density EPS\u003c\/li\u003e\n\u003cli\u003eAverage diffusion: 0.68\/m\u003csup\u003e2\u003c\/sup\u003e [\u0026gt;500Hz;\u0026lt;5KHz]\u003c\/li\u003e\n\u003cli\u003eNRC: 0.28\/m\u003csup\u003e2\u003c\/sup\u003e [\u0026gt;100Hz;\u0026lt;5KHz]\u003c\/li\u003e\n\u003cli\u003eFire resistance: Euroclass B-s3,d1 (similar to old M1)\u003c\/li\u003e\n\u003cli\u003eFinished with an ecological paint\u003c\/li\u003e\n\u003cli\u003e100% recyclable.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTech drawings and Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/CORALREEF.jpg?v=1637853830\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eProduct Dimensions\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"text-align: center;\"\u003e \u003cstrong\u003eModel\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cstrong\u003eWidth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003eCOR060\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003e60 cm (23.62\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003e60 cm (23.62\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003e12 cm (4.7\")\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align: center;\"\u003e\u003cspan\u003e1.9 kg (4.2 lbs)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbsorption Coefficients\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/CORALREEF1.png?v=1637853933\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColors and Finishings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEPS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/ARCHTRAP1.jpg?v=1637143254\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"JOCAVI","offers":[{"title":"Blue","offer_id":46901667168506,"sku":"COR063","price":224.3,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":46901667070202,"sku":"COR060","price":224.3,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/cor.png?v=1634802630"},{"product_id":"augspurger-duo-8-sub212-sxe3-3500-system-bundle","title":"Augspurger® DUO 8 Sub212-SXE3\/3500 System Bundle","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eActive main monitor System with dual 8\" drivers and MF horn, \u003cspan style=\"color: #000000;\"\u003eplus 2X212 Sub, priced per PAIR\u003c\/span\u003e \u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe TEC Award-nominated \u003cstrong\u003eAugspurger® Duo 8 MiniMain\u003c\/strong\u003e has quickly won-over top producers and artists with its stunning sound and a footprint of only 16”w X 17”d. It's a size breakthrough and game-changer in the world of main monitors. Augspurger's® next generation MF horn and free-standing design allows any room to have the sonic power, precision and performance that the Augspurger® name is famous for. Like all Augspurger® systems, the Duo 8 is an astonishingly accurate and natural sounding monitor, delivering a visceral, enveloping experience. You don't just hear the music, you feel it!\u003c\/p\u003e\n\u003cp\u003eAugspurger's® advanced DSP tuning software puts crossover, phase, and EQ at your fingertips. Experience the Duo 8 MiniMain and you'll discover it is the ideal all-around studio monitor for tracking, mixing and mastering. Duo 8 is a true main monitor in the size of a midfield, expertly hand-crafted in the USA.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHREE WAY SYSTEM with:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e (2) Two way main monitor cabinets loaded with two 8” MF\/LF drivers and one 4’’ high compression driver with beryllium diaphragm on an Augspurger designed solid maple MF (MidFocus) horn. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(2) S212-D8 Subwoofer cabinets each with dual 12” LF driver. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(2) SXE-3D THREE way networkable Class D amplifiers (2500W, 1000W \u0026amp; 250W) with Active DSP providing crossover, limiting, driver alignment and system equalization \u0026amp; control software, rack mounted 2U.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e(4). 15' Augspurger Cables\u003c\/p\u003e\n\u003cp\u003e(1)    Rack Panel with Network Switch\u003c\/p\u003e\n\u003cp\u003e(8).   Subwoofer Decouplers\u003c\/p\u003e\n\u003cp\u003e(8).    Monitor Decouplers\u003c\/p\u003e\n\u003cp\u003e(1).    RemoteTune remote tuning session\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e     \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMAINS -\u003c\/strong\u003e 26”H x 16”W x 13.625”D (66.04 x 40.64 x 34.61 cm)\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSUBS -\u003c\/strong\u003e 35” H x 18\" W x 20” D \/ 88.9 x 45.72 x 50.8 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e                        \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003cem\u003eThe speakers come standard in a matte black finish. Custom high gloss automotive paint finishes are available in any color to complement your room decor. Call for custom paint pricing.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePlease note that the prices of Augspurger® products may vary based on color\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Augspurger","offers":[{"title":"Default Title","offer_id":46917756092666,"sku":"D8-S212 SXE3Bundle","price":29500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Duo8-S212_480Sqw-amps_SelenGray_StarIsland.jpg?v=1683912294"}],"url":"https:\/\/www.proaudiodesign.com\/collections\/namm.oembed?page=3","provider":"Professional Audio Design, Inc","version":"1.0","type":"link"}