{"title":"Featured","description":"","products":[{"product_id":"auralex-b24-pro-panels-2-x4-x1-panels","title":"Auralex B224 Pro Panels - 2\"x2'x4' panels\"","description":"\u003cp\u003e\u003cspan\u003eAuralex ProPanels™ are high-quality, fabric-covered acoustical absorbers, designed to reduce unwanted room reflections, slapback and flutter echoes. ProPanels™ have a specialized fiberglass core and neatly hardened edges for a crisp look. From stock 2″x2’x2’ and 2″x2’x4’ panels for small room environments, to custom 2″x4’x8’ panels that enable full-frequency control in larger spaces, ProPanels™ provide top-shelf appearance and performance that is unmatched.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"elementor-text-editor elementor-clearfix\"\u003e\n\u003cp\u003e\u003cspan\u003eFor additional low-end control, use our ProPanel™ Corner Traps (M224). For a simple, full room solution, be sure to view the ProPanel™ ProKits™. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll components of ProPanels™ meet the Class A Fire Rating per ASTM E-84, making them the perfect choice for use in areas with strict fire codes. Standard wall mounting hardware is included with all panels for easy installation. Auralex Application Specialists are always available to assist you with any questions you may have regarding the specification, selection, or implementation of any ProPanel™ product.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cu\u003e\u003cstrong\u003eTechnical Details:\u003c\/strong\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eFabric Wrapped Acoustical Absorption Panels\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAvailable as Wall or Ceiling Panels\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReduce Unwanted Acoustical Reflections\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTame Chaotic Reverberation\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eImprove Speech Intelligibility\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommercial and Residential Applications\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eChoose from A Wide Variety of Shapes, Sizes and Fabrics\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCustom Options Available\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAll Components Class A Fire Rated: ASTM E-84*\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Auralex Acoustics","offers":[{"title":"Birch","offer_id":44164405985530,"sku":"B224BIR","price":178.99,"currency_code":"USD","in_stock":true},{"title":"Black Suede","offer_id":44164406018298,"sku":"B224BLK_SS","price":178.99,"currency_code":"USD","in_stock":true},{"title":"Brown Suede","offer_id":44164406051066,"sku":"B224BRO_SS","price":178.99,"currency_code":"USD","in_stock":true},{"title":"Goose","offer_id":44164406083834,"sku":"B224GOO","price":178.99,"currency_code":"USD","in_stock":true},{"title":"Obsidian","offer_id":1539894542354,"sku":"B224OBS","price":178.99,"currency_code":"USD","in_stock":true},{"title":"Onyx","offer_id":44164406116602,"sku":"B224ONY","price":178.99,"currency_code":"USD","in_stock":true},{"title":"Petoskey","offer_id":1539894509586,"sku":"B224PET","price":178.99,"currency_code":"USD","in_stock":true},{"title":"Quarry","offer_id":44164406149370,"sku":"B224QUA","price":178.99,"currency_code":"USD","in_stock":true},{"title":"Red Suede","offer_id":44164406182138,"sku":"B224RED_SS","price":178.99,"currency_code":"USD","in_stock":true},{"title":"Slate","offer_id":44164406214906,"sku":"B224SLA","price":178.99,"currency_code":"USD","in_stock":true},{"title":"Sandstone","offer_id":1539894378514,"sku":"B224SST","price":178.99,"currency_code":"USD","in_stock":true},{"title":"Tan Suede","offer_id":44164406247674,"sku":"B224TAN_SS","price":178.99,"currency_code":"USD","in_stock":true},{"title":"Wolf","offer_id":44164406280442,"sku":"B224WOL","price":178.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/B224-Poppy.jpg?v=1571498727"},{"product_id":"a-designs-em-peq","title":"A-Designs EM-PEQ","description":"\u003cp\u003eAlong with modern performance enhancements, the A-Designs Audio EM-PEQ meticulously maintains the EQ-section design and control layout of the original Pultec EQP-1A, as well as its wonderfully smooth musicality. It also has the same frequency settings and inductors that made the Pultec a must-have for capturing the bottom end. Makeup amplification is achieved through the use of the same discrete Class AB amplifier found in A-Designs Audio’s immensely popular solid-state Pacifica mic preamp—putting a slightly unique and modern twist on the classic design of yesteryear.\u003c\/p\u003e\n\u003cp\u003eThe EM-PEQ’s controls attenuate high band at 5k, 10k, 20kHz; vary bandwidth AND boost mid to high band at 3k, 4k, 5k, 6k, 10k, 12k, 16kHz; and boost or attenuate the low band at 20Hz, 30Hz, 60Hz, or 100Hz. Boost and attenuation range from 0dB to ±10dB.\u003c\/p\u003e\n\u003cp\u003eAdditional features of the EM-PEQ include a nickel-core output transformer, gold Grayhill rotary switches, Wima caps, and a true hard-wired bypass. Plus, instead of using common off-the-shelf chokes, A-Designs uses a custom tapped inductor, wound to the original values as the original Pultec. Along with the classic EQ circuitry, layout, and exceptionally musical sound of the classic Pultec, the EM-PEQ offers fully balanced, noise-free performance and modern impedance specs for easy operation and fast studio integration.\u003c\/p\u003e\n\u003cp\u003eIn the world of pro audio recording, there are two types of equalizers: those that you don’t want to hear in action (“surgical or corrective EQ), and those that you do (“color, or character” EQ). The EM-PEQ is one you most definitely do. Unlike any other 500-Series equalizer, the A-Designs EM-PEQ sits on the extreme end of the “character” bench. It focuses on “correcting” that which cannot be fixed by so-called surgical EQs: the enhancement of tone and musicality.\u003c\/p\u003e\n\u003cp\u003eThe EM-PEQ is also available as the EM-EQ2, a 2-channel, 2U rackmount version offered at the same price as two EM-PEQs and a 500HR power rack. Whether you prefer to work with the 500-Series form factor or standard rackmount format, both the EM-PEQ and EM-EQ2 are identical in both sound quality and functionality.\u003c\/p\u003e\n\u003ch2\u003eEM-PEQ Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eThe first and only Pultec-style equalizer in the 500-Series format\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThree-band EQ with the same control layout as original Pultec\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFully balanced, noise-free performance and modern impedance specs\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSame frequency settings and inductors as original Pultec make it a must-have for capturing bottom end\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExcels at tracking, mixing and mastering—a truly magical EQ!\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePerfectly compatible with API lunchbox (or A-Designs 500HR rack)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrue hard-wired bypass\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eA-Designs proprietary-wound tapped Inductor\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eA-Designs proprietary nickel alloy output transformer\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eQuick and easy studio integration\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWima capacitors\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"A-Designs","offers":[{"title":"Default Title","offer_id":7054619077,"sku":"ADes_EMPEQ","price":1100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/0b8e920b90480059624873d654e41874.png?v=1571498727"},{"product_id":"a-designs-reddi-v2","title":"A-Designs REDDI v2 - Dual Mono Tube Direct Box 19” Rack Mount","description":"\u003cp data-mce-fragment=\"1\"\u003eThe number of A-Designs REDDI's in use on stages and studios all over the world is nothing short of staggering.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eQuite simply, there is no better sounding way to convert an instrument, or line level signal, to XLR.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe same tone and sound from the REDDI is now available in a dual mono 2RU rack mount version.  Designed with the help of top studio engineers and bass players, REDDI-v2 has been widely praised by engineers and musicians all over the world as the best-sounding DI solution on the market today.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is important to note that the REDDI-v2 is not a high-gain device! Its gain structure has been painstakingly engineered to avoid the slightest compromise in sound quality. Inspired by the glorious sound of the Ampeg B-15 tube bass amp, the REDDI-v2 6N1-P tube-driven amplifier feeds signal directly into a hefty custom output transformer by Cinemag – a key component to providing a harmonically rich tone. The REDDI-v2's extremely wide frequency range (20Hz to 60kHz) prevents in-band phase shift, resulting in outstanding detail and realism. Another major benefit of its wide bandwidth is the prevention of LF phase shift by maintaining a linear response extending below the audible bass range, ensuring a full, natural sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe REDDI-v2's distinctive bright red steel chassis sports two front-panel Neutrik XLR\/1\/4” combo input jacks, two balanced XLR outputs, and two 1\/4” thru-puts, for sending signal to a bass amp – not only useful for live applications, but also for simultaneously recording direct and miked amp tracks in the studio.  A 0-16dB-Level control and a Red LED power indicator complete the front panel controls. The back panel contains a heavy-duty toggle switch for ground lift, along with the IEC power outlet.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe REDDI-v2's all-tube circuitry will enhance the character of any electrified instrument that runs through it -- not just bass -- but stereo keyboards, as well. Plug the pickup of an acoustic guitar through REDDI-v2 to add depth and fullness to its tone.  Capture and improve all the richness and life of an electric piano or analog synthesizer. Warm up sterile sounding digital keyboards or drum machines by strapping a REDDI-v2 across their outputs – for stereo!  The uses are endless.\u003c\/p\u003e","brand":"A-Designs","offers":[{"title":"Default Title","offer_id":7054633797,"sku":"REDDI v2","price":1550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/reddi-v2thumb.jpg?v=1652165349"},{"product_id":"a-designs-p-1","title":"A-Designs P-1","description":"\u003cp\u003eThe P-1 has the highest fidelity of all the A-Designs Audio 500 preamps, capturing the mojo of its older and larger sibling, the extremely popular Pacifica. While not an exact replica, it sounds as close to Pacifica as is possible for its smaller size. It has a big low end, slightly forward midrange, and extended highs. If you’re a fan of Quad Eight or API, you’ll love the A-Designs Audio P-1.\u003c\/p\u003e\n\u003cp\u003eThe P-1 shines on vocals, instruments, room mics, piano, and on instruments with sharp transients, such as drums and various percussion instruments. And if you’re building a lunchbox with drum recording in mind, a pair of P-1s is a superb choice for overheads when you want to capture the entire kit along with the sizzle of the cymbals.\u003c\/p\u003e\n\u003ch2\u003eP-1 Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e-20dB Pad\u003c\/li\u003e\n\u003cli\u003ePhase\u003c\/li\u003e\n\u003cli\u003e48v Phantom\u003c\/li\u003e\n\u003cli\u003eCast aluminum knob\u003c\/li\u003e\n\u003cli\u003eThumb Screws (for easy install and un-install)\u003c\/li\u003e\n\u003cli\u003eSolid construction\u003c\/li\u003e\n\u003cli\u003eCustom Wound Transformers (input and output)\u003c\/li\u003e\n\u003cli\u003eOriginal Design (no CLONES)\u003c\/li\u003e\n\u003cli\u003eRed LED indicator for Phantom power\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"A-Designs","offers":[{"title":"Default Title","offer_id":7054678917,"sku":"ADes_P1","price":900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/894f40bc9796ac57faad775ad6b0db5c.png?v=1571498727"},{"product_id":"a-designs-reddi","title":"A-Designs REDDI Tube Direct Box","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eA bold statement, yes, but one of many just like it said of The  A-Design’s Audio REDDI all-tube DI by an ever increasing number of  professional bassists and recording professionals (see below). Designed  and built by former career studio bassists, the REDDI has been hailed by  engineer and bassist alike as the best-sounding DI around. Inspired by  the glorious sound of the Ampeg B-15 tube bass amp, its 6N1-P  tube-driven amplifier feeds signal directly into a hefty custom output  transformer, which is key to providing a harmonically rich tone. Its  wide-bandwidth design from 20Hz to 60kHz reduces in-band phase shift,  which results in greater detail and realism in the audible spectrum.  Another big plus of its wide-bandwidth design is the prevention of LF  phase shifts by maintaining a linear response extending below the  audible bass range, which is the secret to achieving a big, full sound.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eComplementing its distinctive bright red steel chassis, the A-Designs  Audio REDDI has a front-panel Neutrik XLR\/1\/4″ combo input jack,  balanced XLR output, and a 1\/4″ thru-put, for those who desire the  reassurance of sending signal to a bass amp (before they wind up  discarding the miked track and go with the REDDI track alone). There is  also a 0-16dB-gain control on the front panel as well. Take note, the  REDDI is not a high-gain device. Gain has been carefully designed and  controlled in order to avoid the slightest compromise to sound quality.  Finishing up the front panel is an extremely bright blue LED power  indicator. The exceptional brightness of the LED was intentionally  provided for easy visual confirmation that the REDDI is powered on, and  also to temporarily blind annoying A\u0026amp;R reps lingering in the control  room. On the back panel are toggle switches for power and ground lift,  along with the REDDI’s IEC power connector.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eNot just for bass, the REDDI’s all-tube circuitry can enhance the  character of any instrument run through it; with an airy top end to go  with the full, rich mids and bass it also imparts. That’s why  Grammy-winning producer Ted Perlman (Chicago, Bob Dylan, Burt Bacharach,  Elton John) runs all his guitars through the REDDI. And as long as  we’re on the subject, the ever-increasing list of world-class bassists  and engineers who rely on the REDDI includes notable bass players, such  as Reggie Hamilton, Justin Meldal-Johnsen, Viktor Krauss, Jamiroquai’s  Paul Turner, Steve Bailey, Don Boyette, Carlitos del Puerto, and Millard  Powers of Counting Crows; along with producer-engineers such as Tony  Sheppard, Dylan Dresdow, Ross Hogarth, Billy Bush, Ronan Chris Murphy,  and Russ Long.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\u003cstrong\u003e\u003cspan style=\"color: #800000;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eREDDI Features:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cem\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eAll-tube direct box with custom output transformer\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e Ultra wide frequency range (20Hz-60kHz)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e Neutrik input connector, balanced XLR out, and 1\/4″ thru jack \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eInspired by the Ampeg B-15\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e Clean and airy high end, warmth, transparency, and ultra high-quality sound \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eLevel control \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eGround lift \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eUltra bright blue LED on\/off lamp\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e Zero-feedback loop design \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eMassive, custom-wound transformers\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003e 6NI-P tube \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eLow-Z, transformer-balanced output\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003e\u003cstrong\u003e\u003cspan style=\"color: #800000;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eREDDI Specifications:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eFrequency Response 20Hz – 60kHz\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eInput impedance: 1M ohm\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eGain range: 16dB\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eNoise (EIN): -126dB\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eOutput impedance: 600 ohm\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eMaximum level: +22dBu\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eDistortion THD: \u0026gt; .08 @ 1kHz\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003ePower Requirements: 100\/120\/230VAC – 42W\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eDimensions (W x H x D) 3-1\/2″ x 3-1\/2″ x 14-1\/2″\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: x-small;\"\u003e\u003cspan style=\"font-family: arial,helvetica,sans-serif;\"\u003eWeight 10 lb. (4.54 kg.)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"A-Designs","offers":[{"title":"Default Title","offer_id":7054689093,"sku":"ADes_REDDI","price":950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/eaaea8bc270f245f38498b77f5214428.png?v=1571498727"},{"product_id":"akg-c414-xl-ii","title":"AKG C414-XL II","description":"From the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C 414 multi-pattern condenser microphone needs little introduction. There are few microphones that are as widely accepted as a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C 414 as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C 414 XL II this famous line. \n\u003cdiv id=\"video-gallery\" style=\"margin: 20px auto; max-width: 800px; overflow: hidden; color: #444444; font-family: 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; line-height: 19.239999771118164px; background: #000000;\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe C 414 XL II (the successor of the famous C 414 B-TL II) differs from the C 414 XLS by offering a slight presence boost and by providing the spatial reproduction capability of the legendary AKG C 12 microphone. This characteristic response and spatial detailing makes lead vocals and solo instruments stand out, even in a densely packed mix. This signature up-front sound is also excellent for distant miking applications making the C 414 XL II ideal for classic music recording or drum ambience miking. And because of its 9-pattern design, leading-edge technology, state-of-the-art components, and reference-quality results, the AKG C 414 XL II ushers in a new standard in microphone versatility.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe C414 XL II offers nine pickup patterns which enable you to choose the perfect setting for every application. In addition to the five patterns traditionally offered by the C 414 (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure eight), you also get four intermediate settings that let you dial in the best pattern to suite your environment. It also features an astoundingly low noise floor and a 152dB dynamic range, making the C 414 XL II ideal for any musical environment. A locking mode allows you to disable all of the C 414 XL II's controls for live-sound applications and permanent installations, and a special \"Peak Hold\" LED displays even shortest overload peaks.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Single Mic","offer_id":7054763141,"sku":"C414-XL II","price":1099.0,"currency_code":"USD","in_stock":true},{"title":"Stereo pair","offer_id":28466595346,"sku":"C414-XL II-MP","price":2825.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/d6796eae8dad11ff138dc3039b6685a1.jpeg?v=1571498728"},{"product_id":"akg-c414-xls","title":"AKG C414-XLS","description":"\u003cp style=\"font-family: 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; margin: 10px 0px; color: #444444; font-size: 13px; line-height: 19.239999771118164px;\"\u003eFrom the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C 414 multi-pattern condenser microphone needs little introduction. There are few microphones that are as widely accepted as a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C 414 as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C 414 XLS this famous line.\u003c\/p\u003e\n\u003cp style=\"font-family: 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; margin: 10px 0px; color: #444444; font-size: 13px; line-height: 19.239999771118164px;\"\u003eThe C 414 XLS is an astonishing microphone. Engineered for highest linearity and neutral sound, it maintains the reliable sonic character of the legendary C 414 B-ULS (the longest-lived C 414 model) while introducing some astonishing new features. The 5-pattern C 414 has been one of the most universal and versatile large diaphragm microphone for decades — widely used for accurate, exquisitely detailed pickup of acoustic instruments. Now, the C 414 XLS sets a new benchmark in microphone versatility by introducing a 9-pattern design, while achieving reference-quality results through leading-edge technology and state-of-the-art components.\u003c\/p\u003e\n\u003cp style=\"font-family: 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; margin: 10px 0px; color: #444444; font-size: 13px; line-height: 19.239999771118164px;\"\u003eThe C 414 XLS offers nine pickup patterns which enable you to choose the perfect setting for every application. In addition to the five patterns traditionally offered by the C 414 (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure eight), you also get four intermediate settings that let you dial in the best pattern to suite your environment. It also features an astoundingly low noise floor and a 152dB dynamic range, making the C 414 XLS ideal for any musical environment. A locking mode allows you to disable all of the C 414 XLS's controls for live-sound applications and permanent installations, and a special \"Peak Hold\" LED displays even shortest overload peaks.\u003c\/p\u003e\n\u003cp style=\"font-family: 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; margin: 10px 0px; color: #444444; font-size: 13px; line-height: 19.239999771118164px;\"\u003e\u003cstrong\u003eAKG C 414 XLS Multi-pattern Condenser Microphone Features at a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"list-style: none; margin: 0px; padding: 0px; color: #444444; font-family: 'Helvetica Neue', Helvetica, Arial, 'Lucida Grande', sans-serif; font-size: 13px; line-height: 19.239999771118164px;\"\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eOmni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eLock Mode disables all controls easily for live and installation use\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eIncredible Dynamic Range of 152 dB\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eThree different bass cut filters and three pre-attenuation levels\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003ePeak Hold LED even detects shortest overload peaks\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eIncludes carrying case, pop filter, windscreen, and spider-type shock mount\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eFrequency range: 20 to 20 000 Hz\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eSensitivity: 20 mV\/Pa (-34 dBV) +\/- 0.5 dB\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eMax. SPL: 200\/400\/800\/1600 Pa = 140\/146\/152\/158 dB (0\/-6\/-12\/-18 dB) for 0.5% THD\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eEquivalent noise level: 6 dB-A (0 dB preattenuation) (IEC 60268-4)\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eSignal\/noise ratio: 88 dB\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003ePreattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchable\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eBass cut filter slope: 12 dB\/octave at 40 Hz and 80 Hz; 6 dB\/octave at 160 Hz\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eImpedance:\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eRecommended load impedance: \u0026gt;= 2,200 ohms\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eSupply voltage: 48 V phantom power to DIN\/IEC\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003ePowering: approximately 4 mA\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eConnector: 3-pin XLR to IEC\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eDimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; padding: 6px 10px 6px 16px; position: relative; text-align: left;\"\u003eNet weight: 300g (10.6oz.)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Single Mic","offer_id":7054810693,"sku":"C414-XLS","price":1319.0,"currency_code":"USD","in_stock":true},{"title":"Stereo Pair","offer_id":28467091858,"sku":"C414-XLS-MP","price":2825.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/bc6bdf81e29557e9e5af37cb979bf4c6.jpeg?v=1571498728"},{"product_id":"akg-d112","title":"AKG D112 MKII","description":"\u003cp\u003eThe D112 MkII professional dynamic bass drum microphone features a new integrated flexible mount, while retaining all the sonic strengths that have made it's predecessor the industry-standard. Over the years the D112 has earned a well-deserved reputation as one of the best bass drum microphones ever made, for its high SPL capability, punchy EQ and bulletproof construction.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cbr\u003eThe D112 MkII can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 MkII is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 MkII features an integrated hum-compensation coil that keeps noise to an absolute minimum. \u003cbr\u003e\u003cbr\u003eIn addition to being an exceptional bass drum mic on stage and in the studio, the D112 MkII is an excellent choice for miking electric bass cabinets and trombones.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eIntegrated flexible mount\u003c\/strong\u003e\u003cbr\u003emakes it even more versatile\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass resonance volume chamber\u003c\/strong\u003e\u003cbr\u003efor unique, punchy sound\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarge diaphragm dynamic microphone\u003c\/strong\u003e\u003cbr\u003edelivers accurate low frequencies\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntegrated hum-compensation coil\u003c\/strong\u003e\u003cbr\u003ekeeps noise to an absolute minimum\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIndustry benchmark for bass drum microphone\u003c\/strong\u003e\u003cbr\u003eused on stages worldwide for over 30 years\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":7054847749,"sku":"D112","price":259.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/D112MKII_schraegeAufsicht_white.jpg?v=1571498728"},{"product_id":"akg-k240-mkii","title":"AKG K240 MKII","description":"\u003cdiv\u003eThe K240 MKII professional over-ear, semi-open headphones are a long-time standard in studios, in orchestras and on stages around the world. Its advanced Varimotion 30 mm XXL transducers deliver solid low end, accurate mids and crystal-clear highs. The semi-open design provides the airiness of open headphones with the powerful bass response of closed designs.\u003cbr\u003e\u003cbr\u003eFor more than three decades, professional engineers and musicians have made the K240 the most widely used headphones in studios and at live consoles around the world.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eOver-ear design\u003c\/strong\u003e\u003cbr\u003efor comfort during long work sessions\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSemi-open technology\u003c\/strong\u003e\u003cbr\u003efor solid bass and airy highs\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePatented Varimotion 30 mm XXL transducer\u003c\/strong\u003e\u003cbr\u003efor accurate signal transfer and great dynamic range\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelf-adjusting headband\u003c\/strong\u003e\u003cbr\u003efor optimum fit\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe choice of professionals around the world\u003c\/strong\u003e\u003cbr\u003estage and studio standard for more than two decades\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":7054868421,"sku":"K240 MKII","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/MKII.png?v=1571498728"},{"product_id":"akg-k271-mkii","title":"AKG K271 MKII","description":"\u003cdiv\u003eThe K271 MKIIs are professional over-ear headphones for studio and live use. They combine the comfort of an over-the-ear design and the benefits of closed-back technology for best possible sound reproduction. The sealed design ensures low signal bleeding into microphones in the studio and maximum isolation for live mixing applications.