{"title":"Computer Audio","description":"","products":[{"product_id":"lynx-hilo-2-converter-black","title":"Lynx Hilo 2 Converter - Black","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"icon-sine\"\u003eHilo 2\u003cspan\u003e \u003c\/span\u003eis our most transparent interface ever.\u003c\/p\u003e\n\u003ch2\u003eKey features\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature-line\"\u003e\n\u003cul\u003e\n\u003cli\u003ePristine, independently coupled 2 in, 6 out, AD\/DA conversion with digital expansion up to 16x16.\u003c\/li\u003e\n\u003cli\u003eUnique touchscreen interface. Forever upgradable through our free firmware updates.\u003c\/li\u003e\n\u003cli\u003eFuture-proof LSlot design with swappable USB, Thunderbolt and DANTE cards.\u003c\/li\u003e\n\u003cli\u003eReal-time meters and analysis tools, hyper-flexible routing and monitor control.\u003c\/li\u003e\n\u003cli\u003ePowered by mains or 9-18v DC battery packs for location recording.\u003c\/li\u003e\n\u003cli\u003eLynx’s class-leading transparent audio quality.\u003c\/li\u003e\n\u003cli\u003eHilo 2: Upgraded conversion technology provides even more transparent performance.\u003c\/li\u003e\n\u003cli\u003eHilo 2: SynchroLock 2 sample clock provides faster locking and better tracking of external clocks with 7ppm absolute accuracy.\u003c\/li\u003e\n\u003cli\u003eHilo 2: In-plane switching LCD with capacitive touch provides significant increase in brightness, uniform off-axis viewing, and improved touch responsiveness.\u003c\/li\u003e\n\u003cli\u003eHilo 2: Upgrade path to higher sample rates above 192kHz and DSD on input and output.\u003c\/li\u003e\n\u003cli\u003eHilo 2: Selectable linear and minimum phase filters on line I\/O.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2\u003eWho it's for\u003c\/h2\u003e\n\u003cp\u003eHilo 2 is for professionals who demand the purest audio quality. Engineered to be a true all-in-one device, Hilo offers class-leading AD\/DA conversion, built-in metering and analysis, multiple ins and outs, hyper-flexible routing and monitoring control — all easily saved and recalled via touchscreen, whatever work you do.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature-line\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Lynx","offers":[{"title":"Hilo 2 USB-Black","offer_id":27527257033,"sku":"LYN-HILO2-USB","price":3599.0,"currency_code":"USD","in_stock":true},{"title":"Hilo 2 Thunderbolt-Black","offer_id":27527257161,"sku":"LYN-HILO2-TB3","price":4199.0,"currency_code":"USD","in_stock":true},{"title":"Hilo 2 Dante-Black","offer_id":33646098350125,"sku":"LYN-HILO2-DNT","price":4299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/lynx_hilo2_2400x1265_f3c46d69-1126-4244-9dbf-c60b531ebf0b.jpg?v=1707155274"},{"product_id":"antelope-isochrone-trinity","title":"Antelope Audio TRINITY | 384 kHz HD Master Clock","description":"THE BEST SOUNDING MASTER CLOCK\u003cbr\u003e\u003cbr\u003eIn the fickle world of Audio \u0026amp; Video formats, Trinity is the Master Clock that stands out from the crowd, with the kind of features that others can only aspire to. With dedicated functions and controls, Trinity is the best sounding and most versatile Master Clock available anywhere. Installed in some of the most prominent audio and post production facilities around the globe, Trinity is in the roots of great percentage of the contemporary music and movie productions. Trinity is also an integral component of some of the largest live concerts and events nowadays.\u003cbr\u003e\u003cbr\u003eTrinity Master Clock Features:\u003cbr\u003e• Three independent audio generators up to 384 kHz, with Varispeed Control\u003cbr\u003e• Three Independent SD generators, simultaneously offering PAL and NTSC\u003cbr\u003e• Three Independent HD generators, giving you a choice of 16 formats\u003cbr\u003e• Intuitive menu-free user interface with triple display\u003cbr\u003e• Fourth-generation of acoustically focused clocking, now employing 64-bit DSP\u003cbr\u003e• Dual redundant power supply for added reliability\u003cbr\u003e• Oven Controlled Crystal oscillator or atomic input for supremely low jitter\u003cbr\u003e• Factory-calibrated to better than +\/-0.02PPM accuracy via atomic clock\u003cbr\u003e• Field recalibration to atomic for better than +\/-0.02PPM accuracy\u003cbr\u003e• Always on \"Superclock\" for support of Digidesign Pro Tools systems\u003cbr\u003e• Power: 12VDC Input 95-245 VAC Input\u003cbr\u003e• Inputs: 1 AES\/EBU 2 Wordclock 1 S\/PDIF 1 Video 1 Atomic\u003cbr\u003e• Audio A outs: 2 AES\/EBU 2 S\/PDIF 8 Wordclock\u003cbr\u003e• Audio B outs: 1 AES\/EBU 1 S\/PDIF 4 Wordclock\u003cbr\u003e• Audio C outs: 1 AES\/EBU 1 S\/PDIF 4 Wordclock\u003cbr\u003e• HD Video: 3 generators. 2 outputs on each generator.\u003cbr\u003e• SD Video: Simultaneous PAL \u0026amp; NTSC generators 1 NTSC 1 PAL 1 NTSC\/PAL switchable on front panel 1 NTSC60\/PAL48 switchable on front panel\u003cbr\u003e\u003cbr\u003eNEXT LEVEL OF PERFECTION\u003cbr\u003e\u003cbr\u003ePowered by an ultra stable oven controlled crystal oscillator, Trinity's completely redesigned timing engine with 4th generation 64-bit Acoustically Focused Clocking provides supremely low jitter and high stability, with distinct sonic advantages that are immediately apparent.\u003cbr\u003eAn atomic input makes it a perfect match for the 10M Atomic Clock, while user re-calibration and dual redundant power supply will keep the unit running smoothly and prevent costly downtime.\u003cbr\u003e\u003cbr\u003eAS PRO AS YOU CAN GO\u003cbr\u003e\u003cbr\u003eTrinity takes care of requirements that usually would have needed several units. With 3 HD and 2 SD generators the unit locks to and generates all known professional video format, while simultaneously offering 3 independent audio channels capable of 384 kHz with varispeed adjustment in cents or percent!\u003cbr\u003eWith its wealth of connectivity, flexibility, and ease of use, Trinity is the ideal linchpin for a modern studio.\u003cbr\u003e\u003cbr\u003eSPECIFICATIONS:\u003cbr\u003e\u003cbr\u003eClocking System\u003cbr\u003e4th Generation Acoustically Focused Clocking\u003cbr\u003e64 bit DDS\u003cbr\u003eOven Controlled Crystal Oscillator\u003cbr\u003e\u003cbr\u003eStability:\u003cbr\u003e\u0026lt; +\/-0.02ppm @ 64.5°C\u003cbr\u003e\u003cbr\u003eAgeing\u003cbr\u003e\u0026lt; 1 ppm per year\u003cbr\u003e\u003cbr\u003eCalibration\u003cbr\u003e\u0026lt; +\/-0.001 ppm\u003cbr\u003e\u003cbr\u003eAtomic Clock Input\u003cbr\u003e10MHz@1Vpp, BNC\u003cbr\u003e\u003cbr\u003eBasic Sampling Rates (KHz)\u003cbr\u003e32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384\u003cbr\u003e\u003cbr\u003eGenerators\u003cbr\u003e9 Independent and simultaneous: 3 audio, 3 HD, 3 SD\u003cbr\u003e\u003cbr\u003eVarispeed\u003cbr\u003e+\/-200 cents\u003cbr\u003e+12.246%\u003cbr\u003e-10,910%\u003cbr\u003e\u003cbr\u003ePull Ups\/Downs\u003cbr\u003e+\/- 0.1% NTSC and\/or +\/- 4% PAL\u003cbr\u003e-0.1% HD\u003cbr\u003e\u003cbr\u003eInputs\u003cbr\u003eUniversal video input on BNC.\u003cbr\u003eRecognizes all video formats automatically\u003cbr\u003e2 selectable Word Clock on BNC 32kHz - 384kHz\u003cbr\u003e1 AES\/EBU on XLR. 32kHz - 192kHz @110Ω terminated\u003cbr\u003e1 S\/PDIF on RCA. 32kHz - 192kHz @75Ω terminated\u003cbr\u003e\u003cbr\u003eUSB\u003cbr\u003e2.0 full-speed\u003cbr\u003e\u003cbr\u003eOutputs\u003cbr\u003eHD Video 6xBNC @75Ω\u003cbr\u003eSD 1 - BNC @75Ω fixed for NTSC video standard. Black Burst\u003cbr\u003eSD 2 - BNC @75Ω fixed for PAL video standard. Black Burst\u003cbr\u003eSD 3 - BNC @75Ω PAL 24\/NTSC 30 selectable.Composite Sync\u003cbr\u003eSD 4 - BNC @75Ω PAL 48\/PAL 47.95 selectable. Composite Sync\u003cbr\u003eWordclock - 16 BNC, 3Vpp @ 75Ω\u003cbr\u003eAES\/EBU - 4 XLR @ 110Ω\u003cbr\u003eS\/PDIF - 4 RCA @ 75Ω\u003cbr\u003e\u003cbr\u003eOperating Temperature\u003cbr\u003e0-50°C, 32-122°F\u003cbr\u003e\u003cbr\u003eWeight\u003cbr\u003e4 kg \/ 8.8 lb\u003cbr\u003e\u003cbr\u003eDimensions (Approx)\u003cbr\u003e482 mm (W) × 89 mm (H) × 203 mm (D)\u003cbr\u003e19'' (W) x 3.5'' (H) x 8'' (D)","brand":"Antelope Audio","offers":[{"title":"Default Title","offer_id":29486391525399,"sku":"Trinity","price":3595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/conectivity-trinity-front.jpg?v=1571498811"},{"product_id":"antelope-isochrone-ocx","title":"Antelope Audio OCX HD | 768 kHz HD Master Clock","description":"The perfect solution for mastering, recording and project studios, film-scoring, post-production and live sound\u003cbr\u003eFor over a decade, Antelope's legendary OCX Master Clock has been a dominant force in the audio world.\u003cbr\u003eThis legacy now continues with the newest master clock by Antelope Audio - Isochrone OCX HD.\u003cbr\u003e\u003cbr\u003eFeatures:\u003cbr\u003eAntelope's 4th-generation AFC jitter management algorithm\u003cbr\u003eSample rate support up to 768kHz \u003cbr\u003eOutput of 5 distinct sample rates enabled by onboard multipliers and dividers\u003cbr\u003eAdditional connectivity via 4 AES\/EBU, 2 S\/PDIF clocking outputs (up to 192kHz)\u003cbr\u003eComprehensive audio gearboxing\u003cbr\u003eUniversal video input (BNC connector)\u003cbr\u003eAtomic clock input for optimized accuracy and calibration\u003cbr\u003e3 recallable presets\u003cbr\u003eControl panel Rate Lock protects your settings while in session\u003cbr\u003eUser-friendly front panel control\u003cbr\u003e\u003cbr\u003eTHE NEW STANDARD IN CLOCKING\u003cbr\u003eOCX HD raises the bar yet again, delivering sample rate support of up to 768 kHz, Antelope's best-in-class 4th generation Acoustically Focused Clocking (AFC) jitter management algorithm and oven-controlled crystal oscillator.\u003cbr\u003eOCX HD Master Clock offers a great variety of clocking options - 10 configurable in pairs Word Clock Outputs on BNC, four AES\/EBU Outputs and two more on S\/PDIF. This vast assortment of connectivity makes the OCX HD the most versatile audio master clock on the market, while proven, proprietary clocking technology delivers the most musical and reliable audio sync generation on the market.\u003cbr\u003e\u003cbr\u003eVIDEO CLOCKING\u003cbr\u003eAll that you love about Antelope's cult Trinity Master Clock now in just 1U.\u003cbr\u003eAdditionally, OCX HD offers two Word Clock Inputs and a Video Sync Input, which can resolve to a huge variety of SD and HD formats, as well as clock distribution with gear-boxing, and pull-up and pull-down rates, as featured in the triple clock powerhouse, Trinity Master Clock. A 10 MHz Input allows for syncing with Antelope's newest Atomic Clock - 10MX.\u003cbr\u003e\u003cbr\u003eSPECIFICATIONS\u003cbr\u003eSample Rates Generated\u003cbr\u003e32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384, 705.6, 768kHz\u003cbr\u003e\u003cbr\u003eMaster Clock Outputs\u003cbr\u003e10x Word Clock Outputs up to 768kHz\u003cbr\u003e4x AES\/EBU Outputs up to 192kHz\u003cbr\u003e2x S\/PDIF Outputs up to 192kHz\u003cbr\u003e\u003cbr\u003eInputs\u003cbr\u003e2x Word Clock Inputs up to 768kHz\u003cbr\u003e1x Video Input accepting wide range of SD and HD video signals\u003cbr\u003e1x Atomic Input\u003cbr\u003e2x S\/PDIF Inputs up to 192kHz\u003cbr\u003e1x AES\/EBU Input up to 192kHz\u003cbr\u003e1x USB Input for control\u003cbr\u003eHumidity\u003cbr\u003e30 - 80% RH non-condensing\u003cbr\u003e\u003cbr\u003eClocking System\u003cbr\u003e4th Generation Acoustically Focused Clocking\u003cbr\u003e64-bit DDS\u003cbr\u003eOven Controlled Crystal Oscillator\u003cbr\u003e\u003cbr\u003eClock Calibration\u003cbr\u003e\u0026lt; +\/-0.001 ppm\u003cbr\u003e\u003cbr\u003eClock Stability\u003cbr\u003e\u0026lt;+\/- 0.02 ppm, oven controlled at 64.5 C\/148.1 F\u003cbr\u003e\u003cbr\u003eClock Aging\u003cbr\u003e\u0026lt; 1 ppm per year\u003cbr\u003e\u003cbr\u003eAtomic Clock Input\u003cbr\u003e1 x 10M Atomic Clock Input @ 75 Ohms 3Vpp on BNC\u003cbr\u003e\u003cbr\u003eSample Rates (KHz)\u003cbr\u003e32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384, 768 (kHz)\u003cbr\u003e\u003cbr\u003eOperating Temperature\u003cbr\u003e0 - 50°C, 32-122°F\u003cbr\u003e\u003cbr\u003eWeight\u003cbr\u003e2.65 kg\/5.84 lb\u003cbr\u003e\u003cbr\u003eDimensions\u003cbr\u003e482.6 (W) х 230 (D) х 44 (H) mm\u003cbr\u003e19 (W) x 9.05 (D) x 1.75 (H) inch\u003cbr\u003e\u003cbr\u003ePower Supply\u003cbr\u003eAC Universal Input ~95-245V, 20 Watts Max\u003cbr\u003e\u003cbr\u003eSystem requirements\u003cbr\u003eWindows\u003cbr\u003eOS: Windows 7\/8\/8.1\/10\u003cbr\u003eDisk Space: Minimum 512 MB available disk space\u003cbr\u003eUSB: 1x USB 2.0 Port\u003cbr\u003eRequired USB bandwidth (for firmware update): 80%-90%\u003cbr\u003eCPU: Intel or AMD equivalent CPU with at least 2GHz operating frequency\u003cbr\u003eMemory (RAM): 4GB Minimum (8GB or more Recommended)\u003cbr\u003e\u003cbr\u003eMAC\u003cbr\u003eOS X: 10.9\/10.10\/10.11\/10.12 (Sierra Recommended)\u003cbr\u003eDisk Space: Minimum 512 MB available disk space\u003cbr\u003eUSB: 1x USB 2.0\/3.0 Port\u003cbr\u003eRequired USB bandwidth: 80%-90%\u003cbr\u003eMemory(RAM): 4GB Minimum (8GB or more recommended)\u003cbr\u003eCPU: Intel Core 2 Duo (Minimum) Intel Core i3 ™ or higher (Recommended)","brand":"Antelope Audio","offers":[{"title":"Default Title","offer_id":29486391492631,"sku":"OCX-HD","price":1895.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/1456778104000_1223806.jpg?v=1571498811"},{"product_id":"cedar-dns2000","title":"Cedar Audio Retouch for Pyramix","description":"\u003cp\u003eUnlike conventional restoration tools, Retouch 7 allows you to define the temporal and spectral content of the sounds that you want to manipulate. You are not limited to simple definitions of complex sounds: Retouch 7 allows you to mark complex areas in its spectrogram using the types of tools commonly found in the most powerful photographic and image manipulation software. Once identified, sounds can be manipulated using any of the numerous modes at your disposal.\u003c\/p\u003e\n\u003cp\u003eThere are now seven processing modes rather than three: \u003cbr\u003e”¢ Interpolate \u003cbr\u003e”¢ Copy \u003cbr\u003e”¢ Patch \u003cbr\u003e”¢ Volume \u003cbr\u003e”¢ Erase \u003cbr\u003e”¢ Cleanse \u003cbr\u003e”¢ Revert\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003ch4\u003eVolume\u003c\/h4\u003e\n\u003cp\u003eAllows you to adjust the amplitude of the signal within a region, and independently adjust the amplitude of the signal lying outside that region. Use this, for example, to reveal individual sounds within a file, either by amplifying the wanted sounds or by suppressing the rest of the audio (or both). You can also use Volume mode to retain only the wanted sounds within a file.\u003c\/p\u003e\n\u003ch4\u003eErase\u003c\/h4\u003e\n\u003cp\u003eA quick and simple way to eliminate unwanted events and replace them with background (atmos) calculated from the surrounding audio.\u003c\/p\u003e\n\u003ch4\u003eCleanse\u003c\/h4\u003e\n\u003cp\u003eIn the past, it was difficult to isolate sounds such as wanted speech in the presence of strong, but relatively short-lived background noises such as gusts of wind blowing across a microphone. Previously, you could draw around the wanted signal to suppress the audio outside of this, but this was both time consuming and laborious. Today, Cleanse will separate the wanted signal from the unwanted and allow you to suppress the noise at the touch of a button. Don't be misled - this isn't a rehash of existing noise reduction methods, but a powerful new process (patent applied for) that achieves results never before obtained.\u003c\/p\u003e\n\u003ch4\u003eRevert\u003c\/h4\u003e\n\u003cp\u003eRevert allows you to define any part of the spectrogram and return it to its original, unprocessed form. Much more powerful than stepping backward and forward through a list of actions, this allows the user to reinitialise any part of the audio no matter where it came in the process history, thus leaving later work untouched. You don't even have to Revert whole Retouch operations. If you like the result of a single process at, say, the end of a note, but feel that you could do better at the start of the note, you can reinitialise and reprocess this section of the audio no matter how many Retouches you have performed elsewhere since then. It's so quick and so powerful that you'll wonder how you ever worked without it.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cbr\u003e\n\u003cp\u003eMany other new tools are provided: \u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDefine complex shapes using marquee, line drawing, and paint brush tools.\u003c\/li\u003e\n\u003cli\u003eRetouch multiple regions simultaneously.\u003c\/li\u003e\n\u003cli\u003eLock either axis for pitch-shifting (vertical movement) or preserving the harmonic content (horizontal movement) when patching or copying.\u003c\/li\u003e\n\u003cli\u003e'Match edges' and 'tilt' to accommodate fades and pre-existing filtering.\u003c\/li\u003e\n\u003cli\u003eChoose between logarithmic, linear and note scales on the frequency axis.\u003c\/li\u003e\n\u003cli\u003eInsert harmonic markers.\u003c\/li\u003e\n\u003cli\u003eDefine your own hot-keys for faster, more intuitive operation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWith its slick new user-interface and enhanced processing capabilities, Retouch 7 stands alone as the spectral editor of choice for mastering studios, mix suites, post houses, forensic laboratories, and anyone else who needs to be able to identify, isolate and manipulate individual sounds within an audio file.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Cedar Audio","offers":[{"title":"Default Title","offer_id":7057186821,"sku":"PSP-CRTCH","price":439.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/cfp64retouch.png?v=1571498813"},{"product_id":"cedar-audio-ada","title":"Cedar Audio ADA - Intergrated A\/D D\/A Converter","description":"\u003cp data-mce-fragment=\"1\"\u003eThis stereo, 24-bit, 96kHz 1U rackmount unit that produces an AES\/EBU or SPDIF output from a balanced or unbalanced analogue stereo input, and a stereo balanced or unbalanced output from an incoming AES\/EBU or SPDIF input. Designed to complement CEDAR's award-winning DNS-series and Duo-series hardware modules as well as CEDAR Cambridge, the ADA offers four sync modes, professional and consumer formats, emphasis on\/off, user-selectable input levels of up to 27dBu, and a maximum output level of +24dBu.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith both professional (XLR) and consumer (phono) analogue inputs and outputs, the ADA is usable in almost all analogue and digital environments. With a dynamic range of greater than 110dB and a signal to noise ratio of better than 109dBfs, it's suitable for all but the very most demanding converter tasks.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Cedar Audio","offers":[{"title":"Default Title","offer_id":7057193093,"sku":"ADA","price":918.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/ada.png?v=1670002913"},{"product_id":"dangerous-music-dm-monitor","title":"Dangerous Music Monitor ST","description":"\u003ch1\u003e\u003cstrong\u003eSIMPLY THE BEST MONITOR CONTROLLER AVAILABLE\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp class=\"\"\u003eAn audiophile-grade, multi-purpose monitor controller for tracking, mixing and mastering that won't color your sound. Designed by the renowned Chris Muth, the MONITOR-ST handles all of your input sources, speaker switching, cue, talkback and headphone needs, all in a 1U package with crystal clarity. With its stepped attenuator, five input sources, three speaker outputs, programmable I\/O levels, dedicated subwoofer out and more - all accessed via the elegant remote control - you won't leave the sweet spot while handling all your studio routing effortlessly. the MONITOR-ST is so accurate, clear and flexible that you'll see its remote atop even the world's best consoles!\u003c\/p\u003e\n\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-ee328f941108ea11b1a3\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch3\u003eFIRST THINGS FIRST - YOU MUST HEAR EVERYTHING\u003c\/h3\u003e\n\u003cp class=\"\"\u003eTrue craftsmanship is in the details. If you can't hear the nuances of what you're working on, then you simply can't make informed decisions. Everything from placing a mic, to turning a knob on an EQ, to coaching a singer though a delicate passage depends on being able to hear exactly what's going on. With the advent of “prosumer” gear, the monitoring path is typically sacrificed to meet a price-point, and even some of the world's most revered and expensive large-format consoles have less-than-accurate center sections that obscure the sound. To solve these problems, Dangerous has made zero compromises  in the MONITOR-ST, employing audiophile-grade components in an unconditionally transparent design. Whether you're working in a project studio or managing the complex monitor routing in a multi-room studio, the MONITOR-ST will provide the most accurate and reliable monitoring available anywhere.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-yui_3_17_2_1_1594083306333_103111\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch3\u003eALL ANALOG VOLUME KNOB \u0026amp; SWITCHING\u003c\/h3\u003e\n\u003cp class=\"\"\u003eIf the studio were a car, the volume knob is the steering wheel, your connection to the whole mechanism through which all important feedback is routed. Not all volume controls are created equal - some affect frequency response at different levels, some introduce noise, some rely on tone-snatching digital level controls. the MONITOR-ST's volume control is a relay-actuated stepped analog attenuator made from top-shelf audiophile-grade components, expertly implemented into Chris Muth's no-compromise analog signal path. From the remote's elegantly-shaped knob, you'll get crystal clear sonics with dead-accurate volume level recalls and better than 0.01dB gain tracking between channels. Whether you're blasting playback through the mains or squinting at your small monitors at whisper volumes, the MONITOR-ST will never color your sound or skew your stereo image. And because all the switching within the MONITOR-ST is handled by relays, your audio signals are delivered to your speakers unadulterated, removing all the guesswork while tracking, mixing or mastering.\u003c\/p\u003e\n\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-yui_3_17_2_1_1594083306333_116573\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch3\u003eEFFORTLESS AND ELABORATE SIGNAL ROUTING\u003c\/h3\u003e\n\u003cp class=\"\"\u003eAs the centerpiece of your studio, the MONITOR-ST handles complex routing elegantly. There are four analog inputs, three speaker outputs, plus a stereo subwoofer output with programmable level offset and filter that can be assigned to any of the three speaker pairs (or used for a 4th pair of studio monitors). All of these ins and outs can be custom calibrated with onboard, programmable level offsets that you can recall instantly for different devices and configurations. Need to monitor a -10dBV commercial source like a CD player with levels perfectly matched? No problem. The on-board talkback mic, slate output and the robust 20w\/channel headphone amplifier - which can receive the Main Mix or the Aux In for custom artist mixes - round out all the routing needs for any studio. And the Aux Input can be layered with any of the four main inputs, offering up even more routing solutions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-yui_3_17_2_1_1594083306333_119317\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch3\u003ePROGRAMMABLE OFFSETS\u003c\/h3\u003e\n\u003cp class=\"\"\u003eMain monitors louder than your near-fields? No problem. Just switch between them and adjust the MONITOR-ST's level offsets in Setup mode until they're matched, and then store. Now every time you switch between speakers they are matched for apparent loudness. You can do the same with the inputs, and with the Subwoofer Output, getting all of your studio's gear in perfect balance for seamless monitoring.\u003c\/p\u003e\n\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-yui_3_17_2_1_1594083306333_142175\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch3\u003eELEGANT AND EFFICIENT REMOTE CONTROL\u003c\/h3\u003e\n\u003cp class=\"\"\u003eStay in the sweet spot while managing every signal in your studio. the MONITOR-ST's award-winning design is centered around an ergonomic, intuitive and indestructible remote control that hosts access to all of the MONITOR-ST's features. Connected with a single shielded Cat-5 cable, this remote is equally at home on a desk or the armrest of a big console - wherever your listening sweet spot is. The illuminated switches give you instant visual feedback of all your settings, while the stepped volume knob triggers the audiophile-grade relays in the main unit. Get this remote under your hands to find out why the MONITOR-ST has won a TEC Nomination, A Future Music Ace Award and was crowned a Certified Hit by Mix Magazine.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col sqs-col-6 span-6\" id=\"yui_3_17_2_1_1634139290361_247\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-yui_3_17_2_1_1594083306333_180755\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch3\u003eAN EXPANDABLE SYSTEM\u003c\/h3\u003e\n\u003cp class=\"\"\u003eRequire 5.1, 7.1, 10.2 or greater? Just add the MONITOR-SR to your ST system. The SR modules allow you to add as many channels as you need to handle all of your surround monitoring tasks, all with the world-class sound and control that the ST has to offer. And with the Dangerous Music CONVERT-2 you can connect the ST's remote and control a number of essential switching functions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Dangerous","offers":[{"title":"Default Title","offer_id":7057349701,"sku":"DM-MonitorST","price":2749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/MONITORST-F-Remote.png?v=1634139939"},{"product_id":"drawmer-d-clock","title":"Drawmer D-Clock - Clock Measurement \u0026 Distribution","description":"\u003cp\u003eDigital audio facilities often require a number of clock sources, which are used to synchronise outboard processors to the system clock rate using external clock inputs. The Drawmer D-CLock is a dual input, twenty output word clock distributor with a 16 character blue LCD display providing a high accuracy reference measurement of the incoming sample rate. It uses a high stability TCXO (temperature compensated xtal oscillator) along with a microcontroller to measure the incoming sample rate to an accuracy of 2ppm and displays the information in three different formats, actual frequency (to one decimal place), nominal frequency +\/- ppm error, or nominal frequency plus percentage of pull up or pull down.\u003c\/p\u003e\n\u003cp\u003eIt has both AES\/EBU and BNC word clock inputs featuring a zero latency loopthrough output with switchable high impedance to maintain the correct level of the digital signal for onward distribution. Sixteen BNC clock outputs are situated on the rear panel with a further four BNC clock outputs on the front panel for quick patching to other digital devices.\u003c\/p\u003e\n\u003cp\u003eThe wordclock outputs can be fed from the wordclock input at any sample rate between 32KHz and 768KHz or derived from an AES11 input or stripped from an AES3 audio signal at any sample rate between 32KHz and 192KHz. Using an audio signal to provide the clock means even products without a wordclock output, such as some analogue to digital converters, or one of the many mic pre-amplifiers with internal A\/D conversion but no word clock output, can be the master wordclock source for the whole digital studio.\u003c\/p\u003e\n\u003ch3\u003eFeatures Include:\u003c\/h3\u003e\n\u003cul class=\"feature\"\u003e\n\u003cli\u003e2 in x 20 out Clock Measurement and Distribution Amplifier.\u003c\/li\u003e\n\u003cli\u003e16 character blue LCD display providing a reference measurement of the incoming sample rate.\u003c\/li\u003e\n\u003cli\u003eMeasures incoming sample frequencies up to 768 kHz to an accuracy of 2ppm or 2 microseconds.\u003c\/li\u003e\n\u003cli\u003eDisplay modes: ppm, ±ppm \u0026amp; % pull up\/down for video users.\u003c\/li\u003e\n\u003cli\u003eInputs: BNC with zero latency, 33 Ohms impedance.\u003c\/li\u003e\n\u003cli\u003eAES with with zero latency loopthrough.\u003c\/li\u003e\n\u003cli\u003eOutputs: BNC loopthrough \/ AES loopthrough.\u003c\/li\u003e\n\u003cli\u003eUniversal voltage filtered mains power input.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":7057723013,"sku":"D-Clock","price":1229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/dclock_large_42e4b646-10ce-4afb-81ec-7fb497856b39.jpg?v=1668014927"},{"product_id":"east-west-fab-four","title":"East West Fab Four - Guitars, Bass, Drums, Keys \u0026 Amps","description":"\u003cp\u003eFAB FOUR is a virtual instrument inspired by the sounds of the Beatles, using the same kind of period instruments and authentic rare EMI recording equipment the Beatles used to create their music.\u003c\/p\u003e\n\u003cp\u003eFAB FOUR sound engineer KEN SCOTT worked on five Beatles albums, including \"A Hard Days Night\", \"Help\", \"Rubber Soul\", \"Magical Mystery Tour\" (engineer), and \"The Beatles\" (engineer) - also known as the \"White Album\". Drummer DENNY SEIWELL and Guitarist LAURENCE JUBER were both members of Paul McCartney and Wings.\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003eThe Beatles had a profound impact on me, as they did for millions of others\"\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003esaid FAB FOUR producer DOUG ROGERS,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\"and they were the initial influence for my fascination with sounds. They were creative geniuses that never rested on their laurels, always producing exciting new music and sounds with each new record, much of it ground-breaking! Putting this project together took well over a year of research, equipment procurement (much of it from collectors), and putting together a team that could pull off such a feat; but it was a labor of love for us all, and we feel the result is truly worth it.\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eNo expense was spared finding the same kind of period instruments and rare authentic EMI and other recording equipment the Beatles used to create their sounds to produce this collection, much of which, ironically, will end up in EASTWEST Studios, where the Beach Boys \"Pet Sounds\" was recorded, the inspiration for the Beatles \"Sgt. Pepper's Lonely Hearts Club Band\" album, according to Paul McCartney.\u003c\/p\u003e\n\u003cp\u003eWell over a million dollars worth of instruments, amplifiers, microphones, recording desks (including very rare EMI REDD tube and TG12345 desks), outboard equipment (including Fairchild limiters and EMI RS124 modified Altec compressors), and Studer J-37 tube multi-tracks were used in this production. If you are a film\/tv\/game composer, or a musician\/producer looking for sounds not found in other collections, this is it. Blending these unique and sometimes bizarre sounds with today's music should enable you to produce something truly fab!\u003c\/p\u003e\n\u003ch3 class=\"big-heading\"\u003eQUICK FACTS\u003c\/h3\u003e\n\u003cul class=\"bulleted\"\u003e\n\u003cli\u003eProduced by DOUG ROGERS\u003c\/li\u003e\n\u003cli\u003eEngineered by KEN SCOTT (Beatles\/David Bowie\/Elton John\/Supertramp etc.)\u003c\/li\u003e\n\u003cli\u003eIncludes authentic rare period guitars (acoustic and electric), basses, drums, keyboards, stringed and other misc instruments\u003c\/li\u003e\n\u003cli\u003eThe same kind of microphones were used to record all instruments (Neumann\/AKG\/Cole\/STC)\u003c\/li\u003e\n\u003cli\u003eThe same kind of period amplifiers - Fender Tan Showman (1963), Fender Bassman (1963), Vox AC30 (1963), Vox AC50 (1965), Vox Defiant (1966), Vox 730 (1966), Vox 7120 (1966), Fender Showman (1967), Fender DeLuxe (1967) - were used with the electric guitars\u003c\/li\u003e\n\u003cli\u003eThe same kind of recording desks and preamps, including a very rare EMI REDD tube desk, EMI TG12345 desk (the same kind of desk used to record \"Abbey Road\" and Pink Floyd's \"Dark Side of the Moon\"), and EMI REDD47 preamps, were used to record all instruments\u003c\/li\u003e\n\u003cli\u003eThe same kind of limiters (Fairchild) and compressors (rare EMI RS124 modified Altec) were used for dynamics control\u003c\/li\u003e\n\u003cli\u003eThe same kind of Studer J-37 tube 4-track was used to record everything\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"big-heading\"\u003eSYSTEM REQUIREMENTS\u003c\/h3\u003e\n\u003cp\u003eBelow are the minimum and recommended hardware and software specifications for using Opus on Windows and MacOS systems.\u003c\/p\u003e\n\u003ctable id=\"system-requirements\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp class=\"title\"\u003e\u003cstrong\u003eMINIMUM SYSTEM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"bulleted\"\u003e\n\u003cli\u003eCPU: Quad-core (four cores), running at 2.7 GHz (or above)\u003c\/li\u003e\n\u003cli\u003eRAM: 16 GB\u003c\/li\u003e\n\u003cli\u003eOS: macOS 10.13 (or later); Windows 10 with ASIO sound drivers\u003c\/li\u003e\n\u003cli\u003eDrive: HDD (7200 rpm, non-energy saving)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp class=\"title\"\u003e\u003cstrong\u003eRECOMMENDED SYSTEM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"bulleted\"\u003e\n\u003cli\u003eCPU: Octa-core (eight cores), running at 2.7 GHz (or above)\u003c\/li\u003e\n\u003cli\u003eRAM: 32 GB or more\u003c\/li\u003e\n\u003cli\u003eOS: macOS 10.13 (or later); Windows 10 with ASIO sound drivers\u003c\/li\u003e\n\u003cli\u003eDrive: SSD (SATA or PCIe)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"East West","offers":[{"title":"Default Title","offer_id":7058729605,"sku":"1181-28","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/product_ff_box_2_2x_aaa51786-f872-45e7-955f-3665f2c0e232.jpg?v=1672737937"},{"product_id":"east-west-goliath","title":"East West Goliath - Includes 180 instruments of every genre","description":"\u003cp\u003e\u003cspan\u003eGoliath combines many of EastWest's best sampled instruments in one library, with the express purpose of giving you unlimited creative flexibility without switching libraries. This is an excellent fit for media composers, songwriters, and producers who need a quick grab-bag of quality instruments all in one place. You get access to instruments from a variety of other EastWest libraries, but even where there is overlap with your existing collection, it becomes even easier to use some of your favorite instruments (and layer in many new ones).\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"half-column\"\u003e\n\u003cul class=\"bulleted\"\u003e\n\u003cli\u003eCreated by award-winning sounds producers Doug Rogers and Nick Phoenix\u003c\/li\u003e\n\u003cli\u003e40 GB total, spread across 180 different instruments\u003c\/li\u003e\n\u003cli\u003eEasy access to percussion, guitars, basses, keyboards, orchestra, choirs, world instruments and more\u003c\/li\u003e\n\u003cli\u003eGeneral MIDI-compatible\u003c\/li\u003e\n\u003cli\u003eEvery sound from its predecessor, Colossus\u003c\/li\u003e\n\u003cli\u003eNow included in OPUS with individual downloads, custom keyswitches, and dozens of MIDI Tools and Mixer Effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"big-heading\"\u003eSYSTEM REQUIREMENTS\u003c\/h3\u003e\n\u003cp\u003eBelow are the minimum and recommended hardware and software specifications for using Opus on Windows and MacOS systems.\u003c\/p\u003e\n\u003ctable id=\"system-requirements\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp class=\"title\"\u003e\u003cstrong\u003eMINIMUM SYSTEM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"bulleted\"\u003e\n\u003cli\u003eCPU: Quad-core (four cores), running at 2.7 GHz (or above)\u003c\/li\u003e\n\u003cli\u003eRAM: 16 GB\u003c\/li\u003e\n\u003cli\u003eOS: macOS 10.13 (or later); Windows 10 with ASIO sound drivers\u003c\/li\u003e\n\u003cli\u003eDrive: HDD (7200 rpm, non-energy saving)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp class=\"title\"\u003e\u003cstrong\u003eRECOMMENDED SYSTEM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"bulleted\"\u003e\n\u003cli\u003eCPU: Octa-core (eight cores), running at 2.7 GHz (or above)\u003c\/li\u003e\n\u003cli\u003eRAM: 32 GB or more\u003c\/li\u003e\n\u003cli\u003eOS: macOS 10.13 (or later); Windows 10 with ASIO sound drivers\u003c\/li\u003e\n\u003cli\u003eDrive: SSD (SATA or PCIe)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"East West","offers":[{"title":"Default Title","offer_id":7059189509,"sku":"1181-33","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/goliath_vi-screenshot_thumb_3_2x_157de954-b2d1-4896-9a8a-c272bcb7379d.png?v=1672737521"},{"product_id":"lynx-aurora-16","title":"Lynx Aurora(n) 16 Converter","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe new Aurora\u003c\/span\u003e\u003csup\u003e(n)\u003c\/sup\u003e\u003cspan\u003e is a complete redesign of the original Aurora which defined the interface genre. Building on the bedrock of the original, the Aurora\u003c\/span\u003e\u003csup\u003e(n) \u003c\/sup\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eTransparency Matters \u003c\/h2\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That's why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx's hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world's finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby's new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eDiscrete Converter Array\u003c\/h2\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eHilo Converter Technology (HCT)\u003c\/h2\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eFuture-Proof Design:\u003c\/h2\u003e\n\u003cp\u003eConfigurable I\/O\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels - Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules - Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method - Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality - Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)'s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eSynchroLock 2™\u003c\/h2\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eKey features\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature-line\"\u003e\n\u003cp class=\"icon-sine small\"\u003e16 channel  1U format.\u003c\/p\u003e\n\u003cp class=\"icon-sine small\"\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature-line\"\u003e\n\u003cp class=\"icon-sine small\"\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp class=\"icon-sine small\"\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature-line\"\u003e\n\u003cp class=\"icon-sine small\"\u003e1-in 3-out word clock with Lynx's second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp class=\"icon-sine small\"\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature-line\"\u003e\n\u003cp class=\"icon-sine small\"\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp class=\"icon-sine small\"\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature-line\"\u003e\n\u003cp class=\"icon-sine small\"\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp class=\"icon-sine small\"\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lynx","offers":[{"title":"With LT-HD2 Card","offer_id":27490157641,"sku":"Lynx Aurora 16-HD2","price":4100.0,"currency_code":"USD","in_stock":true},{"title":"With LT-USB Card","offer_id":27490157705,"sku":"Lynx Aurora 16-USB","price":4050.0,"currency_code":"USD","in_stock":true},{"title":"With LT-TB","offer_id":27490157897,"sku":"Lynx Aurora 16-TB","price":4600.0,"currency_code":"USD","in_stock":true},{"title":"With DANTE","offer_id":33645123502125,"sku":"LT-DNT","price":4700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/aurora-n-top-wide-1-1400x850.jpg?v=1585756629"},{"product_id":"lynx-aurora-8","title":"Lynx Aurora (n) 8 Converter","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe new Aurora\u003c\/span\u003e\u003csup\u003e(n)\u003c\/sup\u003e\u003cspan\u003e is a complete redesign of the original Aurora which defined the interface genre. Building on the bedrock of the original, the Aurora\u003c\/span\u003e\u003csup\u003e(n)\u003c\/sup\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eTransparency Matters \u003c\/h2\u003e\n\u003cp\u003eSignal coloration is additive and can kill an otherwise pristine mix. That's why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx's hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world's finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby's new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.\u003c\/p\u003e\n\u003ch2\u003eDiscrete Converter Array \u003c\/h2\u003e\n\u003cp\u003eSome manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.\u003c\/p\u003e\n\u003ch2\u003eHilo Converter Technology (HCT)\u003c\/h2\u003e\n\u003cp\u003eDesign and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.\u003c\/p\u003e\n\u003ch2\u003eFuture-Proof Design:\u003c\/h2\u003e\n\u003cp\u003eConfigurable I\/O\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Channels - Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.\u003c\/li\u003e\n\u003cli\u003eAdd Modules - Digital I\/O, Mic Pre Amp; More are being designed now for future release.\u003c\/li\u003e\n\u003cli\u003eAdd Connection Method - Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards\u003c\/li\u003e\n\u003cli\u003eAdd Functionality - Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)'s functionality and build in new feature sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSynchroLock 2™\u003c\/h2\u003e\n\u003cp\u003eAll new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I\/O provides one input and three outputs on BNC connectors.\u003c\/p\u003e\n\u003ch2\u003eKey features\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature-line\"\u003e\n\u003cp class=\"icon-sine small\"\u003e8 channel  1U format.\u003c\/p\u003e\n\u003cp class=\"icon-sine small\"\u003eOnboard 32-channel microSD recorder for direct recording and playback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature-line\"\u003e\n\u003cp class=\"icon-sine small\"\u003eUpgradable modules available now include a mic pre-amp module a digital connectivity module and an 8 channel A\/D \u0026amp; D\/A module with more to come.\u003c\/p\u003e\n\u003cp class=\"icon-sine small\"\u003eTwo audiophile-grade headphone outs with independent volume controls.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature-line\"\u003e\n\u003cp class=\"icon-sine small\"\u003e1-in 3-out word clock with Lynx's second generation SynchroLock 2™ technology.\u003c\/p\u003e\n\u003cp class=\"icon-sine small\"\u003eFuture-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature-line\"\u003e\n\u003cp class=\"icon-sine small\"\u003eFull Windows and OSX compatibility\u003c\/p\u003e\n\u003cp class=\"icon-sine small\"\u003eRoad-ready rack-mount reinforced chassis\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature-line\"\u003e\n\u003cp class=\"icon-sine small\"\u003e24 Bit - 192 kHz mastering grade A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp class=\"icon-sine small\"\u003eDesigned and built in Southern California, USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lynx","offers":[{"title":"With LT-DNT","offer_id":7060062725,"sku":"Lynx Aurora 8-DNT","price":3700.0,"currency_code":"USD","in_stock":true},{"title":"With LT-HD2 Card","offer_id":27493324169,"sku":"Lynx Aurora 8-HD2","price":3100.0,"currency_code":"USD","in_stock":true},{"title":"With LT-USB Card","offer_id":27493324233,"sku":"Lynx Aurora 8-USB","price":3050.0,"currency_code":"USD","in_stock":true},{"title":"With LT-TB Card","offer_id":27493324297,"sku":"Lynx Aurora 8-TB","price":3600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/aurora-studio-2-2000x1200_fe30a639-0017-498b-8a68-ee5fecc2a16d.jpg?v=1585842467"},{"product_id":"lynx-l22","title":"Lynx E22 E Series PCI Express Cards","description":"\u003cp\u003eThe E22 PCI Express card is designed to satisfy the most demanding professional recording and broadcast studio requirements. Built upon the legacy of the LynxL22 card, the E22 takes a leap forward to offer the highest performance A\/D and D\/A conversion system ever incorporated into a PCI Express card.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSince 1998, Lynx has provided high-reliability add-in cards engineered for 24\/7 operation. The E series improves upon this tradition with upgraded enhancements for I\/O protection and shielding.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003csection class=\"key-features\"\u003e\n\u003ch2\u003eKey features\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature-line\"\u003e\n\u003cp class=\"icon-sine small\"\u003eTwo channels A\/D and D\/A conversion\u003c\/p\u003e\n\u003cp class=\"icon-sine small\"\u003eTwo channels of AES3 or S\/PDIF I\/O\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature-line\"\u003e\n\u003cp class=\"icon-sine small\"\u003eSample rates of 44.1, 48, 88.2, 96, 176.4 and 192kHz\u003c\/p\u003e\n\u003cp class=\"icon-sine small\"\u003eExtremely low-jitter SynchroLock™ sample clock generator\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature-line\"\u003e\n\u003cp class=\"icon-sine small\"\u003eFixed or adjustable trim level on all analog I\/O's, relay controlled\u003c\/p\u003e\n\u003cp class=\"icon-sine small\"\u003eFPGA-based on-board hardware mixing\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature-line\"\u003e\n\u003cp class=\"icon-sine small\"\u003eV2 DMA Engine promotes extremely low-latency operation\u003c\/p\u003e\n\u003cp class=\"icon-sine small\"\u003eDesigned and built in the USA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"titleparagraph\"\u003e\n\u003cdiv class=\"wrap\"\u003e\n\u003ch2 class=\"icon-sine\"\u003eThe E22 is ideal for:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAudio production. The E22 is the best sounding 2 channel PCIe card for DAW recording and playback.\u003c\/li\u003e\n\u003cli\u003eBroadcast applications requiring 24\/7 flawless operation\u003c\/li\u003e\n\u003cli\u003eCapturing and archiving historic and classic material with extreme accuracy and transparency\u003c\/li\u003e\n\u003cli\u003eAudio playback.  The E22's pristine audio quality makes it ideal for the most demanding high-end hi-fi systems\u003c\/li\u003e\n\u003cli\u003eAudio measurement. As a precise audio instrument the E22 is exceptionally accurate and transparent\u003c\/li\u003e\n\u003cli\u003eMedical, military and industrial applications that require full audio spectrum capabilities and extreme reliability and precision\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe E22 card utilizes sophisticated design methodologies to achieve high performance levels. Components are meticulously chosen to support low noise and distortion. Circuit topologies are compact and cancel external noise pickup. Capacitors with solid dielectrics provide high reliability and long life. Considerable effort is applied to PCB layout which focuses on component placement and routing of traces, as well as copious use of copper planes for shielding and power distribution.