\u003cbr\u003e\u003cbr\u003eThe K271 MKIIs feature a switch in the headband that mutes the audio just as soon as the headphones are taken off. They provide a professional mini XLR connector for quick replacement of the cable. The package includes a 3m (10ft) straight and 5m (16ft) coiled cable.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eOver-ear design\u003c\/strong\u003e\u003cbr\u003emaximum wearing comfort for long work sessions\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvanced closed technology\u003c\/strong\u003e\u003cbr\u003efor high noise insulation, best possible sound reproduction\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuto-mute feature\u003c\/strong\u003e\u003cbr\u003emutes headphones when they are taken off\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSealed design with lowest signal bleeding\u003c\/strong\u003e\u003cbr\u003efor vocal and instrument recordings without unwanted spill\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelf-adjusting headband\u003c\/strong\u003e\u003cbr\u003efor optimum fit and ease of use\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":7054880517,"sku":"K271 MKII","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/MKII_1.png?v=1571498728"},{"product_id":"akg-k701","title":"AKG K701","description":"\u003cdiv\u003eWhether you prefer the holistic approach or like to listen analytically, the K 701 will turn perception into pure enjoyment. AKG is the first manufacturer in the world to use revolutionary flat-wire technology in headphones, namely the K 701. The result is a truly dramatic sound that places every musician at his or her correct location with pinpoint accuracy. This kind of agility and spaciousness in addition to brilliant highs and velvety, punchy bass is simply miraculous. These superlative open-back dynamic headphones provide an outstanding accurate sound and excellent imaging. Try the K 701 and find out what ingenious headphone engineering can do for you.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eRevolutionary flat-wire voice coil technology\u003c\/strong\u003e\u003cbr\u003efor extremely accurate sound and transient response\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePatented Varimotion two-layer diaphragm\u003c\/strong\u003e\u003cbr\u003efor sparkling highs and accurate bass response\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComfortable, specially shaped “3D-form” ear pads\u003c\/strong\u003e\u003cbr\u003efor perfect fit\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePadded genuine-leather headband\u003c\/strong\u003e\u003cbr\u003eIndividually tested and numbered\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":7054893253,"sku":"K701","price":549.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/861847987a16827044c4503a96a2c20f.jpeg?v=1571498728"},{"product_id":"ams-neve-1073n","title":"AMS Neve 1073N","description":"\u003ch4\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eAMS Neve 1073N\u003c\/strong\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e retains the modular design and retrofit capabilities of the 1073 and adds standalone functionality with DI input, I\/O connectors for mics and other equipment, phantom power, and power supply.\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe AMS Neve 1073N preamp\/EQ is built to the exact specifications and sonics of the original, and like the modular 1073, it can retrofit into an 80-series console or AMS Neve power rack. However, it has the unique ability to function in standalone, thanks to integrated I\/O, DI, phantom power, and power supply. The 1073N gives you the unique ability to not only have the signature sound of the 1073, but also enables you to start with a preamp and add the vintage 80-series Neve console to it later-kind of like buying a bell and waiting until you can afford the bicycle to go under it. Considered by numerous engineers and producers to typify the sound of Neve for all time, the 1073N mic pre and EQ combination adds warmth and depth to recordings, brings out subtle ambience, maintains spatial positioning, and captures a more precise image*.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 1073N-Just the Facts\u003c\/b\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eClassic transformer microphone preamp amp (Class A design) with integral DI input and phantom power\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eExclusive Neve Marinair™ transformers used on input and output stages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e3 EQ bands and high-pass filter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eCan be used as a standalone module or inserted into a compatible rack or console\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eMic \u0026amp; Line inputs are transformer balanced and earth free\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eMicrophone Input: Gain +80db to +20dB in 5dB steps\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDesigned and built in England\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003e* \u003c\/b\u003e\u003cb\u003e\u003ci\u003ePAD Tech Note\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e: \u003c\/b\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMuch of the superior performance of the 1073 is attributed to its wide-bandwidth specification, which made it the first preamp with a linear frequency response well beyond human hearing. In conceiving of the 1073 preamp, Rupert Neve reasoned that\u003c\/span\u003e\u003c\/i\u003e \u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eif harmonics beyond human hearing exist in nature they shouldn't be ignored in audio capture, as they traditionally were in designs band-limited to 20kHz. His favorite demonstration of his hypothesis is using a tone generator to produce a sine wave at 12kHz, which anyone can hear, and switches it to a square wave, which produces a timbral difference audible to all. The only difference between the two waves is that a square wave adds a single octave harmonic at 24kHz, which is beyond our ability to hear on its own.  \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 1073N-Under the Hood\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Class-A design 1073N microphone preamplifier features 3 bands of EQ with one fixed high-frequency band, two switchable bands with cut and boost, and a high pass filter. All Neve channel amplifiers are designed to accept signals from a wide range of microphone and line sources.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlong with its wide bandwidth design, the components that most define the signature sound of the 1073 are the Neve-designed custom transformers built by Marinair. According to Mr. Neve, “Transformers provide superior galvanic isolation while adding musical harmonics and dimension to the sound. The low-impedance, transformer-balanced output excels at driving long cable runs, and performance is immensely consistent regardless of the connected equipment.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIncidentally, transformers are more responsible for the warm sound attributed to tubes than tubes themselves actually are.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eFront-panel controls and EQ  \u003c\/b\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHigh Frequency: Smooth +\/-16dB fixed frequency shelving at 12kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eMid Frequency: Smooth +\/-18dB peaking, fixed 'Q' with selectable center frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz, and 7.2kHz \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLow Frequency: Smooth +\/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz, and 220Hz \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHigh-Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz, and 300Hz \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eEQL Button: Switches the equalizer in or out of circuit \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003ePhase Button: Yields 180° phase change at balanced output\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eYou can start with an AMS Neve 1073N in standalone and then build a rack, or use it to populate a vintage 80-series console. However you choose to go, you get classic Neve sound. For more information, call or chat online with your PAD Studio Specialist today.   \u003c\/b\u003e\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone Input: Input Impedance 300W or 1200W, gain +80dB to +20dB in 5dB steps\u003c\/li\u003e\n\u003cli\u003eLine Input: Input Impedance 10kW bridging, gain +20dB to -10dB in 5dB steps. Both inputs are transformer balanced and earth free\u003c\/li\u003e\n\u003cli\u003eDI Input: Input Impedance 1MW (Pad off); 10kW (Pad on), gain +80dB to +20dB in 5dB steps\u003c\/li\u003e\n\u003cli\u003eOutput: Maximum output is \u0026gt;+26dBu into 600W. Output impedance is 75W @1kHz. Output is transformer balanced and earth free\u003c\/li\u003e\n\u003cli\u003eDistortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth) into 600W\u003c\/li\u003e\n\u003cli\u003eFrequency Response: +\/-0.5dB 20Hz to 20kHz, -3dB at 40kHz EQ Out.\u003c\/li\u003e\n\u003cli\u003eNoise: Not more than -83dBu at all line gain settings EQ In flat\/out (22Hz to 22kHz bandwidth), EIN better than -125dBu @ 60dB gain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 8-3\/4\" (222 mm)\u003c\/li\u003e\n\u003cli\u003eHeight: 1-7\/8\" (45)\u003c\/li\u003e\n\u003cli\u003eDepth: 10\" (254 mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 5.5 lb. (2.5 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/h3\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":28560036562,"sku":"1073N","price":2495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/ba4192ccc19a2cc1148abc7fcfb2d46c.jpeg?v=1571498728"},{"product_id":"ams-neve-1073dpa","title":"AMS Neve 1073DPA","description":"\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eA cost-effective addition to the AMS Neve outboard range, the \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eAMS Neve 1073DPA\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eprovides two world-famous Class-A Neve 1073 microphone preamplifiers in a single rackspace.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Neve 1073 is the most used and most copied preamp in the history of the recording industry. Originally designed as a modular unit for the Neve 80-series consoles, the 10-series modules, which included the 1073, 1066, 1081, and 1084. The concept of the 10-series was to use the same preamp in all models for sonic consistency across the console and outfit each module with a different equalizer to provide tone-shaping options. The AMS Neve 1073DPA gives you two preamps found in the 1073 without the EQ section-just the Class-A, wide-bandwidth design with custom input and output transformers that put Neve designs atop the throne of audio royalty. With the 1073DPA, the highly sought-after 1073 mic amp sound is now available in a cost-effective 1U stereo rackmount solution, without the additional EQ found on the classic 1073.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 1073DPA-Just the Facts\u003c\/b\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTwo legendary 1073 microphone preamps in a convenient 1U rackmount design\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHand-crafted and hand-wired by Neve in Burnley, UK\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eExclusive Neve Marinair™ transformers used on input and output stages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDedicated input Gain controls and output Trim controls on both channels\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e+48V Phantom Power and Phase Reverse switch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHigh-quality Input Selector switch\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 1073DPA-Under the Hood\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 1073DPA provides the legendary sound of Neve in a remarkably simple format. Two rear-panel Mic inputs and Line inputs feed dual Class-A gain stages, with adjustable Gain control and selectable +48V available on the Mic inputs. Class-A analog balanced XLR outputs are found on the rear panel, controlled via adjustable front-panel ±10dB trim controls. This stereo unit is the perfect solution for studios looking to bring in the very essence of the legendary Neve 1073 sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eMic Input \u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe transformer-coupled mic input stage has a switchable impedance of 1,200 ohms (Hi-Z) or 300-ohm (Lo-Z). +48V phantom power is switchable onto the mic input. Mic gain is across two Class-A gain stages. The signal then feeds a transformer-balanced Class-A output stage via a +\/-10dB trim.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eLine Input \u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 1073DPA has an electronically balanced input stage with 20k-ohm input impedance and +26dBu peak signal level. Gain from this input is applied in the second Class-A gain stage and is output through the same Class-A transformer-coupled output stage as the mic input.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eLine Output \u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePhase reversal is available pre line output. The line output has a minimum +26dBu peak output level. The peak LEDs will illuminate 3-4dB below clipping.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eThe big, punchy sound of the Neve 1073 makes it the consummate mic pre for recording vocals, guitars, and acoustic instruments of all types. For more information, call or chat online with your PAD Studio Specialist today.  \u003c\/b\u003e\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMic switchable: 300 ohm or 1,200 ohm\u003c\/li\u003e\n\u003cli\u003eLine: 20k ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e60dB gain into 600ohm +\/-0.5dB: 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003e60dB gain into 600ohm -3dB: 20Hz to 40kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEIN:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMic 60dB gain: \u0026lt;-125dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHD + Noise\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+20dBu into 600ohm 50Hz to 10kHz: \u0026lt;0.07%\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":7054994629,"sku":"1073DPA","price":2830.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/961296ec484765b907f8dcc954538b20.jpeg?v=1571498728"},{"product_id":"ams-neve-1073dpd","title":"AMS Neve 1073DPD","description":"\u003ch4\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003e AMS Neve 1073DPD\u003c\/strong\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e is the sibling of the 2-channel 1073DPA adding the Neve-designed 24-bit\/192kHz\/DSD analog-to-digital converters to classic Neve 1073 Class A preamps\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIf you're not familiar with the legacy of the Neve 1073, well . . . welcome to Earth! Ask any producer or recording engineer what their desert island preamp is, and invariably, the Neve 1073 will come up just about every time. The most copied preamp on the planet, it would be more appropriate to ask what influential recordings the 1073 hasn't been used on since its introduction in 1970 through today. Perhaps the greatest achievement of the Neve 1073 is that it gave solid-state circuits the rich euphonic sound of tubes, and the punch that put the rock into roll. It was also the first wide-bandwidth preamp designed to be linear and low-noise past the range of human hearing.* Along with the character of the preamp, thanks to its Neve-designed Marinair™ custom input and output transformers, the 1073DPD has 60dB gain with a ±10dB input trim control, variable input impedance, plus 24-bit\/44.1-192kHz conversion and DSD output for audio quality beyond PCM technology-and of course the signature Neve sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 1073DPD-Just the Facts:\u003c\/b\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTwo legendary 1073 microphone preamps in a convenient 1U rackmount design\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSuperior Neve-designed analog-to-digital 24-bit converters\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e192Khz operation with DSD conversion, selectable via front-panel controls\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eExclusive Neve Marinair™ transformers used on input and output stages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDedicated input Gain controls and output Trim controls on both channels\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e+48V phantom power and phase-reverse switch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHigh-quality Input selector switch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHand-crafted and hand-wired by Neve in Burnley, UK\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003e* \u003c\/b\u003e\u003cb\u003e\u003ci\u003ePAD Tech Note\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e: \u003c\/b\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eAccording to Mr. Rupert Neve, if harmonics beyond human hearing exist in nature they shouldn't be ignored in audio capture, as they traditionally were in designs band-limited to 20kHz. His favorite demonstration of his hypothesis is using a tone generator to produce a sine wave at 12kHz, which anyone can hear, and switches it to a square wave, which produces a timbral difference audible to all. The only difference between the two waves is that a square wave adds a single octave harmonic at 24kHz, which is beyond our ability to hear on its own.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 1073DPD-Under the Hood\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 1073DPD features the same wide-bandwidth, transformer-balanced design as all preamps in the Neve 10-series. Despite its power, the 1073DPD is remarkably simple to operate. Two rear-panel mic inputs and line inputs feed dual Class-A gain stages, with adjustable gain control and selectable +48V available on the mic inputs. Class-A, transformer-balanced XLR outputs are also found on the rear panel, controlled via adjustable front-panel ±10dB trim controls. Analog insert points are provided ahead of the A\/D converters to ensure the classic Neve sound is retained.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eNeve-designed digital conversion\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWith the 1073DPD, two Neve 1073 mic preamplifiers are complemented by superb Neve-designed analog-to-digital converters that can capture a performance in any required format. In addition to Neve's famous Class A analog outputs, are a series of digital options, including all standard PCM sampling rates from 44.1kHz up to 192kHz, selectable via convenient front-panel controls. A unique feature of the 1073DPD is the Neve DSD (Direct Stream Digital) output, providing quality far beyond PCM technology.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe input to the converter is fed from the Line Output XLR. This ensures that the digital output signal includes the analog Class A output and transformer coloration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe signal passes to the ADC via a 1\/4\" jack Insert point. A balanced signal can be plugged into the Insert jack and it will break the path from the Line Output to the ADC, substituting the Insert signal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Insert point has a peak signal level of +18 and +26dBu. This allows the user to use the ADC independently of the Mic\/Line amps or to put a piece of outboard equipment such as a compressor between the Mic\/Line amps and the ADC. With no Insert signal, the signal is output as both analog line out and digital out enabling the analog to be used for zero-latency monitoring whilst the digital output signal with its inherent conversion delay is being used for recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe ADC is set up to output 0dBFS with +26dBu at the Line Output or Insert point but can be changed to output +18dBu for 0dBFS.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eSampling frequency\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe left-hand format switch selects the 44.1kHz PCM range, the 48kHz PCM range or DSD. The right-hand sample rate switch selects which multiple of the sampling rate to use e.g. 48, 96 or 192kHz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWith 44.1kHz selected the multiple LEDs illuminate red, with 48kHz range selected the multiple LEDs illuminate green. Selecting DSD only allows 44.1kHz sync (the multiple LEDs are all off).\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eSync inputs\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 1073DPD has two sync inputs; AES3 on a female XLR and word clock on a chassis BNC. If neither Sync Input is present the unit will synchronize to its internal crystal clock. If one or other sync input is present at the correct sampling frequency selected on the front panel the LED (AES or WCLK) will illuminate green showing that the sync input is being used as a reference. If both sync inputs are present and correct the word clock input will be used as reference. Normally the sync input is set to the required sample rate. In this case, both AES Out 1L and AES Out 2R carry the same stereo AES signal converted from the left and right analog inputs.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eDouble-rate AES output\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt is also possible to select 96kHz (or 88.1kHz) sampling rate with a 48kHz (or 44.1kHz) sync input. Similarly, it is possible to select 192kHz (or 176.2kHz) sampling rate with a 96kHz (or 88.1kHz) sync input. This will cause the unit to output double rate AES on the two output AES connectors. The sync LED will still illuminate green indicating the sync reference is still being used for the digital output even though the ADC is sampling at twice the sync input sampling rate. In this situation, AES OUT 1L carries the odd and even samples of the left audio double rate signal on its Left and Right digital channels respectively. Similarly, AES OUT 2R carries the odd and even samples of the right audio double rate signal on its Left and Right AES channels.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eDSD\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSelecting DSD will default to 44.1kHz reference. If no sync is available it will use the internal crystal reference. The interface requires a minimum of two BNC cables (DSD L and DSD R) to the DSD DAC.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe DSD output is switchable between SDIF2 and SDIF3 with the rear panel dip switch. SDIF2 requires a 44.1kHz sync signal to be passed to the DAC and this should preferably come from the 1073DPD sync output via a third BNC cable. SDIF3 transmits the DSD signals with clock information included and should not need the sync signal.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eThe combination of legendary Neve analog circuitry and superior digital quality makes the 1073DPD the obvious choice as a front-end for recording to digital workstations. For more information, call or chat online with your PAD Studio Specialist.\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003cbr\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMic switchable: 300 ohm or 1,200 ohm\u003c\/li\u003e\n\u003cli\u003eLine: 20k ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e60dB gain into 600ohm +\/-0.5dB: 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003e60dB gain into 600ohm -3dB: 20Hz to 40kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEIN:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMic 60dB gain: \u0026lt;-125dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHD + Noise\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+20dBu into 600ohm 50Hz to 10kHz: \u0026lt;0.07%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1073DPD ADC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e20k ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e48kHz ± 1.25dB: \u0026lt;10Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003e96kHz ±1dB: \u0026lt;10Hz to 40kHz\u003c\/li\u003e\n\u003cli\u003e192kHz ±1dB: \u0026lt;10Hz to \u0026gt;40kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDynamic range:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u0026gt;106dB (+26dBu setting)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":31066444136493,"sku":"1073DPD","price":3350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/ee820d818593a7c72e0931753bb88ecd.jpeg?v=1571498728"},{"product_id":"ams-neve-1073-horizontal-2-module-rack","title":"AMS Neve 1073\/1084 Horizontal 2 Module Rack (Empty)","description":"\u003ch2\u003e\n\u003cb\u003e**Backordered. ETA is 18-20 weeks**\u003c\/b\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003eThe AMS Neve 1073\/1084 Horizontal Rack \u003c\/b\u003eis a\u003cb\u003e \u003c\/b\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e2-channel, 3U empty power rack for the AMS Neve 1073, 1081, 1084, and 2264A modules, with phantom power, output level controls, and IEC mains connector.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIf you don't have a classic Neve 80-series console that needs to be retrofit with 1073, 1081, 1084, or 2264A modules, you're going to need a place to put them and power them up. That's where the AMS Neve 1073\/1084 3U 2-channel power rack comes in. For decades, it's been a common practice to pirate vintage Neve desks for their 1073 preamps and rack them for outboard use in modern studios. Of course for the modules to be functional, you needed someone who knew their way around a soldering iron to build racks with power and I\/O for integration into a studio. Since we're running out of Neve desks to pillage, AMS Neve, due to unceasing demand, builds exacting replicas of these classic preamps (and 2264A compressor) to function just like the vintage models, as well as robust and reliable power racks to house them. The 3U rack houses two modules mounted horizontally in a 19\" rack-mounting unit. The rear panel has XLR connectors for transformer-balanced I\/O, a 25-way “D-type” connector for spare switch contacts and unbalanced outputs, plus an IEC connector for mains power.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 1073\/1084 3U Rack-Just the Facts\u003c\/b\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e3U power rack for two AMS Neve modular preamps or 2264A compressor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFront-panel +24\/-48V phantom power switches\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFront-panel output level controls\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eXLR outputs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDB-25 connector for spare switches or unbalanced output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIEC mains power connector\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eBoat-anchor build quality\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 3U Rack-Under the Hood\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe mains fuse is located in the IEC mains input connector on the rear of the 3U and 7U rack units. Secondary protection fuses for the 24V and 48V supplies are located behind the front panel on the power supply filter PCB SZN825-058 in both 3U and 7U rack units. The red LED on the front panel of both 3U and 7U rack units indicates +24V power healthy when illuminated. The green LED on the front panel of both 3U and 7U rack units indicates +48V power healthy when illuminated.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003ePhantom Power\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePhantom power can be supplied to each module by pressing the phantom power switch on the front panel of the 3U or 7U rack. The LED in the switch will illuminate confirming that phantom power is supplied.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eOutput Level Control\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEach channel has an independent Output Level Control. The control is post-input, post-EQ and pre-output. This control allows the input and EQ to operate at a higher level and then for the signal to be returned to a normal operating level at the output. When the Output Control is fully clockwise the output gain is unity. The output is 10dB down with the control in the mid-position.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eIf you're ready for a two-channel Neve 1073\/1081\/1084 front end, or a stereo pair of 2264A compressors, you'll need a convenient way to rack, power up, and connect them to your studio. For more information, call or chat online with your PAD Studio Specialist today.