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe use of field-programmable-gate-arrays (FPGA) is another core technology pioneered for use in audio devices by Lynx. The E series uses the latest devices with a wealth of resources for parallel processing in our 16 X 8 mixer and V2 DMA engine which maximizes throughput on the PCIe bus while minimizing CPU workload. As always, FPGA's allow for field-upgradeability to add features in the future.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFeatures:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo channels A\/D and D\/A conversion\u003c\/li\u003e\n\u003cli\u003eTwo channels of AES3 or S\/PDIF I\/O\u003c\/li\u003e\n\u003cli\u003eSample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz\u003c\/li\u003e\n\u003cli\u003eExtremely low-jitter SynchroLock sample clock generator\u003c\/li\u003e\n\u003cli\u003eFixed or adjustable trim level on all analog I\/O's, relay controlled\u003c\/li\u003e\n\u003cli\u003eAutomatic output muting on power on\/off (de-thump)\u003c\/li\u003e\n\u003cli\u003eFPGA-based on-board hardware mixing\u003c\/li\u003e\n\u003cli\u003eV2 DMA Engine promotes extremely low-latency operation\u003c\/li\u003e\n\u003cli\u003eDrivers for Macintosh OS X, Windows 7, 8, 8.1 \u0026amp; 10. Thunderbolt compatible.\u003c\/li\u003e\n\u003cli\u003eLynx Mixer application\u003c\/li\u003e\n\u003cli\u003eDesigned and built in the USA\u003c\/li\u003e\n\u003cli\u003eCables Sold Separately\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.lynxstudio.com\/products\/cables\/cbl-l22audio-e22-audio-cable\/\"\u003eCBL-L22Audio\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor analog I\/O\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.lynxstudio.com\/products\/cables\/cbl-l22sync-e22-sync-cable\/\"\u003eCBL-L22Sync\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor digital and word clock I\/O\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.lynxstudio.com\/products\/cables\/cbl-xm2rm18-xlr-male-to-rca-male-18-adapter-cable\/\"\u003eCBL-XMDR18\u003c\/a\u003e S\/PIDF adapter for digital in to S\/PIDF\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.lynxstudio.com\/products\/cables\/cbl-xfdr18-xlr-female-to-rca-male-spdif-18-adapter-cable-2\/\"\u003eCBL-XFDR18\u003c\/a\u003e S\/PIDF adapter for digital out to S\/PIDF\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cul style=\"font-family: Arial, sans-serif; font-size: 12px;\"\u003e\u003c\/ul\u003e","brand":"Lynx","offers":[{"title":"Default Title","offer_id":7060101637,"sku":"Lynx E22","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/E22.png?v=1571498916"},{"product_id":"mcdsp-emerald-pack-native-v6-to-v7","title":"McDSP Emerald Pack Native v6 to v7","description":"\u003cp\u003eMcDSP Emerald Pack is the original music production bundle by McDSP, featuring many of their greatest hits, including the ML4000, FutzBox, Channel G, Analog Channel, and the 6030 Ultimate Compressor.The McDSP Emerald Pack is a complete music production bundle with powerful plug-ins that make audio sound as good or better than the latest software and hardware audio processors. McDSP plug-ins feature patented processing techniques, the lowest latency in their class, and a wide variety of crossover network designs make McDSP compressors, multi-band processors, and mastering limiters top choices in studios around the world.  \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"text_block-1611-3896\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEQ \u0026amp; CHANNEL STRIPS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv id=\"text_block-1615-3896\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eMcDSP made a name for itself in 1998 with the acclaimed FilterBank equalizer plug-in. Adding to the success of the equalizer product line up, McDSP has also earned award nominations for channel strip plug-ins such as Channel G and the 6060 Ultimate Module Collection.\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n \u003cbr data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"new_columns-1618-3896\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"div_block-1620-3896\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"text_block-1625-3896\" data-mce-fragment=\"1\"\u003eChannel G Console\u003c\/div\u003e\n\u003cdiv id=\"text_block-1632-3896\" data-mce-fragment=\"1\"\u003eChannel G Compact\u003c\/div\u003e\n\u003cdiv id=\"text_block-1634-3896\" data-mce-fragment=\"1\"\u003eFilterBank\u003c\/div\u003e\n\u003ca id=\"link-1633-3896\" href=\"https:\/\/www.mcdsp.com\/plugin-index\/filterbank\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.mcdsp.com\/plugin-index\/filterbank\/\" target=\"_self\"\u003e \u003c\/a\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.mcdsp.com\/plugin-index\/filterbank\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.mcdsp.com\/plugin-index\/filterbank\/\" target=\"_self\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"text_block-1640-3896\" data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eCOMPRESSORS, MULTI-BAND \u0026amp; LIMITERS\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"text_block-1641-3896\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003ePatented processing techniques, the lowest latency in their class, and a wide variety of crossover network designs make McDSP compressors, multi-band processors and mastering limiters top choices in studios around the world.\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n \u003cbr data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"new_columns-1647-3896\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"div_block-1649-3896\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"text_block-1651-3896\" data-mce-fragment=\"1\"\u003eML4000 Mastering Limiter\u003c\/div\u003e\n\u003cdiv id=\"text_block-1653-3896\" data-mce-fragment=\"1\"\u003eMC2000 Multi-Band Compressor\u003c\/div\u003e\n\u003cdiv id=\"text_block-1655-3896\" data-mce-fragment=\"1\"\u003eCompressorBank\u003c\/div\u003e\n\u003cdiv id=\"text_block-1657-3896\" data-mce-fragment=\"1\"\u003e6030 Ultimate Compressor\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n \u003cbr data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"text_block-1668-3896\" data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eNOISE REDUCTION, REVERB \u0026amp; UNIQUE\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"text_block-1669-3896\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eIs some guitar cable buzz giving you problems? Or do you need to make some space in your mix? Looking to send your track through a fax machine? Or maybe you just want to sound like you recorded to tape? McDSP has all these processing options and more.\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDE555 Advanced De-esser\u003c\/p\u003e\n\u003cp\u003eNF575 Noise Filter\u003c\/p\u003e\n\u003cp\u003eFutzBox\u003c\/p\u003e\n\u003cp\u003eRevolver Convolution Reverb\u003c\/p\u003e\n\u003cp\u003eAnalog Channel\u003c\/p\u003e\n\u003csection id=\"section-1672-3896\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"new_columns-1673-3896\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"div_block-1675-3896\" data-mce-fragment=\"1\"\u003eAll McDSP v7 plug-ins are optimized for Apple silicon and the latest Intel Processors. If CPU efficiency is what you’re looking for, v7 is for you.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eMultiple computers? No problem! With each v7 purchase, you now get two activations per license or subscription.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"section-1380-3752\" class=\"ct-section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"ct-section-inner-wrap\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"new_columns-1381-3752\" class=\"ct-new-columns\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"section-1380-3752\" class=\"ct-section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"ct-section-inner-wrap\" data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eMcDSP is pleased to announce that we have released a free fully mixed session for the song 'Cachos De Vaca' by Desorden Público ft. Nella Rojas and Orquesta G.M. de Ayacucho, mixed by McDSP Artist Diana Bravo. \u003c\/strong\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003eThe session is free to anyone at the following link:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/lp.constantcontactpages.com\/su\/2klOUuZ\/McDSPMixSession\u0026amp;source=gmail\u0026amp;ust=1685549561310000\u0026amp;usg=AOvVaw1kDTegrKVNvssNrYHjOprQ\" href=\"https:\/\/lp.constantcontactpages.com\/su\/2klOUuZ\/McDSPMixSession\" data-mce-href=\"https:\/\/lp.constantcontactpages.com\/su\/2klOUuZ\/McDSPMixSession\"\u003ehttps:\/\/lp.constantcontactpages.com\/su\/2klOUuZ\/McDSPMixSession\u003c\/a\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eit is available on Pro Tools, Logic Pro, Reaper, and Studio One.\u003c\/li\u003e\n\u003cli\u003eit uses only McDSP Plug-ins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"McDSP","offers":[{"title":"Default Title","offer_id":7060662213,"sku":"M-U-EPN6-EPN7","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/EmeraldPack_NATIVE_HD_2_ff304061-9169-4c9b-9d11-c04d649b87f4.png?v=1651665302"},{"product_id":"east-west-ministry-of-rock-1","title":"East West Ministry Of Rock 1 - Rock Drums, Basses \u0026 Guitars","description":"\u003ch3 class=\"big-heading\" data-mce-fragment=\"1\"\u003ePOWER HOUSE OF ROCK\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLegato bass and guitar samples with round robin staccato, both clean and distorted. Drum kits that pop and can be effortlessly shaped into larger than life grooves. If you need your music to rock, plain and simple, this library will give you everything you need. With a few keyswitches, you can seamlessly construct realistic performances without a complicated UI. Aside from a simple effects control interface with utilities like envelope, reverb and delay controls, there’s no extra editing needed to maximize the character and impact of each performance.\u003c\/p\u003e\n\u003cul class=\"bulleted double-space\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e20 GB collection of rock drums, basses and guitars recorded in the famous EASTWEST\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/eastweststudios.com\/studio-two\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/eastweststudios.com\/studio-two\"\u003eStudio Two\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCreated by award-winning sounds producers Doug Rogers and Nick Phoenix, a comprehensive production kit for creating a full rock band\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe world famous EASTWEST\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/eastweststudios.com\/studio-two\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/eastweststudios.com\/studio-two\"\u003eStudio Two\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003erock drum sound featured on countless gold and platinum records\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGuitars and basses recorded with dual amps so you can easily adjust tone color\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIncludes round robin kicks, snares, toms, and hi-hats\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNow included in OPUS with individual downloads, custom keyswitches, and dozens of MIDI Tools and Mixer Effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"big-heading\" data-mce-fragment=\"1\"\u003eSYSTEM REQUIREMENTS\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBelow are the minimum and recommended hardware and software specifications for using Opus on Windows and MacOS systems.\u003c\/p\u003e\n\u003ctable id=\"system-requirements\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp class=\"title\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMINIMUM SYSTEM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"bulleted\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCPU: Quad-core (four cores), running at 2.7 GHz (or above)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRAM: 16 GB\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOS: macOS 10.13 (or later); Windows 10 with ASIO sound drivers\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDrive: HDD (7200 rpm, non-energy saving)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp class=\"title\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRECOMMENDED SYSTEM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"bulleted\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCPU: Octa-core (eight cores), running at 2.7 GHz (or above)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRAM: 32 GB or more\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOS: macOS 10.13 (or later); Windows 10 with ASIO sound drivers\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDrive: SSD (SATA or PCIe)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cbr\u003e","brand":"East West","offers":[{"title":"Default Title","offer_id":7060865029,"sku":"1181-26","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/d9cdda2f8221283c42e7f4a517d20bc2.gif?v=1571498918"},{"product_id":"rme-rme-m-32-ad-converter","title":"RME M-32 AD Converter","description":"\u003cspan\u003eRME's M-32 AD is a 32-channel high-end AD converter, easy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art AD conversion - 32 times!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe unit's unique set of features includes analog limiters, three hardware reference levels up to +24 dBu, MADI and ADAT I\/O up to 192 kHz, 6.3 mm TRS and D-sub inputs, remote control via MIDI, and operation across a wide range of mains voltages, all packed into a 2U enclosure. An extraordinary limiter, conceived and optimised for professional studio, stage, and broadcast applications, offers essential operational safety with its capability to limit an input's overload of up to 17 dB without audible distortion (max. input level + 30 dBu).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe M-32 provides multichannel conversion in reference quality - at an unbeatable price\/performance ratio!\u003c\/span\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":7061628549,"sku":"RME M-32 AD Converter","price":5099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/a6f39583efa2bc6264e748feedbc38ed.jpeg?v=1571498920"},{"product_id":"presonus-central-station","title":"PreSonus Central Station Plus Passive Monitoring Controller","description":"\u003ch2\u003eTake command of your monitors.\u003c\/h2\u003e\n\u003cp\u003eYou need to be able to switch between multiple sets of monitors and hear what your mix sounds like with and without a subwoofer. You want to be able to switch between multiple analog and digital sources. And you want to do it without sacrificing clarity and transparency. Meet the Central Station PLUS, the professional's choice for monitor control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eA variety of connections for all of your sources and destinations.\u003c\/h2\u003e\n\u003cp class=\"long-run\"\u003eWith Central Station, you can easily switch between three sets of stereo, analog input sources and one stereo digital input source. The digital inputs provide up to 24-bit, 192 kHz digital-to-analog conversion, and the converters deliver more than 115 dB of dynamic range. The Central Station will automatically detect and lock to the sampling rate of the source device.\u003c\/p\u003e\n\u003cp\u003eYou can audition these sources with up to three pairs of speakers, with individual trim pots for each speaker. You also get two screaming-loud headphone amplifiers with individual level controls. If two sets of cans aren't enough, simply connect the line-level cue outputs to a headphone distribution system - say, a PreSonus® HP2, HP4, or HP60. And because Central Station is a 1U rack-mount device, with only one multi-conductor cable running to the remote control on your desktop, all of the cabling is in the back of your rack, where it belongs.\u003c\/p\u003e\n\u003ch2\u003ePure, audiophile-quality sound.\u003c\/h2\u003e\n\u003cp\u003eThe pros know that for critical listening, a monitor-control system must be as sonically transparent as possible. That's why we gave the Central Station an audiophile-quality, passive signal path, with no op-amps or ICs, and we equipped the S\/PDIF inputs with high-definition, 24-bit, 192 kHz D\/A converters.\u003c\/p\u003e\n\u003cp\u003eThe Central Station uses the highest-quality passive components, including military-grade, 1% tolerance, metal-film resistors; multi-element potentiometers; and durable connectors to deliver the highest sonic performance. This ensures the most transparent signal path and maximizes dynamic range, frequency response, and headroom while minimizing noise and coloration.\u003c\/p\u003e\n\u003ch2\u003eA wealth of features gives you a complete monitoring solution.\u003c\/h2\u003e\n\u003cp\u003eWe've included plenty of extras to make your studio work easy and efficient. Talk to the musicians over the headphone and cue buses using the onboard talkback microphone or connect a dynamic mic to the XLR talkback input. Use a footswitch for hands-free talkback operation. A Mono switch sums the stereo source so you can check for phase problems, and Dim and Mute switches let you reduce or mute the speaker outputs without changing the referenced position on your main level knob. To top it off, the included CSR-1 remote control lets you manage it all from your desktop.\u003c\/p\u003e\n\u003cp\u003eWith its combination of I\/O, audio quality, and features, it's no surprise that the Central Station PLUS is indeed the professional's choice for monitor control.\u003c\/p\u003e\n\u003ch3\u003eCSR-1 Remote Control\u003c\/h3\u003e\n\u003cp\u003eThe CSR-1 provides remote control of volume for each input pair and for the talkback mic, as well as controlling muting, input-source switching, and passive speaker-output switching. The Dim and Mono features can also be controlled from the remote unit.\u003c\/p\u003e\n\u003cp\u003eA built-in electret condenser talkback mic with momentary on\/off Talk button enables you to address the musicians through their headphones. \u003cem\u003e(The Central Station main unit also has a talkback mic, so make sure to turn down whichever talkback mic you are using!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCentral Station connects to the CSR-1 via the included proprietary DB15 cable, enabling you to keep the Central Station in your rack and control it from your desktop. This provides maximum convenience with minimum wiring, keeping your workspace free of cable clutter.\u003c\/p\u003e\n\u003cdiv class=\"container product-features\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container product-features-list\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-sm-12 col-md-6 col-md-push-3 col-lg-6 col-lg-push-3\"\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e3 sets of stereo analog inputs let you switch between sources\u003c\/li\u003e\n\u003cli\u003e2 sets of S\/PDIF digital inputs (coax and optical)\u003c\/li\u003e\n\u003cli\u003e3 sets of stereo speaker outputs with:\n\u003cul\u003e\n\u003cli\u003eSpeaker Select switches\u003c\/li\u003e\n\u003cli\u003eRecessed trim pot for each speaker output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCue section with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eInput-select switch\u003c\/li\u003e\n\u003cli\u003eOutput-level control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMain section with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eInput-select switch\u003c\/li\u003e\n\u003cli\u003eAux-input level control\u003c\/li\u003e\n\u003cli\u003eOutput-level control\u003c\/li\u003e\n\u003cli\u003eMute, Dim (-20 dB), and Mono switches\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e2 headphone outputs, each with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eDual-function volume controls\u003c\/li\u003e\n\u003cli\u003eMain-Cue input switches\u003c\/li\u003e\n\u003cli\u003ePassive audio path: no op amps or IC's in main audio path\u003c\/li\u003e\n\u003cli\u003eOnboard talkback microphone\u003c\/li\u003e\n\u003cli\u003eTalkback microphone input w\/level control (feeds headphone and cue outputs)\u003c\/li\u003e\n\u003cli\u003eDual 30-segment, fast-acting, peak-hold LED metering (dBu and dBfs) with:\n\u003cul\u003e\n\u003cli\u003eClear Peak switch\u003c\/li\u003e\n\u003cli\u003eCalibrate to match DAW or other audio device\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFootswitch jack for hands-free talkback operation\u003c\/li\u003e\n\u003cli\u003eIncluded Control Station Remote (CSR-1) provides remote control of:\n\u003cul\u003e\n\u003cli\u003eMain Volume\u003c\/li\u003e\n\u003cli\u003eInput select\u003c\/li\u003e\n\u003cli\u003eOutput select\u003c\/li\u003e\n\u003cli\u003eTalkback\u003c\/li\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003eDim\u003c\/li\u003e\n\u003cli\u003eMono\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eInput\/Output\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e4 balanced ¼\" analog line inputs (2 L\/R pairs)\u003c\/li\u003e\n\u003cli\u003e2 unbalanced RCA analog line inputs (L\/R pair)\u003c\/li\u003e\n\u003cli\u003e1 stereo S\/PDIF optical (TOSLINK) digital input\u003c\/li\u003e\n\u003cli\u003e1 stereo S\/PDIF coax (RCA) digital input\u003c\/li\u003e\n\u003cli\u003e1 balanced XLR talkback-microphone input\u003c\/li\u003e\n\u003cli\u003e6 balanced ¼\", line-level speaker outputs (3 L\/R pairs) w\/separate, passive volume controls\u003c\/li\u003e\n\u003cli\u003e2 balanced ¼\", line-level Main outputs (1 L\/R pair) with source selection\u003c\/li\u003e\n\u003cli\u003e2 balanced ¼\", line-level Cue outputs (1 L\/R pair) with volume control and source selection\u003c\/li\u003e\n\u003cli\u003e2 stereo ¼\" headphone jacks w\/dual-function volume controls and Main-Cue input switches\u003c\/li\u003e\n\u003cli\u003e1 DB15 port for optional Control Station Remote (CSR-1)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDigitalia\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eS\/PDIF coax and optical digital inputs\u003c\/li\u003e\n\u003cli\u003eHigh-definition, 24-bit, 192 kHz D\/A converters (115 dBu dynamic range)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e1U 19\" rack-mountable, rugged steel chassis\u003c\/li\u003e\n\u003cli\u003eExternal AC power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCSR-1 Remote\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eRemote-control all functions of Central Station, including:\n\u003cul\u003e\n\u003cli\u003eInput switching\u003c\/li\u003e\n\u003cli\u003eSpeaker selection\u003c\/li\u003e\n\u003cli\u003eMain volume\u003c\/li\u003e\n\u003cli\u003eTalkback system\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOnboard electret condenser talkback microphone\u003c\/li\u003e\n\u003cli\u003eTalk button (momentary switch) for talkback system\u003c\/li\u003e\n\u003cli\u003eActive light shows when CSR-1 is controlling main volume\u003c\/li\u003e\n\u003cli\u003eConnects with a proprietary DB15 cable (included)\u003c\/li\u003e\n\u003cli\u003eKeep desktop neat and clutter-free\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":7062224965,"sku":"2777400201","price":692.