\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp style=\"margin-top: 0px; margin-bottom: 0px; line-height: 14.399999618530273px; color: #000000; font-family: -webkit-standard; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px;\"\u003e\u003cspan style=\"line-height: 14.399999618530273px;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eS\u003cspan class=\"s2\" style=\"line-height: 14.4px;\"\u003epecifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstrong\u003ePower Requirements:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eRated voltage: 100-230V AC\u003c\/li\u003e\n\u003cli\u003eRated frequency: 50-60 Hz\u003c\/li\u003e\n\u003cli\u003eRated current: 0.5A Max\u003c\/li\u003e\n\u003cli\u003eSurge current (In Rush) Cold: 31.0A\u003c\/li\u003e\n\u003cli\u003eSurge current (In Rush) Hot: 33.0A\u003c\/li\u003e\n\u003cli\u003eEarth leakage current: Approx. 1.2mA\u003c\/li\u003e\n\u003cli\u003eWarning for high earth leakage current required: No\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePrimary protection fuse: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOperating voltage: 100-230V AC\u003c\/li\u003e\n\u003cli\u003eFuse rating and type: T1.6A H 250V; 20mm x 5mm Ceramic\u003c\/li\u003e\n\u003cli\u003eLocation: IEC Mains connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSecondary Protection Fuse: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutput voltage: 24V DC\u003c\/li\u003e\n\u003cli\u003eFuse rating and type: T 1.0A L 250V 20mm x 5mm Glass\u003c\/li\u003e\n\u003cli\u003eLocation: F1 on SZN825-058\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 48V DC\u003c\/li\u003e\n\u003cli\u003eFuse rating and type: T 500mA L 250V 20mm x 5mm Glass\u003c\/li\u003e\n\u003cli\u003eLocation: F2 on SZN825-058\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 5-1\/4\" (134 mm)\u003c\/li\u003e\n\u003cli\u003eWidth: 19\" (483 mm)\u003c\/li\u003e\n\u003cli\u003eDepth: 15-3\/4\" (400 mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 37 lb. (17 kg) (fully loaded)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"line-height: 14.399999618530273px;\"\u003e\u003c\/span\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":7055000965,"sku":"1073 Horizontal 2 Module Rack","price":2250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/1073_1084_2264A-3U-rack-empty.jpg?v=1571498728"},{"product_id":"ams-neve-1073-vertical-8-module-rack","title":"AMS Neve 1073 Vertical 8 Module Rack (Empty)","description":"\u003cp\u003eThe\u003cstrong\u003e AMS Neve 1073\/1084 5U 8-Module Vertical Rack \u003c\/strong\u003e\u003cem\u003eis an  8-channel, 5U empty power rack for the AMS Neve 1073, 1081, 1084, and 2264A modules, with phantom power, output level controls, and IEC mains connector  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIf you don't have a classic Neve 80-series console that needs to be retrofit with 1073, 1081, 1084, or 2264A modules, you're going to need a place to put them and power them up. That's where the AMS Neve 1073\/1084 5U 8-channel power rack comes in. For decades, it's been a common practice to pirate vintage Neve desks for their 1073 preamps and rack them for outboard use in modern studios. Of course for the modules to be functional, you needed someone who knew their way around a soldering iron to build racks with power and I\/O for studio integration. Since we're running out of Neve desks to pillage, AMS Neve, due to unceasing demand, builds exacting replicas of these classic preamps (and 2264A compressor) to function just like the vintage models, as well as robust and reliable power racks to house them. The 5U rack houses up to eight modules mounted vertically in a 19\" rack-mounting unit. The rear panel has XLR connectors for transformer-balanced I\/O, 25-way “D-type” connectors for spare switch contacts and unbalanced outputs, plus an IEC connector for mains power.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve 1073\/1084 5U Rack-Just the Facts: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e5U power rack for up to eight AMS Neve modular preamps or 2264A compressor\u003c\/li\u003e\n\u003cli\u003eFront-panel +24\/-48V phantom power switches\u003c\/li\u003e\n\u003cli\u003eFront-panel output level controls\u003c\/li\u003e\n\u003cli\u003eXLR outputs\u003c\/li\u003e\n\u003cli\u003eDB-25 connector for spare switches or unbalanced output\u003c\/li\u003e\n\u003cli\u003eIEC mains power connector\u003c\/li\u003e\n\u003cli\u003eBoat-anchor build quality\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve 5U Rack-Under the Hood\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe mains fuse is located in the IEC mains input connector on the rear of the 3U and 5U rack units. Secondary protection fuses for the 24V and 48V supplies are located behind the front panel on the power supply filter PCB SZN825-058 in both 3U and 5U rack units. The red LED on the front panel of both 3U and 5U rack units indicates +24V power healthy when illuminated. The green LED on the front panel of both 3U and 5U rack units indicates +48V power healthy when illuminated.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003ePhantom Power \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003ePhantom power can be supplied to each module by pressing the phantom power switch on the front panel of the 3U or 5U rack. The LED in the switch will illuminate confirming that phantom power is supplied.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eOutput Level Control\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eEach channel has an independent Output Level Control. The control is post-input, post-EQ and pre-output. This control allows the input and EQ to operate at a higher level and then for the signal to be returned to a normal operating level at the output. When the Output Control is fully clockwise the output gain is unity. The output is 10dB down with the control in the mid-position.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIf you're ready for an eight-channel Neve system, or want to work your way up to it, you'll need a convenient way to rack, power up, and connect them to your studio. For more information, call or chat online with your PAD Studio Specialist today. \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements:      \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRated voltage: 100-230V AC\u003c\/li\u003e\n\u003cli\u003eRated frequency: 50-60 Hz\u003c\/li\u003e\n\u003cli\u003eRated current: 0.8A Max\u003c\/li\u003e\n\u003cli\u003eSurge current (In Rush) Cold: 31.0A\u003c\/li\u003e\n\u003cli\u003eSurge current (In Rush) Hot: 33.0A\u003c\/li\u003e\n\u003cli\u003eEarth leakage current: Approx. 1.3mA\u003c\/li\u003e\n\u003cli\u003eWarning for high earth leakage current required: No\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePrimary protection fuse: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOperating voltage: 100-230V AC\u003c\/li\u003e\n\u003cli\u003eFuse rating and type: T1.6A H 250V; 20mm x 5mm Ceramic\u003c\/li\u003e\n\u003cli\u003eLocation: IEC Mains connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSecondary Protection Fuse: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutput voltage: 24V DC\u003c\/li\u003e\n\u003cli\u003eFuse rating and type: T 1.0A L 250V 20mm x 5mm Glass\u003c\/li\u003e\n\u003cli\u003eLocation: F1 on SZN825A058\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 48V DC\u003c\/li\u003e\n\u003cli\u003eFuse rating and type: T 500mA L 250V 20mm x 5mm Glass\u003c\/li\u003e\n\u003cli\u003eLocation: F2 on SZN825A058\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":7055008261,"sku":"1073 Vertical 8 Module Rack","price":4295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/1073_1084_2264A-5U-rack-empty.jpg?v=1571498728"},{"product_id":"ams-neve-1081-horizontal-2-module-rack","title":"AMS Neve 1081 Horizontal 2-Module Rack (Empty)","description":"\u003cp\u003e\u003cb\u003eThe AMS Neve 1081 Horizontal Rack\u003c\/b\u003e \u003cem\u003eis a\u003cb\u003e \u003c\/b\u003e\u003c\/em\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e2-module, 3U empty power rack for the AMS Neve 1073, 1081, 1084, and 2264A modules, with phantom power, output level controls, and IEC mains connector.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIf you don't have a classic Neve 80-series console that needs to be retrofit with 1073, 1081, 1084, or 2264A modules, you're going to need a place to put them and power them up. That's where the AMS Neve 1081 3U 2-channel power rack comes in. For decades, it's been a common practice to pirate vintage Neve desks for their 1073 preamps and rack them for outboard use in modern studios. Of course for the modules to be functional, you needed someone who knew their way around a soldering iron to build racks with power and I\/O for integration into a studio. Since we're running out of Neve desks to pillage, AMS Neve, due to unceasing demand, builds exacting replicas of these classic preamps (and 2264A compressor) to function just like the vintage models, as well as robust and reliable power racks to house them. The 3U rack houses two modules mounted horizontally in a 19\" rack-mounting unit. The rear panel has XLR connectors for transformer-balanced I\/O, a 25-way “D-type” connector for spare switch contacts and unbalanced outputs, plus an IEC connector for mains power.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 1081 3U Rack-Just the Facts\u003c\/b\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e3U power rack for two AMS Neve modular preamps or 2264A compressor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFront-panel +24\/-48V phantom power switches\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFront-panel output level controls\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eXLR outputs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDB-25 connector for spare switches or unbalanced output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIEC mains power connector\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBoat-anchor build quality\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 1081 3U Rack-Under the Hood\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe mains fuse is located in the IEC mains input connector on the rear of the 3U and 7U rack units. Secondary protection fuses for the 24V and 48V supplies are located behind the front panel on the power supply filter PCB SZN825-058 in both 3U and 7U rack units. The red LED on the front panel of both 3U and 7U rack units indicates +24V power healthy when illuminated. The green LED on the front panel of both 3U and 7U rack units indicates +48V power healthy when illuminated.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003ePhantom Power\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePhantom power can be supplied to each module by pressing the phantom power switch on the front panel of the 3U or 7U rack. The LED in the switch will illuminate confirming that phantom power is supplied.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eOutput Level Control\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEach channel has an independent Output Level Control. The control is post-input, post-EQ and pre-output. This control allows the input and EQ to operate at a higher level and then for the signal to be returned to a normal operating level at the output. When the Output Control is fully clockwise the output gain is unity. The output is 10dB down with the control in the mid-position.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eIf you're ready for a two-channel Neve 1073\/1081\/1084 front end, or a stereo pair of 2264A compressors, you'll need a convenient way to rack, power up, and connect them to your studio. For more information, call or chat online with your PAD Studio Specialist today.\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003ePower Requirements:\u003c\/li\u003e\n\u003cli\u003eRated voltage: 100-230V AC\u003c\/li\u003e\n\u003cli\u003eRated frequency: 50-60 Hz\u003c\/li\u003e\n\u003cli\u003eRated current: 0.5A Max\u003c\/li\u003e\n\u003cli\u003eSurge current (In Rush) Cold: 31.0A\u003c\/li\u003e\n\u003cli\u003eSurge current (In Rush) Hot: 33.0A\u003c\/li\u003e\n\u003cli\u003eEarth leakage current: Approx. 1.2mA\u003c\/li\u003e\n\u003cli\u003eWarning for high earth leakage current required: No\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePrimary protection fuse: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOperating voltage: 100-230V AC\u003c\/li\u003e\n\u003cli\u003eFuse rating and type: T1.6A H 250V; 20mm x 5mm Ceramic\u003c\/li\u003e\n\u003cli\u003eLocation: IEC Mains connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSecondary Protection Fuse: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutput voltage: 24V DC\u003c\/li\u003e\n\u003cli\u003eFuse rating and type: T 1.0A L 250V 20mm x 5mm Glass\u003c\/li\u003e\n\u003cli\u003eLocation: F1 on SZN825-058\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 48V DC\u003c\/li\u003e\n\u003cli\u003eFuse rating and type: T 500mA L 250V 20mm x 5mm Glass\u003c\/li\u003e\n\u003cli\u003eLocation: F2 on SZN825-058\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 5-1\/4\" (134 mm)\u003c\/li\u003e\n\u003cli\u003eWidth: 19\" (483 mm)\u003c\/li\u003e\n\u003cli\u003eDepth: 15-3\/4\" (400 mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 37 lb. (17 kg) (fully loaded)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":7055010885,"sku":"1081 Horizontal 2 Module Rack","price":3295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/1081_3u_rack.jpg?v=1571498728"},{"product_id":"ams-neve-1081-vertical-8-module-rack","title":"AMS Neve 1081 Vertical 8-Module 7U Rack (Empty)","description":"\u003cp\u003e\u003cem\u003eThe\u003c\/em\u003e\u003cb\u003e AMS Neve 1081 Vertical Rack\u003c\/b\u003e \u003cem\u003ei\u003c\/em\u003e\u003cem\u003es an \u003c\/em\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e8-channel, 7U empty power rack for the AMS Neve 1073, 1081, 1084, and 2264A modules, with phantom power, output level controls, and IEC mains connector.   \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIf you don't have a classic Neve 80-series console that needs to be retrofit with 1073, 1081, 1084, or 2264A modules, you're going to need a place to put them and power them up. That's where the AMS Neve 1081 7U 8-channel power rack comes in. For decades, it's been a common practice to pirate vintage Neve desks for their 1073 preamps and rack them for outboard use in modern studios. Of course for the modules to be functional, you needed someone who knew their way around a soldering iron to build racks with power and I\/O for studio integration. Since we're running out of Neve desks to pillage, AMS Neve, due to unceasing demand, builds exacting replicas of these classic preamps (and 2264A compressor) to function just like the vintage models, as well as robust and reliable power racks to house them. The 7U rack houses up to eight modules mounted vertically in a 19\" rack-mounting unit. The rear panel has XLR connectors for transformer-balanced I\/O, 25-way “D-type” connectors for spare switch contacts and unbalanced outputs, plus an IEC connector for mains power.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 1081 7U Rack-Just the Facts\u003c\/b\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e7U power rack for up to eight AMS Neve modular preamps or 2264A compressor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFront-panel +24\/-48V phantom power switches\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFront-panel output level controls\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eXLR outputs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDB-25 connector for spare switches or unbalanced output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIEC mains power connector\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eBoat-anchor build quality\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 7U Rack-Under the Hood\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe mains fuse is located in the IEC mains input connector on the rear of the 3U and 7U rack units. Secondary protection fuses for the 24V and 48V supplies are located behind the front panel on the power supply filter PCB SZN825-058 in both 3U and 7U rack units. The red LED on the front panel of both 3U and 7U rack units indicates +24V power healthy when illuminated. The green LED on the front panel of both 3U and 7U rack units indicates +48V power healthy when illuminated.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003ePhantom Power\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePhantom power can be supplied to each module by pressing the phantom power switch on the front panel of the 3U or 7U rack. The LED in the switch will illuminate confirming that phantom power is supplied.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eOutput Level Control\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEach channel has an independent Output Level Control. The control is post-input, post-EQ and pre-output. This control allows the input and EQ to operate at a higher level and then for the signal to be returned to a normal operating level at the output. When the Output Control is fully clockwise the output gain is unity. The output is 10dB down with the control in the mid-position.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eIf you're ready for an eight-channel Neve system, or want to work your way up to it, you'll need a convenient way to rack, power up, and connect them to your studio. For more information, call or chat online with your PAD Studio Specialist today.\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements:      \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRated voltage: 100-230V AC\u003c\/li\u003e\n\u003cli\u003eRated frequency: 50-60 Hz\u003c\/li\u003e\n\u003cli\u003eRated current: 0.8A Max\u003c\/li\u003e\n\u003cli\u003eSurge current (In Rush) Cold: 31.0A\u003c\/li\u003e\n\u003cli\u003eSurge current (In Rush) Hot: 33.0A\u003c\/li\u003e\n\u003cli\u003eEarth leakage current: Approx. 1.3mA\u003c\/li\u003e\n\u003cli\u003eWarning for high earth leakage current required: No\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePrimary protection fuse: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOperating voltage: 100-230V AC\u003c\/li\u003e\n\u003cli\u003eFuse rating and type: T1.6A H 250V; 20mm x 5mm Ceramic\u003c\/li\u003e\n\u003cli\u003eLocation: IEC Mains connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSecondary Protection Fuse: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutput voltage: 24V DC\u003c\/li\u003e\n\u003cli\u003eFuse rating and type: T 1.0A L 250V 20mm x 5mm Glass\u003c\/li\u003e\n\u003cli\u003eLocation: F1 on SZN825A058\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 48V DC\u003c\/li\u003e\n\u003cli\u003eFuse rating and type: T 500mA L 250V 20mm x 5mm Glass\u003c\/li\u003e\n\u003cli\u003eLocation: F2 on SZN825A058\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 12-1\/4\" (311 mm)\u003c\/li\u003e\n\u003cli\u003eWidth: 19\" (483 mm)\u003c\/li\u003e\n\u003cli\u003eDepth: 15-3\/4\" (400 mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 101 lb. (46 kg) (fully populated)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":7055025413,"sku":"1081 Vertical 8 Module Rack","price":5950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/1081_7u_rack.jpg?v=1571498728"},{"product_id":"ams-neve-1084-mic-pre","title":"AMS Neve 1084 Microphone Preamp and Equalizer","description":"\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eAMS Neve 1084 Microphone Preamp and Equalizer\u003c\/strong\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e is an exacting reissue of the original modular 1084 console preamp and EQ, with 3-band EQ and selectable shelving or peak EQ curve selection.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe AMS Neve 1084 rivals the 1073 in popularity due to its wide palette of frequency selections. While sharing the identical preamp and output section as the 1073 and other members of the 10-series (1081, 1073, 1066), its EQ section also includes the ability to switch between two different “Q” types, either narrow or wide with respect to the parametric band. The modular design of the 1084 is a nod to the original intent of the 10-series preamps, which was to populate the Neve 80-series consoles of the '70s. All of the preamps in the series share the same input and output sections but feature a differently outfitted equalizer section. The reason for this was to maintain sonic consistency across the console while offering the engineer a palette of tone-shaping options that they could commission for the console. For example, a console could be outfitted with eight channels of 1073s, eight channels of 1084s, and so on, all while maintaining the signature sound of the Neve 10-series.  \u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 1084-Just the Facts:\u003c\/b\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eClassic Neve transformer mic preamplifier with a wide range of equalizer settings\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eExclusive Neve Marinair™ transformers used on input and output stages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e3 switchable EQ bands\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHP and LP filters with High Q setting\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eEQL button switches the equalizer in or out of the circuit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003ePhase Button changes phase 180° at balanced output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHand-crafted and tested precisely to original 1970 design\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 1084-Under the Hood\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHandcrafted and completely hand-wired in by Neve's dedicated professionals in Burnley, UK, the 1084 reissue built to the precise specifications of the original modules. Since AMS Neve prides itself on its innovation throughout the years, it's not adverse to technical improvements. However, not all technological advances actually sound better than the components they appear to improve on. For example, audio transformers, which are the essence of the Neve sound and the reason why boutique manufacturers invest a great deal of R\u0026amp;D on custom transformers. Off-the-shelf or poorly designed transformers can cause ringing or smearing in the top end of the audible spectrum. As such, while other manufacturers use replacements, AMS Neve alone has access to the original hand-wound transformers. This is an important factor when you consider that an analog preamp is only as good as its transformer. That is why only a Neve sounds like a Neve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAll Neve mic preamplifiers are designed to accept signals from a wide range of microphone and line sources. The 1081 features 80dB of gain, more than enough for microphones of all sensitivity ratings.  Uncompromisingly low noise and distortion with generous overload performance are noteworthy hallmarks of all Neve products.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eCustom Marinair Transformers\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMr. Neve is a great proponent of transformer-balanced designs. Transformers excel at passive isolation, eliminate noise and hum and aren't prone to turning into radio receivers as transformerless designs can be. They also provide the advantage of long cable runs with no, or minimal signal degradation, which is essential for large multi-room facilities or live performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePAD For the Record-\u003c\/b\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen tubes fell out of favor and transistors became all the rage, designers of pro audio gear had a problem. Transistors didn't saturate like tubes, which distort naturally as gain is increased. Transistors, on the other hand, much like digital circuits, perform consistently as gain is increased, but once the threshold is crossed, they clip, producing rather harsh distortion. When faced with this dilemma, Mr. Rupert Neve realized that his task was to take the components we had (i.e. transistors) and find a way to make them sound musical. In so doing, it was discovered that the rich euphonic sound of tube preamps was actually more attributable to transformers than tubes. The Neve preamps prove that solid-state, transformer-based designs are just as capable of a rich, creamy sound as tube designs, hence the reference in the industry to custom-designed preamps by Neve and other manufacturers as “the big iron sound of the '70s.”\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eThe 1084 Equalizer Section\u003c\/b\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 1084's three EQ bands provide selectable frequency, with cut and boost capability, and a mid-frequency band which benefits from a High Q Presence switch. The high pass filter can be switched between 45Hz, 70Hz, 160Hz \u0026amp; 360Hz, and the low pass filter between 6kHz, 8kHz, 10kHz, 14kHz, \u0026amp; 18kHz. Both boast 18dB per octave slopes \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003eHigh Frequency: Smooth + \/-16dB shelving with selectable frequencies of 0kHz, 12kHz, and 16kHz\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLow Frequency: Smooth +\/-16dB shelving with selectable frequencies of 35Hz,60Hz, 110Hz \u0026amp; 220Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eMid Frequency: Smooth +\/-12dB or +\/-18dB peaking with switchable 'High Q', selectable center frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz \u0026amp; 7.2kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHigh Pass Filter: 18dB per octave slope, switchable between 45Hz, 70Hz, 160Hz, and 360Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLow Pass Filter: 18dB per octave slope, switchable between 6kHz, 8kHz, 10kHz,14kHz, and 18kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cb\u003eMounting Options\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 1084 can be purchased as single or multiple units. Each 1084 module has been designed to perfectly retrofit into the 80-Series Neve Classic consoles as part of a channel strip or can be mounted in a custom rack. The available rack sizes are 3U (which accommodates 2 modules horizontally) or 5U (which accommodates 8 modules vertically)\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eThe AMS Neve 1084 gives you the same preamp as the legendary 1073 with more powerful EQ options and can be fit into Neve power racks or retrofit into classic 80-series consoles. For more information, call or chat online with your PAD Studio Specialist today.\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone Input: Input impedance 300 ohm or 1,200 ohm; gain +80db to +20dB in 5dB steps\u003c\/li\u003e\n\u003cli\u003eLine Input: Input impedance 10k ohms, gain +20dB to -10dB in 5dB steps\u003c\/li\u003e\n\u003cli\u003eOutput: Maximum output is \u0026gt;+26dBu into 600 ohm; transformer-balanced and earth-free\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 75 ohm @ 1kHz\u003c\/li\u003e\n\u003cli\u003eDistortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth) into 600 ohm\u003c\/li\u003e\n\u003cli\u003eFrequency response: ±0.5dB 20Hz to 20kHz, -3dB at 40kHz (EQ out)\u003c\/li\u003e\n\u003cli\u003eNoise: Not more than -83dBu at all line gain settings EQ In\/Out (22Hz to 22kHz bandwidth),\u003c\/li\u003e\n\u003cli\u003eEIN: Better than -125dBu @ 60dB gain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 8-3\/4\" (222 mm)\u003c\/li\u003e\n\u003cli\u003eWidth: 1-7\/8\" (45 mm)\u003c\/li\u003e\n\u003cli\u003eDepth: 10\" (254 mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 5.5 lb. (2.5 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AMS Neve","offers":[{"title":"1084 Classic mono mic preamp \u0026 EQ module (horizontal)","offer_id":42982008946938,"sku":"1084 Mic Pre","price":4795.0,"currency_code":"USD","in_stock":true},{"title":"1084 Classic mono mic preamp \u0026 EQ module (vertical)","offer_id":42982008979706,"sku":"1084 Mic Pre-2","price":4795.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/1084ClassicV3_4LeftRT.png?v=1644300802"},{"product_id":"ams-neve-2254-r-mono-limiter-compressor","title":"AMS Neve 2254\/R Mono Limiter\/Compressor","description":"\u003cp\u003e\u003cb\u003eAMS Neve 2254\/R Mono Limiter\/Compressor\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe AMS Neve 2254\/R is an exacting replica of the original 2254 80-series console compressor in rackmountable form, with save and recall of settings via USB (Mac\/PC).