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/268e4e2adb240be94431b2388ab0546b.jpeg?v=1571498921"},{"product_id":"antelope-isochrone-10m","title":"Antelope Audio 10MX | 768 kHz Rubidium Reference Master Clock","description":"FUSION OF FLAWLESS CLOCKING TECHNOLOGIES\u003cbr\u003e10MX features the atomic precision of 10M and Trinity's groundbreaking jitter management algorithm\u003cbr\u003e10MX is the newest and the premier member of the Isochrone family. It features technologies from two of Antelope's legendary products. The atomic precision of the 10M and the sophisticated jitter-management algorithm of Trinity are combined in a futuristic, 1U rack space enclosure, providing the world's most stable and musical clocking.\u003cbr\u003e10MX is a fusion of proven technologies and contemporary industrial design, where no compromises are allowed and both build-quality, and performance-excellence are top priority. The new Rubidium Atomic Clock is an epiphany of more than 20 years' expertise in the digital audio world, making vividly real the clarity, depth, width and 3-dimensionality distinctive of the analog sound.\u003cbr\u003e\u003cbr\u003e10mx features:\u003cbr\u003e\u003cbr\u003e4 WORD CLOCKS\u003cbr\u003eThe master clock beast: 4 Word Clocks allowing up to 768 kHz\u003cbr\u003e\u003cbr\u003e64-BIT ACOUSTICALLY FOCUSED CLOCKING\u003cbr\u003eFlawless clocking powered by Antelope Audio's world-renowned jitter management algorithm\u003cbr\u003e\u003cbr\u003eMULTIPLE ATOMIC OUTPUTS\u003cbr\u003eThe 10MX's multiple atomic outputs allow up to 10 devices to be simultaneously clocked\u003cbr\u003e\u003cbr\u003eADDITIONAL OUTPUTS\u003cbr\u003e2 x S\/PDIF and 2 x AES\/EBU master clocking outputs up to 192 kHz\u003cbr\u003e\u003cbr\u003eMAXIMUM CONTROL\u003cbr\u003eIntuitive Software Control Panel\u003cbr\u003e\u003cbr\u003ePC\/MAC CONNECTION\u003cbr\u003ePC\/Mac connection via USB, allowing remote control and firmware upgrades\u003cbr\u003eATOMIC CLOCKING\u003cbr\u003e10MX fits any studio environment - from recording to mixing and mastering\u003cbr\u003e10MX is perfectly suited for recording, mixing and mastering environments. Its form factor, occupying only 1U of rack space, makes it ideal for live sound application where rack slots are precious commodity.\u003cbr\u003eThe multiple atomic outputs allow up to 10 devices to be clocked simultaneously over BNC outputs of 10MHz. The unit can also be used as a master clock with 4 outputs, supporting the outstanding sampling rate of up to 768 kHz via BNC. Two more clocking outputs are available via AES and two via S\/PDIF.\u003cbr\u003e\u003cbr\u003eADVANCED CONTROL\u003cbr\u003eAccess all features of 10MX via its user-friendly software app or from the sleek front panel\u003cbr\u003eThe new Rubidium Atomic Clock is equally easy manageable either from the front panel or the intuitive software control panel available for OS X and Windows, connecting via a USB port.\u003cbr\u003e\u003cbr\u003eTHE LEGEND GROWS\u003cbr\u003eThe 10MX continues the legacy of the world renowned 10M and Trinity\u003cbr\u003eThe new Rubidium Atomic Clock is an epiphany of more than 20 years' expertise in the digital audio world, making vividly real the clarity, depth, width and 3-dimensional distinctive of the analog sound.\u003cbr\u003e\u003cbr\u003eSPECIFICATIONS:\u003cbr\u003ePhase Noise (SSB)\u003cbr\u003e1Hz ≤-70 dBc\/Hz\u003cbr\u003e10Hz ≤-87 dBc\/Hz\u003cbr\u003e100Hz ≤-114 dBc\/Hz\u003cbr\u003e1kHz ≤-130 dBc\/Hz\u003cbr\u003e10kHz ≤-140 dBc\/Hz\u003cbr\u003e\u003cbr\u003eShort-Term Stability\u003cbr\u003et=1s ≤3E-11\u003cbr\u003et=10s ≤1.6E-11\u003cbr\u003et=100s ≤8E-12\u003cbr\u003eTime drift in a 24-hr period:\u003cbr\u003e\u003cbr\u003eWarm-Up Time\u003cbr\u003e8 - 10 minutes (depends on ambient temperature)\u003cbr\u003e\u003cbr\u003eWord Clock Input\u003cbr\u003e1 x Word Clock Input @ 75 Ohms 3Vpp on BNC 44.1 - 384kHz\u003cbr\u003e\u003cbr\u003eMaximum shock\u003cbr\u003ewithstanding\u003cbr\u003eNon-operating, flight case mounted:\u003cbr\u003e100m\/s2 (~10.2 g*), 11 msec half-sine pulse per IEC 60068-2-27:2008\u003cbr\u003eNon-operating, in original packing:\u003cbr\u003e300m\/s2 (~30.6 g*), 5 msec half-sine pulse per IEC 60068-2-27:2008\u003cbr\u003e* g - gravitational acceleration\u003cbr\u003e\u003cbr\u003eOutputs\u003cbr\u003eWord Clock: 4 x BNC\u003cbr\u003eAES\/EBU: 2 x XLR\u003cbr\u003eS\/PDIF: 2 x RCA\u003cbr\u003e\u003cbr\u003eWord Clock Outputs\u003cbr\u003e4 x Word Clock Outputs @ 75 Ohms 3Vpp on BNC 44.1 - 768 kHz square wave signal\u003cbr\u003e\u003cbr\u003eUSB I\/O\u003cbr\u003eUSB 2.0 Hi-Speed; Data stream up to 480Mbits\/384kHz, Type B\u003cbr\u003e\u003cbr\u003eClocking System\u003cbr\u003e4th Generation Acoustically Focused Clocking\u003cbr\u003e64-bit DDS\u003cbr\u003eOven Controlled Crystal Oscillator\u003cbr\u003e\u003cbr\u003eClock Stability\u003cbr\u003e\u0026lt;+\/-0.0 2 PPM, oven controlled at 64.5 °C\u003cbr\u003e\u003cbr\u003eAtomic Reference Type\u003cbr\u003eRubidium Ultra-Stable Resonance-Controlled Master Oscillator\u003cbr\u003e\u003cbr\u003eFrequency\u003cbr\u003e10 MHz\u003cbr\u003e\u003cbr\u003eFrequency Accuracy\u003cbr\u003eBetter than ±5E-11 @25C (±0.05 PPB)\u003cbr\u003e\u003cbr\u003eAging\u003cbr\u003eDaily* ±2.5E-11\u003cbr\u003eMonthly* ±1E-10\u003cbr\u003eYearly ±1E-9\u003cbr\u003e(*After 1 day \u0026amp; 1 month of operation respectively)\u003cbr\u003e\u003cbr\u003eAtomic Clock Outputs\u003cbr\u003e10 x BNC Sinusoidal, 10MHz, 75 Ohm, 1Vpp typical (unload)\u003cbr\u003e\u003cbr\u003eSample Rates (kHz)\u003cbr\u003e32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384, 768\u003cbr\u003e\u003cbr\u003eWord Clock Specs\u003cbr\u003eTTL Level, 75 Ohm Output Impedance\u003cbr\u003e\u003cbr\u003eUSB\u003cbr\u003eUSB 2.0 Full-Speed, Type B, only for control\u003cbr\u003e\u003cbr\u003eOperating Temperature\u003cbr\u003e0-50°C, 32-122°F\u003cbr\u003e\u003cbr\u003eWeight\u003cbr\u003e2.8 kg\/6.17 lb\u003cbr\u003e\u003cbr\u003eDimensions\u003cbr\u003e482.6 (W) х228 (D) х 44 (H) mm\u003cbr\u003e19 (W) x 9 (D) x 1.73 (H) inch\u003cbr\u003e\u003cbr\u003ePower Supply\u003cbr\u003eAC\u003cbr\u003e\u003cbr\u003ePower Consumption\u003cbr\u003e15 W\u003cbr\u003e\u003cbr\u003eHumidity\u003cbr\u003e30 - 80% RH non-condensing\u003cbr\u003e\u003cbr\u003ePower Supply Input\u003cbr\u003e100 - 240 V~\u003cbr\u003e\u003cbr\u003eSystem Requirements\u003cbr\u003eWindows\u003cbr\u003eOS: Windows 7\/8\/8.1\/10\u003cbr\u003eDisk Space: Minimum 512 MB available disk space\u003cbr\u003eUSB: 1x USB 2.0 Port\u003cbr\u003eRequired USB bandwidth (for firmware update): 80%-90%\u003cbr\u003eCPU: Intel or AMD equivalent CPU with at least 2GHz operating frequency\u003cbr\u003eMemory (RAM): 4GB Minimum (8GB or more Recommended)\u003cbr\u003e\u003cbr\u003eMAC\u003cbr\u003eOS X: 10.9\/10.10\/10.11\/10.12 (Sierra Recommended)\u003cbr\u003eDisk Space: Minimum 512 MB available disk space\u003cbr\u003eUSB: 1x USB 2.0\/3.0 Port\u003cbr\u003eRequired USB bandwidth: 80%-90%\u003cbr\u003eMemory(RAM): 4GB Minimum (8GB or more recommended)\u003cbr\u003eCPU: Intel Core 2 Duo (Minimum) Intel Core i3 ™ or higher (Recommended)\u003cbr\u003eAdditional Info: Internet connection required for product activation.","brand":"Antelope Audio","offers":[{"title":"Default Title","offer_id":28828517778,"sku":"10MX","price":7395.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/1_8a52101e-13ee-48f9-90f1-7af25759c92f.jpg?v=1571498970"},{"product_id":"universal-audio-volt476","title":"Universal Audio VOLT476 -  4-in\/4-out USB 2.0 Audio Interface","description":"\u003ch2\u003eLimited Time OFFER!!\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBuy\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eVolt 476 and and get the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003enew UAD Essentials Edition\u003c\/strong\u003e, featuring 11 UAD plug-ins and instruments of $299 value absolutely free!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFree Plugins includes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTeletronix LA-2A Leveler Collection (3)\u003c\/li\u003e\n\u003cli\u003ePultec EQ Collection (3)\u003c\/li\u003e\n\u003cli\u003eCentury Tube Channel Strip\u003c\/li\u003e\n\u003cli\u003eOxide Tape Recorder\u003c\/li\u003e\n\u003cli\u003eGalaxy Tape Echo\u003c\/li\u003e\n\u003cli\u003ePure Plate Reverb\u003c\/li\u003e\n\u003cli\u003ePolyMAX Synth\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"text-centered\" style=\"text-align: start;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: start;\"\u003eBig Studio Sound,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAnywhere\u003c\/em\u003e.\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eUniversal Audio created Volt 476 for collaborators — from bands and producers to livestreamers and content creators — looking to easily record larger projects with big studio tone. Plug right in to your Mac, PC, iPad, or iPhone and Volt just shows up, ready to capture your productions with legendary sound, courtesy of Universal Audio.\u003c\/p\u003e\n\u003ch2\u003eProduce with Best-in-Class Audio Quality\u003c\/h2\u003e\n\u003cp\u003eFrom the team that brought you the game-changing Apollo interface, Volt 476 delivers superior studio sound quality, with more character and tone than any USB interface in its class.\u003c\/p\u003e\n\u003ch2\u003eCapture Legendary Vocals with Vintage Mic Preamp Mode\u003c\/h2\u003e\n\u003cp\u003eFew sounds can compare to a vintage Universal Audio 610 tube preamp, as used to record everyone from Ray Charles to Van Halen. Volt 276 gives you the rich, full sound of this iconic UA preamp, thanks to its built-in tube emulation circuitry, a UA exclusive.\u003c\/p\u003e\n\u003ch2\u003eControl Volume Peaks with UA Compression\u003c\/h2\u003e\n\u003cp\u003eGet album-ready punch and presence with Volt 476's onboard 76 Compressor — an innovative analog circuit inspired by UA's renowned 1176 Limiting Amplifier. The 76 Compressor features three perfectly tailored presets to tame voice, guitars, synths, and drum machines. Just plug in, pick a setting, and play.\u003c\/p\u003e\n\u003ch2\u003eEasy In, Easy Out\u003c\/h2\u003e\n\u003cp\u003eVolt 476 gives you simple 4-in\/4-out audio connections. Just plug your mics, guitars, or synths into the front panel. Then connect your speakers or headphones to monitor your audio with no latency. With Volt, you’ll be producing like a pro, fast.\u003c\/p\u003e\n\u003ch2\u003eStay Inspired with a Curated Suite of Audio Software\u003c\/h2\u003e\n\u003cp\u003eSome audio interfaces give you a smattering of random audio apps. Not Volt. Instead, we put together a bundle of serious music production tools, virtual instruments, and plug‑ins from the industry's best.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDesktop 4-in\/4-out USB audio interface with class-leading 24-bit\/192 kHz audio conversion for Mac, PC, iPad, and iPhone\u003c\/li\u003e\n\u003cli\u003eVintage Mic Preamp mode for recording your voice or guitar with the rich, full sound of an iconic UA tube preamp\u003c\/li\u003e\n\u003cli\u003e76 Compressor adds clarity and punch to vocals, instruments, and other sources with analog circuit based on UA's renowned 1176\u003c\/li\u003e\n\u003cli\u003eEssential suite of audio and music software from Ableton, Melodyne, UJAM's Virtual Drummer, Marshall, Ampeg, and more\u003c\/li\u003e\n\u003cli\u003eStudio-quality headphone amplifier for loud, clear monitoring\u003c\/li\u003e\n\u003cli\u003e48V phantom power for condenser microphones\u003c\/li\u003e\n\u003cli\u003eDirect Monitoring for latency-free recording\u003c\/li\u003e\n\u003cli\u003eStylish, rugged construction built to withstand years of use\u003c\/li\u003e\n\u003cli\u003e1-in\/1-out MIDI connections\u003c\/li\u003e\n\u003cli\u003eUSB-C to USB-A cable included\u003c\/li\u003e\n\u003cli\u003e5VDC power supply included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":29228329795607,"sku":"VOLT476","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/volt_476_carousel_1_1.jpg?v=1649314156"},{"product_id":"universal-audio-uad-2-satellite-octo-thunderbolt","title":"Universal Audio UAD-2 Satellite Thunderbolt OCTO","description":"\u003cp\u003eThe \u003cstrong\u003eUniversal Audio UAD-2 Satellite Thunderbolt OCTO \u003c\/strong\u003e\u003cem\u003eis a hardware DSP accelerator with four SHARC processors that includes the UAD Analog Classics Bundle of premier powered plug-ins plus access to over 90 additional plug-ins—V\u003c\/em\u003eST, AU, RTAS, and AAX 64 support; Mac OS X and Windows compatible.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEver since Bill Putnam Sr. gave us the 1176, LA-2A, and 610 Universal Audio has been at the forefront of recording with genre-defining sounds that occupied the racks of top studios and recording professionals. And now, with UAD powered plug-ins, Bill Putnam Jr. has brought those same sounds into the 21\u003csup\u003est\u003c\/sup\u003e century, which, rather than racks, now occupy the desktops of audio professionals thanks to the UAD-2 Satellite hardware DSP accelerator. All it takes is a Thunderbolt 1 or 2-enabled Mac or PC and the world of high-end pro audio processing is yours in ways previously unavailable. The UAD-2 Satellite gives you virtual racks of gear modeled from the best examples of processors by Neve, Manley, Studer, Ampex, Lexicon, Fairchild, Pultec, Roland, EMT, Empirical Labs, SSL, MXR, and many more, with new models continually being added to the UAD library.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eUniversal Audio UAD-2 Satellite OCTO—Just the Facts:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eRun UAD Powered Plug-Ins via Thunderbolt on Mac and Windows 10\u003c\/li\u003e\n\u003cli\u003e8 (OCTO) SHARC processors provide a massive DSP boost for running large professional mixes\u003c\/li\u003e\n\u003cli\u003eAccess over 90 plug-ins from Ampex, Lexicon, Marshall, Studer, Neve, Manley, SSL, EMT, Empirical Labs, MXR and more\u003c\/li\u003e\n\u003cli\u003eIncludes Analog Classics Plus bundle featuring Legacy editions of LA-2A Classic Audio Leveler, 1176 Classic Limiting Amplifiers, Pultec EQP-1A, Pultec Pro, and Fairchild 670 plug-ins, plus 610-B Tube Preamp, and more\u003c\/li\u003e\n\u003cli\u003eCompatible with Pro Tools, Logic Pro, Cubase, Live, and more\u003c\/li\u003e\n\u003cli\u003eTake UAD plug-ins “on the road” for mixing on Thunderbolt-equipped Macs\u003c\/li\u003e\n\u003cli\u003eCombine with other UAD-2 devices, including additional UAD-2 PCIe card(s) and Thunderbolt-equipped Apollo interfaces\u003c\/li\u003e\n\u003cli\u003eDual Thunderbolt 2 ports for convenient daisy-chaining of Thunderbolt peripherals\u003c\/li\u003e\n\u003cli\u003eAlso available in Custom, and Ultimate software packages, featuring a range of additional plug-ins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eUniversal Audio UAD-2 Satellite OCTO—Under the Hood\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eUAD: The industry’s most respected collection of audio plug-ins\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFrom serious home recordists to multi-platinum mix engineers, UAD Powered Plug-Ins have been winning over audio professionals for more than 10 years. The reason is simple. No other plug-ins so faithfully capture the sound and behavior of classic analog equipment—from rare compressors and equalizers, to vintage reverb processors and tape machines.\u003c\/p\u003e\n\u003cp\u003eThe UAD library features over 90 plug-ins, co-developed with the biggest brands in audio. These plug-ins can be purchased with UAD-2 hardware from retailers as part of bundled packages, or you can buy UAD plug-ins à la carte from UA’s Online Store.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eProfessional OCTO processing power, wherever you go\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFeaturing eight individual Analog Devices SHARC processors, the UAD-2 Satellite DSP Accelerator's outboard processing “supercharges” your host computer—letting you run larger mixes, filled with rich, sonically complex plug-ins.\u003c\/p\u003e\n\u003cp\u003eThe UAD-2 Satellite can be integrated alongside UAD-2 PCIe DSP Accelerator cards and the UAD Apollo interface, for truly scalable mixing power. And because it’s portable, the UAD-2 Satellite lets you travel with your UAD plug-ins, wherever you mix on a Thunderbolt-equipped Mac or PC. It can also be integrated alongside UAD-2 PCIe DSP Accelerator cards and Thunderbolt-equipped Apollo interfaces, including Apollo Twin, DUO, QUAD, and 16 for truly scalable mixing power.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eUAD plug-in craftsmanship: the science behind the scenes\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eIn developing UAD plug-ins, UA’s engineering group undertakes a thorough physical modeling of classic audio hardware — “rebuilding” vintage analog gear in the digital world, component by component. 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You also get a dedicated suite of powerful mixing plug-ins and UA’s landmark 610-B Tube Preamp and EQ plug-in.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncluded Plug-ins\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUA 610‐B \u003c\/li\u003e\n\u003cli\u003eFairchild 670 Legacy \u003c\/li\u003e\n\u003cli\u003eTeletronix LA‐2A Legacy \u003c\/li\u003e\n\u003cli\u003eUA 1176LN Legacy \u003c\/li\u003e\n\u003cli\u003eUA 1176SE Legacy\u003c\/li\u003e\n\u003cli\u003ePultec EQP‐1A Legacy \u003c\/li\u003e\n\u003cli\u003ePultec Pro Legacy \u003c\/li\u003e\n\u003cli\u003ePrecision Channel Strip \u003c\/li\u003e\n\u003cli\u003ePrecision Reflection Engine\u003c\/li\u003e\n\u003cli\u003ePrecision Delay Modulation \u003c\/li\u003e\n\u003cli\u003ePrecision Delay Modulation L \u003c\/li\u003e\n\u003cli\u003eUA Precision Enhancer Hz \u003c\/li\u003e\n\u003cli\u003eRealVerb‐Pro\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eWith the improved power of Thunderbolt, the UAD-2 Satellite OCTO lets you pile on the plug-ins for today’s massive, high track-count projects. 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Building upon UA’s classic analog design approach, combined with smart modern features, the 4-710d is the most flexible preamp in the UA lineup.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eUniversal Audio 4-710d Just the Facts:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFour TEC Award-winning 710 Twin-Finity microphone\/line preamps, each featuring: dual-path 285-volt Class-A tube and trans-impedance solid-state preamps\u003c\/li\u003e\n\u003cli\u003ePhase-aligned tone-blending of tube and solid state circuits, creamy to crunchy\u003c\/li\u003e\n\u003cli\u003eNewly designed 1176-style compression circuit per preamp channel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eBlend tube and solid-state textures to suit any sound source\u003c\/li\u003e\n\u003cli\u003eAdd eight inputs to any Apollo interface via ADAT optical connection\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eUniversal Audio 4-710d—Under the Hood \u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eAt the core of the 4-710d are four channels of tone-blending “Twin-Finity” mic preamps with true-bypass 1176-style compression, including specially tuned \"fast\" and \"slow\" settings. 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Four big-sounding mic-pres, four 1176s, eight channels of A\/D conversion—but UA warm sound.”\u003cstrong\u003e — Chris Dugan \u003c\/strong\u003e\u003cem\u003e(Green Day, Iggy Pop, U2)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“The 4-710d is one of the smartest mic preamps around. It’s cleverly designed and fun to use. I love the drive it gives me on drums and guitars.” — \u003cstrong\u003eJacknife Lee\u003c\/strong\u003e (\u003cem\u003eR.E.M., The Cars, Snow Patrol\u003c\/em\u003e)\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eIf having Twins isn’t enough for you, how about quadruplets? Order the Universal Audio 4-710d and have enough preamp power to close-mic the top of a fusion drum kit and tailor each channel to bring out the most of each tom and snare. Order yours today. For more information, call or chat online with your PAD Studio Consultant. \u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003ePreamplifiers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eJFET Direct Input with 2.2M ohm ultra Hi-Z impedance w\/auto input override\u003c\/li\u003e\n\u003cli\u003eLarge backlit VU meters for flexible metering of input drive, gain level, and gain reduction\u003c\/li\u003e\n\u003cli\u003eBalanced send\/return inserts (half-normalled)\u003c\/li\u003e\n\u003cli\u003e48V phantom power\u003c\/li\u003e\n\u003cli\u003e75Hz low-cut filter\u003c\/li\u003e\n\u003cli\u003ePolarity switch\u003c\/li\u003e\n\u003cli\u003eMonolithic balanced output stage\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog-to-Digital Conversion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEight channels of high quality 24-bit A\/D conversion:\u003c\/li\u003e\n\u003cli\u003eSelectable sample rates up to 192 kHz\u003c\/li\u003e\n\u003cli\u003eDigital output via dual ADAT optical and AES\/EBU DB-25 connectors\u003c\/li\u003e\n\u003cli\u003e8-channel soft limiter (switchable for all channels)\u003c\/li\u003e\n\u003cli\u003eUltra-low jitter clock subsystem\u003c\/li\u003e\n\u003cli\u003eLED metering array with clip\/hold indicators\u003c\/li\u003e\n\u003cli\u003e75 ohm BNC work clock I\/O\u003c\/li\u003e\n\u003cli\u003eDigital outputs anti-pop protection on power-up\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOther\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUniversal voltage internal power supply\u003c\/li\u003e\n\u003cli\u003eHeavy-duty metal construction, two-space rack unit\u003c\/li\u003e\n\u003cli\u003eOne year warranty including parts and labor\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":7066053957,"sku":"4-710d","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/a8c2b31c64e5635fb99ad6645cf9592d.jpeg?v=1571499045"},{"product_id":"burl-audio-bad4","title":"Burl Audio BAD4M Mastering Grade A-To-D Converter Daughter Card for the B80\/B16","description":"\u003cp\u003eAnnouncing the BAD4M, a mastering grade, 4-channel ADC daughter card for the B80 and B16 MOTHERSHIP with stepped attenuators and switchable input transformers. Specifically designed for mixing and mastering, the BAD4M uses the latest BURL NextGen analog technology for superior fidelity and clarity.\u003c\/p\u003e\n\u003cp\u003eThe BAD4M is the result of over 25 years of R\u0026amp;D experience in pro audio digital and analog design. Following on the success of the B2 BOMBER ADC and the BAD8 for the MOTHERSHIP, the BAD4M utilizes BURL Audio’s NextGen Analog technology with the same BX1 transformer coupled circuit path as the BAD8 (no op-amps) and a transformerless analog front end using BOPA14. The BAD4M allows you to switch between the BAD8 style analog front end and the newly developed, BOPA14 based, transformerless analog front end.\u003c\/p\u003e\n\u003cp\u003eThe new BOPA14 with BURL NextGen Analog is the result of hundreds of hours of listening tests. It boasts stunning clarity and definition and raises the bar of excellence in pro audio analog electronics fidelity. The BOPA14 is an all discrete, class-A op-amp with a minimal number of transistors. This new analog design will blow your mind with tighter bass and higher definition throughout the audio spectrum.\u003c\/p\u003e\n\u003cp\u003eFor years, engineers have taken their fully digital projects and run them through a 2-track analog tape machine to make them sound “less digital”. The BDA4M with the BX5 output transformer routed to a BAD4M with the BX1 input transformer does something very similar, but better. Using a BDA4M to BAD4M signal path will give you better performance than tape in that there is higher dynamic range, more headroom, and better frequency response with no tape hiss.\u003c\/p\u003e\n\u003cp\u003eThe BAD4M transformerless analog front end is perfect for situations where you want a pure capture of a mix or mastering chain where the signal is already warm and peak limited. The BOPA14 ensures a truly clear, faithful capture of the source material.\u003c\/p\u003e\n\u003cp\u003eOn the digital side, the BAD4M employs a couple of new features; a switchable ADC filter and AVID delay matching. Switching the ADC filter allows you to change the tone from the classic BURL sound to a more aggressive tone with a more forward mid-range. The AVID delay matching allows you to perfectly match the input delay of an AVID IO which is crucial for hardware inserts.\u003c\/p\u003e\n\u003cp\u003eIf you already own a B80 MOTHERSHIP or if you are buying a new B16 or B80 MOTHERSHIP, the BAD4M is awesome by itself or as a compliment to the mix and master DAC daughter card, the BDA4M. A B16 with a BAD4M and BDA4M is the ultimate 4 input, 4 output mastering solution. Adding even just one BAD4M to your MOTHERSHIP will be a big step up. The BAD4M is truly BURLY.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBAD4M Daughter Card Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• 4-channel MIX \/ MASTERING ADC\u003cbr\u003e• 4-channel XLR connectivity\u003cbr\u003e• All class-A, NextGen Analog BOPA14 or BOPA11 op-amps\u003cbr\u003e• Switchable BX1 input transformers\u003cbr\u003e• B2 ADC style stepped attenuator\u003cbr\u003e• Avid delay matching\u003cbr\u003e• ADC filter select\u003cbr\u003e• Frequency response at 48kHz sample rate is 10Hz to 22kHz, +\/- 0.1dB\u003cbr\u003e• Frequency response at 96kHz sample rate is 10Hz to 30kHz, +\/- 0.1dB, -0.3 dB @ 40kHz\u003cbr\u003e• Frequency response at 192kHz sample rate is 10Hz to 30kHz, +\/- 0.1dB, -1.5 dB @ 90kHz\u003cbr\u003e• 115dB Dynamic Range\u003cbr\u003e• -96dB THD+N, full scale output = +22dBU\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":7066758725,"sku":"BAD4M-1414","price":2195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/BAD4M-Web-191011-529x1024.png?v=1729009558"},{"product_id":"burl-audio-bda8","title":"Burl Audio BDA8 8-Channel Digital-to-Analog Converter for B80\/B16 Mothership","description":"\u003cp\u003e\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003eBurl Audio BDA8\u003c\/strong\u003e\u003cem\u003e daughter card is an 8-channel DAC for the B80\/B16 Mothership, featuring Burl Audio's NextGen analog circuitry combined with the BOPA2 operational amplifier, offering stunning analog warmth and 3D soundstage.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIf you're tracking through Burl ADC converters, the only thing that makes sense is to mix and monitor through Burl DAC conversion. How else will you be able to accurately assess what you've recorded? Even if you're mixing other people's projects, summing through Burl will give you the rich analog sound across the spectrum, depth of field and stereo soundstage that your clients will be happy to pay for. Now, let's talk BDA8 for your Burl B80 or B16 Mothership. The BDA8 is a product of Burl's NextGen analog circuitry, which is the source of its chest-thumping lows, breathtaking highs, and magnificently detailed stereo imaging. The new design features instruments and mixes have a more 3D sound, with wider stereo image and even more depth while preserving the original shape and harmonic balance of the source. If you thought the current Burl products sounded great (which they do), these new analog designs are sure to blow your mind.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eBurl Audio BDA8 Daughter Card - Just the Facts: \u003cbr\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e8-channel DAC; 24-bit\/44.1kHz to 192kHz\u003c\/li\u003e\n\u003cli\u003eCircuit path based on B2 Bomber DAC\u003c\/li\u003e\n\u003cli\u003eBurl Audio BOPA2, op-amp\u003c\/li\u003e\n\u003cli\u003eAll class-A, discrete transistors, zero-capacitor signal path\u003c\/li\u003e\n\u003cli\u003eLow latency\u003c\/li\u003e\n\u003cli\u003e8-channel D-SUB connectivity\u003c\/li\u003e\n\u003cli\u003eBurl NextGen Analog circuit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cstrong\u003eBurl Audio BDA8 Daughter Card - Under the Hood\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003ePart of Burl's flexible B80 Mothership system, the BDA8 digital-to-analog converter module gives you eight channels of ultra-high-quality analog audio output. Its conversion circuitry is extremely accurate. Key to the BDA8 D-to-A module (and, in fact, the entire B80 Mothership system) is Burl Audio's intense focus on the analog signal path, which rivals the topography of any high-end piece of analog gear. So, whether you're sending signal to your favorite outboard gear or to your studio monitors, the sound you get from the Burl Audio BDA8 is second to none.\u003c\/p\u003e\n\u003cp\u003eMany professional D-to-A converters fall short when it comes to the analog side of the process, providing you with excellent digital accuracy but unnaturally sterile sound. That's what inspired Burl Audio to develop the unique signal path in the BDA8. Using an entirely Class A, discrete-transistors-based signal path with no capacitors, the BDA8 provides you with both clarity and the extremely high headroom required to respond smoothly to highly dynamic audio. When you hear the BDA8 in action, you'll think \"natural\" not \"digital.\"\u003c\/p\u003e\n\u003cp\u003eBurl Audio based the circuitry inside the BDA8 on the highly acclaimed \u003ca href=\"https:\/\/www.proaudiodesign.com\/products\/burl-audio-b2-bomber-dac-without-dante\" title=\"Burl Audio B2 Bomber DAC 2-Channel Digital to Analog Converter\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eB2 Bomber DAC,\u003c\/a\u003e a phenomenal-sounding 2-channel D-to-A converter found in many high-end professional studios. Coupled with the Burl Audio proprietary BOPA8 discrete, class-A op amp, the combination is a sound that is realistic, open, and huge. Powered by an ultra-low-jitter clock that's locked in sync with the rest of your B80 Mothership, these converters more than stand up to any dedicated, professional-quality digital-to-analog converters out there. What's more, the BDA8 gives you a total of eight channels of conversion, all packed into an affordable, compact module.\u003c\/p\u003e\n\u003cp\u003ePart of the beauty of the BDA8 and the B80 Mothership system as a whole is its incredible modular flexibility, which lets you fit a ton of digital conversion into just a few rack spaces. That's great, because once you hear Burl's converters in action, you'll want to run every channel of your mixes through them! Need a system for summing? No problem! Just load up your B80 Mothership chassis with a few BDA8 modules and you have all the D-to-A conversion you need. How about a tracking system with the capacity for monitoring in 7.1? All you need is a single BDA8 8-channel D-to-A converter and a handful of BAD4 4-channel A-to-D modules. And with other exciting new modules on the way, you'll find endless uses for your Burl Audio B80 Mothership system.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eLoad up your B80 Mothership with BAD8 D\/A cards and make the jump to light speed. Order yours today. For assistance configuring a Burl system to perfectly complement your studio setup, call or chat online with your PAD Studio Consultant. \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/wuuWZKY9660\" width=\"560\" height=\"315\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":7066760773,"sku":"Burl Audio BDA8","price":2095.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/d3b8914192be005362530a3477254a70.png?v=1571499093"},{"product_id":"pace-ilok-2nd-generation","title":"PACE iLok 3","description":"\u003cp\u003ePACE Anti-Piracy have announced the 3rd generation iLok (iLok3) offering a smaller, faster device holding three times the number of licenses. Recent advances in chip design and manufacturing processes have enabled the evolution of the new iLok version, which is much smaller and more robust than its predecessors. \u003cbr\u003eThe new iLok is fully backward compatible with previous versions - so all software developed for use with a 2nd generation iLok will continue to work with a 3rd generation iLok.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSince its release 16 years ago, the iLok hardware device has never been compromised.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe design of the 3rd generation iLok is a huge step up from previous versions. The internal components are ingeniously small, packed into their metal case using methods that make duplication virtually impossible. And fewer components means fewer points of failure once the device is being used in the field.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"PACE","offers":[{"title":"Default Title","offer_id":7066812421,"sku":"ILOK3","price":45.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/ilok3rd-onBlue.png?v=1571499093"},{"product_id":"soundtoys-soundtoys-5","title":"Soundtoys Soundtoys 5.4 - The Expanded Effects Bundle","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eNow with the option of using SuperPlate in Effect Rack, the creative sound design possibilities of the Soundtoys 5.4 bundle have exploded. The combination of reverb, pitch, modulation, and distortion effects all in one plug-in, with easy drag and drop routing and tweaking, give you even more power to create complex soundscapes, unique textures, and dynamic sonic movements. And with a brand new suite of presets, you discover quickly what adding reverb to the Rack can do for you mixes.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSoundtoys 5 brings together our entire range of audio effects into one powerful collection.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eIncludes all 21 Soundtoys plug-ins. See the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.soundtoys.com\/product\/soundtoys-5\/#fulllist\"\u003efull list.\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow: hidden;\" id=\"_mcePaste\" data-mce-style=\"position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow: hidden;\"\u003e\n\u003cp\u003eSaturate, compress, and distort with Decapitator, Radiator, and Devil-Loc. Get a virtual history of echo and delay hardware with EchoBoy and PrimalTap. Transform your vocals with Little AlterBoy. Recreate classic studio pitch, chorus and widening effects with Crystallizer and MicroShift. Take modulation to new levels with the beat-synced rhythmic effects of PanMan, Tremolator, FilterFreak, and PhaseMistress.\u003c\/p\u003e\n\u003cp\u003eAll of these individual elements are proven, powerful tools, trusted by professional mix engineers, musicians and sound designers everywhere. But combined in the Soundtoys Effect Rack, they are indeed the ultimate effects collection.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eSoundtoys 5 brings together our entire range of audio effects into one powerful collection.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eIncludes all 21 Soundtoys plug-ins. See the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.soundtoys.com\/product\/soundtoys-5\/#fulllist\"\u003efull list.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eSaturate, compress, and distort with Decapitator, Radiator, and Devil-Loc. Get a virtual history of echo and delay hardware with EchoBoy and PrimalTap. Transform your vocals with Little AlterBoy. Recreate classic studio pitch, chorus and widening effects with Crystallizer and MicroShift. Take modulation to new levels with the beat-synced rhythmic effects of PanMan, Tremolator, FilterFreak, and PhaseMistress.\u003c\/p\u003e\n\u003cp\u003eAll of these individual elements are proven, powerful tools, trusted by professional mix engineers, musicians and sound designers everywhere. But combined in the Soundtoys Effect Rack, they are indeed the ultimate effects collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe new Soundtoys Effect Rack is the centerpiece of Soundtoys 5.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eIt turns a tried-and-true collection of powerful individual plug-ins into a virtually unlimited creative multi-effects system.\u003c\/p\u003e\n\u003cp\u003eThe Effect Rack makes it simple to build your own custom effect chains and define your signature sound. And when you’ve created the perfect combination of effects, the Rack’s global controls let you treat the whole rack as a single plug-in.\u003c\/p\u003e\n\u003cp\u003eLock rhythmic effects to a single tempo, or let them run free. Fine tune the input and output levels, and use the global mix control to blend your effect in with the dry signal. Then experiment with the powerful new global Recycle control. By mixing the output of the rack back into the input, you can build your own modulated reverbs, over-the-top delays and other unique ambience effects that would require complicated routing to accomplish in most DAWs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWork Smarter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Effect Rack integrates 14 individual Soundtoys effects into a single plug-in, which improves workflow by displaying an entire custom effect processing chain at once. You won’t need to juggle multiple plug-in windows to adjust parameters, add new effects, or change their routing. The Effect Rack keeps everything right at your fingertips.\u003c\/p\u003e\n\u003ch6\u003e\u003cspan\u003e\u003cem\u003e*Effect Rack includes Crystallizer, Decapitator, Devil-Loc Deluxe, EchoBoy, EchoBoy Jr., FilterFreak, FilterFreak 2, MicroShift, PanMan, PhaseMistress, PrimalTap, Radiator, Sie-Q, and Tremolator.\u003c\/em\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003eChoose from our range of carefully-crafted presets to find the perfect jumping-off point. Or quickly design, save and recall combinations of your favorite Soundtoys effects—all in one self-contained plug-in.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.soundtoys.com\/outer-limits\/\"\u003eOuter Limits\u003c\/a\u003e\u003c\/strong\u003e is a \u003c\/span\u003e\u003cstrong\u003eFREE\u003c\/strong\u003e\u003cspan\u003e collection of 67 presets designed to turn any audio into strange and frightening sounds, spacey sci-fi soundscapes, and mutated audio oddities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYou no longer need to use a hardware dongle.\u003c\/strong\u003e Set yourself free to work wherever, and however you want.\u003c\/p\u003e\n\u003cp\u003eWith computer-based authorization, free up precious USB ports for audio interfaces and MIDI controllers. Studio pros can still use Soundtoys 5 with their iLok USB keys to manage all of their plug-in licenses. All Soundtoys 5 plug-ins come with two activations. Use one at the studio, and the other on your home machine or laptop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWe pride ourselves on building simple, elegant effects that give you instant inspiration.\u003c\/strong\u003e\u003cspan\u003e But when you’re ready to go beyond the basics we also let you open the hood and get some grease on your hands.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSlide open an effect’s Tweak panel to access special circuit-level controls.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOr design your own unique modulation patterns.\u003c\/p\u003e\n\u003cp\u003e\u003csmall\u003eMany Soundtoys effects offer special Tweak panels which expose deeper editing features. Here you can find advanced options for a plug-in, like a choice of saturation styles, fine control of an effect’s groove, or a selection of different delay algorithms. Our modulation effects offer powerful shape and rhythm editors here for creating complex motion. And in Soundtoys 5, we’ve redesigned our Tweak panels to make advanced controls easier to find and use.  The result: an incredibly customizable set of sonic tools that you’ll want to use on every project.\u003c\/small\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEffects that move to your rhythm.\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eWith any shape you can imagine.\u003c\/p\u003e\n\u003cp\u003eAn LFO (Low Frequency Oscillator) is at the heart of every modulation effect — it’s what gives tremolos, phasers, panners and sweeping filters their characteristic motion.\u003c\/p\u003e\n\u003cp\u003eOur included library of LFO shapes goes far beyond standard modulation effects, giving you curves based on vintage modulation effects, amps and instruments as well as more abstract shapes. You can also draw and sculpt your own totally customized shapes using our Shape Editor. Use it to dream up new LFO shapes, from knife-edged waves to gently ebbing curves.\u003c\/p\u003e\n\u003cp\u003eOur Rhythm Editor is like a rhythmic modulation sequencer. Choose a length (in bars) and the size of the steps you want to edit (sixteenth notes, eighth notes, quarter notes, etc), then start clicking to make a new pattern. You can turn individual steps on and off to create pauses or rests, and adjust the level and length of each step to humanize your pattern and give it some musical variation. You can even choose the number of beats per bar to create some funky syncopation or odd-time-signature grooves. Like our custom shapes, custom patterns are even swappable between plug-ins. And, of course, you can lock everything to the master tempo of the Soundtoys Effect Rack or your favorite DAW for solid, dead-simple synchronization.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWe’ve spent the last decade creating one of the world’s greatest gear collections.\u003c\/strong\u003e That means we actually own and use the hardware we draw our inspiration from.\u003c\/p\u003e\n\u003cp\u003eWe look to the past for inspiration. But we build each of our plug-ins to stand solidly on its own with features designed for modern studios.\u003c\/p\u003e\n\u003cp\u003eAs a result, we’re happy to say that Soundtoys effects are used, trusted and recommended by professionals in all aspects of audio production. Now with Soundtoys 5 and the Effect Rack, we’ve brought all of these acclaimed effects together to see how much further they can go.\u003c\/p\u003e\n\u003csection class=\"block block-facts\"\u003e\n\u003cdiv class=\"specs col col-xs-12  col-md-6\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003ch4\u003eSpecs\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent Version:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.soundtoys.com\/release-log\/\"\u003e5.3.9\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.soundtoys.com\/release-log\/\"\u003eRelease Log\u003c\/a\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePlug-in Formats (64-bit only):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAAX Native, AAX AudioSuite, VST 2, VST 3, and Audio Units (AU)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSupported Sample Rates:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMinimum: 44.1 kHz, Maximum: 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Requirements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/soundtoys.com\/apple-silicon-compatibility\/\"\u003eApple Silicon M1 Compatibility Info\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eOperating systems:\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eMac OS X 10.12 or later; Windows 7 or later.\u003c\/li\u003e\n\u003cli\u003eAn internet connection is required at the time of activation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSupported Hosts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePro Tools (11 or later), Live, Cubase, Nuendo, Logic, Studio One, Reaper, Bitwig\u003c\/li\u003e\n\u003cli\u003eClick\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/support.soundtoys.com\/article\/40-sounndtoys-5-compatibility\"\u003ehere\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eto view our full list of compatible host applications.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"manual\"\u003e\u003ca href=\"https:\/\/www.soundtoys.com\/wp-content\/uploads\/Soundtoys-Effect-Rack-Manual.pdf\" class=\"btn btn-primary hvr-fade\" title=\"Download Manual\" target=\"_blank\"\u003eDOWNLOAD MANUAL\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Soundtoys","offers":[{"title":"Default Title","offer_id":7067509381,"sku":"1043-54","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/ST5-Box.png?v=1675235251"},{"product_id":"tascam-us-2000","title":"Tascam US-16X08","description":"\u003cp\u003eThe TASCAM \u003cstrong\u003eUS-16x08\u003c\/strong\u003e captures 16 mic and line inputs to your computer with clear sound quality and advanced features to manage big sessions. Eight Ultra-HDDA microphone preamps deliver the cleanest and quietest operation in their class while delivering up to 56dB of gain. An additional eight line inputs are provided, two of them switchable to instrument level for direct guitar or bass recording. Eight balanced line outputs are also available, two with a level control on the front panel for monitoring. \u003c\/p\u003e\n\u003cp\u003eBuilt into the \u003cstrong\u003eUS-16x08\u003c\/strong\u003e is a DSP Mixer for low-latency digital mixing. Each channel has four-band EQ and compression for polished-sounding monitor mixes. In addition to interface mode, the \u003cstrong\u003eUS-16x08\u003c\/strong\u003e can be used stand alone as a standalone mic preamp. Mac and Windows drivers are provided, as well as USB Class Compliant 2.0 drivers for tablets like Apple's iPad. MIDI input and output are also available on the rear panel.  \u003c\/p\u003e\n\u003cp\u003eWhether using the ergonomically-designed angled desktop stand or mounting with the included rack ears, the US-16x08 includes analog I\/O for almost any music recording application.\u003c\/p\u003e\n\u003ctable class=\"futures_top\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"futures_top_main\"\u003e\u003cspan\u003eUltra-HDDA Mic Preamps for Clear Audio Quality from All of Your Mics\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/logo_w_ultra_hdda_sm.jpg?v=1712064343\"\u003e\u003c\/div\u003e\n\u003cp\u003eTASCAM's own Ultra-HDDA mic preamps are the cleanest, quietest, and best-sounding from any interface in their range. A gain range of 56dB makes them ideal for any type of mic – dynamic, condenser, or ribbon. With preamp performance well beyond any interfaces in their price range, the Ultra-HDDA preamps on the \u003cstrong\u003eUS-16x08\u003c\/strong\u003e makes your tracks sound like a record.