\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eLike so many of Mr. Rupert Neve's designs, the 2254 mono Limiter\/Compressor unit quickly became a legend. It started out as a 2-bus compressor in 80-series consoles. Later, when it was made available as outboard as a mono compressor, its shape was an unmountable rectangular cuboid. From there, the 2254 went through three revisions*, including the 2254A, 2254E, and the current revision, the 2254\/R. Not only does it retain the original 2254's smooth, rich sonics and gain-reduction characteristics, by virtue of using the same architecture, matching components, and original hand-wound transformers, it also enhances it with modern user-requested features. Now in an easily rack-mountable 1U form, the 2254\/R allows settings to be saved and recalled using Neve Total Recall software via USB.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 2254\/R Mono Limiter\/Compressor-Just the Facts\u003c\/b\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eClassic mono limiter\/compressor made to the design of the late 1960s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHand-made in Burnley, England using original Neve specification transformers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eOriginal Neve 2254 discrete Class-A circuit design\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTransformer-coupled circuits used in input, bridge-driver, sidechain, and output stages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eManual fast attack time adjustment and transparent level control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIndependent limiter in\/out and compressor in\/out selection\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTotal-bypass switch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eMultiple units can be linked together to provide multi-unit sidechain control from a single unit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eCompatible with Neve Total Recall software; simply connect the 2254\/R using USB to a host PC or Mac running Neve Recall software\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 2254\/R-Under the Hood\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 2254 is a discrete Class-A design with transformer-coupled circuitry that includes the input stage, innovative diode bridge, sidechain, and output stages, which gave the 2254 is unique sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHowever, the real magic of the 2254 is its diode bridge gain-reduction element. The bridge responds to the dynamic resistance of the diodes which changes in response to the current of the control voltage. Of course, it's not all green lights and rights. Diode attenuators exhibit non-linear behavior and as a result, have high levels of distortion. While non-linearity and distortion can be good things in terms of producing the rich analog sound we all prefer, you can have too much of a good thing. To overcome the distortion, the level ahead of the bridge was attenuated by around 40dB, which brought it down to an acceptable level. The output of the diode bridge passed through another transformer and on to an amplifier chain (the BA183\/283). The gain makeup element is also another clever bit of engineering. It's actually a 20dB attenuator which makes up gain by reducing the amount of attenuation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThere's also manual adjustment of fast attack time, continuously variable between 100µS and 2mS. Plus enhancement of the signal presence LED, which changes from green to red to warn of imminent clipping. Neve Recall software allows settings from the 2254\/R to be stored on a PC or Mac and recalled for later use. The Recall software can also be used for all the units in the 88 Outboard range including 8801, 8803, 8804 \u0026amp; 8816. Multiple units can be stored and recalled together, up to a total of 16 units in any combination.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePAD For the Record-\u003c\/b\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe original or prototype of the 2254 limiter\/compressor was reputedly designed by David Rees, a design engineer who worked in tandem with Rupert Neve in the late '60s. A former employee of the BBC, Rees' original model, which laid the groundwork for the Neve 2253, was components wired inside a wooden box. By 1969, the 2253 evolved into the Neve 2254, the rectangular cuboid mentioned earlier, which also became the standard 2-bus compressor for the 80-series consoles. (The 2254 itself evolved into the Neve 33609 compressor, but that's another history lesson). Since the introduction of the 2254, there were 3 major revisions of the original 2254; the 2254\/A, the 2254\/E and the current version, the 2254\/R. The 2254\/A had a fixed slow attack time of 5ms, while the 2254\/E and later versions had the option for a faster attack time. The 2254\/R offers the ability to set the attack time between 100 microseconds and 2ms.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCompressor\/Limiter\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 2254\/R has two chains controlling the level control element; one for compression the other for limiting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLimiter\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eA yellow backlit button switches the limiter sidechain in and out of the circuit. Its level is set from +4dBu to +20dBu in 2dB steps. There are three preset recovery times; 100ms, 200ms, and 800ms, plus an automatic setting (Auto). In the Auto position, both the attack and recovery times are composite and self-adjusting. Speeds are rapid for isolated peaks while remaining slow for persistently high levels, so the impression of a normal dynamic range is preserved as the program rides on a slowly moving “gain platform”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn its default setting, the 2254 has a slow attack time of 5ms to avoid unpleasant effects when processing certain signals such as a percussive piano or vocals. In this way, a narrow dynamic range may be achieved by feeding high levels into the 2254\/R and choosing a low limit level.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen fast attack is selected, the attack time can be set from 100μS to 2mS using the associated rotary control. This control is continuously variable and is fully sweepable between those two values.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCompressor\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Compress button lights yellow when selected, and switches the Compressor sidechain in and out of the circuit. There are five preset ratios: 1.5:1, 2:1, 3:1, 4:1, and 6:1. The control characteristic is shaped so the onset of compression is smooth and progressive, the true ratio being reached within the first 5 to 10dB above the threshold. The threshold point can be varied in 2dB steps from 0dBu to +10dBu, enabling a wide variety of effects. Low ratios with a low threshold setting will preserve dynamic range and achieve a high signal-to-noise ratio. A high Ratio with a high Threshold will behave as a partial limiter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen the threshold is below line level, the gain control provides up to 20dB of makeup in 2dB steps to restore the mean program level. The 2254\/R has four preset recovery times; 100ms, 200ms, 800ms, and Auto. In the Auto position, both the attack and recovery times are composite and self-adjusting. Speeds are rapid for isolated peaks while remaining slow for persistently high levels, so the impression of a normal dynamic range is preserved.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMeter\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe program meter is operated by a simple drive circuit with rapid attack and slow decay times that correspond to the typical PPM characteristic. The green led to the right side of the meter will light at a threshold of about -10dBu.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe LED turns red when the program reaches a level of +25dBu, indicating imminent clipping. The meter can be set to display either the Input signal, level, output signal level, or the amount of gain reduction applied to the signal by the compressor and limiter in total.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eApplications\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDue to the inherent distortion and noise floor of the diode bridge, the 2254\/R has a thickening effect on program material, making a stereo pair particularly useful for adding fullness to instrument subgroups, such as drums.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe 2254\/R gives you the vintage sound of the 2254 with the repeatability that the vintage models were simply not capable of. For more information, call or chat online with you PAD Studio Specialist.\u003c\/b\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/h5\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeneral\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePower: 500mA, 36 volts DC\u003c\/li\u003e\n\u003cli\u003eInput: 10k ohm, bridging, balanced, earth-free\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOutput \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSource Impedance: 80 ohms, balanced and earth-free\u003c\/li\u003e\n\u003cli\u003eMaximum Output: +26dBu into 600 ohms\u003c\/li\u003e\n\u003cli\u003eGain: 0dB, preset adjustment\u003c\/li\u003e\n\u003cli\u003eNoise: -72.5dBu in the band 20 Hz to 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency Response: Flat, within 1dB from 20 Hz to 20 kHz\u003c\/li\u003e\n\u003cli\u003eDistortion: 0dBu: 0.03%; (Typically measured at +8dBu, 800mS Recovery) +15dBu: 0.2%\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLimiter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRatio: \u0026gt;100:1\u003c\/li\u003e\n\u003cli\u003eLevel: Adjustable from +4dBu to +20dBu in 1dB steps\u003c\/li\u003e\n\u003cli\u003eAttack Time: 5mS (slow) or selectable between 100μS to 2mS (Fast)\u003c\/li\u003e\n\u003cli\u003eRecovery Time: Selectable between 100mS \/ 200mS \/ 800mS \/ Auto\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCompressor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRatio: Selectable between 1.5:1 \/ 2:1 \/ 3:1 \/ 4:1 \/ 6:1\u003c\/li\u003e\n\u003cli\u003eThreshold: Adjustable from -20dBu to +10dBu in 2dB steps\u003c\/li\u003e\n\u003cli\u003eAttack Time: 5mS\u003c\/li\u003e\n\u003cli\u003eRecovery Time: Selectable between 400mS \/ 800mS \/ 1500mS \/ Auto\u003c\/li\u003e\n\u003cli\u003eGain Make Up: Adjustable Gain make-up available from 0 dB to +20 dB\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMeter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSwitched to indicate either:\u003c\/li\u003e\n\u003cli\u003eGain reduction control (up to 16dB), or\u003c\/li\u003e\n\u003cli\u003eInput or Output signal level (-16dBu to +12dBu)\u003c\/li\u003e\n\u003cli\u003eAction approximates to that of PPM\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":7055038981,"sku":"2254\/R Mono Limiter\/Compressor","price":2995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/97b599234907704996935ad359a356e5.jpeg?v=1571498728"},{"product_id":"ams-neve-33609-jd","title":"AMS Neve 33609\/N Dual Compressor\/Limiter","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eThe\u003c\/em\u003e \u003cstrong\u003eAMS Neve 33609\/N\u003c\/strong\u003e\u003cem\u003e is a dual mono\/stereo compressor and limiter based on the 2254 console compressor found in Neve 80-series consoles, using the same diode-bridge detector and custom input and output transformers\u003c\/em\u003e\u003cstrong\u003e   \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe operating principals of the 33609\/N were inherited from the famed 2254A console compressor, which was a rectangular cuboid housed in the master section. Intended for mix compression and broadcast since its inception, the 33609 became a “desert island” compressor for top engineers, mixers, and producers. Like many AMS Neve classics, it went through a number of revisions until the current 33609\/N, which remains the reference standard of bus compression for studios around the globe. The AMS Neve 33609\/N is also uniquely suited for mastering applications. Since it includes a separate limiter and compressor for each channel, it shortens the signal path by doing the work of two units in one. Not just for mix compression, the 33609\/N is also great for tracking vocals. Not only does it add girth to vocals, but you can also use mild compression for a natural sound while the limiter is there to stand up to unexpected sonic mayhem visited on unsuspecting converters by excitable singers. With an AMS Neve 33609\/N sitting proudly in your racks, who knows what creative uses you might originate.*    \u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003e AMS Neve 33609\/N Dual Compressor \/ Limiter-Just the Facts: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eClassic stereo compressor\/limiter designed to exacting 1970's specifications\u003c\/li\u003e\n\u003cli\u003eMade using hand-wired Neve transformers in Burnley, England\u003c\/li\u003e\n\u003cli\u003eClassic 2254 feedback compression circuitry\u003c\/li\u003e\n\u003cli\u003eBrick wall limiting\u003c\/li\u003e\n\u003cli\u003eTransparent level control\u003c\/li\u003e\n\u003cli\u003ePerfect for mixing, broadcast, and mastering applications\u003c\/li\u003e\n\u003cli\u003eHard-limit feature for digital recording\u003c\/li\u003e\n\u003cli\u003eLimit in\/out; compress in\/out\u003c\/li\u003e\n\u003cli\u003eDiscrete output stage for a slightly warmer sound\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve 33609\/N-Under the Hood \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eMuch like the classic 1073 and 1081 microphone preamplifiers, the 33609\/N stereo compressor is a benchmark studio tool and subsequently the first choice for top producers, mixers, and engineers.\u003c\/p\u003e\n\u003cp\u003eThe Neve 33609 uses a unique diode bridge for gain reduction. Its discrete class-A design offers fast and slow attack times, multiple release times, and threshold levels. The 33609\/N comprises two separate compressors and limiters in a stand-alone 2U rack-mount unit. The 33609\/N can operate in dual mono, stereo, or independent operation, with the option to link to other units for multi-channel use. At its core, the 33609\/N retains the same basic circuitry as earlier discrete models, now with extra control options and a classic appearance.\u003c\/p\u003e\n\u003cp\u003eThe signature sound of the 33609's compression is very smooth and is capable of relatively transparent behavior even at extreme settings. After several iterations over the years, today's 33609\/N provides the best of both worlds: original Neve 33609 sound, with enhanced internal and external I\/O switching as compared to the original model. Additionally, front-panel controls are detented for easy repeatability.\u003c\/p\u003e\n\u003cp\u003eThe 33609 features independent sidechains for the compressor and limiter sections, with similar independent threshold, recovery, and attack controls. The compressor features a selection of ratios from 1.5:1 to 6:1 and a gain make-up control that comes before the limiter. Overall gain reduction is indicated on a moving coil meter.\u003cstrong\u003e  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*PAD For the Record-\u003c\/strong\u003e\u003cem\u003eWhile the 33609 has primarily been used on the console master bus, notable users such as Andrew Scheps and Michael Brauer have found more unique uses for it. Scheps, who owns two Neve 8068 consoles, which were designed with quadraphonic sound in mind, uses the 33609 on the “rear bus” (for the rear set of speakers), or what he calls the “glue bus” to create cohesion in a mix. All instruments and vocals are sent to the glue bus post fader, mirroring the mix in both levels and panning to “glue” the mix together. The 33609 is set to dual mono mode, so that instruments requiring more compression on one side of the mix won't affect instruments on the other side that don't require as much compression. Michael Brauer, on the other hand, uses the 33609 paired with a Pultec EQP1-A on submaster bus “A” on an SSL XL 9000 console. Only vocals and possibly high-frequency instruments are sent to this bus, so chosen such that their transients won't affect one another. Since each of the four submasters has their own compressor for specific instruments, the vocals are not adversely affected by high-energy transients from other instruments. And like its predecessor, the Neve 2254A console compressor, the 33609 adds warmth, body, and the unmistakable character of Neve.\u003c\/em\u003e\u003cstrong\u003e         \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eThe AMS Neve 33609\/N is an industry-defining compressor with a sound that's it a worldwide studio standard for more than three decades. For more information, call or chat online with your PAD Studio Specialist today. \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eGeneral\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Impedance 10kW (internally switchable to 600W , refer to vendor).\u003c\/li\u003e\n\u003cli\u003eMaximum output \u0026gt;26dBu into 600Ω, balanced and earth free.\u003c\/li\u003e\n\u003cli\u003e\u0026lt;0.075% at 1kHz (bypass in, compress and limit out, input level 9dBu); \u0026lt;0.2% at 1kHz (compress in, ratio 6:1, gain 20dB, recovery 800mS, threshold −18dBu); \u0026lt;0.45% at 1kHz (limit in, compress out, recovery 800mS, input level 22dBu, threshold −18dBu)\u003c\/li\u003e\n\u003cli\u003eFrequency Response: ±0.5dB 20Hz to 20kHz rel. 1kHz\u003c\/li\u003e\n\u003cli\u003eNoise: −75dBu, 22Hz - 22kHz, input terminated with 600Ω (bypass in, compress and limit out), −55dBu (compress in, gain 20dB)\u003c\/li\u003e\n\u003cli\u003eLimit Threshold: 4dBu to 15dBu\u003c\/li\u003e\n\u003cli\u003eLimit Ratio: Change in output level \u0026lt;0.1dB with 10dBu to 20dBu step input\u003c\/li\u003e\n\u003cli\u003eLimit Attack Time: Fast 2ms ±1, slow 4ms ±1\u003c\/li\u003e\n\u003cli\u003eLimit Recovery Time: 50ms to 800ms, a1 (auto): 100ms\/2000ms, a2 (auto): 50ms\/5000ms\u003c\/li\u003e\n\u003cli\u003eCompress Ratio: 1.5:1 to 6:1\u003c\/li\u003e\n\u003cli\u003eCompress Attack Time: Fast 3ms ±1, slow 6ms ±1 with 100Hz first order high-pass filter\u003c\/li\u003e\n\u003cli\u003eCompress Recovery Time: 100ms to 1500ms, a1 (auto): 100ms\/2000ms, a2 (auto): 50ms\/5000ms\u003c\/li\u003e\n\u003cli\u003ePower: 100-230Vrms, 50\/60Hz, 28W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 3-1\/2\" (88 mm)\u003c\/li\u003e\n\u003cli\u003eWidth: 19\" (480 mm)\u003c\/li\u003e\n\u003cli\u003eDepth: 10\" (255 mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 11 lb. (5kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e  \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cdiv style=\"margin: 0px; padding: 0px; color: #555555; font-family: Arial, Helvetica, sans-serif; font-size: 11px; line-height: 11px;\"\u003e\u003c\/div\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":7055060613,"sku":"33609\/N","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/3-5.jpg?v=1571498728"},{"product_id":"ams-neve-8051-5-1-surround-compressor","title":"AMS Neve 8051 Surround Compressor","description":"\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eAMS Neve 8051 \u003c\/strong\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eis a 5.1 multi-channel analog compressor handmade in the UK with six transformer-balanced audio paths, two side chains, and a key input\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBuilt for 5.1 surround mixing, the AMS Neve 8051 is based on six 2254 compression circuits, using the same feedback topology as the legendary 33609 stereo compressor. The 8051 also shares the same transformers, diode-bridge gain control, and discrete power amplifiers in the audio path. A powerful tool for surround mixing and mastering, the AMS Neve 8051 features flexible sidechain routing, trimming, and filtering-and of course, the classic and unmistakable Neve sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 8051 Surround Compressor-Just the Facts\u003c\/b\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHand-built, hand-wired analog compressor for surround mixing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSix transformer-balanced audio paths\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIdeal surround broadcast or mastering compressor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSidechain control trims and sidechain A\/B bias control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHigh- and low-pass filter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eElectronically balanced key input and LFE filter inputs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAll other inputs transformer-balanced with 3.6k-ohm input impedance\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAll outputs electronically balanced, post output transformers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eControl Voltage I\/O provided for linking multiple units or linking to the 33609 stereo compressor\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003ePAD For the Record-\u003c\/b\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe original or prototype of the 2254 limiter\/compressor was reputedly designed by David Rees, a design engineer who worked in tandem with Rupert Neve in the late '60s. A former employee of the BBC, Rees' original model, which laid the groundwork for the Neve 2253, was components wired inside a wooden box. By 1969, the 2253 evolved into the Neve 2254, a non-rackmountable rectangular cuboid, which also became the standard 2-bus compressor for the 80-series consoles. The 2254 itself evolved into the Neve 33609 compressor. Working closely with Rupert Neve, the original 33609 was designed in the 70s by Geoff Tanner, founder of Aurora Audio and acknowledged expert on all things vintage Neve.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 8051 Surround Compressor-Under the Hood\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMost compressors apply gain reduction based entirely on the signal level at their inputs. A level detector examines the input and drives an output VCA that is assumed to have a complimentary response (a “feed-forward” system). The 8051 uses a feedback topology, monitoring the output of each gain cell and continually adjusting the control voltage returned to give the required gain reduction. This means that the control-voltage linking has to follow sidechain linking to maintain a closed loop. Once this feedback is in place, the sidechain output can be linked to other channels using the 8051's unlit CV link buttons. These channels then follow the same dynamic envelope as the SC Linked channels, but without their audio content affecting the compression. A channel may also have control voltage linked from both sidechains. In this case, the sidechain providing the most gain reduction at any moment controls the channel, and the greater of the two gain makeup settings will be applied.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eWhether you're mixing or mastering in 5.1 surround, there's no better choice than the AMS Neve 8051 Surround Compressor if smooth, rich Neve sound is what you're after on your masters. For more information, call or chat online with your PAD Studio Specialist today.\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications \u003cbr\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe key input and LFE filter inputs are electronically balanced with an input impedance of 10k ohms. All other inputs are transformer balanced with 3.6kohms input impedances\u003c\/li\u003e\n\u003cli\u003eAll outputs are electronically balanced post the output transformers, with maximum output of +26dBu into 600 ohms. The unit is calibrated for bridging loads greater than 10k ohms\u003c\/li\u003e\n\u003cli\u003eControl Voltage I\/O is provided for linking multiple units, or linking to 33609 compressors; connection is by 15-pin D-Type\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAudio Performance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEquivalent input noise (20kHz band): \u0026lt; -78dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N (for 20dBu input @1kHz): \u0026lt; 0.03%\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: \u0026gt; 26dBu into 600 ohms\u003c\/li\u003e\n\u003cli\u003eInter-channel Crosstalk: \u0026lt; -80dB at 15kHz\u003c\/li\u003e\n\u003cli\u003eFrequency Response ±0.5dB 20Hz to 20kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLFE filter: 12dB\/octave low-pass, -3dB frequency selectable to 80Hz, 100Hz or 120Hz\u003c\/li\u003e\n\u003cli\u003eSidechain and key filters: 12dB\/octave high-pass, -3dB frequency selectable to 80Hz, 100Hz or 120Hz\u003c\/li\u003e\n\u003cli\u003eThreshold: -20dBu to +16dBu master control, with ±15dB trims on all channels\u003c\/li\u003e\n\u003cli\u003eMake-up gain: -10dB to +20dB.\u003c\/li\u003e\n\u003cli\u003eRatio: 1.5:1, 2:1, 3:1, 4:1, 6:1, MAX (~8:1)\u003c\/li\u003e\n\u003cli\u003eAttack: 2ms, 4ms, 6ms, 8ms and 16ms\u003c\/li\u003e\n\u003cli\u003eRelease: 100ms, 200ms, 400ms, 800ms, 1.5s and 3s\u003c\/li\u003e\n\u003cli\u003eOutput Level Trim: 0dB to -5.5dB pad, in 0.25dB steps\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRated voltage: 100-250V AC\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRated frequency: 47-63Hz\u003c\/li\u003e\n\u003cli\u003eRated current: .25A at 250V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePrimary protection fuse\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOperating Voltage: 250\/110V\u003c\/li\u003e\n\u003cli\u003eFuse rating and type: T1.6A\/T1.6A A\/S ceramic\u003c\/li\u003e\n\u003cli\u003eLocation: Rear panel IEC mains connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 5-1\/4\" (135 mm)\u003c\/li\u003e\n\u003cli\u003eDepth: 20\" (500 mm)\u003c\/li\u003e\n\u003cli\u003eWidth: 19\" 483 mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 23 lb. 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For those who layered one track at a time, it made perfect sense and still does. You can get away with lesser preamps on background instruments, but if your music features vocals, you'll need a signal path on a par with the very best studios out there-and that's what the AMS Neve 8801 channel strip gives you. Taken from the AMS Neve 88R, just like the one sitting in Alan Sides' Ocean Way Studio and the preferred console of recording legend Al Schmitt, The Neve 8801 Channel strip features a transformer-coupled microphone preamplifier identical to that used on the 88R console, along with dynamics processing, EQ, and Insert, all user-configurable in position within the channel path. The preamp, according to Al Schmitt* compared to his rack of vintage Neve preamps sounds “as good if not better and quieter.”\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve 8801 Channel Strip-Just the Facts: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eComplete channel strip from the revered 88RS console in a single rackspace\u003c\/li\u003e\n\u003cli\u003eHand-built and hand-wired by Neve in Burnley, England\u003c\/li\u003e\n\u003cli\u003eGenuine Neve mic preamp with High and Low Pass Filters\u003c\/li\u003e\n\u003cli\u003e4-band equalization with highly musical, full-range sound\u003c\/li\u003e\n\u003cli\u003e88RS-style compressor and gate\u003c\/li\u003e\n\u003cli\u003eInsert send and return  \u003c\/li\u003e\n\u003cli\u003eEQ or filters to sidechain\u003c\/li\u003e\n\u003cli\u003eUSB port for direct connection to Mac or PC\u003c\/li\u003e\n\u003cli\u003eOptional Neve analog-to-digital converter\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*PAD For The Record-\u003c\/strong\u003e\u003cem\u003eA recording engineer's engineer, it's easier to list who 21-time Grammy winner Al Schmitt hasn't worked with. His resume is a who's who of popular music spanning decades, including Elvis Presley, Paul McCartney Chick Corea, Toto, Brian Wilson, Celine Dion, Barbara Streisand, Ray Charles, Michael Jackson, Aretha Franklin, Earth, Wind \u0026amp; Fire, Al Jarreau, Van Morrison, Natalie Cole, Miles Davis, George Benson, Diana Krall, Norah Jones, Dionne Warwick, Willie Nelson, Rod Stewart, Michael Bolton, Steely Dan, Luther Vandross, Dean Martin, Gladys Knight, James Taylor, Elvis Costello, Frank Sinatra, Aerosmith, and the list goes on. So, you could say that Al knows his way around a console. When the best artists want the best engineer, they choose Al Schmitt, and Al chooses Neve.\u003c\/em\u003e\u003cstrong\u003e     \u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve 8801 Channel Strip-Under the Hood \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eContained in a single rackmount unit, the 8801 combines a classic Neve mic preamplifier and equalization circuitry with an incredible 88R-style dynamics processor. The 8801's transformer-coupled preamp is identical to that used on the 88R console. With 0dB to 70dB of clean gain, it can handle microphones of any sensitivity, such and ribbon mics or vintage dynamics. For the flexibility necessary to accommodate professional standards and workflow, the 8801 has an audio router function that provides a user-configurable signal path allowing any order of dynamics, EQ, and Insert in the channel path.