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdl class=\"futures_main\"\u003e\n\u003cdt\u003eDiscrete Ultra-HDDA Mic Preamps Deliver Low Noise and Low Distortion\u003c\/dt\u003e\n\u003cdd\u003e\n\u003ctable border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"618\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"200\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-bottom: 16px; float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-16x08_w_ultra-hdda_s.jpg?v=1712064344\"\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eTASCAM's Ultra-HDDA (High Definition Discrete Architecture) mic preamp design is based on discrete components, just like classic professional gear. They achieve an incredible EIN rating of -125 dBu, meaning their noise level is practically below the range of hearing. Other impressive specs include a signal-to-noise ratio of 100 dB, out-speccing anything in its price range. But instead of judging the design merely by test measurments, key components were selected following extensive listening tests.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/dd\u003e\n\u003cdt\u003eRock Out with Amp Simulator Software using the Guitar Inputs\u003c\/dt\u003e\n\u003cdd\u003e\n\u003ctable border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"618\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"200\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-bottom: 16px; float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-16x08_w_inst_s.jpg?v=1712064343\"\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eThe first two channels can be switched to direct guitar inputs. They're ideal for direct recording of electric and acoustic guitar and bass without the need for a preamp. Use them with amp modeling software, like the TH2 effect included with SONAR X3. \u003cbr\u003e\u003cbr\u003e* Guitar effect plug-ins sold separately.  \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/dd\u003e\n\u003cdt\u003eInput specifications easily handle high SPL environments\u003c\/dt\u003e\n\u003cdd\u003eThe Ultra-HDDA mic preamps and line inputs offer 20dB of headroom for distortion-free recordings of percussive, high SPL instruments like drum tracks.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cp\u003e\u003ca name=\"drum\"\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable class=\"futures_top\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"futures_top_main\"\u003e16 analog inputs to record a full drumset, instruments, and vocals at the same time\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eEight XLR mic inputs and eight TRS inputs can be used simultaneously for 16-track live recordings. Capture every detail of live performances or rehearsals for later mixdown.\u003c\/p\u003e\n\u003cdl class=\"futures_main\"\u003e\n\u003cdt\u003eEight XLR mic inputs and 8 TRS line inputs \u003c\/dt\u003e\n\u003cdd\u003eThe eight XLR mic inputs have switchable +48V phantom power to use up to 8 condenser mics at the same time. The two front panel TRS line inputs are switchable between instrument level and line level input with adjustable gain. An additional six TRS line ins on the rear of the unit are switchable between -10dB and +4dB. All of the jacks support balanced or unbalanced 1\/4\" signals. \u003cbr\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-16x08_w_input_s.jpg?v=1712064343\" alt=\"\" style=\"margin-bottom: 16px; float: none;\" data-mce-fragment=\"1\" data-mce-style=\"margin-bottom: 16px; float: none;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-16x08_w_input_s.jpg?v=1712064343\"\u003e\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003cdt\u003eUse as a Standalone Mic Preamp\u003c\/dt\u003e\n\u003cdd\u003e\n\u003ctable border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"618\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"200\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-bottom: 16px; float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-16x08_w_phantom_s.jpg?v=1712064343\"\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eWhen powered on with out a USB connection, the US-16x08 functions as an 8-channel microphone preamp. Mics pass through the Ultra-HDDA preamps to the eight balanced line outputs on the rear panel. Use the interface to add additional high-quality mic inputs to a mixer an another audio interface.\u003cbr\u003e\u003cbr\u003e* When using the mic preamp mode, each input is connected to each output directly. Also, cannot use all functions of DSP mixer. For example, IN1 is connected OUTPUT1 directly through the Ultra-HDDA mic preamp.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cp\u003e\u003ca name=\"driver\"\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable class=\"futures_top\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"futures_top_main\"\u003eAdvanced Digital Processing Includes an Advanced DSP Mixer and All-New USB Driver\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-16x08_w_app_mixer_s_1.jpg?v=1712064344\" width=\"283\" height=\"149\"\u003e\u003c\/div\u003e\n\u003cp\u003eDigital processing features like the DSP Monitor Mixer and advanced USB drivers make sessions with the \u003cstrong\u003eUS-16x08\u003c\/strong\u003e comfortable for the musicians and engineer. The DSP Mixer includes processing for a polished-sounding headphone mix without latency delay from your DAW software, fueled by a Blackfin DSP processor. And new drivers, re-written from the ground up, provide beter compatibility and performance on Mac, Windows and iPad recording systems.  \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdl class=\"futures_main\"\u003e\n\u003cdt\u003eHigh Resolution Recording – Up to 96kHz\/24-bit\u003c\/dt\u003e\n\u003cdd\u003e\n\u003ctable border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"618\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"200\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-bottom: 16px; float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/logo_w_hi-res_sm.jpg?v=1712064343\"\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eThe converters and electronics on the \u003cstrong\u003eUS-16x08\u003c\/strong\u003e allow you to record at audio resolutions up to 96kHz\/24-bit for detailed acoustic productions. No matter what your session's sample rate is set for, the high-quality analog and digital design make your recordings sound their best.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/dd\u003e\n\u003cdt\u003eStandard USB 2.0 Computer Connection\u003c\/dt\u003e\n\u003cdd\u003e\n\u003ctable border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"618\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"200\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-bottom: 16px; float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-16x08_w_pc_s.jpg?v=1712064343\"\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eThe \u003cstrong\u003eUS-16x08\u003c\/strong\u003e uses USB 2.0 to connect to your computer, found on nearly every computer manufactured in the last 10 years. Simply connect the interface to any available USB port. USB 2.0 provides plenty of data bandwidth, even when recording 16 channels at 96kHz\/24-bit. The \u003cstrong\u003eUS-16x08\u003c\/strong\u003e will also work with USB 3.0 jacks on your computer. \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/dd\u003e\n\u003cdt\u003eAdvanced DSP Mixer Features 4-band EQ and Compression On Each Channel\u003c\/dt\u003e\n\u003cdd\u003ePowered by an Analog Devices BlackFin DSP processor, the \u003cstrong\u003eUS-16x08\u003c\/strong\u003e includes an advanced digital mixer for monitor mixing. Each input includes 4-band EQ, a low-cut filer, and compressor. The DSP mixer can store up to 10 snapshots as scenes - making it easy to recall mixer settings. An additional tab opens a digital patchbay to route signals to any output. \u003cbr\u003e\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-16x08_w_app_mixer_s.jpg?v=1712064343\" alt=\"\" style=\"margin-bottom: 16px; float: none;\" data-mce-fragment=\"1\" data-mce-style=\"margin-bottom: 16px; float: none;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-16x08_w_app_mixer_s.jpg?v=1712064343\"\u003e\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003cdt\u003eAll-new advanced USB Driver Software\u003c\/dt\u003e\n\u003cdd\u003eThe \u003cstrong\u003eUS-16x08\u003c\/strong\u003e includes an all-new driver architecture, written in-house by TASCAM engineers. The Windows driver software can be installed without connecting the interface, with simple on-screen instructions. Mac users can use the interface without installing a driver at all. Simply install the control panel software in order to change device settings. Finally, the \u003cspan\u003eclass-compliant driver allows it to be used with tablets like Apple's iPad. (Requires Apple's Camera Connection Kit for USB connection)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-16x08_w_app_output_s.jpg?v=1712064343\" alt=\"\" style=\"margin-bottom: 16px; float: none;\" width=\"493\" height=\"260\" data-mce-fragment=\"1\" data-mce-style=\"margin-bottom: 16px; float: none;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-16x08_w_app_output_s.jpg?v=1712064343\"\u003e\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cp\u003e\u003ca name=\"axel\"\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable class=\"futures_top\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"futures_top_main\"\u003eSleek Industrial Design Inspires Creativity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-2x2_us-4x4_w_axel_sm.jpg?v=1712064343\"\u003e\u003c\/div\u003e\n\u003cp\u003eThese powerful new interfaces are housed in modern industrial designs that are as ergonomic as they are stylish. TASCAM was the first company to offer a USB audio interface, and we have fused our years of experience with acclaimed German from designbox. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTASCAM's new US series satisfies the needs of musicians from an aesthetic as well as ergonomic perspective. With its unique honeycomb structure on the side panels, the main body has a sense of weight while also maintaining a delicacy that matches the user's needs. Honeycomb structures are a feature of modern architecture, but are also a vital resource whose exceptional technical structure we can use in design. As this structure is found in nature, it has a stability and flexibility which comes with being an organic form. \u003cbr\u003e-Axel Hartmann@ designbox\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003edesignbox\u003c\/strong\u003e (\u003ca href=\"http:\/\/www.design-box.de\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eOfficial Website\u003c\/a\u003e)：A German audio design company founded by Axel Hartmann and Stephan Leitl in 1995, designbox has worked on famous music industry products such as synthesizers, effect pedals and amp simulators.\u003c\/p\u003e\n\u003cdl class=\"futures_main\"\u003e\n\u003cdt\u003eAngled design provides excellent usability on a desktop\u003c\/dt\u003e\n\u003cdd\u003e\n\u003ctable border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"618\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"200\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-bottom: 16px; float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-16x08_w_angle_s.jpg?v=1712064343\"\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eThe angled design makes desktop viewing and operation much more comfortable for tabletop use. All other interfaces have their controls on the front or the top of the device, causing you to crane your neck to read the knobs and switches. The \u003cstrong\u003eUS-16x08\u003c\/strong\u003e are at a natural angle, making operation easier to keep you creative.\u003cbr\u003e\u003cbr\u003eA pair of rack ears are also included for use in a standard 19\" equipment rack. \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/dd\u003e\n\u003cdt\u003eBuilt to tough robust full metal body\u003c\/dt\u003e\n\u003cdd\u003eThe durable metal jacket is employed for heavy duty use.\u003c\/dd\u003e\n\u003cdt\u003eSeparate Volume Controls for Headphones and Line Output\u003c\/dt\u003e\n\u003cdd\u003e\n\u003ctable border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"618\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"200\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-bottom: 16px; float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-16x08_w_line_head_s.jpg?v=1712064343\"\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eThe \u003cstrong\u003eUS-16x08\u003c\/strong\u003e includes both headphone and line output volume controls. Even when both powered monitors and headphones are connected, the user can set an optimum level for each during operation. And when you want to work on headphones, you don't need to reach around to switch off your monitors.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/dd\u003e\n\u003cdt\u003ePowerful Headphone Amp Provides 70mW per Channel\u003c\/dt\u003e\n\u003cdd\u003eThe high-output 70mW+70mW (into 32Ω) headphone amp makes headphone monitoring easy even in loud situations. This assures you enough monitoring volume when recording drums, guitars, or rehearsals, live or in the studio.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cp\u003e\u003ca name=\"ios\"\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable class=\"futures_top\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"futures_top_main\"\u003eClass-Compliant Drivers for use with iPad and Other Tablets\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-16x08_w_ipad_s.jpg?v=1712064343\"\u003e\u003c\/div\u003e\n\u003cp\u003eThe \u003cstrong\u003eUS-16x08\u003c\/strong\u003e is built with class-compliant drivers built into the units. Not only does this mean that they can be used with many computers without first installing a driver, they also open the possibilities of with tablets such as Apple's iPad.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdl class=\"futures_main\"\u003e\n\u003cdt\u003eConnect to iPad, iPhone, or other iOS devices\u003c\/dt\u003e\n\u003cdd\u003e\n\u003ctable border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"618\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"200\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-16x08_w_ipad_s.jpg?v=1712064343\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-16x08_w_ipad_s.jpg?v=1712064343\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eUse Apple's Camera Connection Kit to connect the \u003cstrong\u003eUS-16x08\u003c\/strong\u003e to an iPad or other iOS device. Utilitze the multichannel audio and MIDI functions with any of the thousands of iOS audio apps, like Garage Band or TASCAM's Portastudio app.\u003cbr\u003e\u003cbr\u003e* Apple's Camera Connection Kit is not included with this product.\u003cbr\u003e* When connected, the US-16x08 will not provide power to the iOS device..\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/dd\u003e\n\u003cdt\u003eTested with Sonar, Pro Tools, Cubase, Live, Studio One, and Garage Band\u003c\/dt\u003e\n\u003cdd\u003e\n\u003ctable border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"618\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 401.797px;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-bottom: 16px; float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/uh-7000_w_software.jpg?v=1712064343\" width=\"256\" height=\"192\"\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\" style=\"width: 100.203px;\"\u003eTASCAM has tested the interface operation with all leading DAW software, such as SONAR, Pro Tools, Cubase, Live, Studio One and Garage Band. Use the interfaces with your favorite Mac or Windows recording applications.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/dd\u003e\n\u003cdt\u003eMIDI Input and Output Included\u003c\/dt\u003e\n\u003cdd\u003e\n\u003ctable border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"618\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"200\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-bottom: 16px; float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/us-16x08_w_midi_s.jpg?v=1712064343\"\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eStandard MIDI input and output connectors allow connection with the thousands of keyboards, drum machines, controllers, and other sources that employ MIDI connectors. The interfaces can also be used for synchronized operation of multitrack recorders and other external recording equipment.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cp\u003e\u003ca name=\"rack\"\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable class=\"futures_top\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"futures_top_main\"\u003eRackmount Ears and Hex Keys Included\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eYou can either use the rack ears for rackmount installations.\u003c\/p\u003e\n\u003cp\u003e\u003ca name=\"sonota\"\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable class=\"futures_top\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"futures_top_main\"\u003eFeatures At A Glance\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cli\u003eUltra-HDDA (High Definition Discrete Architecture) mic preamps with −125dBu EIN\u003c\/li\u003e\n\u003cli\u003eEight Ultra-HDDA mic pres with XLR connectors, eight TRS inputs\u003c\/li\u003e\n\u003cli\u003eStandalone mode for use as an independent mic preamp\u003c\/li\u003e\n\u003cli\u003eUp to 96kHz\/24-bit recording\u003c\/li\u003e\n\u003cli\u003eSupport for Windows and Macintosh\u003c\/li\u003e\n\u003cli\u003eUSB 2.0 computer connection\u003c\/li\u003e\n\u003cli\u003eConnect with iPads and other iOS devices via Class Compliant drivers\u003c\/li\u003e\n\u003cli\u003e+48V phantom power available for all microphone inputs\u003c\/li\u003e\n\u003cli\u003eHigh-impedance inputs available\u003c\/li\u003e\n\u003cli\u003e56 dB of preamp gain, ideal for dynamic or ribbon microphones\u003c\/li\u003e\n\u003cli\u003eTough metal casing for durability\u003c\/li\u003e\n\u003cli\u003eAngled design provides excellent usability on a desktop\u003c\/li\u003e\n\u003cli\u003eEight TRS outputs\u003c\/li\u003e\n\u003cli\u003eStandard TRS headphones output jack with 70mW\/ch output power\u003c\/li\u003e\n\u003cli\u003eSeparate controls for line and headphones output volumes\u003c\/li\u003e\n\u003cli\u003eMIDI input and output\u003c\/li\u003e\n\u003cli\u003eLow-latency monitoring via on-board DSP mixer\u003c\/li\u003e\n\u003cli\u003eDSP mixer with 4-band EQ and compression on each input channel\u003c\/li\u003e\n\u003cli\u003eDigital Patch bay allows outputs to be assigned freely\u003c\/li\u003e\n\u003cli\u003eScenes can store DSP mixer settings (up to 10 scenes can be stored and named)\u003c\/li\u003e\n\u003cli\u003eUSB class compliant 2.0 support\u003c\/li\u003e\n\u003cli\u003eConfirmed operation with major DAW software (SONAR, ProTools, Cubase, Live, Studio One, Garage Band)\u003c\/li\u003e\n\u003cli\u003eRoHS certified\u003c\/li\u003e\n\u003cli\u003eDedicated AC adapter included\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":7069060357,"sku":"US-16X08","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/us-16x08_p_left_rack.jpg?v=1571499150"},{"product_id":"antelope-audio-pure2","title":"Antelope Audio Pure2 | 2x5 Mastering AD\/DA Converter \u0026 USB Audio Interface","description":"\u003cp\u003e\u003cstrong\u003eDIGITAL CLARITY, ANALOG WARMTH\u003c\/strong\u003e\u003cbr\u003ePure2 is a high-end mastering converter, powered by Antelope Audio's legendary clocking and pristine analog circuitry\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePure2 is a mastering-grade 24-bit, 192 kHz AD\/DA 2-channel converter and master clock that includes a relay-controlled volume attenuator. It features Antelope Audio's world-renowned Acoustically Focused Clocking (AFC) technology, and also utilizes pristine analog circuitry, driven by a proprietary multi-stage linear power supply for unsurpassed digital clarity and analog realism.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePure 2 Features:\u003c\/strong\u003e\u003cbr\u003e• A\/D converter with optimized overload handling\u003cbr\u003e• D\/A converter with dual-DAC architecture\u003cbr\u003e• High-end headphone amp with dedicated D\/A converter\u003cbr\u003e• Relay-based analog volume control for accurate monitoring\u003cbr\u003e• Master clock with 4th-generation Antelope AFC jitter management\u003cbr\u003e• Connections for S\/PDIF, TOSlink, AES, and USB\u003cbr\u003e• Intuitive software control panel for Mac\/Windows\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFLEXIBLE CONTROL\u003c\/strong\u003e\u003cbr\u003eAccess all Pure2 features via Mac \u0026amp; PC app or through the front-panel controls\u003cbr\u003eAll Pure2 features are available in an intuitive software control panel for Mac or Windows provides users the ability to manage all facets of the device operation. Pure2 is also configurable via the front panel with user-definable presets.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEASY LIFE\u003c\/strong\u003e\u003cbr\u003eWe know the engineer's life is not a glamorous one. So we tried to make it easier.\u003cbr\u003eYou can set up Pure2 in a couple of minutes. All you actually need is one USB cable (provided in the box) and a laptop of your choosing (Win 7.1 or higher \/ Mac OSx 10.9 or higher) and you can start capturing stereo audio at 192 kHz.\u003cbr\u003eAfter setting it up, just download the Control Panel, a few clicks and you're set.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSPECIFICATIONS:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAnalog Inputs\u003c\/strong\u003e\u003cbr\u003e2 x Combo Balanced Analog (XLR \/ 1\/4 TRS) factory calibrated to +20dBu\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDigital Inputs\u003c\/strong\u003e\u003cbr\u003e1 x AES\/EBU on XLR (32kHz to 192kHz) @ 110 Ohms terminated\u003cbr\u003e1 x S\/PDIF on RCA (32kHz to 192kHz) @ 75 Ohms terminated\u003cbr\u003e1 x TOSLINK on optical fiber: up to 96kHz\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWord Clock Input\u003c\/strong\u003e\u003cbr\u003e1 x Input @ 75 Ohms 3Vpp on BNC 32 - 192kHz\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAnalog Outputs\u003c\/strong\u003e\u003cbr\u003e1 x Stereo pair of Balanced XLR Outputs from D\/A Converter (Main Output) is factory calibrated to 20dBu and user adjustable from 8dBu to 26dBu\u003cbr\u003e1 x Stereo pair Balanced Outputs for monitors (2 x 1\/4 TRS)\u003cbr\u003e1 x 1\/4 TRS Front Headphones 20dBu\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDigital Outputs\u003c\/strong\u003e\u003cbr\u003e1 x AES\/EBU on XLR (32kHz to 192kHz) @ 110 Ohms terminated\u003cbr\u003e1 x S\/PDIF on RCA (32kHz to 192kHz) @ 75 Ohms terminated\u003cbr\u003e1 x TOSLINK on optical fiber: up to 96kHz\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWord Clock Outputs\u003c\/strong\u003e\u003cbr\u003e8 x Outputs @ 75 Ohms 3Vpp on BNC 32 - 192kHz\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUSB I\/O\u003c\/strong\u003e\u003cbr\u003eUSB 2.0 Hi-Speed; Data stream up to 480Mbits\/192kHz,\u003cbr\u003e4 channels I\/O playback\/record, Type B\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExternal Reference Clock\u003c\/strong\u003e\u003cbr\u003e1 x 10M Atomic Clock Input @ 75 Ohms 1Vpp on BNC\u003cbr\u003e1 x Word Clock Input @ 75 Ohms 3Vpp on BNC 32 - 192kHz\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eA\/D Converter\u003c\/strong\u003e\u003cbr\u003eDynamic Range: 122dB\u003cbr\u003eTHD+N: -105dB\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eD\/A Converters\u003c\/strong\u003e\u003cbr\u003eMain DAC Dynamic Range 127dB; THD+N -107dB\u003cbr\u003eMonitor DAC Dynamic Range 120dB; THD+N -103dB\u003cbr\u003eHeadphones DAC Dynamic Range 120dB; THD+N -100dB\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eClock Specifications\u003c\/strong\u003e\u003cbr\u003e\u0026lt;+\/-0.02 PPM, oven controlled at 64.5°C\/ 148.1°F\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eClock Aging\u003c\/strong\u003e\u003cbr\u003e\u0026lt; 1 ppm per year\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eClock Calibration\u003c\/strong\u003e\u003cbr\u003e\u0026lt; +\/-0.001 ppm\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAtomic Clock Input\u003c\/strong\u003e\u003cbr\u003e10MHz @ 1Vpp, BNC\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSample Rates (kHz)\u003c\/strong\u003e\u003cbr\u003e32, 44.1, 48, 88.2, 96, 176.4, 192\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOperating Temperature\u003c\/strong\u003e\u003cbr\u003e0-50°C, 32-122°F\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr\u003e3 kg, 6.6 lb approx.