\u003c\/p\u003e\n\u003cp\u003eAlong with Neve's finest quality preamp, the channel comprises high- and low-pass filters, four bands of highly musical equalization, a compressor, gate, dynamics sidechain, and an insert point. The EQ and or filters can also be placed in the dynamics sidechain for greater flexibility, enabling you to use the compressor as a de-esser, pass low frequencies with clamping down on the signal, or tame cymbals ahead of compression, etc.\u003c\/p\u003e\n\u003cp\u003eFor easy recall, just as you would expect on a console, the configuration of the 8801 can be stored and recalled via the Neve Recall software on a PC or Mac. Plus, up to sixteen 88 series units may be connected to a Recall system simultaneously and in any combination.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eADC digital option card \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eTo complete your ultimate DAW front end, an optional Neve-designed analog-to-digital converter can be installed in the 8801. It supports all standard PCM sample rates up to 192kHz, as well as direct-to-DSD conversion. In listening tests, many engineers and producers preferred the sound of these Neve-designed converters to standalone converters costing more than the entire 8801 unit.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003eNeve Recall software\u003c\/strong\u003e\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eNeve's proprietary Recall software (Mac\/PC-compatible) allows seamless integration with workstations, providing instantaneous recall of all external device settings. An essential tool for creativity, Recall combines the flexibility of a computer-based system with the power and sound quality of genuine Neve design. Quite simply, the 8801 is the most convenient way to give any serious studio the ultimate Neve analog sound.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIf you're looking for your first golden channel or working toward a 16-channel Neve system with Recall, the AMS Neve 8801 Channel Strip is the place to start. 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The AMS Neve 8803 Dual Equalizer delivers the distinctive sound of the flagship Neve 88RS console. Handmade and hand-wired as you've come to expect from Neve, it has two identical channels that are fully independent. Each channel features high- and low-pass filters and four bands of EQ. And, as you'd expect from the 88RS console, the 8803 Dual Equalizer's settings can be stored and recalled via USB using the Recall software. 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There's also a front-panel signal-present LED (trigger level is -30dBu) and a clip LED that will light red to indicate that the signal is greater than 25dBu and there is danger of clipping occurring.\u003c\/p\u003e\n\u003cp\u003eThe signal level is monitored at three stages: input pre-trim; input post-trim; and Output. The LED is triggered by any one of these levels reaching greater than 25dBu.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 8803's balanced inputs and ±20dB trim are followed by two 12dB-per-octave filters. The high-pass filter has a variable corner frequency from 30Hz to 300Hz, and the Low-Pass Filter has a range of 3kHz-15kHz. The four bands of equalization offer selectable shelving and switchable “Q” on the high and low bands, with continuously variable “Q” on the mid frequency bands. Frequency selection is variable on all bands within the ranges 33Hz-440Hz, 120Hz-2kHz, 0.8kHz-9kHz and 1.5kHz-18kHz.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003eNeve proprietary Recall software\u003c\/strong\u003e\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eFor easy recall, just as you would expect on an 88RS console, the settings of the 8803 can be stored and recalled via the Neve Recall software on a PC or Mac. Neve's proprietary Recall software (Mac\/PC-compatible) allows seamless integration with workstations, providing instantaneous recall of all external device settings. An essential tool for creativity, Recall combines the flexibility of a computer-based system with the power and sound quality of genuine Neve design. Plus, up to sixteen 8- series units may be connected to a Recall system simultaneously and in any combination.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eFor modern producers and engineers looking to shape and develop sounds with unrivaled sonic purity and musicality, the 8803 Dual Channel Equalizer is the preeminent choice. 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While it can be argued that you can do your fader automation in the DAW and simply use the summing mixer for analog flavor and stem recording, engineer and mixers quickly realized that changing levels on DAW faders (particularly lowering them) changed the sound of the instrument or vocal. However, using analog faders to reduce or increase level didn't change the timbral integrity of a sound, just its volume. Another benefit of analog faders is that you can ride them while tracking vocals,* thus controlling levels going into your converters without reducing the word-length “describing” the sound. Of course, while the 8804 Fader Pack does all this and more, the faders aren't automated beyond snapshot recall. On the plus side, performing a mix on faders like an instrument is far more musical that drawing automation lines with a mouse. The mix engineer becomes a part of the performance, which in turn can lead to magical moments that can't be had with a DAW pencil tool.\u003cstrong\u003e  \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve 8804 Fader Pack-Just the Facts: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-quality long-throw fader module for use with popular 8816 Summing Mixer\u003c\/li\u003e\n\u003cli\u003eHand-made by Neve in Burnley, England\u003c\/li\u003e\n\u003cli\u003e16 channel faders and 2 master faders\u003c\/li\u003e\n\u003cli\u003e16 mute\/solo switches\u003c\/li\u003e\n\u003cli\u003e16 direct outputs allow 8816 level pots to become auxiliary sends\u003c\/li\u003e\n\u003cli\u003eInstant recall of settings stored on PC or Mac via USB\u003c\/li\u003e\n\u003cli\u003e4U rackmount or tabletop operation using built-in stand or optional Neve 8804 sidecheeks\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve 8804 Fader Pack-Beneath the Surface \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Neve 8804 not only adds fader control to the 8816, but it also provides expanded functionality. Each 8804 channel fader has a direct output, which can be set to pre- or post-fader. These direct outputs can then be used to feed effects units, make separate recordings of individual tracks in a mix*, or for multi-track recording from the 8816. The channel level pot on the 8816 becomes a dedicated auxiliary send for an outboard reverb unit, letting you add that extra touch of magic to the mix.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 8804 is equipped with AMS Neve's proprietary Recall utility program for use with a computer-based system. Recall enables your Mac or PC to store and recall all of the 8804's settings, facilitating workflow and increasing productivity. Put simply, this is the Neve console experience brought to the DAW-based studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*PAD For the Record\u003c\/strong\u003e-\u003cem\u003eOne of the closely guarded secrets of getting vocal tracks that sound like money is to ride faders during tracking. It's a bit scary at first, since nobody wants to risk spoiling a great performance, but nothing sounds as good as fader rides. Since, as they say, the essence of engineering is laziness, it's very tempting simply insert a compressor and let it do the level control. Some will put two compressors in series so that neither has to work too hard, thus avoiding artifacts, but truth be told, no compressor, no matter how fast its attack time, can anticipate when a singer is going to belt. Compressors only react, they can't anticipate. If you're nervous about upping your game with fader rides, send the signal to two channels, one for fader rides, the other with a compressor inserted for safety. And once you get the hang of it, you'll never want to track vocals any other way.\u003c\/em\u003e\u003cstrong\u003e  \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eThe 8804 surface controls\u003c\/strong\u003e\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eChannel faders\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe 8804 has sixteen 100mm, long-throw channel faders that control the levels on channels 1 through 16. The faders have a gain range from -∞dB to +15dB. Having 15dB gain in hand is a useful creative tool, particularly when riding levels in the mix. Care should be taken not to overload the workstation or other recording device by using too much boost across multiple channels simultaneously.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eAux send level control\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eWith the 8804 fader pack attached, the rotary pots of the 8816 summing mixer are taken out of the main circuit and re-tasked as an auxiliary send level control. These auxes will always be pre-fader and cannot be changed to post-fader. The 8816 Master Level pot is no longer used.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMaster faders\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eTwo master faders control the Mix Left and Mix Right output levels with a gain range from -∞dB to 0dB. With both faders at the top of their range, the mix gain is unity.\u003cstrong\u003e  \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCut\/solo channel switches\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eCut\/Solo buttons above each channel activate the Mute relays in the 8816 via the USB connection. The switches on the 8816 or on the 8804 may both be used, each will illuminate to reflect changes made from the other. In Cut mode, each button mutes the associated channel. In Solo mode, each button solos the associated channel. The solo type is Solo In Place, where all non-soloed channels are muted.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCut\/Solo master switch\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Cut\/Solo switch on the upper right of the 8804 sets the mode of the Cut\/ Solo channel switches. When the Master switch is illuminated yellow, the channel buttons are in Solo mode. When the switch is unlit, all channel switches are in Mute mode.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eDirect outputs\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe 8804 provides balanced Direct Outputs from each of the 16 channels. These can be used for recording or as sends to effects units and processors. The Direct Outputs can be set Pre- or Post- fader within the Recall software.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf a channel Direct Output is set to post-fader, you can select whether it will be muted by the Cut\/Solo switch. The Direct Output balanced circuits will be on either on a 50 pin D-type connector or on two 25-way D-type connectors on the rear of the 8804.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eAuxiliary send\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eWith the levels controlled from the 8804 faders, the rotary level control on the 8816 is available to use as an auxiliary pre-fade send level control. (The output appears on Circuit 4 of Connector 3 on the 8816.)\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eRecall software\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eSettings on the 8804 may be stored and recalled using the same Recall software as the 8816 and other members of the Neve 88 Outboard series.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMaster\/Slave settings\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eIt's possible to have a maximum of two 8816 units and two optional 8804 fader packs connected via USB to the Recall software. If you only have one 8816 and one 8804 fader pack connected, both units must be set to Slave so the Recall software will operate correctly.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eOptional sidecheeks\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eWhile you can use the its built-in wire stand, the 8804 can dress to impress with a pair of optional side panels or sidecheeks (which are kind of sweet), bearing the distinctive red on Neve lightning bolt logo on a raised white circle.\u003cstrong\u003e  \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIf you're looking for the full-on, old-school Neve mixing experience, add an 8804 Fader Pack to your 8816 Summing Mixer and go make some magic. For more information, call or chat online with your PAD Studio Specialist today.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications \u003cbr\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eLevel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eChannels 1-16 -∞ to +15dB\u003c\/li\u003e\n\u003cli\u003eMix L \/ R -∞ to +0dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+\/- 0.2dB: 10Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003e+\/- 0.5dB: 10Hz to 40kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDistortion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMeasurement Window: 10Hz to 80kHz\u003c\/li\u003e\n\u003cli\u003eFader @ 0dB: Distortion \u0026lt;0.005% (20Hz to 20kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMeasurement Window: 10Hz to 22kHz\u003c\/li\u003e\n\u003cli\u003eFader @ 0dB: Noise \u0026lt;90dB (20Hz to 20kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight 6-15\/16\" (17.6 cm) \/ 4U\u003c\/li\u003e\n\u003cli\u003eWidth 19\" (48.2 cm)\u003c\/li\u003e\n\u003cli\u003eDepth 1-1\/2\" (3.2 cm)\u003c\/li\u003e\n\u003cli\u003eWeight: 4.6 lb. (2.1 kg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":7055128773,"sku":"8804 Fader Pack","price":1850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/ams-neve-8804-2.jpg?v=1592581806"},{"product_id":"ams-neve-8816-summing-mixer","title":"AMS Neve 8816 Summing Mixer","description":"\u003ch4\u003e\n\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eAMS Neve 8816\u003c\/strong\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e is a 16-channel summing mixer featuring the sound of classic Neve consoles of the '70s, with +15dB gain, level, pan, cut\/solo and cue controls per channel, monitor control, talkback, and the unique stereo widening control.\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSo, you didn't get that vintage Neve desk you wanted for your birthday, but that's no reason to hold your breath until you turn Royal Air Force Blue. The AMS Neve 8816 Summing Mixer is well within your reach and features classic Neve transformer-coupled sonics, plus a wealth of functions you'd find on a professional desk. The 8816 has 16 input channels, aux inputs, cue, level, pan, solo, mute controls, and mix insert points. But that's only a part of the story. It has a monitor section, talkback, headphone outputs, 2-track return, iPod input, and instant recall of settings from Mac and PC via USB. Of special note is the stereo widening control*, a feature of certain '70s consoles that enabled you to mix “outside the speakers.” The 8816 also has options for a fader pack and digital output card capable of PCM sample rates up to 24-bit\/192kHz and DSD. Plus, you can cascade units and fader packs for a larger system with multiple outputs.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 8816 Summing Mixer-Just the Facts\u003c\/b\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHand-built, hand-wired 16-channel summing mixer for use in professional computer-based studios\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eClassic Neve analog transformer mix bus topology\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eInstant Recall of settings stored on PC or Mac via USB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e16 input channels plus aux additional inputs  \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eCue, Level, Pan, Solo, and Mute controls\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eMix Insert points\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eVarious solo and solo in place functions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSum and difference insert with exclusive “Stereo-Width Control”\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSeparate Monitor and Cue levels\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eMain and Alt speaker outs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eOnboard talkback mic w\/talkback input to Cue\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eUnits can be cascaded for multiple outputs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e2U rackmount design with special shielded power supply\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e2-track return, plus iPod input\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHeadphone outputs on front and back\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eOptional digital output card; 44.1kHz to 192kHz, plus DSD\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e*PAD Tech Note-\u003c\/b\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eA feature that all but disappeared from consoles is the width control. Summing a small portion of each channel into the other reduced the width of the stereo image, and was considered desirable by some, since the slightly smaller image would make the image less associated with the speakers, thus enhancing the illusion of acoustic reality. However, in modern times, the common wisdom is that greater isolation between the speakers is required in order to provide a good stereo image. This notion was disproved by the BBC in extensive testing before the days of stereo broadcasting. It was determined that a stereo separation of 20-25dB is all that's needed to provide the illusion of a full stereo width. Of course, once we all fell in love with hard-panned heavy guitars, the idea was to find a way to de-correlate a mix from the speakers by making it wider, and mixing “outside the speakers” became a highly elusive goal. It was discovered that cross-feeding anti-phase signals would increase the stereo image. In 1972, Mullard Research Laboratories published a famous circuit that provided continuous variation from mono to normal stereo to enhanced-width stereo. The caveat was not to sum more than 24% of the phase-inverted, stereo-flipped mix into the main mix or it would break the stereo image into two halves.  \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eAMS Neve 8816 Summing Mixer-Under the Hood\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHand-built and hand-wired at the Neve factory in Burnley, England, the 8816 allows engineers and producers to mix their music on a true Neve summing mixer. A post-insert mix function can be used for mixing in a separate stem or blending the mix with a special effect.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWith four monitor sources, two sets of speakers, independent monitor level control, talkback mic, cue send and headphone outs, the 8816 effectively turns a digital audio workstation to a professional mixing facility. An onboard USB connector allows snapshots of the 8816 to be saved to a PC or Mac and recalled ready for remix.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAnd of course, there's the classic, genre-defining Neve sound. The 8816 uses the same transformer mixing topology as the classic 80-Series consoles, with two custom Carnhill transformers on the stereo mix bus output, plus a unique Stereo Width** control as found in professional mastering studios. And what all this means is that the unit delivers the open, punchy mixes for which Neve consoles have long been renowned.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e**PAD For the Record-\u003c\/b\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eStereo widening is readily available in plug-in form these days. However, using these plug-ins on a final mix can introduce phase cancellation, so you'll need to reference your mix in mono. This effect can be easily created in a DAW without using a plug-in. Copy your 2-track master, use the stereo flip function so that left is right and right is left on your copied mix. Then reverse its phase. From there, blend the two mixes together adding small amounts of the copied anti-phase mix as you would a parallel compressed track. You'll hear the widening effect as you blend the two together. Also, be sure to check your mix in mono. The advantage of this procedure is that you're not dealing with the reconstruction filters of the plug-in adding word length to your final mix, which could cause overloads in the converters that the L\/R meter can't see. At the end of the day, stereo widening is best left for mastering. However, there are certain effects within the mix that stereo widening can be very, well, effective on. For example, put a widening plug-in on the stereo returns of a reverb, such as the Lexicon 224XL, and it will make the reverb returns wrap around your head.\u003c\/span\u003e\u003c\/i\u003e\u003cb\u003e  \u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cb\u003eDigital ADC option card and 8804 Fader Pack\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFor those requiring digital output, the 8816's analog-to-digital conversion option supports standard sample rates to 192kHz and direct conversion to DSD (Direct Stream Digital). This Neve-designed ADC has been compared quite favorably to dedicated professional A\/D conversion units costing as much or more than the entire 8816 mixer. If sixteen inputs aren't enough for your mix, multiple 8816 units can be cascaded together via a dedicated 2-track bus. And the unit can be paired with the 8804 Fader Pack, which provides 18 long-throw faders for hands-on control\u003c\/span\u003e\u003cb\u003e.\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003e8816 Rear-Panel I\/O and Controls\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eLine Output\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDB-25 Socket (standard Pro Tools and DA88TM connection) balanced at +4dBu for INS\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eMain and LS Outputs and 1\/4\"  stereo jacks at -10dBv for Main and Alt (Loudspeaker) outputs\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eLine Input \u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDB 25 Socket (standard Pro Tools and DA88TM connection) balanced at +4dBu\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDC Power Input: 8 Pin DIN Socket\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTalkback Foot Switch: 1\/4\" mono jack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eUSB: Type B male\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eControls\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eEarth Lift Switch: This will lift the main's earth connection from the chassis of the unit, allowing for the unit to be connected to a suitable technical earth system and thus avoiding hum from ground loops \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSlave Bus Switch: Allows two 8816 units to be joined together to create a slave and master system expanding the number of inputs. It also automatically sets the unit to be part of the Recall system as the slave or master\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eWhat the Pros are Saying about the AMS Neve 8816\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn the words of Hugh Robjohns at \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eSound on Sound\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e Magazine, “The critical issue is what [the 8816] sounds like. The answer is simple: It sounds fabulous and sublime. Its huge headroom and the classic transformer mixing topology endow the mix with an effortlessly silky quality that just screams ‘analog' at the listener.”\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eThe AMS Neve 8816 is a surprisingly affordable means of upgrading your DAW to professional standards for tracking and mixing with console functionality and classic Neve sound. For more information, call or chat online with your PAD Studio Specialist today.\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput impedance: (balanced +4dBu) \u0026gt;20k ohm\u003c\/li\u003e\n\u003cli\u003eOutput impedance: (balanced +4dBu) 50 ohm (unbalanced +4dBu) 100\u003c\/li\u003e\n\u003cli\u003eHeadphone jack output impedance loading: More than 60 ohms\u003c\/li\u003e\n\u003cli\u003eMax input level (balanced): Better than +26dBu\u003c\/li\u003e\n\u003cli\u003eMax output level (balanced): Better than +26dBu into 600 ohms; better than +14dBu into 600 ohms unbalanced\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 Line input to main output: 20Hz to 20kHz +\/- 0.5dB; better than -3dB @ 60kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 Line input to main output: 50Hz to 20kHz, better than 0.02% (measured at +20dBu into 10kHz with 80k filter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNo channels routed: Better than -86dBu (20Hz to 20kHz filter)\u003c\/li\u003e\n\u003cli\u003e1 channel routed: Better than -85dBu\u003c\/li\u003e\n\u003cli\u003e16 channels routed: Better than -80dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRated voltage: 36V DC\u003c\/li\u003e\n\u003cli\u003eRated current: 1.6A max\u003c\/li\u003e\n\u003cli\u003ePrimary protection fuse:\u003c\/li\u003e\n\u003cli\u003eOperating Voltage: 36V\u003c\/li\u003e\n\u003cli\u003eFuse rating and type: T3. 15A anti-surge 20mm x 5mm glass\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight: 3-1\/2\" (88 mm)\u003c\/li\u003e\n\u003cli\u003eWidth: 19\" (483 mm)\u003c\/li\u003e\n\u003cli\u003eDepth: 15-3\/8\" (390 mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 16 lb. (7 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e *\u003cem\u003eAll specifications with no processing in circuit\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":7055142725,"sku":"8816 Summing Mixer","price":3395.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/8816FrontRT.png?v=1651055835"},{"product_id":"ams-neve-1073opx-digital-i-o-option-usb-dante","title":"AMS Neve 1073OPX Digital I\/O Option (USB\/Dante)","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe groundbreaking 1073OPX optional digital card provides premium AD\/DA conversion up to 192kHz for all eight preamps, plus a stereo digital monitor return. For professionals looking to connect to a Dante audio-over-IP network, dual ethernet ports allow for redundancy via primary and secondary connections or for home studio users the class-compliant USB 2.0 connection transforms the 1073OPX preamp into a complete studio audio interface.\u003c\/span\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":7055178437,"sku":"1073OPX DIOO","price":1075.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/AMSNeve1073OPXDigitalIOOption.jpg?v=1651157433"},{"product_id":"ams-neve-1073-classic-mono-mic-preamp-eq-module-horizontal","title":"AMS Neve 1073 Classic Mono Mic Preamp \u0026 EQ Module (Horizontal)","description":"\u003cdiv data-mce-fragment=\"1\" class=\"wpb_row vc_row-fluid vc_row  top_padding_phone_5pct\" data-top-percent=\"2.5%\" data-midnight=\"dark\" data-column-margin=\"default\" id=\"fws_626aaa7368533\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"row_col_wrap_12 col span_12 dark left\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-delay=\"0\" data-animation=\"\" data-bg-opacity=\"1\" data-bg-color=\"\" data-has-bg-color=\"false\" data-padding-pos=\"left-right\" class=\"vc_col-sm-12 wpb_column column_container vc_column_container col padding-8-percent inherit_tablet inherit_phone\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"vc_column-inner\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"wpb_wrapper\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"wpb_wrapper\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLaunched in 1970, the 1073\u003csup data-mce-fragment=\"1\"\u003e®\u003c\/sup\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the first choice of leading producers and artists, delivering the unique Neve\u003csup data-mce-fragment=\"1\"\u003e®\u003c\/sup\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esound on some of the most famous recordings of the past six decades. Although there have been numerous attempts to copy the 1073, ours are the only true modules on the market.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"wpb_row vc_row-fluid vc_row\" data-midnight=\"dark\" data-column-margin=\"default\" id=\"fws_626aaa7369752\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-bg-overlay=\"false\" data-bg-animation=\"none\" class=\"row-bg-wrap\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"inner-wrap\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"row-bg viewport-desktop\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"row_col_wrap_12 col span_12 dark left\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-delay=\"0\" data-animation=\"\" data-bg-opacity=\"1\" data-bg-color=\"\" data-has-bg-color=\"false\" data-padding-pos=\"left-right\" class=\"vc_col-sm-12 vc_hidden-xs wpb_column column_container vc_column_container col padding-8-percent inherit_tablet inherit_phone\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"vc_column-inner\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"wpb_wrapper\"\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/www.ams-neve.com\/outboard\/1073-range\/1073-mic-preamp-equaliser\/#\" class=\"toggle-heading\"\u003eHand Built in the UK\u003c\/a\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"inner-toggle-wrap\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eThe 1073\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eis entirely handcrafted here in the UK by our Neve\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eEngineers. All of the units constructed today follow the original, pencil-on-paper designs drafted by Rupert Neve himself. This original construction method, using point-to-point wiring, fibreglass tracking and original components, takes time. However, it is necessary to ensure that ultimate care is taken when constructing this legendary module.\u003c\/p\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/www.ams-neve.com\/outboard\/1073-range\/1073-mic-preamp-equaliser\/#\" class=\"toggle-heading\"\u003eMarinair\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eTransformers\u003c\/a\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"inner-toggle-wrap\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eThe exclusive\u003ca href=\"https:\/\/www.ams-neve.com\/about-marinair\/\"\u003e\u003cspan\u003e \u003c\/span\u003eMarinair\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003especification input transformers\u003c\/a\u003e, used in the 1073\u003csup\u003e®\u003c\/sup\u003e module, were a collaboration between Neve Electronics and the Marinair Radar company in the late ’60s \u0026amp; early ’70s. The Marinair specification for the 10468 Mic input transformer and 31267 line input transformer is exclusive to Neve and is manufactured here in the UK for all of our 1073’s. This is used to produce the balanced, subtle harmonic saturation for which the 1073 is famous.\u003c\/p\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/www.ams-neve.com\/outboard\/1073-range\/1073-mic-preamp-equaliser\/#\" class=\"toggle-heading\"\u003eTransformer-Balanced Output\u003c\/a\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"inner-toggle-wrap\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eThe 1073’s LO1166 gapped output transformer was designed entirely by Rupert Neve in 1964 for use in his first transistorised console, designed for Phillips Records Ltd. This design has remained under lock \u0026amp; key at Neve HQ for the past 6 decades, used exclusively by Neve\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eto produce a transformer balanced output stage for the 1073\u003csup\u003e®\u003c\/sup\u003e.\u003c\/p\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/www.ams-neve.com\/outboard\/1073-range\/1073-mic-preamp-equaliser\/#\" class=\"toggle-heading\"\u003eClass A Discrete\u003c\/a\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"inner-toggle-wrap\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eThe 1073\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003euses a discrete class-A circuitry throughout, while not the most efficient design in terms of power consumption; this design is entirely free from crossover distortion and produces a subtle warm \u0026amp; musical analogue hue to any line or microphone source.\u003c\/p\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/www.ams-neve.com\/outboard\/1073-range\/1073-mic-preamp-equaliser\/#\" class=\"toggle-heading\"\u003eUnique 1073\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eGain Staging\u003c\/a\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"inner-toggle-wrap\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eThe classic 5dB stepped Elma switch delivers accurate gain levels throughout the gain range. This unique layout means there is no need for a mic\/line switch; the pot itself selects the preamp and input. Three distinct gain stages provided by two independent transistor-based preamplifiers provide gain for line input or microphone signal. By combining the two preamps, the 1073\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003epreamp can deliver up to 80dB of microphone gain, bringing out the musical drive and harmonic saturation that gives the 1073 its fame.\u003c\/p\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/www.ams-neve.com\/outboard\/1073-range\/1073-mic-preamp-equaliser\/#\" class=\"toggle-heading\"\u003eExclusive Inductors\u003c\/a\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"inner-toggle-wrap\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eThe iconic 1073 EQ section uses handcrafted inductors manufactured exclusively for Neve in the UK. These inductors follow the original, unpublished specification laid out in the 1073 module design for the 1070 Wessex A88 console, in which the EQ had to perform across a wide range of signal sources.\u003c\/p\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/www.ams-neve.com\/outboard\/1073-range\/1073-mic-preamp-equaliser\/#\" class=\"toggle-heading\"\u003eThree-Band EQ\u003c\/a\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"inner-toggle-wrap\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eRupert’s team carefully selected the frequency points for each of the three EQ bands. The high shelf is fixed at 12kHz, selectable bell curve mid-range with optimal presence frequency points and selectable low shelf frequency points; the 1073’s EQ section produces musical results across a wide range of signal sources.\u003c\/p\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/www.ams-neve.com\/outboard\/1073-range\/1073-mic-preamp-equaliser\/#\" class=\"toggle-heading\"\u003e18dB\/Octave HPF\u003c\/a\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"inner-toggle-wrap\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eComplimenting the three-band EQ is the 1073’s famous 3rd order high pass filter. This sound sculpting tool is ideal for tailoring signals when tracking through the unit, removing unwanted low frequencies from high register instruments.\u003c\/p\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/www.ams-neve.com\/outboard\/1073-range\/1073-mic-preamp-equaliser\/#\" class=\"toggle-heading\"\u003ePhase Invert\u003c\/a\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"inner-toggle-wrap\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eThe 180-degree phase flip feature is handy in multi-microphone setups with multiple preamps, ideal for top and bottom snare micing.\u003c\/p\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/www.ams-neve.com\/outboard\/1073-range\/1073-mic-preamp-equaliser\/#\" class=\"toggle-heading\"\u003eHigh\/Low Impedance\u003c\/a\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"inner-toggle-wrap\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eThe 1073\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003emodule has two impedance settings accessed via the rear-mounted Hi\/Lo switch. With settings of 1.2kΩ and 300Ω, the impedance can be optimised for use with a wide range of modern or vintage microphones.\u003c\/p\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/www.ams-neve.com\/outboard\/1073-range\/1073-mic-preamp-equaliser\/#\" class=\"toggle-heading\"\u003eHorizontal or Vertical Orientation\u003c\/a\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"inner-toggle-wrap\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eThe 1073\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ecomes in two orientations, vertical and horizontal. Vertical orientation modules can be built to install into a console or an 8-module rack. Additionally, horizontal modules can be built for use in the 3U stereo pair rack.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AMS Neve","offers":[{"title":"AMS Neve 1073 Classic Mono Mic Preamp \u0026 EQ Module (Horizontal)","offer_id":46863521153274,"sku":"1073-H-1","price":3995.0,"currency_code":"USD","in_stock":true},{"title":"AMS Neve 1073 Classic Mono Mic Preamp \u0026 EQ Module (Vertical)","offer_id":46863521186042,"sku":"1073-H-2","price":3995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/1073ClassicHFrontRT_4276aad5-3681-4f30-bbde-89d3338c2178.png?v=1651157827"},{"product_id":"ams-neve-dfc-gemini","title":"AMS Neve DFC3D Gemini","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003eAMS Neve DFC3D\u003c\/strong\u003e\u003cem\u003e, the premier console for feature film mixing, is an upgraded version of the \u003c\/em\u003e\u003cstrong\u003eDFC Gemini\u003c\/strong\u003e\u003cem\u003e, purpose-built for mixing in Dolby Atmos and 3D formats, and featuring updated DSP including multiband compression and de-essing, Subharmonic synthesizer and AMS RMX16 reverb with the original algorithms\u003c\/em\u003e \u003c\/h4\u003e\n\u003cp\u003eIf you're spec'ing out a new console to compete with Warner Brothers, Goldcrest Films, Fox, Skywalker Sound, or Yash Raj Film, or tired of the dealing with workarounds multi-format film dubbing and post-production, the AMS Neve DFC3D is specifically designed for native mixing in Dolby Atmos, Auro3D, IMAX, and other 3D surround formats. An updated version of the industry-standard DFC Gemini, the DFC3D delivers legendary Neve sound across 1,000 audio paths at 24-bit\/96kHz, in a single, high-resolution DFC signal-processing tower. The DFC3D also features updated plug-ins, including multiband compression and de-essing with sidechain access, and Subharmonic synthesizer for bass enhancement. Plus, the DFC3D heralds the return of the legendary AMS RMX16 digital reverb in plug-in form, featuring all the original algorithms. No other digital post-production console can offer the sheer power required to handle the demands of today's content.\u003c\/p\u003e\n\u003ch2\u003e \u003cstrong\u003eAMS Neve DFC3D Gemini-Just the Facts:\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eMix natively in Dolby Atmos and 3D formats\u003c\/li\u003e\n\u003cli\u003eMulti-format surround panning, with support for greater than 8.1 formats and 3D standards such as Dolby Atmos and Auro-3D\u003c\/li\u003e\n\u003cli\u003eThe DFC's unique ability to mix natively in formats such as 9.1 and 11.1 gives the re-recording mixer a distinct advantage in generating the Bed mix for Dolby Atmos delivery\u003c\/li\u003e\n\u003cli\u003eNew DSP featuring Subharmonic synth and RMX16 reverb original algorithms\u003c\/li\u003e\n\u003cli\u003eDFC seamlessly generates objects and associated metadata in Dolby Atmos\u003c\/li\u003e\n\u003cli\u003eTFT Channel display\u003c\/li\u003e\n\u003cli\u003eTFT Master display\u003c\/li\u003e\n\u003cli\u003eSophisticated monitor formatting with insertion of matrix processors\u003c\/li\u003e\n\u003cli\u003eEncore:3 automation system (compatible with 1,800 AMS Neve consoles)\u003c\/li\u003e\n\u003cli\u003eOff-line edit options offering enormous cost savings\u003c\/li\u003e\n\u003cli\u003eMost powerful DSP engine allows 1,000 audio paths at 24-bit\/96kHz\u003c\/li\u003e\n\u003cli\u003eNeve EQ, dynamics, and bass enhancement plug-ins with linked dynamics\u003c\/li\u003e\n\u003cli\u003eMulti-band compressors and de-essers\u003c\/li\u003e\n\u003cli\u003eFaster control surface with touch-sensitive automation controls\u003c\/li\u003e\n\u003cli\u003eExpanded 12-stem mixing\u003c\/li\u003e\n\u003cli\u003eMIOS96 new I\/O system with full remote control\u003c\/li\u003e\n\u003cli\u003eIntuitive channel strip\u003c\/li\u003e\n\u003cli\u003eComplete integrated machine control\u003c\/li\u003e\n\u003cli\u003eMulti-operator capability (up to three)\u003c\/li\u003e\n\u003cli\u003eWavTrak display providing level and dynamics metering, graphic EQ curve, and audio waveform information on a path-by-path basis\u003c\/li\u003e\n\u003cli\u003eShared or discreet auxiliary and recorder busses\u003c\/li\u003e\n\u003cli\u003eClear channel parameter and status feedback minimizing interrogation key presses\u003c\/li\u003e\n\u003cli\u003eThe flexibility to fully configure the console is enhanced by the ability to create and modify multiple configurations\u003c\/li\u003e\n\u003cli\u003eOptional monitor facilities rack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve DFC3D Gemini-Beneath the Surface\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eNative Dolby Atmos Mixing\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eDolby Atmos is the latest generation of immersive 3D surround sound, initially geared towards commercial cinema but now adapted for the home. By targeting loudspeakers placed in locations around the listener (including ceiling speakers) a sound can be made to feel as though it is coming from anywhere in the room. It is an adaptable, scalable, object-based format that represents sound as independent audio elements which during playback are accurately positioned in three-dimensional space using the loudspeakers that are available.\u003c\/p\u003e\n\u003cp\u003eAMS Neve worked in consultation with Dolby for several years before the release of Dolby Atmos giving both teams the opportunity to look collaboratively at how content in this object based format could be efficiently created making it viable for the studios to adopt.\u003c\/p\u003e\n\u003cp\u003eThe first film natively mixed in the Dolby Atmos format was Oblivion this feat was achieved using an AMS Neve DFC console with both Dolby and AMS Neve engineers present at the studios of Skywalker Sound to offer advice and support to the mixing crew. Until this point, a film would be mixed in a traditional format and later a modified version for Dolby Atmos where a limited number of sounds would be targeted to objects.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eNative Auro-3D Mixing\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe DFC3D mix engine can mix natively in three-dimensional sound-space with its 16-wide stems and pre-dubs. This allows for effortless creation of content for all Auro-3D formats including popular Auro-3D® 11.1 and Auro-3D 15.1 formats.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eDFC control surface\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eDFC3D features new high-resolution, 3D-enabled metering developed to provide the best possible feedback at a glance, with a unique spatial panner optimized for three-dimensional workflow, providing an efficient mixing experience and a quick transition from conventional mixing techniques. The “camera” angle can be infinitely controlled, and the 3d visualization re-skinned. The metering options can be changed on the fly, and each operator can have a different meter setup so they can be tailored for the department they are working on. This also minimizes distracting and\/or unnecessary information from non-relevant meters and objects.\u003c\/p\u003e\n\u003cp\u003ePop-up plug-in displays can appear when their associated controls are touched, waveform displays are now cached so no prior play pass is needed when reloading a setup, and stem and object routing, status, MADI status, and project settings can all be displayed on the master meters allowing for quick diagnostics.\u003c\/p\u003e\n\u003cp\u003eTo accommodate a large number of inputs within a realistic working footprint, the console surface is assignable with signal paths and functions such as EQ and Dynamics mapped to provide fast and intuitive operation. Any channel strip can control all the resources on a mono, stereo or up to sixteen channel inputs.\u003c\/p\u003e\n\u003cp\u003eThe control surfaces give instant access to every aspect of routing and monitoring on matter how complex the mix. The channel strip provides total control with the patented touch sensitive Logicator™ pots, giving instant visual reference to each knob setting.\u003c\/p\u003e\n\u003cp\u003eDFC3D now has new integrated DSP plugin processes including a Sub-harmonic Synthesizer, Multi-Band Compressor, and the return of the well-known AMS RMX-16 Reverb. Increased DSP capacity allows for using the new processes in existing mix setups without compromising DSP availability. The plugins were designed to provide as much control as possible using a minimum of physical controls. They are quick to set up and fully automatable, keeping the feel and pace of mixing on a console.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eEncore:2 automation\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eEncore:2 is the latest generation of the acclaimed Encore automation, delivering revolutionary new Reconform and Mix Import features, as well as Automation in Stop and Mix Audition. It provides that effortless control of Pro Tools, Nuendo, Pyramix, and Oasis systems, including plug-ins from the console surface via HUI.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eStar Command paths\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eA recent development of Encore:2 is Star Command, which sets control paths for DAWs, including Pro Tools, Nuendo, Pyramix, and Oasis. You can choose how many Star Command paths you want and where you want them to appear on the surface. For example, you may want them to appear on the B layer, C layer, or on a separate bank. Once assigned to the surface, you will see buttons display SC for Star Command as you select them. This enables you to control DAWs such as Pro Tools. Moving an SC-enabled fader will cause the faders in the Pro Tools mix window (or whichever workstation you choose) to move in response and vice versa. Above the faders are cuts and solos, which share the same DAW control and response as the faders.   \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eAutomation display \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAutomation control can be selected between read, write, and isolate. In write mode, an indicator on the automation select button flashes red and turns solid red when automation is being recorded. Plug-ins can be selected and controlled from the console. You can select which plug-in parameters you wish to adjust from the console. The DFC PS-1 can control both native and 3rd-party plug-ins. The TFT display displays the HUI paths, and the metering you see is the DAW metering, e.g. from Pro Tools, as it's sent via HUI protocol.\u003c\/p\u003e\n\u003cp\u003eDisplayed beneath the meters, you can see the Pro Tools plug-in setting's numerical information. As you adjust the settings on the console, the TFT displays the numerical change. It also displays the Pro Tools path names. The DFC PS-1 also lets you bank through the DAW channels, 16 at a time, up to 64 channels. Similarly, audio input channels from the DAW can be brought into the DFC and assigned to a separate layer, enabling you to switch between normal audio channels and DAW paths via Star Command.\u003c\/p\u003e\n\u003cp\u003eEncore:2 Automation Reconform is a highly significant development. It is becoming increasingly common for pictures to be re-cut right up to and beyond the last possible moment. In the past, this became frustrating as mixes had to be rerun from change points. Now change lists can be taken into Encore Plus and the mix automation cut and spliced automatically to reflect picture changes. This significantly reduces the workload on the Mixer as pictures are re-cut as well as allowing greater freedom to the Director who can now continue to make creative changes right up to the dub without disrupting the mixing process.\u003c\/p\u003e\n\u003cp\u003eAutomation can now be written whilst the timeline is stationary, automation in stop, with user-defined “automation to” settings. Dynamic automation can also be written at less than play speeds enabling exact settings and movements to be made with pinpoint accuracy. Mix Audition, based on the enhanced system speed, enables near-instant play of numerous versions of a mix. An essential tool for all applications.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve DFC full feature list:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eUSP “SuperSlice” engine:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe world's most powerful digital audio mixing engine\u003c\/li\u003e\n\u003cli\u003eBuilt on six previous generations of AMS Neve's digital audio expertise\u003c\/li\u003e\n\u003cli\u003eHuge power designed to handle the biggest and most complex mixes of today's and tomorrow's blockbusters\u003c\/li\u003e\n\u003cli\u003eConfiguration flexibility ensures future longevity\u003c\/li\u003e\n\u003cli\u003eUp to 2,000 signal paths at 48kHz in a single rack\u003c\/li\u003e\n\u003cli\u003eUSP engine can mix at up to 192kHz, 1,000 paths at 96kHz\u003c\/li\u003e\n\u003cli\u003eNeve EQ, dynamics plug-ins with linked dynamics and sidechain EQ\u003c\/li\u003e\n\u003cli\u003eExpanded 12-stem mixing\u003c\/li\u003e\n\u003cli\u003eEverything time-aligned; additional programmable delay per channel\u003c\/li\u003e\n\u003cli\u003eUp to 36 mono or stereo auxiliary sends\u003c\/li\u003e\n\u003cli\u003eUp to 136 pre-dub inputs\u003c\/li\u003e\n\u003cli\u003eUp to 96 record buses (tracks)\u003c\/li\u003e\n\u003cli\u003e40-bit floating-point algorithms, much wider dynamic range than 64-bit fixed, or 32-bit floating point\u003c\/li\u003e\n\u003cli\u003eLegendary Neve sound\u003c\/li\u003e\n\u003cli\u003eProcessing in any order; processing can be inserted anywhere including mix buses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003e3D and surround formats\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAMS Neve SuperStem™ mixing for best sound in any 3D format\u003c\/li\u003e\n\u003cli\u003eNative mixing in Dolby Atmos\u003c\/li\u003e\n\u003cli\u003eThe DFC can mix the Dolby Atmos bed in 9.1 or 11.1\u003c\/li\u003e\n\u003cli\u003eObject designation can dynamically be assigned\u003c\/li\u003e\n\u003cli\u003e3-dimension panning from joysticks and channel strips\u003c\/li\u003e\n\u003cli\u003eMonitor control of all elements of the Atmos workflow\u003c\/li\u003e\n\u003cli\u003eComplete mix solution for all Auro-3D formats including the popular 9.1 and 11.1 Auro-3D formats\u003c\/li\u003e\n\u003cli\u003eIdeal way to control Dolby Atmos, Barco Auro-3D, and other emerging formats\u003c\/li\u003e\n\u003cli\u003eNo plug-in required for 3D\/surround formats\u003c\/li\u003e\n\u003cli\u003eGet outside the box and mix the perfect 3D cinema experience\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eEncore:2 Automation Engine:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eIndustry-standard AMS Neve cross-platform automation\u003c\/li\u003e\n\u003cli\u003eTotal Dynamic Automation™\u003c\/li\u003e\n\u003cli\u003eOffline editing options offer great cost savings\u003c\/li\u003e\n\u003cli\u003eEncore 2 control engine 40-times faster than Encore 1\u003c\/li\u003e\n\u003cli\u003eControl of Pro Tools, Nuendo, Pyramix, Oasis, Reaper, and plug-ins via Star Command function\u003c\/li\u003e\n\u003cli\u003eReconform delivers efficient workflow as picture recuts go up to the last possible moment\u003c\/li\u003e\n\u003cli\u003eChange lists imported directly into Encore and mix automation is re-conformed to match the new cut\u003c\/li\u003e\n\u003cli\u003eIntegrates into existing network infrastructure\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eMonitoring\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e12 stems and 6 multi-track machines\u003c\/li\u003e\n\u003cli\u003eEach stem can have up to 16 members\u003c\/li\u003e\n\u003cli\u003eIndustry-standard PEC\/Direct switching\u003c\/li\u003e\n\u003cli\u003eOptional Neve Monitor Facilities rack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eControl Surface\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eOne-, two-, and 3-operator configurations from a single mainframe\u003c\/li\u003e\n\u003cli\u003e“Desk Designer” software enables custom configurations\u003c\/li\u003e\n\u003cli\u003eSix banks of four layers, effectively 24 layers of surface path assignments\u003c\/li\u003e\n\u003cli\u003eIndustry reference standard channel layout\u003c\/li\u003e\n\u003cli\u003eChannel strip count up to 128\u003c\/li\u003e\n\u003cli\u003eSmallest control surface can control the largest mix\u003c\/li\u003e\n\u003cli\u003eIntuitive, touch-sensitive Logicator™ rotary controls with internal LED status and settings indicators\u003c\/li\u003e\n\u003cli\u003eNumeric display per control plus TFT graphics\u003c\/li\u003e\n\u003cli\u003eAll variable controls are touch sensitive\u003c\/li\u003e\n\u003cli\u003eAutoglide matches back to the play pass automatically when released\u003c\/li\u003e\n\u003cli\u003eTo facility scene change, Collect Touch allows selection of a range of controls; automation can be previewed and written in context\u003c\/li\u003e\n\u003cli\u003eWidescreen TFT overbridge with very wide viewing angle\u003c\/li\u003e\n\u003cli\u003eViewMix™ software displays all aspects of your mix, including graphic EQ, dynamics, panning, routing porting, path names, process inputs\/outputs on a path-by-path basis\u003c\/li\u003e\n\u003cli\u003eTFT master display-up to 16 master meters (each up to 8 paths wide), bus matrix, track arm information, and status\u003c\/li\u003e\n\u003cli\u003eWaveTrak™ display of pre- and post-audio track data channel\u003c\/li\u003e\n\u003cli\u003eAny channel strip can control mono, stereo, or multi-channel audio\u003c\/li\u003e\n\u003cli\u003eModular surface extremely configurable\u003c\/li\u003e\n\u003cli\u003eOptional 8-band hardware graphic equalizer with moving faders\u003c\/li\u003e\n\u003cli\u003eSuperb ease of use on the most complex mixing challenges\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eModular I\/O System (MIOS) and MIOS Lite deliver definitive Neve-quality audio at 24-bit\/96kHz or 48kHz\/44.1kHz resolution\u003c\/li\u003e\n\u003cli\u003eMIOS modules include 8-channel mic\/line, 16-channel DAC; 16-channel AES SRC to 192kHZ\u003c\/li\u003e\n\u003cli\u003eChoice of dual-fiber or dual-co-ax MADI connections\u003c\/li\u003e\n\u003cli\u003eFour built-in DAC converters in addition to any DAC modules that may be fitted for talkback, foldback, or studio speakers\u003c\/li\u003e\n\u003cli\u003eFront panel headphone socket that can be switched to monitor any of the rack inputs\u003c\/li\u003e\n\u003cli\u003eBi-directional, intelligent integration to confirm which channel on the console each input is connected\u003c\/li\u003e\n\u003cli\u003eAES960 rack provides the best asynchronous I\/O-super low distortion and noise\u003c\/li\u003e\n\u003cli\u003eQuadMADI 64 multichannel I\/O subsystem (Neve defined the MADI specification with BBC and Studer)\u003c\/li\u003e\n\u003cli\u003eBuilt-in router\u003c\/li\u003e\n\u003cli\u003eFully integrated multi-machine control\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eThe AMS Neve DFC is the gold standard for world-class motion picture facilities including Warner Brothers, Goldcrest Films, Fox, Skywalker Sound, and Yash Raj Film. In fact, over 70% of international blockbusters are mixed on the DFC. For more information, call or chat online with your PAD Studio Integrator.