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDimensions (Approx)\u003c\/strong\u003e\u003cbr\u003e483mm(W) x 44mm(H) x 220mm (D)\u003cbr\u003e19”(W) x 1.75”(H) x 8.66”(D)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003cbr\u003e~110VAC 60Hz\/ ~220VAC 50Hz selectable\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAtomic Clock Input\u003c\/strong\u003e\u003cbr\u003e1 x 10M Input @ 75 Ohms 1Vpp on BNC\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFuses\u003c\/strong\u003e\u003cbr\u003e2 x 0.8A 250VAC 5mm x 20mm Type T (or Time delay)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSystem Requirements\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eWindows\u003c\/strong\u003e\u003cbr\u003eOS: Windows 7\/8\/8.1\/10\u003cbr\u003eDisk Space: Minimum 512 MB available disk space\u003cbr\u003eUSB: 1x USB 2.0 Port\u003cbr\u003eRequired USB bandwidth: 80%-90%\u003cbr\u003eCPU: Intel or AMD equivalent CPU with at least 2GHz operating frequency\u003cbr\u003eMemory (RAM): 4GB Minimum (8GB or more Recommended)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMAC\u003c\/strong\u003e\u003cbr\u003eOS X: 10.9\/10.10\/10.11\/10.12 (Sierra Recommended)\u003cbr\u003eDisk Space: Minimum 512 MB available disk space\u003cbr\u003eUSB: 1x USB 2.0\/3.0 Port\u003cbr\u003eRequired USB bandwidth: 80%-90%\u003cbr\u003eMemory(RAM): 4GB Minimum (8GB or more recommended)\u003cbr\u003eCPU: Intel Core 2 Duo (Minimum) Intel Core i3 ™ or higher (Recommended)\u003cbr\u003eAdditional Info: Internet connection required for product activation.\u003c\/p\u003e","brand":"Antelope Audio","offers":[{"title":"Default Title","offer_id":29486391459863,"sku":"Pure 2","price":2695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/af636afd6fe3c8ced6de4aec625f8b30.png?v=1571499151"},{"product_id":"thermionic-culture-robin-passive-di-box","title":"Thermionic Culture Robin - Passive DI Box","description":"Thermionic Culture Robin - Passive DI Box","brand":"Thermionic Culture","offers":[{"title":"Default Title","offer_id":7069766725,"sku":"Robin","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Robin2.jpg?v=1646718746"},{"product_id":"radial-engineering-j-iso","title":"Radial Engineering J-Iso","description":"\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eConverts balanced line level signals to unbalanced\u003c\/li\u003e\n\u003cli\u003eStereo signal path with set \u0026amp; forget level control\u003c\/li\u003e\n\u003cli\u003eTransformer isolated to eliminate hum \u0026amp; buzz\u003c\/li\u003e\n\u003cli\u003eJ-Iso features Jensen™ transformers for optimal signal path \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe Radial J-Iso and Pro-Iso are stereo line isolators designed to convert a professional +4dB line level balanced signal to an unbalanced -10dB consumer level device. This enables you to take the balanced output of a mixer and feed a consumer level recorder or audio input on a computer.\u003c\/p\u003e\n\u003ch4\u003eTwo models are available: \u003c\/h4\u003e\n\u003cdiv style=\"margin: 10px 0px 0px 15px;\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eJ-Iso Part # R800-1025: \u003c\/strong\u003eThe J-Iso employs a premium Jensen transformer for optimal signal transfer to minimize distortion and artefact. Full bandwidth performance makes the J-Iso ideal for music production.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 10px 0px 0px 15px;\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003ePro-Iso Part # R800-1150 \u003c\/strong\u003e The Pro-Iso employs a more cost effective transformer that focuses the energy in the voice range. This makes the Pro-Iso a great choice for sermons, news gathering and spoken voice.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe passive design begins with 100% discrete components throughout. A set \u0026amp; forget level control lets you attenuate the input signal to prevent it from overloading the destination device. Output connections include a stereo pair of ¼\" connectors, a set of RCAs and a mini 3.5mm (1\/8\") for interfacing to a mini recorder or lap-top computer. Transformer isolation helps eliminate hum and buzz caused by ground loops while eliminating stray DC currents from flowing.\u003c\/p\u003e\n\u003cp\u003eConstruction begins with 14 gauge steel throughout utilizing Radial's unique bookend construction. This creates a protective zone around the connectors and controls for added durability. The steel construction also assists by shielding the transformers from outside magnetic fields. Inside, the J-Iso features an innovative I-beam skeletal insert that makes it virtually impossible to torque the PC board. This reduces potential stress which could cause premature solder joint failure.\u003c\/p\u003e\n\u003cp\u003eDesigned for full range applications, the J-Iso combines exceptional signal handling with the type of durability that has made Radial famous.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/jisoproiso-features.jpg?v=1479847398\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/yellow-warning-sign-2_large.png?v=1545799967\" alt=\"\" width=\"18\" height=\"14\"\u003eWARNING: \u003c\/strong\u003eCancer and Reproductive Harm - \u003cspan\u003e\u003ca href=\"https:\/\/www.p65warnings.ca.gov\/\"\u003ehttps:\/\/www.p65warnings.ca.gov\/\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/h6\u003e","brand":"Radial Engineering","offers":[{"title":"J-ISO","offer_id":7070075845,"sku":"R800 1025","price":339.99,"currency_code":"USD","in_stock":true},{"title":"ProISO","offer_id":28236307282,"sku":"R800 1150","price":209.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/39afe5b7151ebcea459c11ba529eea69_7edd471e-1068-4c49-b284-27877a60fb02.jpeg?v=1571499152"},{"product_id":"presonus-monitor-station","title":"PreSonus Monitor Station 2 Desktop monitor controller","description":"\u003cp\u003e\u003cspan\u003eManage multiple audio sources and sets of monitor speakers, track using illegally loud headphone amplifiers, and talk back to your drummer - all from your desktop.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eConsider your sources.\u003c\/h2\u003e\n\u003cp\u003eSwitch quickly and easily between up to four audio sources with a selection of input types.\u003c\/p\u003e\n\u003ch2\u003e”‹Manage Your Destinations.\u003c\/h2\u003e\n\u003cp\u003eAudition your music with your choice of three stereo pairs of speaker outputs, each with separate level control. Four screaming-loud headphone outs and a talkback mic ensure your musicians hear every note - and your instructions - clearly.\u003c\/p\u003e\n\u003ch2\u003eCustomize your system for the way you work.\u003c\/h2\u003e\n\u003cp class=\"long-run\"\u003eThere's more to managing a monitoring system than I\/O, level controls, and talkback. The Monitor Station V2 offers powerful options that allow you to configure it for the way you like to work.\u003c\/p\u003e\n\u003ch2\u003eTake control of your monitor system.\u003c\/h2\u003e\n\u003cp\u003eWith its ergonomic, intuitive layout; extensive features and I\/O; and PreSonus' famed sound quality, Monitor Station V2 provides a versatile, convenient, and affordable solution for managing your studio monitoring system from your desktop. So sashay down to your PreSonus\u003csup\u003e®\u003c\/sup\u003e dealer and take control of your monitoring system the way the professionals do!\u003c\/p\u003e\n\u003cdiv class=\"container product-features\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container product-features-list\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-sm-12 col-md-6 col-md-push-3 col-lg-6 col-lg-push-3\"\u003e\n\u003ch3\u003eInputs and Outputs\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e2 Stereo pairs of ¼” TRS inputs\u003c\/li\u003e\n\u003cli\u003e1 Stereo pair of RCA Aux inputs\u003c\/li\u003e\n\u003cli\u003e1 Stereo S\/PDIF coaxial (RCA) digital input (44.1\/48\/88.2\/96 kHz)\u003c\/li\u003e\n\u003cli\u003e3 Stereo pairs of ¼” TRS speaker outputs with level controls\u003c\/li\u003e\n\u003cli\u003e1 Stereo pair of ¼” TRS Main outputs\u003c\/li\u003e\n\u003cli\u003e1 Stereo pair of ¼” TRS Cue outputs\u003c\/li\u003e\n\u003cli\u003e4 ¼” TRS screaming-loud stereo headphone outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eControls\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eLarge Main level control\u003c\/li\u003e\n\u003cli\u003e3 Individual Main Source (ST1, ST2, Aux) select switches\u003c\/li\u003e\n\u003cli\u003e3 Individual Speaker Select switches\u003c\/li\u003e\n\u003cli\u003eCue section with Source select (ST1, ST2, Aux) and output-level control\u003c\/li\u003e\n\u003cli\u003eAux-S\/PDIF Select switch\u003c\/li\u003e\n\u003cli\u003eAux Input level control\u003c\/li\u003e\n\u003cli\u003eMain Mute, Mono, and Dim switches with variable Dim attenuation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAdditional Features\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e8-segment color LED input meters with selectable reference level\u003c\/li\u003e\n\u003cli\u003eBuilt-in electret-condenser talkback microphone with input-gain control and Talkback button\u003c\/li\u003e\n\u003cli\u003eConvenient desktop design\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":7070222341,"sku":"2777400206","price":367.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Monitor_Station_V2-05.png?v=1571499152"},{"product_id":"burl-audio-b26-orca-control-room-monitor","title":"Burl Audio B26 Orca Control Room Monitor","description":"\u003cp\u003e\u003cem\u003eThe \u003c\/em\u003e\u003cstrong\u003eBurl Audio B26 Orca\u003c\/strong\u003e\u003cem\u003e is an audiophile-quality, control room and studio monitoring system with six stereo inputs and a direct-coupled, all-discrete Class-A signal path.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe Burl B26 Orca takes its name from the great whale that uses its superior 3D sonic imaging to hunt great white sharks (so maybe they're not that great after all, but the B26 control room monitor certainly is). The B26 Orca is a product of Burl's undeniable sonic superiority. It features the same analog, discrete circuit path approach found in all Burl gear with the emphasis on the ultimate in sonic transparency and 3D stereo imaging. The B26 Orca provides both flexibility and simplicity in operation, with a focus on enabling you to make mix choices based on what you're hearing - without having to make mental adjustments and apply mix formulas based the shortcomings of other systems.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eBurl Audio B26 Orca - Just the Facts:\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDirect-coupled, discrete, class-A signal path\u003c\/li\u003e\n\u003cli\u003eThree stereo mix inputs, 2 stereo tape return inputs, RCA stereo input\u003c\/li\u003e\n\u003cli\u003eTwo stereo speaker outputs\u003c\/li\u003e\n\u003cli\u003eAudiophile 0.1% matched resistor, stepped attenuator for control room level\u003c\/li\u003e\n\u003cli\u003eIndependent studio\/phones send and level\u003c\/li\u003e\n\u003cli\u003eExternal meter output\u003c\/li\u003e\n\u003cli\u003eControl room and Studio headphone outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eWhen you listen, mix, and master through the Burl Audio B26 Orca, you give your studio and your ears an unfair competitive advantage. Order yours today. For more information or assistance integrating the B26 into your system, call or chat online with your PAD Studio Consultant. \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cstrong\u003e Videos\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/QLaW9JQTCKw\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/k1KRWMJ8-Nk\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":7070717829,"sku":"B26-ORCA","price":4195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/ffc531886e76dbbe4f87357aeb50cef6.jpeg?v=1571499194"},{"product_id":"avid-hd-i-o-digital-expansion-card","title":"Avid HD I\/O Digital Expansion Card","description":"\u003cp\u003eAvid HD I\/O Digital Expansion Card Expand your I\/O capabilities with Avid Pro Tools|HD Expansion Cards. Sound quality is king in the studio and Avid went to great lengths to make sure this new generation of I\/O cards are the best sounding yet! For starters, these expansion cards sport all new convertors that are even better than the previous incarnations. Then Avid decoupled the power supply from the convertors, further enhancing sound quality and decreasing jitter. When coupled to your choice of compatible Pro Tools|HD interfaces (and their sonic enhancements), the world's leading audio production system just got better! This is an Avid Pro Tools|HD Expansion Card for adding additional digital I\/O.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default","offer_id":7072456261,"sku":"Avid HD I\/O Dig. Expansion Card","price":995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Avid-HD-I-O-Digital-Expansion-Card_aa369c02-436c-49c7-ba2d-b5355a9518f2.jpg?v=1571499199"},{"product_id":"audient-id44-mkii","title":"Audient iD44 MKII - 4 channel USB2 Interface and  Monitoring","description":"\u003cp\u003e\u003cspan\u003eOur most powerful audio interface just got better. The latest generation of iD44 sees improved audio performance, additional must-have features and a beautiful new smoke-grey finish. The addition of audio loop-back and a dual headphone output, combined with four Audient Console mic preamps, class-leading converters, ADAT expandability and balanced inserts – means iD44 delivers the audio performance of an Audient console straight to your desktop.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eThe professional sound you deserve\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eEvery iD interface features the Audient Console Mic Preamp, the same discrete circuit design found in our renowned recording console the ASP8024-HE. Designed to deliver ultra-low noise and low distortion with a touch of classic analogue warmth, iD44’s four Audient Console mic preamps will give you the professional sound you deserve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ch2\u003eHow does it sound?\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eThe Audient mic pre is a high grade hybrid discrete and op amp design that delivers a clean, accurate and detailed translation of your source.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_empty_space\"\u003e\n\u003cspan class=\"vc_empty_space_inner\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ch2\u003eNow that’s quiet\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eWith a noise floor 30,000 times quieter than the signal level your recordings will be captured with stunning clarity.\u003c\/p\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element  bringup\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ch2\u003eBrilliance on the inside enables brilliance on the outside\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_row wpb_row vc_inner vc_row-fluid\"\u003e\n\u003cdiv class=\"wpb_column vc_column_container vc_col-sm-3\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wpb_column vc_column_container vc_col-sm-6\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eOffering an incredible 126dB of dynamic range, iD44’s class leading converters have been designed to deliver the most honest and natural translation of your audio, helping you hear subtle detail, identify problematic issues and make better mix decisions. Experience remarkable clarity from the moment you press play.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEven better ADC performance. Just when we thought we couldn’t make the original iD44 sound any better, the MKII sees a massive 9dB improvement on the ADC’s THD+N figure, meaning clean audio with less added noise and even less audible distortion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ch2\u003eMore channels, more possibilities\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_empty_space\"\u003e\n\u003cspan class=\"vc_empty_space_inner\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element  vc_custom_1649324607813\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eEasily configure your studio to tackle bigger sessions. Equipped with two optical input and output connectors, iD44 gives you plenty of options for expansion. Supporting both ADAT and SPDIF, boost your I\/O by adding up to 16 channels of mic preamps to your setup.\u003c\/p\u003e\n\u003cdiv class=\"vc_row wpb_row vc_inner vc_row-fluid vc_custom_1606825230869 vc_row-has-fill\"\u003e\n\u003cdiv class=\"wpb_column vc_column_container vc_col-sm-8\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element  bringup\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ch2\u003eHardware Integration\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_row wpb_row vc_inner vc_row-fluid vc_custom_1606825230869 vc_row-has-fill\"\u003e\n\u003cdiv class=\"wpb_column vc_column_container vc_col-sm-3\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wpb_column vc_column_container vc_col-sm-6\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eIntegrate your favourite outboard FX prior to conversion and start creating signal chains that rival the very best. The insert returns also gives you direct access to the A\/D converters providing the cleanest signal path possible, making it great for print-backs or integrating outboard line level sources.\u003c\/p\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element  bringup\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ch2\u003ePlug and play\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element wpb_animate_when_almost_visible wpb_fadeInUp fadeInUp wpb_start_animation animated\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eDesigned to replicate the input stage of a classic valve amplifier, iD44 features two harmonically rich JFET Instrument Inputs giving you the perfect sonic foundation for your guitars or basses before you hit your amp sims.\u003c\/p\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element wpb_animate_when_almost_visible wpb_fadeInUp fadeInUp wpb_start_animation animated\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ch2\u003eSpeaker Outputs\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element wpb_animate_when_almost_visible wpb_fadeInUp fadeInUp wpb_start_animation animated\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eConnect and listen to your mixes through two sets of speakers with iD44’s four line outputs. Alternatively use the extra line outputs to send audio to an external headphone amp for distribution to your artists.\u003c\/p\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element wpb_animate_when_almost_visible wpb_fadeInUp fadeInUp wpb_start_animation animated\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ch2\u003eHeadphone Outputs\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element wpb_animate_when_almost_visible wpb_fadeInUp fadeInUp wpb_start_animation animated\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eEasily record and collaborate with others by utilising iD44’s two individual stereo headphone amps, both providing more than enough power for your headphones to perform accurately.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLost your headphone adapter or need a third set of headphones? iD44 now benefits from the addition of a dual headphone output, including both a ¼” jack and a mini-jack, on headphone output one, providing even more monitoring flexibility when you need it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"vc_row wpb_row vc_inner vc_row-fluid vc_custom_1606825230869 vc_row-has-fill\"\u003e\n\u003cdiv class=\"wpb_column vc_column_container vc_col-sm-8\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ch2\u003eCreativity unleashed\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_row wpb_row vc_inner vc_row-fluid vc_custom_1606825230869 vc_row-has-fill\"\u003e\n\u003cdiv class=\"wpb_column vc_column_container vc_col-sm-6\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003eNow equipped with Audio Loop-back, iD44 can quickly transform into a multi-purpose powerhouse. Giving you the ability to capture playback from multiple applications on your computer at the same time as your microphones, Audio Loop-back lets you create a custom audio feed ready to send to your streaming software. Ideal for content creators, podcasters and streamers.\u003c\/p\u003e\n\u003ch1\u003eFeatures\u003c\/h1\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e4 x Class-A Audient Console Mic Preamplifiers\u003c\/li\u003e\n\u003cli\u003eClass Leading AD\/DA Converters \u003c\/li\u003e\n\u003cli\u003e2 x Discrete JFET Instrument Inputs\u003c\/li\u003e\n\u003cli\u003eMain and Alt Speaker Outputs \u003c\/li\u003e\n\u003cli\u003e1 x Independent Headphone Output \u003c\/li\u003e\n\u003cli\u003e1 x Independent Dual Headphone Output\u003c\/li\u003e\n\u003cli\u003e2 x ADAT Inputs \u0026amp; Outputs for Digital Expansion\u003c\/li\u003e\n\u003cli\u003e2 x Fully Balanced Inserts\u003c\/li\u003e\n\u003cli\u003eUltra-low Latency DSP Mixer\u003c\/li\u003e\n\u003cli\u003eAudio Loop-back\u003c\/li\u003e\n\u003cli\u003eScrollControl\u003c\/li\u003e\n\u003cli\u003e3 x User Defined Function Keys\u003c\/li\u003e\n\u003cli\u003eDedicated Talkback, Dim and Cut Controls\u003c\/li\u003e\n\u003cli\u003e+48V, Pad, and HPF Switches\u003c\/li\u003e\n\u003cli\u003eUSB 2.0 Compliant\u003c\/li\u003e\n\u003cli\u003eStandalone Mode\u003c\/li\u003e\n\u003cli\u003e24bit\/96kHz\u003c\/li\u003e\n\u003cli\u003eWord Clock Output\u003c\/li\u003e\n\u003cli\u003ePower switch\u003c\/li\u003e\n\u003cli\u003eAll-Metal Design\u003c\/li\u003e\n\u003cli\u003eFree Software + Plugins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":7072603653,"sku":"iD44 MKII","price":809.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/iD44-Artistic-05-Black-with-badge-1536x861.png?v=1660557433"},{"product_id":"gefen-vga-to-dvi-conversion-box","title":"Gefen VGA to DVI Conversion Box","description":"\u003cp\u003eGefen VGA to DVI Conversion Box\u003c\/p\u003e\n\n\u003cp\u003eThe VGA to DVI Conversion Box connects traditional analog video graphic cards (VGA) to DVI compliant digital monitors. The VGA to DVI Conversion Box, enables users to connect laptops or legacy PC computers equipped with HD-15 video connections, to the new DVI (digital visual interface) video display format.