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eMic Input Module \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMic Inputs\u003c\/strong\u003e (60dB gain with 150-ohm source impedance\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency response: +0.1\/-0.4dB @ 20Hz, +0.1\/-0.2dB @20kHz, +0.1\/-0.5dB @ 40kHz (96k sampling only)\u003c\/li\u003e\n\u003cli\u003eInput impedance: \u0026gt;2k ohm\u003c\/li\u003e\n\u003cli\u003eEIN: \u0026gt;-126dB\u003c\/li\u003e\n\u003cli\u003eTHD+Noise: \u0026lt; 0.008% 20Hz to 1kHz, rising to \u0026lt; 0.03% @ 15kHz\u003c\/li\u003e\n\u003cli\u003eCrosstalk: \u0026lt; -90dB 20Hz to 1kHz, rising to \u0026lt; -80dB @ 20kHz (measurement is three hostile channels to one quiet)\u003c\/li\u003e\n\u003cli\u003eCMRR: \u0026gt; 70dB 20Hz to 1kHz, rising to \u0026gt; 60dB @ 20kHz\u003c\/li\u003e\n\u003cli\u003eMaximum Input: Set with headroom jumpers ( 26dB headroom only maintained for gains of 6dB to 75dB)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine inputs\u003c\/strong\u003e (0dB gain with 50-ohm source impedance)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency response: +0.1\/-0.2dB 20Hz to 20kHz, +0.1\/-0.5dB @ 40kHz\u003c\/li\u003e\n\u003cli\u003eInput Impedance: \u0026gt;20kOhm\u003c\/li\u003e\n\u003cli\u003eEIN: \u0026gt;-108dB\u003c\/li\u003e\n\u003cli\u003eTHD+Noise: \u0026lt; 0.003% 20Hz to 1kHz, rising to 0.03% @ 15kHz\u003c\/li\u003e\n\u003cli\u003eCrosstalk: \u0026lt; -90dB 20Hz to 20kHz (measurement is three hostile channels to one quiet)\u003c\/li\u003e\n\u003cli\u003eCMRR: \u0026gt; 70dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eMaximum input: 26dBu (set with headroom jumpers)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input Module \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine Inputs \u003c\/strong\u003e(0dB gain with 50 Ohm source impedance)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency response: +0.1\/-0.2dB 20Hz to 20kHz, +0.1\/-0.3dB @ 40kHz\u003c\/li\u003e\n\u003cli\u003eInput impedance: \u0026gt;20k ohm\u003c\/li\u003e\n\u003cli\u003eDynamic range: \u0026gt;110dB\u003c\/li\u003e\n\u003cli\u003eTHD + Noise: \u0026lt;0.003 20Hz to 1kHz, rising to 0.006% @ 15kHz\u003c\/li\u003e\n\u003cli\u003eCrosstalk: \u0026lt; -84dB 20Hz to 20kHz (measurement is 15 hostile channels, one quiet)\u003c\/li\u003e\n\u003cli\u003eCMRR: \u0026gt; 70dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eMaximum input: 26dBu (set with headroom jumpers)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Output Module\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine Outputs\u003c\/strong\u003e (0dB gain into 100kOhm load impedance)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency response: +0.1\/-0.3dB 20Hz to 20kHz, +0.1\/-0.8dB @ 40kHz\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 50 ohm\u003c\/li\u003e\n\u003cli\u003eDynamic range: \u0026gt;110dB\u003c\/li\u003e\n\u003cli\u003eTHD + Noise: \u0026lt; 0.005% 20Hz to 1kHz, rising to 0.008% @ 15kHz\u003c\/li\u003e\n\u003cli\u003eCrosstalk: \u0026lt; -90dB 20Hz to 20kHz (measurement is 15 hostile channels, one quiet)\u003c\/li\u003e\n\u003cli\u003eMaximum output: 26dBu (set with headroom jumpers)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"Default","offer_id":7055214021,"sku":"DFC Gemini","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/DFC-front.png?v=1571498729"},{"product_id":"ams-neve-dfc-ps-1","title":"AMS Neve DFC PS-1","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"page-wrapper\"\u003e\n\u003cdiv id=\"content-wrapper\"\u003e\n\u003cdiv id=\"content-main\"\u003e\n\u003cdiv class=\"grid-c3 grid-gutter body-content\"\u003e\n\u003cdiv class=\"region region-content\"\u003e\n\u003cdiv id=\"block-system-main\" class=\"block block-system\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"ds-2col-stacked-fluid node node-product node-promoted view-mode-full clearfix\"\u003e\n\u003cdiv class=\"group-header\"\u003e\n\u003cdiv class=\"field-group-htabs-wrapper field-group-htabs group-display-tabs \"\u003e\n\u003cdiv class=\"horizontal-tabs clearfix\"\u003e\n\u003cdiv class=\"horizontal-tabs-panes horizontal-tabs-processed\"\u003e\n\u003ch4\u003e\n\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003eAMS Neve DCF PS-1\u003c\/strong\u003e \u003cem\u003eis a dedicated, mid-level TV dubbing\/post-production console that delivers industry-standard Neve sound across 1,000 audio signal paths at 24-bit\/96kHz in a single, high-resolution DFC signal-processing tower\u003c\/em\u003e\n\u003c\/h4\u003e\n\u003cp\u003eSo you're not Skywalker Sound, but sonically, you need to compete with the best if you plan to not only keep your position in the industry, but also move upward. So what's an independent, mid-level production house supposed to do? The answer is the AMS Neve DCF PS-1, a 16-fader table-top version of the award-winning, large-format DCF Gemini\/3D console that graces the mix rooms of Fox, Warner Bros., and the aforementioned Skywalker Sound. In point of fact, over 70% of feature films are mixed on the DFC3D\/Gemini-but we're here to talk about its offspring, the DCF PS-1, which gives you, the independent post-production house, the sonics and power to be competitive with the industry's top TV\/Film post-production facilities.  \u003c\/p\u003e\n\u003ch2\u003e \u003cstrong\u003eAMS Neve DCF PS-1-Just the Facts:\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e16 motorized faders with four layers and six banks for up to 384 fader paths\u003c\/li\u003e\n\u003cli\u003eTFT Channel display\u003c\/li\u003e\n\u003cli\u003eTFT Master display\u003c\/li\u003e\n\u003cli\u003eEncore:2 automation system (compatible with 1800 AMS Neve consoles)\u003c\/li\u003e\n\u003cli\u003eOff-line edit options offering enormous cost savings\u003c\/li\u003e\n\u003cli\u003eMore powerful DSP engine-XSP with Mezzanine cards-1,000 paths at 24-bit\/96kHz\u003c\/li\u003e\n\u003cli\u003eNeve EQ, dynamics, and bass enhancement plug-ins with linked dynamics\u003c\/li\u003e\n\u003cli\u003eFaster control surface\u003c\/li\u003e\n\u003cli\u003eExpanded 12-stem mixing\u003c\/li\u003e\n\u003cli\u003eMIOS96 new 96kHz I\/O system with full remote control\u003c\/li\u003e\n\u003cli\u003eComplete integrated machine control\u003c\/li\u003e\n\u003cli\u003eWavTrak display providing the user with level and dynamics metering, graphical EQ curve and audio waveform information on a path-by-path basis\u003c\/li\u003e\n\u003cli\u003eOptional Monitor Facilities Rack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eAMS Neve DCF PS-1-Beneath the Surface\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eControl Surface\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe DFC PS-1 packs a lot of power in a table-top mixer. With the world's most powerful DSP mix engine, it's capable of delivering the legendary Neve sound across 1000 audio paths 24-bit\/96kHz in a single, high-resolution DFC signal-processing tower. On the left side of the console, there are 16 linear motorized faders with a master section on the right. The master section has dual joystick controllers, machine control, PEC\/Direct* panel, and surround monitoring panel. There three TFT (thin-film transistor) meter displays, two for channels, one for master.\u003c\/p\u003e\n\u003cp\u003eThe channels have four layers and six banks, which means that you can have up to 384 simultaneous fader paths 24 layers deep on one fader, all accessible without having to move from the central operator's position. And that's not including the pre-dub paths, which enables you to control eight tracks or channels from one master fader, which can be assigned and opened across the faders as a pre-dub zone and then hidden once adjustments have been made. This, in concert with the DFC PS-1's DSP power (remember those 1,000 24-bit\/96kHz audio paths) enables you to work effectively and efficiently on the largest projects.  \u003c\/p\u003e\n\u003cp\u003eTo accommodate a large number of inputs within a realistic working footprint, the console surface is semi-assignable with signal paths and functions such as EQ and Dynamics mapped to provide fast and intuitive operation. Any channel strip can control all the resources on a mono, stereo, or up to eight channel inputs.\u003c\/p\u003e\n\u003cp\u003eThe control surfaces give instant access to every aspect of routing and monitoring on matter how complex the mix. The channel strip provides total control with the patented touch-sensitive Logicator pots, giving instant visual reference to each knob setting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e* PAD Fun Fact\u003c\/strong\u003e-\u003cem\u003eIf you're new to film mixing jargon, you may be wondering what PEC\/Direct actually means. It refers to someone who, after staring at your chest, callously tells you that you need to work out more. (Well, that's one meaning, anyway.) In film mixing, the acronym PEC stands for photo-electric cell, which in turn references playback of recorded material versus the direct output of the console before the recorder or dubber. PEC\/Direct is a console section, generally outfitted with paddle-shaped switches, not un-coincidentally called, “paddles,” which enables you to instantly check the difference between recorded material and console output, which is very useful where un-automatable outboard is used.    \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e**PAD Fun Fact 2; The Return of PEC-And this time, it's personal\u003c\/strong\u003e. \u003cem\u003eAt Pro Audio Design, we never leave an acronym undefined. However, while we explained above what PEC stands for, we didn't tell you why a digital console in the 21st century references a disused technology from the 1940s. Back in the early days of film, when film was recorded on film, a soundtrack was actually a track recorded directly to said photographic film, which at the time, was considered the best medium for image and sound. Sound and visual images were recorded to separate negatives, which were then combined by ordinary photographic printing to become a positive, which then carried both, with the soundtrack running alongside the images. In order to record sound to photographic film, acoustic waves were converted to changes in electric current, which in turn were amplified and used to control the light hitting the photographic film. The light appeared as fine, bright transverse lines of different lengths and thicknesses on part of the film (soundtrack), which was known as a variable density soundtrack. When the variable density sound recording is run past a narrow line from a fixed source, a photo-electric cell (PEC) was used to measure the variations in light and convert them to current changes that are analogous to the original acoustic waves. Those voltages are then amplified and converted to sound via loudspeaker.   \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIt's interesting to note that the film industry not only uses technology that's close to 100 years old, for example, the boom mic, invented by Dorothy Arzner in the late '20s (still in use, and no one has come up with a better solution), it also retains its history. However, while the film industry preserves and learns from its history, that doesn't prevent it from repeating it, or remaking it, if you will-like a recurring nightmare on elm street, but despite that, there is certainly plenty in the Cinematic Universe to Marvel at . . . Uh-oh, looks like we'll have to cut this short, our “spidey sense” is tingling . . . again\u003c\/em\u003e.    \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eTFT displays-ViewMix and WavTrak\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eEnhanced visual feedback is provided by ViewMix, high-resolution TFT monitors, allowing you to have a clear visual representation of your mix. The most complex setups are now simple to control. For example, EQ and panning appear as two rows of eight window boxes. Selecting a channel EQ will cause its window to light in green showing it's active. Adjusting the EQ will display the curve in relation to the adjustments. The curve shows blue when out of the circuit, red when activated. Above EQ are the pan windows. If you route the pan control to a particular stem, red speaker icons appear and a red dot indicating the joystick position so that you can see what panning capabilities are available. When you pan the channel the red dot moves showing where the sound is in relation to the speakers in the room.  \u003c\/p\u003e\n\u003cp\u003eIf you turn on the compressor, you'll see an orange indicator for dynamic. Similarly, switching on aux sends displays a blue light that's color-coded to the button, and also shows which aux channels you're sending to (i.e. aux 1, 3, 4, etc.). A quick glance lets you know which auxiliaries are active for the channel. The TFT screen also displays which stem you have selected for the channel. Like the auxes, a letter for each selected stem will appear in the display.  \u003c\/p\u003e\n\u003cp\u003eWavTrak display of audio track data by channel is the most significant innovation of its type since scrolling waveforms, providing the user with level and dynamics metering, graphical EQ curve, and audio waveform information on a path-by-path basis. Any audio entering the channel is captured and displayed against time code.\u003c\/p\u003e\n\u003cp\u003eThe master meter allows you to see stem metering, aux metering, and final film outputs. Beneath those meters, you can see what comprises each stem, its routing to monitoring, and which stem is you're auditioning. You can also custom configure the master meter to display the stems and auxiliaries you wish to see. The bottom of the master TFT screen displays in blue which stems are active. Additionally, you can switch the meter display between VU, Peak, and PPM.  \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eEncore:2 automation\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eEncore:2 is the latest generation of the acclaimed Encore automation, delivering revolutionary new Reconform and Mix Import features, as well as Automation in Stop and Mix Audition. It provides that effortless control of Pro Tools, Nuendo, Pyramix, and Oasis systems, including plug-ins from the console surface via HUI.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eStar Command paths\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eA recent development of Encore:2 is Star Command, which sets control paths for DAWs, including Pro Tools, Nuendo, Pyramix, and Oasis. You can choose how many Star Command paths you want and where you want them to appear on the surface. For example, you may want them to appear on the B layer, C layer, or on a separate bank. Once assigned to the surface, you will see buttons display SC for Star Command as you select them. This enables you to control DAWs such as Pro Tools. Moving an SC-enabled fader will cause the faders in the Pro Tools mix window (or whichever workstation you choose) to move in response and vice versa. Above the faders are cuts and solos, which share the same DAW control and response as the faders.    \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eAutomation display\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAutomation control can be selected between read, write, and isolate. In write mode, an indicator on the automation select button flashes red and turns solid red when automation is being recorded. Plug-ins can be selected and controlled from the console. You can select which plug-in parameters you wish to adjust from the console. The DFC PS-1 can control both native and 3rd-party plug-ins. The TFT display displays the HUI paths, and the metering you see is the DAW metering, e.g. from Pro Tools, as it's sent via HUI protocol.\u003c\/p\u003e\n\u003cp\u003eDisplayed beneath the meters, you can see the Pro Tools plug-in setting's numerical information. As you adjust the settings on the console, the TFT displays the numerical change. It also displays the Pro Tools path names. The DFC PS-1 also lets you bank through the DAW channels, 16 at a time, up to 64 channels. Similarly, audio input channels from the DAW can be brought into the DFC and assigned to a separate layer, enabling you to switch between normal audio channels and DAW paths via Star Command.  \u003c\/p\u003e\n\u003cp\u003eEncore:2 Automation Reconform delivers efficient workflow as picture re-cuts go up to the last possible moment. Change lists are taken into Encore:2 and the mix automation re-conformed to match the new cut, significantly reducing the workload on the Mixer and allowing the Director freedom to make creative changes right up to the dub.\u003c\/p\u003e\n\u003ch3\u003e \u003cstrong\u003eWhat the pros are saying about the DFC PS-1\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003e“Even the first time I used the DFC, I rapidly felt at ease with the console, one of the major features being the ergonomics on the control surface.”-\u003cem\u003e\u003cstrong\u003eVincent Arnardi\u003c\/strong\u003e, C.A.S. (Amélie)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“The DFC allows us to spend our valuable mix time making good creative decisions and less time on the technicalities of the mixing interface.”-\u003cem\u003e\u003cstrong\u003eGary Rizzo\u003c\/strong\u003e, Skywalker Sound\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Working on the DFC console is a completely enjoyable and wonderful experience.”-\u003cem\u003e\u003cstrong\u003eAndy Nelson\u003c\/strong\u003e, Fox\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“There is no need for compromise with the DFC, it does what you want. The EQ and filters are just beautiful and the TFT metering provides that extra dimension.”-\u003cem\u003e\u003cstrong\u003eRobert Farr\u003c\/strong\u003e (Star Wars Episode III, V For Vendetta)\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eThanks to its compact size, ease of use, incredible DSP power, and legendary Neve sound, the DFC PS-1 has become the industry leader in predominantly freelance markets. For more information, call or chat online with your PAD Studio Integrator today.\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cbr\u003e\n\u003cfieldset class=\"field-group-fieldset group-display-videos  form-wrapper horizontal-tabs-pane horizontal-tab-hidden\" id=\"node_product_full_group_display_videos\"\u003e\n\u003cdiv class=\"fieldset-wrapper\"\u003e\n\u003cdiv class=\"field field-name-field-product-youtube-vimeo field-type-video-embed-field field-label-hidden\"\u003e\n\u003cdiv class=\"field-items\"\u003e\n\u003cdiv class=\"field-item even\"\u003e\n\u003cdiv class=\"embedded-video\"\u003e\n\u003cdiv class=\"player\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"video-embed-description\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/fieldset\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"group-footer\"\u003e\n\u003cdiv class=\"field-collection-container clearfix\"\u003e\n\u003cdiv class=\"field field-name-field-product-reviews field-type-field-collection field-label-hidden\"\u003e\n\u003cdiv class=\"field-items\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearBoth\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"footer\" class=\"site-gutter\"\u003e\n\u003cdiv id=\"footer-contact\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AMS Neve","offers":[{"title":"No","offer_id":7055218501,"sku":"DFC PS\/1 - 01","price":0.0,"currency_code":"USD","in_stock":true},{"title":"Yes","offer_id":7055218565,"sku":"DFC PS\/1 - 02","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/DFCPS1.png?v=1571498729"},{"product_id":"ams-neve-1081r-blank-panel-each","title":"AMS Neve 1081R Blank Panel (Each)","description":"AMS Neve 1081R Blank Panel (Each)","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":7055233093,"sku":"Blank panel","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/AMSNeve1081RBlankPanel.jpg?v=1651156790"},{"product_id":"ams-neve-1081-rack-psu-empty","title":"AMS Neve 1081 Rack \u0026 PSU (Empty)","description":"\u003cp\u003e\u003cspan\u003eDesigned in 1972, the 1081 was originally conceived as a combined mic\/line preamp and equaliser section for the Neve\u003c\/span\u003e\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e modular consoles. It quickly became one of the best-loved mic preamps of all time. In practice, over three decades of engineers have found the 1081 an indispensable tool for recording and mixing drums, bass and percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003ca class=\"toggle-heading\" href=\"https:\/\/www.ams-neve.com\/outboard\/1081-range\/1081-classic\/#\"\u003eHorizontal or Vertical Orientation\u003c\/a\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"inner-toggle-wrap\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eThe 1081 comes in two orientations, vertical and horizontal. Vertical orientation modules can be installed into a console or an 8-module rack. Additionally, horizontal modules can be installed into the 3U stereo pair rack.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AMS Neve","offers":[{"title":"1081 3U Rack \u0026 PSU (empty) - Houses up to 2x 1081 Modules Horizontally","offer_id":42703336800506,"sku":"1081-3U","price":3295.0,"currency_code":"USD","in_stock":true},{"title":"1081 7U Rack \u0026 PSU (empty) - Houses up to 8x 1081 Modules Vertically","offer_id":42703336833274,"sku":"1081-7U","price":5950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/1081_3u_rack_303293ed-8dc1-4bed-b76e-886b71a02df9.jpg?v=1651158639"},{"product_id":"api-205l","title":"API 205L","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe API 205L Instrument Direct is specifically designed to accept a guitar or bass direct into it, without any loading on the pickups. The Gain Control is used to normalize the instrument's input level, up to a +4 dBu output level. With the use of the unique TONE control, the low end \"mud\" can be reduced. Turning on the BRIGHT switch adds clarity, like the bright switch on any amp. The combination of these two functions may eliminate the need for any EQ on the instrument when recording, keeping the signal pure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe input is designed specifically to load a pickup the same way that a tube guitar amp would, retaining all of the tone, and minimizing the loading effect on the pickup. This minimal path eliminates the need to use a standard direct box, which more times than not only converts the signal to a balanced mic level output, which still requires a mic input, equalizer, and fader to get the signal to a recordable level.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe 205L is capable of boosting any instrument to a hefty line level without additional amplifiers. With the 100 K LOAD switch, the tone of the pickup can be altered slightly, which tends to darken the high frequency content. The BRIGHT switch adds a treble boost in the same manner that most instrument amplifiers do, clarifying the instrument and adding presence to it without the need for outboard equalization. When inserting an instrument with an internal preamp or a line level instrument such as a sampler or a keyboard, the 205L has a 20 dB PAD switch to drop the level without loading, thereby retaining the full range of the 205L and its features.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eWhen used with other 200L series modules, a complete input strip can be built from input through dynamics, equalization, and final output. Also, the output of the 205L can be fed to tape, or the input of a guitar power amplifier. The artist can then be in the control room while the instrument amp is isolated in the studio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe 205L can be used in the Legacy or Vision Series Consoles, or in the L200 Rack. The 205L Direct makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity characteristic of API products.\u003c\/span\u003e \u003cbr\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eFeatures\u003c\/span\u003e\u003c\/strong\u003e \u003cbr\u003e \u003c\/p\u003e\n\u003cul style=\"font-size: 12px; line-height: 18px; margin-bottom: 1em; margin-top: 1em; text-align: left;\"\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWide range GAIN control\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eHi-Z input, like a Tube Amp\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThin Fat TONE Control reduces low end mud\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBRIGHT Switch boosts the presence\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e20 dB PAD lowers the input level\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e100 K LOAD switch changes the tone of instruments\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e5 Segment LED Meter shows Output Level\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTransformer Coupled Output to +28 dBm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAll Discrete Design\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":7055278725,"sku":"205L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/c063985325072aaafd2624fdd10dc2fe.jpeg?v=1571498729"},{"product_id":"api-212l","title":"API 212L","description":"\u003cp\u003eThe tone of the 212L mic preamp finds its roots in the classic API 2488 series all discrete recording consoles, best known for the famed \"LA\" sound. This same mic preamp design is packaged into a compact module with features like a continuously adjustable Gain control and a unique 5 segment LED VU meter on each panel.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cspan style=\"color: #000000;\"\u003eAn audio chain is only as strong as its weakest link. Often, emphasis is placed on obtaining the highest quality microphones, while neglecting the integrity of the mic preamp. The API 212L incorporates the same circuit as the legendary API console input modules, dating from the 1970's up to and including the Model 1608, thus preserving its sonic qualities. This mic-pre articulates high frequencies with great detail, while delivering the big sounding, warm bottom end that API is famous for. Whether it's a live performance or the private setting of a studio session, the 212L will capture every nuance of the moment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe 212L mic-pre all discrete circuitry features the API 2520 op-amp, the RE 115 K input and the AP-2623 output transformer. A -20 dB pad is provided, allowing the level feeding the mic transformer to be reduced by 20 dB, while keeping the proper load on both the mic and transformer. 48V Phantom power can be locally switched on or off via the front panel switch. An LED VU meter provides a true VU indication of the mic pre output level. The low noise floor, together with a clip point over +28 dBm, makes this preamp suitable for the most extreme applications requiring the highest quality audio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe API 212L microphone pre-amplifier is an integral part of the famous Legacy and Visions Series of consoles and is available for the L200 Rack System. The 212L Microphone Preamplifier makes use of the 2520 op-amp and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.\u003c\/span\u003e \u003cbr\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eFeatures\u003c\/span\u003e\u003c\/strong\u003e \u003cbr\u003e \u003c\/p\u003e\n\u003cul style=\"font-size: 12px; line-height: 18px; margin-bottom: 1em; margin-top: 1em; text-align: left;\"\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWide range GAIN control\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e20 dB Pad\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e48v Phantom Power Switch\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRE 115 K Mic input Transformer\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eLED VU Meter\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eUses API 2520 Op-Amp\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAll Discrete Circuit\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTransformer Coupled Inputs \u0026amp; Outputs to +28 dBu\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default","offer_id":7055288773,"sku":"212L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/de563dc086e2280f0ba5b15f5fdd83bf.jpeg?v=1571498729"},{"product_id":"api-215l","title":"API 215L","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe API 215L is a unique passive, sweepable filter, designed specifically to contour the sound to preserve the natural tone of the signal. Its extreme flexibility, repeatable settings and superb sound make it ideal for all studio, live sound and broadcast applications.\u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe 215L design is a passive low pass filter with a slope of only 6 dB per octave, and a passive dual high pass filter with a slope of 12 dB per octave. The filters are isolated from each other with the same discrete transistor buffer used in the famous 550 series equalizers. This minimizes interaction between the filters, as well as providing a low impedance source for the filter following the buffer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe input section is a balanced circuit using the API 2510 all discrete op-amp, minimizing the loading effect on any device plugged into it. The output stage is a transformer balanced output, driven by the all discrete API 2520 op-amp.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe filters are both continuously adjustable, with a range from 20 Hz to 20 kHz in two bands. The low pass filter has a range from 500 Hz to 20 kHz, and the high pass filter has a range from 20 Hz to 600 Hz. This covers a broad range of frequencies throughout the entire audio spectrum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eBecause of the subtle nature of the 215L filter, it finds a home with uses like rolling off the low end of a hi-hat, where a natural sound is desired, not the usual \"phase-shifter\" sound of a 18 to 24 dB per octave filter found on most consoles. It can also be used to thin out room mics, without the complete loss of low end which again usually results from steep filter circuits.\u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe 215L can be used in the Legacy, Legacy Plus or Vision Series Consoles, or in the L200 Rack. The 215L Filter makes use of the 2520 and 2510 op-amps and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.\u003c\/span\u003e \u003cbr\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eFeatures\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWide range 6 dB per octave LOPASS control\u003c\/li\u003e\n\u003cli\u003eWide range 12 dB per octave HIPASS control\u003c\/li\u003e\n\u003cli\u003eBalanced input stage\u003c\/li\u003e\n\u003cli\u003ePassive filter design for smooth tone\u003c\/li\u003e\n\u003cli\u003eUnity gain throughout\u003c\/li\u003e\n\u003cli\u003eHard Wire BYPASS switch\u003c\/li\u003e\n\u003cli\u003eTransformer Coupled Output to +28 dBu\u003c\/li\u003e\n\u003cli\u003eAll Discrete Design\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":7055328773,"sku":"API 215L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/889afbda569b9d2ac3a9f472bcc0b3f8.jpeg?v=1571498729"},{"product_id":"api-225l","title":"API 225L","description":"\u003cp\u003eThe API 225L Compressor is ideal for all studio, live sound and broadcast applications. Regardless of the threshold or ratio settings, the output level always remains at unity. This unique feature allows for real-time adjustments without the need for changing the output level.\u003c\/p\u003e\n\u003cp\u003eBoth NEW (\"feed forward\") and OLD (\"feed back\") methods are selectable on the front panel, providing two choices of gain reduction. NEW gain reduction is typical of the newer VCA type compressors that rely on RMS detectors for the gain control voltage. OLD or Feed-Back method is what most of the classic compressors used for the gain control circuit There also is a SOFT or HARD selector. SOFT provides a more subtle compression resulting in a very natural, less compressed sound. HARD results in a more typical, sharp knee type compression that has a much more severe limiting effect.\u003c\/p\u003e\n\u003cp\u003eRelease time is adjusted by rotating the inner concentric R knob. Release time constants: continuously variable from .3 seconds to 3 seconds. Attack time is adjusted by rotating the outer concentric A knob. Attack time constants: continuously variable from 1 millisecond to 25 milliseconds.\u003c\/p\u003e\n\u003cp\u003eAPI's 225L is designed for individual channel use, or through the use of the external LINK funcauto-makeuption. Two units can be combined for Stereo applications via a rear access pin. The 225L also has a side-chain input for the detector amplifier.\u003c\/p\u003e\n\u003cp\u003eThe 225L can be used in the Legacy, Legacy Plus or Vision Series Consoles, or in the L200 Rack. The 225L Compressor makes use of the 2520 and 2510 op-amps and therefore exhibits the reliability, long life and uniformity which are characteristic of all API products.\u003c\/p\u003e\n\u003cdiv class=\"article_h2\"\u003eFeatures\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eThreshold control from +10 to -20 dBu\u003c\/li\u003e\n\u003cli\u003eVariable compression ratio from 1 to infinity\u003c\/li\u003e\n\u003cli\u003eRelease time constants: continuously variable from .3 seconds to 3 seconds\u003c\/li\u003e\n\u003cli\u003eAttack time constants: continuously variable from 1 millisecond to 25 milliseconds\u003c\/li\u003e\n\u003cli\u003e\"OLD\" or \"NEW\" sound\u003c\/li\u003e\n\u003cli\u003eHARD or SOFT compression knee\u003c\/li\u003e\n\u003cli\u003eAuto-makeup Gain\u003c\/li\u003e\n\u003cli\u003eLED Gain Reduction meter\u003c\/li\u003e\n\u003cli\u003eAPI 2510 and API 2520 op-amps\u003c\/li\u003e\n\u003cli\u003eTransformer output to +28 dBu\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default","offer_id":7055333829,"sku":"225L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/9ff9c53ee8da99cbdd38b2e622827c47.jpeg?v=1571498729"},{"product_id":"api-235l","title":"API 235L","description":"The API 235L Noise Gate\/Expander has the ability to reduce noise in any type of program. The 235L can open unusually fast, without losing any part of the sound. Its extreme flexibility, repeatable settings, and superb sound make it ideal for all studio, live sound, and broadcast applications. \u003cbr\u003eThe 235L is one of the fastest noise gates manufactured today. When an engineer is faced with program material with a high level of background noise, the 235L can either Gate the signal at a preset Threshold, or with the use of the Expander function, can reduce the background noise to an almost undetectable level. This can be achieved without the typical loss of the program material caused by slow triggering of the signal, or \"pinging\" caused by false triggering. \u003cbr\u003eWith a wide range of adjustment, the 235L can operate from -45 to +25 dBu, fitting into any audio situation regardless of program level. Once the Threshold level is set, the Attack time can be selected to react faster than 100uS or slightly slower than 25mS to reduce false triggering. Although the Depth control has a full range of -80 dB, the scale is expanded in the first half of rotation so 0 to 9 dB is available for fine tuning of subtle, undetectable gating. The second half of rotation is from 10 to 80 dB for more drastic noise reduction. \u003cbr\u003eThe Expander function uses a 1:2 ratio, allowing the signal to \"sneak up\" to the full signal level without any loss of \"under threshold\" vocal or percussion nuances. Setting the threshold in the Gate function to the desired level, then switching to the Expander mode is the perfect setup. \u003cbr\u003eFor special gating functions such as the famed \"gated snare reverb\", the Release function can be switched to Hold, and the Release control becomes the Hold time. In both scenarios, the unselected function has a set time of 100mS. \u003cbr\u003eWhen used with the other 200L series modules, a complete input strip can be built from input through dynamics, equalization, and final output. \u003cbr\u003eThe 235L makes use of the 2510 and 2520 op-amps and therefore exhibits the reliability, long life, and uniformity which are characteristic of all API products.\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"font-size: 12px; line-height: 18px; margin-bottom: 1em; margin-top: 1em; text-align: left;\"\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003eThreshold control from -45 to +25 dBu\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003eVariable Fine Adjustable Depth to -80 dB\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003eAdjustable Release\/Hold Time, 50mS to 3 sec\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003e2:1 Expander or Noise Gate Selection\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003eRelease or Hold Switch for Release control knob\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003eAlways at Unity Gain, Regardless of settings\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003eLED Gain Reduction Meter\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003eUses the API 2510 and API 2520 Op-Amps\u003c\/li\u003e\n\u003cli style=\"margin-top: 0em; margin-bottom: 0em;\"\u003eTransformer Output, to +28 dBu\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default","offer_id":7055348613,"sku":"235L","price":695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/088b61be39acc3fd0c812061da66602d_08b13508-b621-446b-9ca7-66fa2dff3759.jpeg?v=1571498729"},{"product_id":"api-2500-plus","title":"API 2500+ - Discrete 2 Channel Stereo Bus Compressor wih Mix\/Blend Control","description":"\u003cp\u003eThe API 2500+ Stereo Bus Compressor allows adjustment of sonic qualities to alter the punch and tone of the stereo mix. The 19-inch, rack-mountable unit features a dual-channel design that can be configured for stereo compression or for use as two separate units via a single compression setting.\u003c\/p\u003e\n\u003cp\u003eAmong the many qualities which make the 2500+'s unique is its use of API's patented\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"thrust_bold_italic\"\u003eTHRUST\u003c\/span\u003e\u003cspan class=\"thrust_reg\"\u003e®\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ecircuit for a chest-hitting, punchy bottom end. Another distinctive feature of the 2500+ is its selectable \"old\" or \"new\" compression, with the old style using the \"feed back\" type of compression found in the API 525, and the new style using the \"feed forward\" type in which the compressor side chain is fed directly from the unit input. Additionally, the output stage of the 2500+ offers an auto-makeup gain button that permits the user to vary the threshold or ratio while automatically maintaining a constant output level.\u003c\/p\u003e\n\u003cp\u003eAdded to the 2500+ is the Mix\/Blend circuit. First featured in the limited production 50th Anniversary Edition, Mix\/Blend control provides either cross fader or parallel mixing of the compressed and uncompressed signal. Three different user settings are offered:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOFF - compressed signal only\u003c\/li\u003e\n\u003cli\u003eX (Cross) - allows the MIX control to adjust between 100% uncompressed to 100% compressed - increasing one, while decreasing the other\u003c\/li\u003e\n\u003cli\u003e|| (Parallel) - allows the MIX control to dial in compressed signal to blend into the uncompressed signal, (which remains the same).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe 2500+ ensures fidelity with its fully balanced design and two front panel VU meters showing input, output and gain reduction levels. The 2500+ features API's industry exclusive five-year parts warranty and offers the user the reliability, sonic excellence and long life characteristic of all API products.\u003c\/p\u003e\n\u003cdiv class=\"article_h2\"\u003eFeatures\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eAPI 2520 Op Amps\u003c\/li\u003e\n\u003cli\u003eExpanded variable threshold between -20dBu to +20dBu\u003c\/li\u003e\n\u003cli\u003eSelectable ratio, attack, and release times\u003c\/li\u003e\n\u003cli\u003ePatented\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"thrust_bold_italic\"\u003eTHRUST\u003c\/span\u003e\u003cspan class=\"thrust_reg\"\u003e®\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003efilter with 3 settings for frequency dependent side chain control\u003c\/li\u003e\n\u003cli\u003eVariable link between left and right channels\u003c\/li\u003e\n\u003cli\u003eOld \"feed back\" and new \"feed forward\" compression\u003c\/li\u003e\n\u003cli\u003eSoft, Medium, or Hard knee for easy to sharp compression\u003c\/li\u003e\n\u003cli\u003eAuto or manual gain make up\u003c\/li\u003e\n\u003cli\u003e1\/4\" balanced side chain inputs\u003c\/li\u003e\n\u003cli\u003eOutput clips at +32dBu\u003c\/li\u003e\n\u003cli\u003eNew Mix\/Blend circuit\u003c\/li\u003e\n\u003cli\u003e\"Over Threshold\" LED illuminates when input audio crosses the set threshold\u003c\/li\u003e\n\u003cli\u003eStereo analog meters to show input level, output level, and gain reduction\u003c\/li\u003e\n\u003cli\u003eFull hard-wired relay bypass\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul style=\"font-size: 12px; line-height: 18px; margin-bottom: 1em; margin-top: 1em; text-align: left;\"\u003e\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":7055354821,"sku":"2500PLUS","price":3295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/prod_2500PLUS_1_l.jpg?v=1645696749"},{"product_id":"api-565-discrete-filter-set","title":"API 565 Discrete Filter Set","description":"\u003ch1 style=\"font-size: 18px; line-height: 21.600000381469727px; margin-top: 0em; padding-bottom: 0em;\"\u003e\u003c\/h1\u003e\n\u003cp\u003eThe 565 Filter Bank module has circuits that are true to the musical filters of the famed 215 module found in large format API consoles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003esweepable low-pass filter (500Hz to 20kHz, -6 or -12dB slope)\u003c\/li\u003e\n\u003cli\u003esweepable high-pass filter (20Hz to 400Hz, -12 or -18dB slope)\u003c\/li\u003e\n\u003cli\u003evariable notch filter (fully sweepable between 20Hz and 20kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"font-size: 12px; line-height: 18px;\"\u003e \u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default","offer_id":7055384325,"sku":"API 565 Discrete Filter Set","price":595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/72470500ee8cfd0e8256ce9fb113536c.jpeg?v=1571498729"},{"product_id":"api-505-discrete-di","title":"API 505 Discrete DI","description":"\u003ch1 style=\"font-size: 18px; line-height: 21.600000381469727px; margin-top: 0em; padding-bottom: 0em;\"\u003e\u003c\/h1\u003e\n\u003cul style=\"font-size: 12px; line-height: 18px;\"\u003e\u003c\/ul\u003e\n\u003cp\u003eLike the console-based API 205L, the 505-DI is specifically designed to accept a guitar, bass or keyboard direct input while minimizing any loading effect on Hi-Z instrument pickups. Additionally, the 505-DI's Gain Control is used to normalize an instrument's input level, up to a +4 dBu output level. API's unique TONE control reduces potential low end \"mud\" in the signal, while turning on the BRIGHT switch adds additional clarity if desired. The various combinations of TONE and BRIGHT controls can eliminate the need for any EQ on the instrument while recording, keeping the signal path short and pure.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis minimal signal path eliminates the need to use a standard direct box, which many times still requires a mic input, equalizer, and a fader to get the signal to a recordable level. The 505-DI is capable of boosting any instrument to a hefty line level without additional amplifiers. Use of the 100K \/ 400K LOAD switch allows the tone of the pickup to be altered slightly, alternately brightening or darkening the high frequency content. When inserting an instrument with an internal preamp or a line level instrument such as a sampler or a keyboard, the 505-DI offers a 20 dB PAD switch to drop the level without loading, thereby retaining the integrity of the incoming signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWide Range Gain Control with 55dB of gain\u003c\/li\u003e\n\u003cli\u003eFront Panel Hi-Z Input\u003c\/li\u003e\n\u003cli\u003eFront Panel Thru routing\u003c\/li\u003e\n\u003cli\u003eTONE Control helps customize your sound\u003c\/li\u003e\n\u003cli\u003eBRIGHT Switch boosts clarity and presence\u003c\/li\u003e\n\u003cli\u003e10 segment LED VU meter for monitoring output level\u003c\/li\u003e\n\u003cli\u003ePeak Output LED Indicator\u003c\/li\u003e\n\u003cli\u003e20 dB pad switch, applies to mic\/line\/instrument\u003c\/li\u003e\n\u003cli\u003e100K \/ 400K Switchable Load\u003c\/li\u003e\n\u003cli\u003eTraditional API fully discrete circuit design\u003c\/li\u003e\n\u003cli\u003eUses the famous API 2520 and 2510 Op-Amps\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default","offer_id":7055392069,"sku":"API 505 Discrete DI","price":595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/713d68ae23b0c938b590ae7312eb86a9.jpeg?v=1571498729"},{"product_id":"api-525","title":"API 525","description":"\u003cp style=\"font-size: 12px; line-height: 18px; margin-bottom: 1em; margin-top: 1em; text-align: left;\"\u003e\u003cspan style=\"font-size: 15px;\"\u003eOriginally released in the 70's, the API 525 is a \"feedback\" type compressor. An input (threshold) control and output (make-up gain) control are provided, along with an additional \"Ceiling\" fine-tune function which can increase gain reduction (lower threshold) while simultaneously raising output level to match, so the user can alter dynamics \"on the fly\" without level changes. A compression\/limit switch sets ratio at either 2:1 or 20:1. Attack time is as fast as 15u\/s. Four auto release modes are offered via two switches, 0.1s, 0.5s, 1.5s, \u0026amp; 2.0s. A De-Ess function inserts an inverse vocal energy curve filter in the detector for effective sibilance\/pop reduction. The 525 design has been taken from the original blue prints and spec control drawings from the API archives.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eRelease times vary with frequency, with high frequency \/ full bandwidth content released faster than lower frequencies for natural envelope tracking. Attack time is fixed, chosen to catch the fastest peaks, without \"pumping\". Equally useful as a tracking, mixdown or program compressor\/limiter, the 525 utilizes \"vintage\" dynamics control and an easy to use multi-function control set. The 525 has a hard-wire bypass switch, a balanced input, and a pinout that is the same as all the other 500 series modules. Two or more 525s can be linked for multi-channel compression.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe API 525 Compressor makes use of the 2510 and 2520 op-amps and exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eFeatures\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExact reissue of API's original 525 from the early 70's\u003c\/li\u003e\n\u003cli\u003ePeak detecting \"feedback\" compressor\/limiter\u003c\/li\u003e\n\u003cli\u003eVariable Threshold and Output levels\u003c\/li\u003e\n\u003cli\u003eUnique \"Ceiling\" control combines key functions\u003c\/li\u003e\n\u003cli\u003eAnalog VU meter for monitoring gain reduction\u003c\/li\u003e\n\u003cli\u003e4 Switchable release modes\u003c\/li\u003e\n\u003cli\u003eDe-Ess function\u003c\/li\u003e\n\u003cli\u003eTraditional API fully discrete circuit design\u003c\/li\u003e\n\u003cli\u003eActive Balanced Input\/Output\u003c\/li\u003e\n\u003cli\u003eHardwire bypass\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default","offer_id":7055411781,"sku":"525","price":1295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/6d0f74c349d450162101b6b4c1136ea7.jpeg?v=1571498729"},{"product_id":"api-550a","title":"API 550A","description":"\u003cp\u003eFew equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late '60s, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eForty years later, the 550A remains the standard against which other EQs are measured, and it has played a major role in the recording industry for decades. Still copied but never duplicated, the 550A became API's standard channel module EQ when the company began manufacturing consoles in 1971. With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004.\u003c\/p\u003e\n\u003cp\u003eThe 550A provides reciprocal equalization at 21 points in 7 steps of boost to a maximum of 12dB of gain at each point. The fifteen equalization points are divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. Frequency ranges and boost\/cut are selected by three dual-concentric switches, and a pushbutton \"in\" switch allows the EQ to be silently introduced to the signal path. A small toggle switch is used to insert the band-pass filter into the 550A.\u003c\/p\u003e\n\u003cp\u003eThe combination of Walker's incomparable 2520 op amp and his \"Proportional Q\" circuitry gives the 550A user an uncomplicated way to generate acoustically superior equalization.\u003c\/p\u003e\n\u003cp\u003eWith the long-awaited reissue of this unit, an EQ that has had such a part in the history of recording is continuing to make history in today's music.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3 bands of classic API equalization\u003c\/li\u003e\n\u003cli\u003eEach band offers 7 API selected frequency centers\u003c\/li\u003e\n\u003cli\u003eReciprocal and repeatable filtering\u003c\/li\u003e\n\u003cli\u003eMaximum 12 dB of boost\/cut per band\u003c\/li\u003e\n\u003cli\u003eEQ Band 1 and 3 offer shelf\/peak switching\u003c\/li\u003e\n\u003cli\u003e\"Proportional Q\" narrows filter Q at extremes\u003c\/li\u003e\n\u003cli\u003eTraditional API fully discrete circuit design\u003c\/li\u003e\n\u003cli\u003eHigh headroom +30 dB clip level\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default","offer_id":7055449541,"sku":"550A","price":1195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/fbac2832b3b8239076888af7665ea968_61e3b94a-15de-4bc1-a0f2-a58ef35cd6eb.jpeg?v=1571498729"},{"product_id":"api-550b","title":"API 550B","description":"\u003cp\u003eBased on API's original 550 from the late '60s, the API 550b is a continuation of the EQ that played a major role in the history of music recording, but with an additional filter band and several new frequencies. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 Op Amp), the 550b artfully blends the past with the present. So many hit records still depend on the unique 550 sound that engineers around the world find it to be an invaluable tool. In fact, the 550b design has been taken from the original blue prints and spec control drawings from the API archives. It is unlike any other EQ you will ever use.\u003c\/p\u003e\n\u003cp\u003eRather than offer a huge assortment of complex features, the API 550b provides exactly the right number of controls. Its four EQ bands are overlapped significantly to aid in dual roles as problem solver and sweetening device with each band offering seven switchable filter frequencies that span four-to-five octaves. These frequencies, purposely selected to be musical rather than numeric, were selected by an experienced \"who's who\" list of the industry's most proficient engineers.\u003c\/p\u003e\n\u003cp\u003eMaking use of API's \"Proportional Q,\" an innovation designed by Saul Walker in the '60s, the 550b intuitively widens the filter bandwidth at minimal settings and narrows it at higher settings without the need for additional bandwidth controls. This unique feature minimizes the \"phase-shift\" sound found in many equalizers. In addition, the reciprocal nature of the 550b enables the user to \"undo\" what has been done previously with exact precision.\u003c\/p\u003e\n\u003cp\u003eThe benefits of the API 550b are most obvious to those who work with EQ on a continuous basis. If major tonal restructuring is required, the extraordinary headroom made possible with API's 2520 Op Amp offers the predictable and warm analog performance, even under duress. With a surprisingly wide range of tonal variations, the 500b is an invaluable and professional audio tool with great flexibility and excellent sonic ability.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour bands of our famous sounding equalization\u003c\/li\u003e\n\u003cli\u003eEach band offers seven API selected frequency centers\u003c\/li\u003e\n\u003cli\u003eReciprocal and repeatable filtering\u003c\/li\u003e\n\u003cli\u003e12 dB of boost\/cut per band\u003c\/li\u003e\n\u003cli\u003eEQ band 1 and 4 offer shelf\/peak switching\u003c\/li\u003e\n\u003cli\u003e\"Proportional Q\" narrows filter Q at extremes\u003c\/li\u003e\n\u003cli\u003eTraditional API fully discrete circuit design\u003c\/li\u003e\n\u003cli\u003eHigh headroom +30 dB clip level\u003c\/li\u003e\n\u003cli\u003eRe-issue of 1967 API 550 EQ with an extra band\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default","offer_id":7055473285,"sku":"550B","price":1295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/d63c41f82523ee02b9ddb08143359334.jpeg?v=1571498729"},{"product_id":"api-560","title":"API 560","description":"\u003cp\u003eOriginally conceived for use in API consoles of the '60s and '70s, the 560 is a unique device designed to accomplish tasks that no other EQ can. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 remains unmatched. With a wide range of 500 mounting options, from racks to consoles, the 560 proves an invaluable asset to all critical performance applications. Based on API's original 560 EQ, the current production 560 has improved resolution in the ±4 dB area and possesses our exclusive circuitry and proprietary components, including the API 2520 Op Amp.\u003c\/p\u003e\n\u003cp\u003eThe extraordinary headroom made possible with the 2520 offers consistent analog performance even when using radical EQ curves. Of course, the 2520's ability to drive low impedance loads is key when it is paired with API's custom output transformers. The results are quite audible with better low frequency reproduction and tighter imaging, which gives you that legendary API \"punch in your gut\" sound.\u003c\/p\u003e\n\u003cp\u003eThe 10 precision EQ bands make the 560 ideal for signal sweetening and room tuning. A great companion to a parametric EQ, the 560 utilizes API's unique \"Proportional Q\" design introduced during the '60s. This design intuitively widens the filter bandwidth at lower boost\/cut levels and narrows it at higher settings. Additionally, boost and cut characteristics are identical, allowing previous actions to be undone if desired.\u003c\/p\u003e\n\u003cp\u003eReliable, durable and uniform, the API 560 EQ delivers that \"one-of-a-kind API sound\" with precision easy set filtering and high headroom in a compact package. If you want the sound of classic American music in an easy-to-set graphic EQ package, you want the API 560.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e10 bands of API proprietary equalization\u003c\/li\u003e\n\u003cli\u003eFamiliar graphics operation on one octave centers\u003c\/li\u003e\n\u003cli\u003e12 dB of boost\/cut per band\u003c\/li\u003e\n\u003cli\u003e\"Proportional Q\" narrows filter Q at extremes\u003c\/li\u003e\n\u003cli\u003eAdditional resolution within the ±4 region\u003c\/li\u003e\n\u003cli\u003eCenter detent for reliable reset\u003c\/li\u003e\n\u003cli\u003eSilent bypass button\u003c\/li\u003e\n\u003cli\u003eBased on the original 1969 API 560 EQ\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":7055475461,"sku":"API560TDM","price":995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/faae2b15390c5a0cbac8eea71e710239.jpeg?v=1571498729"},{"product_id":"api-5b1-a-500-series-one-slot-blank-panel","title":"API 5B1-A - 500 Series, One-Slot Blank Panel","description":"\u003cp\u003e\u003cspan\u003eSingle slot blank panel, used in the API lunchbox\u003c\/span\u003e\u003cspan class=\"lunchbox_reg\"\u003e®\u003c\/span\u003e\u003cspan\u003e, 500V Rack and expansion slots for the 1608.\u003c\/span\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":7055480965,"sku":"5B1","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/5e635c7a325cfc0571c46c517cb893ee.jpeg?v=1571498729"},{"product_id":"api-lunchbox-8","title":"API (8 pack) Lunchbox","description":"The new 8-slot lunchbox includes all of the features that have made the 6-slot lunchbox (500-6B) so well regarded in the industry, including DB-25 (D-Sub) connectors for easy I\/O, universal power supply (100 or 250V, 47 to 63Hz), phantom power, and easy rack-mounting with optional rack-ear kit. Built for robust performance, with new toggle switches for channel linking.\u003cbr\u003e\n\u003cp\u003eThe lunchbox gives an engineer the flexibility to bring along specialized EQ effects to any situation: 550A, 550b or 560. The lunchbox is self-powered. API makes several modules for the lunchbox, including the 512c Mic Preamplifier, the 525 Compressor, the 527 Compressor, the 550A 3-band EQ, the 550b 4-band EQ and the 560 Graphic EQ. Combinations of these modules make perfect stereo recording packages (two 512cs and two 550bs) or vocalist's box (one 512c, two EQs and one 527).\u003c\/p\u003e\n\u003cp\u003eOther uses for the versatile lunchbox include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMulti-track recording of acoustic and electronic audio sources\u003c\/li\u003e\n\u003cli\u003eSound reinforcement systems and recording to multi-track formats\u003c\/li\u003e\n\u003cli\u003eMultiple facility projects where portability is a plus\u003c\/li\u003e\n\u003cli\u003eBroadcast and audio for video production\u003c\/li\u003e\n\u003cli\u003eCustom channel input strips\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNOTE: The older 560A equalizer may use pin 15 for a \"direct output\" and must be disabled on the 560A circuit board edge connector by cutting a trace. This will eliminate 48 volts from damaging the 560A series equalizers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8 Slots with 250 mA of power per slot\u003c\/li\u003e\n\u003cli\u003eFull compatibility with API 500 Series and VPR-approved modules\u003c\/li\u003e\n\u003cli\u003eDB25 connectivity on the rear panel\u003c\/li\u003e\n\u003cli\u003ePhantom Power\u003c\/li\u003e\n\u003cli\u003eOptional \u003ca href=\"http:\/\/www.apiaudio.com\/5006b_rackears.html\"\u003eRack Ears\u003c\/a\u003e available for rack mounting\u003c\/li\u003e\n\u003cli\u003etoggle switches for channel linking\u003c\/li\u003e\n\u003cli\u003eRubber feet \u0026amp; carrying handle for portability\u003c\/li\u003e\n\u003cli\u003eRugged steel chassis\u003c\/li\u003e\n\u003cli\u003ePerfect for remote recording of Vocalist and Instruments\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default","offer_id":7055552581,"sku":"API Lunchbox 8","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/14a75a1b93c320264d65e2b144ddfb12.jpeg?v=1571498730"},{"product_id":"api-l200ps","title":"API L200PS","description":"\u003cp\u003eThe API L200PS supplies the power for both the 10 space 500VPR rack, and the 12 space L200R 200 series rack. Capable of powering ten API 500 series modules (or ten VPR-compliant modules), it delivers 1.4 amps of power to symmetrical +\/- 16 volt rails. Featuring a totally linear design, its power is free of any artifacts which can arise out of switch-mode power supplies. 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A tight cardioid polar pattern and a frequency response boasting a subtle rise in the high-end result in a microphone that is ideal for live vocal applications.\u003c\/p\u003e\n\u003cp\u003eThe TELEFUNKEN \u003cstrong\u003eM80\u003c\/strong\u003e also features a custom wound impedance matching transformer which is where the magic really takes place. When coupled with our proprietary capsule assembly, the results have won hearts and minds in far less time since it's introduction than we ever imagined possible.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eM80\u003c\/strong\u003e is offered with either a Black or Chrome head grill. 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