\u003cbr\u003e\nHow It Works\u003cbr\u003e\nSimply connect the supplied VGA (M-F) cable to the input side of the VGA to DVI Conversion Box. Then connect the DVI monitor or projector to the DVI output of the VGA to DVI Conversion Box. The converter generates the compatible analog to digital conversion signals to make the connection between the analog input and the digital output work.Many different resolution settings are supported including: 1024 x 768; 1280 x 1024; 1600 x 1200 and 1920 x 1200. Also 1600x1024 for the 22\" Cinema Display. One specific program must be selected based on the native resolution of the display the conversion box will be used with. The wrong program will result in no picture on the screen.\u003cbr\u003e\nOption #1 - 1280x1024 and 1600x1200 VESA standard timing\u003cbr\u003e\nOption #2 - New 20\" Apple Cinema DVI Display (1680x1050)\u003cbr\u003e\nOption #3 - New 23\" Apple Cinema DVI Display (1920x1200)\u003cbr\u003e\nOption #4 - 15\"(1024x768), 17\", 20\", 22\", and 23\" Apple ADC Displays\u003cbr\u003e\nOption #5 - 1280x1024 @ 60Hz Locked\u003cbr\u003e\nOption #6 - 17\" ADC Display w\/ OSX Tiger\u003cbr\u003e\nOption #7 - Formac Gallery 2010\u003c\/p\u003e\n\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\n \u003cp\u003e* Connects computers with VGA (HD-15) analog video graphics output to DVI or ADC digital monitors or DVI equipped projectors\u003cbr\u003e\n * Maintains up to 1920 x 1200 x 60 resolution\u003cbr\u003e\n * Supports Apple flat panel displays\u003cbr\u003e\n * Supports DDWG standard for DVI monitors\u003c\/p\u003e\n\n\u003cp\u003eSpecifications:\u003c\/p\u003e\n\n \u003cp\u003e* Digital Video Amplifier Bandwidth: 165 MHz\u003cbr\u003e\n * VGA Amplifier Bandwidth: 350 Mhz\u003cbr\u003e\n * Input Video Signal: RGBHV: 0.7 Vp-p, 75 ohm H\/V: 3 to 5 Vp-p TTL, Y: 1 Vp-p 75 ohm Pb\/Cb, Pr\/Cr: 0.7 Vp-p 75 ohm\u003cbr\u003e\n * Input DDC Signal: 5 volts p-p (TTL)\u003cbr\u003e\n * DVI Connector: DVI-I (29 pin) female (digital only)\u003cbr\u003e\n * VGA Connector: HD-15 female\u003cbr\u003e\n * Power Consumption: 10 watts (max)\u003cbr\u003e\n * Power Supply: 5V DC\u003cbr\u003e\n * Dimensions: 3.5\"W x 1\"H x 5.25\"D\u003cbr\u003e\n * Shipping Weight: 2 lbs.\u003c\/p\u003e","brand":"Gefen","offers":[{"title":"Default","offer_id":7072654341,"sku":"Gefen VGA to DVI Conversion Box","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/186ba3dfbe5d56dc56be60f8615476d2.jpeg?v=1571499239"},{"product_id":"digidesign-192-protools-hd-interface-analog-output-expansion-card-used-excellent","title":"Digidesign 192 ProTools HD Interface Analog Output Expansion Card Used – Excellent","description":"\u003ch2\u003e\n\u003cstrong\u003eDigidesign 192 ProTools HD Interface Analog Output Expansion Card\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eUsed – Excellent\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cdiv data-block-id=\"block-8c63638d-8210-49fb-827b-379e6da2efe2\" class=\"ql-block\"\u003eThe HD I\/O Analog In card contains connectors for analog audio input with 24-bit, 192 kHz A\/D converters. Input is provided through two discrete DB-25 connectors (one for +4 dBu sources, and the other for -10 dBV sources). You can connect sources at both operating levels and choose between them from within Pro Tools.\u003c\/div\u003e\n\u003cdiv data-block-id=\"block-8417205d-1531-43e7-86b3-0a45a0b9c6a2\" class=\"ql-block\"\u003e\n\u003cstrong\u003e+4 dBu Balanced\u003c\/strong\u003e Provides eight balanced input channels at +4 dBu nominal operating levels.\u003c\/div\u003e\n\u003cdiv data-block-id=\"block-c52523bf-bebc-4705-9c24-0d589ef31135\" class=\"ql-block\"\u003e\n\u003cstrong\u003e-10 dBV Balanced\u003c\/strong\u003e Provides eight balanced input channels at -10 dBV nominal operating levels.\u003c\/div\u003e","brand":"Digidesign","offers":[{"title":"Default","offer_id":7073196357,"sku":"Avid Digidesign 192 Used","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/files\/ekxm4t7ywggxafv0sbv4.webp?v=1721377304"},{"product_id":"bss-audio-blu-10-blu","title":"BSS Audio BLU-10-BLU","description":"\u003cp\u003eThe original Soundweb 9010 Programmable Controller set new standards in control interfacing to DSP systems, and has yet to be bettered as a simple yet powerful interface. The Soundweb London equivalent, the BLU-10, builds on that power and reputation by adding touch-screen control to make a more attractive and potentially cost-saving control solution. It is possible that a BLU-10 could replace a more expensive proprietary touch screen solution where simpler control interfacing is required.\u003c\/p\u003e\n\u003cp\u003eAs with the Soundweb 9010, up to 100 control 'pages' of virtually any Soundweb London DSP parameter can be constructed, with the ability to create 'folders' for nested pages. Access to specific pages or folders can be restricted with the used of password protection, so that only engineers or key employees can adjust critical system parameters.\u003c\/p\u003e\n\u003cp\u003eEach page can hold up to eight different functions and with navigation being carried out entirely by a page list, all of these functions can be assigned to real parameters rather than functioning as page transitions.\u003c\/p\u003e","brand":"BSS Audio","offers":[{"title":"Default Title","offer_id":7075988037,"sku":"BSS Audio BLU-10-BLU","price":1966.3,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/7c292be5cae65731146ec9863794a2a3.png?v=1571499286"},{"product_id":"bss-audio-blu-8-v2-wht","title":"BSS Audio BLU-8-V2-WHT","description":"\u003cp\u003eThe BLU-8v2 is a HiQnet compatible programmable zone controller capable of controlling a single zone, four zones or eight zones in different modes of operation. A simple control surface and informative visual feedback ensure that non-technical users can be confident in making changes to an integrated AV system.\u003c\/p\u003e\n\u003cp\u003eWhat's different about the v2?\u003cbr\u003e The BLU-8v2 shares the same feature set and appearance as the original BLU-8 but benefits from a significant hardware upgrade. Under the surface, the BLU-8v2 has much in common with the rack-mount Soundweb London devices and this revised hardware design offers considerable enhancement to networking functionality. The BLU-8v2 is available in white or black.\u003c\/p\u003e","brand":"BSS Audio","offers":[{"title":"Default Title","offer_id":7075992645,"sku":"BSS Audio BLU-8-V2-WHT","price":927.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/148eea7175262c04fa4e5c83e1696bec.png?v=1571499286"},{"product_id":"bss-audio-blu-8-v2-blk","title":"BSS Audio BLU-8-V2-BLK","description":"\u003cp\u003eThe BLU-8v2 is a HiQnet compatible programmable zone controller capable of controlling a single zone, four zones or eight zones in different modes of operation. A simple control surface and informative visual feedback ensure that non-technical users can be confident in making changes to an integrated AV system.\u003c\/p\u003e\n\u003cp\u003eWhat's different about the v2?\u003cbr\u003e The BLU-8v2 shares the same feature set and appearance as the original BLU-8 but benefits from a significant hardware upgrade. Under the surface, the BLU-8v2 has much in common with the rack-mount Soundweb London devices and this revised hardware design offers considerable enhancement to networking functionality. The BLU-8v2 is available in white or black.\u003c\/p\u003e","brand":"BSS Audio","offers":[{"title":"Default Title","offer_id":7075994245,"sku":"BSS Audio BLU-8-V2-BLK","price":927.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/10c2d9c9842d723f05925ee775027c77.jpeg?v=1571499286"},{"product_id":"bss-audio-blu-3","title":"BSS Audio BLU-3","description":"\u003cp\u003eThe BLU-3 wall panel is a simple controller which allows the designer to provide level control and source selection or preset recall in a simple wall-mounted panel.\u003c\/p\u003e\n\u003cp\u003eThese controllers connect to the control ports on the rear of any BLU-16, BLU-32 or BLU-80 device.\u003c\/p\u003e\n\u003cp\u003eThe BLU-3 offers a rotary fader and a five-way switch. The switch could select system presets (configurations specific to times of the day for example) while the rotary control could be assigned to act as a zone volume control.\u003c\/p\u003e\n\u003cp\u003eThe switches on both units have blank areas for marking the switch functions, either directly onto the white area, or on self-adhesive labels.\u003c\/p\u003e","brand":"BSS Audio","offers":[{"title":"Default Title","offer_id":7076002693,"sku":"BSS Audio BLU-3","price":154.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/3abbf654f813131cfbc2d068c7f41b08.jpeg?v=1571499286"},{"product_id":"bss-audio-blu-6","title":"BSS Audio BLU-6","description":"\u003cp\u003eThe BLU-6 wall panel is a simple controller which allows the designer to provide level control and source selection or preset recall in a simple wall-mounted panel.\u003c\/p\u003e\n\u003cp\u003eThese controllers connect to the control ports on the rear of any BLU-16, BLU-32 or BLU-80 device.\u003c\/p\u003e\n\u003cp\u003eThe BLU-6 offers an eight-way switch and a pair of spin or up\/down buttons, enabling the same level parameter to be mapped onto other controllers preventing a jump in audio level when the control is adjusted\u003c\/p\u003e\n\u003cp\u003eThe switches have blank areas for marking the switch functions, either directly onto the white area, or on self-adhesive labels.\u003c\/p\u003e","brand":"BSS Audio","offers":[{"title":"Default Title","offer_id":7076005445,"sku":"BSS Audio BLU-6","price":187.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/5e9d7ac6f8eea71bcaa27775a8f7d082.jpeg?v=1571499286"},{"product_id":"rme-m-32-da","title":"RME M-32 DA","description":"\u003cp\u003eRME M-32 DA\u003c\/p\u003e\n\n\u003cp\u003eRME's M-32 DA is a 32-channel high-end DA converter, easy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art DA conversion - not less than 32 times!\u003c\/p\u003e\n\n\u003cp\u003eThe M-series converters have been conceived and optimised for professional studio, stage, and broadcast applications. Combinations of the M-16 DA and M-32 DA converters allow for setups with 16, 32, 48, or 64 channels, according to your individual application or budget. The unit's unique set of features includes three hardware reference levels up to +24 dBu, MADI I\/O and ADAT input up to 192 kHz, 6.3mm TRS and D-sub outputs, remote control via MIDI, and operation across a wide range of mains voltages, all packed into a 2U enclosure.\u003c\/p\u003e\n\n\u003cp\u003eThe M-32 DA offers an outstanding DA conversion from MADI and ADAT formats in a compact 19\" unit with only 2U height. The balanced analog outputs based on RME's reference design from the ADI-8 QS guarantee excellent S\/N and THD specs across a wide analog level range. Three different hardware levels are available. Using up-to-date converter technology, the device not only works up to 192 kHz, but also reaches a real-world signal-to-noise ratio of 118 dBA - on all channels. The units have separated driver stages for the TRS and D-sub outputs. The servo-balanced TRS jacks will work up to +21 dBu. When selecting +24 dBu the balanced D-sub connector outputs will provide the higher output level while TRS stays at the +19 dBu setting.SteadyClockTM guarantees perfect sound quality through efficient jitter suppression, making the device completely independent from the quality of external clock signals. Intelligent Clock Control not only displays every clock status by means of flashing LEDs, but will also retain the last valid input sample rate in case of failure of the external source. Other renowned RME technologies like SyncCheck allow quick detection of clock problems.\u003c\/p\u003e\n\n\u003cp\u003eAll M-series converters are fully remote controllable and configurable via MIDI. Each unit's complete status can be monitored, including all the front panel's displays. Individual IDs can be set for each unit, for separated control of multiple units via a single MIDI channel. Control software for Mac and PC is supplied and allows easy remote control, also with MIDI transfer via MADI (MIDI Extender).The M-series has optical and coaxial MADI inputs. In case of failure of an input signal, the source is switched immediately, if a valid signal is present on the other input.The M-32 DA's four ADAT inputs provide simple connectivity with other studio equipment. A combination with RME's HDSPe RayDAT makes a perfect partnership, realizing the transfer of 32 channels from a Mac or PC with regular optical Toslink cables at an unbeatable price.The MADI input serves not only as audio source and optional external clock source, but also as MADI pass-through input. Since the M-32 DA converts only 32* channels of the MADI signal, all channels of the input signal are fed back to the output. Additional M-32 DA or M-16 DA can be connected serially to convert the remaining signals, in any combination up to a maximum of 64 channels: One M-32 DA with one or two M-16 DA or up to four M-16 DA.As MADI covers long distances up to 2 km, even the same channels can be converted in several different (electrically separated) locations, with comfortable and unambiguous front panel channel selection.\u003c\/p\u003e\n\n\u003cp\u003eThe number of channels that can be achieved with MADI depends on the sample rate range. At 48 kHz there are up to 64 channels, at 96 kHz 32, at 192 kHz 16 channels. Therefore at 192 kHz the M-32 DA can only work as 16 channel converter.The number of channels that can be achieved with ADAT depends on the sample rate range. At 48 kHz there are 8 channels per port, at 96 kHz 4, at 192 kHz 2 channels. Therefore at 192 kHz the M-32 DA can convert only 8 channels via its four ADAT ports.\u003c\/p\u003e\n\n\n\u003cp\u003eTechnical Specifications:\u003cbr\u003e\n-Input DA: 4 x ADAT optical, 1 x MADI optical\/coaxial\u003cbr\u003e\n-Output DA: 1\/4\" TRS jack servo balanced, up to +21 dBu. 25 pin D-sub, balanced, up to +24 dBu\u003cbr\u003e\n-Dynamic Range DA (SNR): 114 dB RMS unweighted, 118 dBA\u003cbr\u003e\n-THD DA:  110 dB\u003cbr\u003e\n-Frequency response DA, -0.5 dB: 5 Hz - 22 kHz (sf 48 kHz)\u003cbr\u003e\n-Frequency response DA, -0.5 dB: 30 dB (2.4 kHz)\u003cbr\u003e\n-Jitter sensitivity: all PLLs operate error-free even at 100 ns\u003cbr\u003e\n-Power supply: Internal switching mode PS, 100V - 240V AC, 60 Watt\u003cbr\u003e\n-Dimensions: (WxHxD) 483 x 88 x 200 mm\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":7078595461,"sku":"RME M-32 DA","price":5099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/a0adda9d92e1a60536beb4a52412b740.jpeg?v=1571499363"},{"product_id":"rme-digiface-aes","title":"RME DIGIFACE AES","description":"\u003cp\u003e\u003cstrong\u003e24 Bit \/ 192 kHz USB interface with 2x analog I\/O, Phones, AES\/EBU, S\/PDIF and ADAT with SRC, 9 1\/2\", 1RU\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe latest Digiface AES is a professional, bus powered 14 input and 16 output channel USB 2.0 interface with 2 Mic\/Line universal analog input channels and 4 analog output channels (2 XLR, one TRS phones) complementing its digital I\/O section. With an excellent set of digital connectivity, SteadyClock FS, full stand-alone operation and built-in parametric EQ, the Digiface AES shines as the perfect all-in-one solution for recording and playback of digital and analog sources, as well as flexible playback\/monitoring via TotalMix FX.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003eBuspower compatibility\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emeets flexible Analog I\/O Performance\u003c\/h1\u003e\n\u003cp\u003eFor the main inputs RME uses the proven mic\/line preamps in XLR combo configuration of the Babyface Pro FS. Two digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 75 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.\u003c\/p\u003e\n\u003cp\u003eOn the back of the Digiface AES there are 2 balanced analog outputs via XLR male to drive power amps, active monitor speakers, or recordings. The headphone output allows additional and independent high quality monitoring, providing sufficient output power and volume on high and low impedance headphones.\u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003eVersatile\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eDigital Input and Output Connectivity\u003c\/h1\u003e\n\u003cp\u003eThe comprehensive set of digital I\/Os, centered around an AES\/EBU input and output via XLR, also includes SPDIF coax, SPDIF optical or 8-channel ADAT. All I\/Os can be used simultaneously, turning the unit into a swiss army knife interface that receives and sends all common digital audio formats. An integrated SRC (Sample Rate Converter) can be switched to one of the three inputs to solve clocking issues and to adapt to other sample rates. This allows, for example, the device to be AES clock-synchronized from the main source and to listen to SPDIF independently at the same time. MIDI I\/O via an included breakout cable completes the package.\u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003eFull Stand-alone\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eFunctionality\u003c\/h1\u003e\n\u003cp\u003eConvenient, direct access and control of all features and the device is available directly from the front panel. Four keys and the encoder, the high-resolution and clear color display, and a well thought-out menu structure allow for quick changes and configuration of the device.\u003c\/p\u003e\n\u003cp\u003eSix different device setups can be stored into internal memory. With these the interface transforms into totally different devices by the simple click of a button, which is especially useful in stand-alone mode. Furthermore TotalMix FX can also be controlled externally via MIDI.\u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003ePowerful Applications\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efor Mixing, Monitoring and Measurement included\u003c\/h1\u003e\n\u003cp\u003eThe Digiface AES also includes the powerful digital real-time mixer TotalMix FX. It allows fully independent routing and mixing of input and playback channels to all physical outputs. Independent stereo submixes plus a comprehensive Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.rme-audio.de\/totalmix-fx-remote.html\" title=\"TotalMix Remote\"\u003eTotalMix Remote\u003c\/a\u003e, enhances the power of RME interfaces by enabling remote control via iOS, PC or Mac. With a straightforward set up process — simply enter the IP address of the computer you would like to control with TotalMix Remote and get going — users can quickly adjust any aspect of TotalMix FX on a host system while walking around the studio with their tablet, or from a control room located elsewhere in the facility.\u003c\/p\u003e\n\u003ch3\u003eSPECS\u003c\/h3\u003e\n\u003ch2\u003eDigiface AES\u003c\/h2\u003e\n\u003ch2\u003eAnalog\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone\/Line In 1-2, XLR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput: XLR, electronically balanced\u003c\/li\u003e\n\u003cli\u003eInput impedance balanced @ 1 kHz: 2 kOhm, PAD 5,3 kOhm\u003c\/li\u003e\n\u003cli\u003eInput impedance unbalanced @ 1 kHz: 1 kOhm, PAD 2,6 kOhm\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain 0 dB: +8 dBu\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain 65 dB: -57 dBu\u003c\/li\u003e\n\u003cli\u003eGain range: 65 dB\u003c\/li\u003e\n\u003cli\u003eEIN: -129 dBu A-weighted, 60 dB gain,150 Ohm, 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 113 dB RMS unweighted, 115 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0,1 dB: 16 Hz – 20,4 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0,5 dB: 7 Hz – 45,8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 5 Hz – 88 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response PAD @ 44.1 kHz, -0,1 dB: 5 Hz – 20,4 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response PAD @ 96 kHz, -0,5 dB: 2,5 Hz – 45,8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response PAD @ 192 kHz, -1 dB: 2 Hz – 88 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: \u0026lt; -110 dB, \u0026lt; 0,0003 %\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt; -106 dB, \u0026lt; 0,0005 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTRS In 1-2\u003cbr\u003e\u003c\/strong\u003eAs XLR, but:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput: 6.3 mm TRS jack, electronically balanced\u003c\/li\u003e\n\u003cli\u003eInput impedance @ 1 kHz: 12 kOhm balanced, 6 kOhm unbalanced\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain 0 dB: +24 dBu\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain 65 dB: -41 dBu\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0,1 dB: 2 Hz – 20,3 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0,5 dB: 1,5 Hz – 44,3 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 1 Hz – 70 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDA, Line Out 1-2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutput: XLR, electronically balanced\u003c\/li\u003e\n\u003cli\u003eOutput level switchable +19 dBu, +13 dBu, +4 dBu\u003c\/li\u003e\n\u003cli\u003eDynamic range (DR) @ +19 dBu: 120 dB (AES17), 123 dBA\u003c\/li\u003e\n\u003cli\u003eDynamic range (DR) @ +13 dBu: 114 dB (AES17), 116,5 dBA\u003c\/li\u003e\n\u003cli\u003eDynamic range (DR) @ +4 dBu: 114 dB (AES17), 116,5 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0,5 dB: 0 Hz – 20,7 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0,5 dB: 0 Hz – 45 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 0 Hz – 90,8 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: \u0026lt; -110 dB, \u0026lt; 0,0003 %\u003c\/li\u003e\n\u003cli\u003eTHD+N: -110 dB, 0,0003 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 300 Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDA - Stereo Monitor Output Phones (7-8)\u003c\/strong\u003e\u003cbr\u003eas DA, but:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutput: 6.3 mm TRS jack,unbalanced\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS, High: +13 dBu\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS, Low: +7 dBu\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR) @ High: 120 dB (AES17), 122 dBA\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR) @ Low: 114 dB (AES17), 116,5 dBA\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 5 Ohm\u003c\/li\u003e\n\u003cli\u003eMax power per channel, 32 Ohm load, 0,1% THD: 80 mW\u003c\/li\u003e\n\u003cli\u003eTHD+N @ 32 Ohm load: -105 dB, 0,0005  \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eMIDI\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1 x MIDI I\/O via breakout cable with 2 x 5-pin DIN jacks\u003c\/li\u003e\n\u003cli\u003eGalvanically isolated by optocoupled input\u003c\/li\u003e\n\u003cli\u003eHi-speed mode: Jitter and response time typically below 1 ms\u003c\/li\u003e\n\u003cli\u003eSeparate 128 byte FIFOs for input and output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eDigital\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eClocks: Internal, AES, SPDIF, ADAT\u003c\/li\u003e\n\u003cli\u003eJitter suppression of external clocks: \u0026gt; 50 dB (2.4 kHz)\u003c\/li\u003e\n\u003cli\u003eEffective clock jitter influence on AD and DA conversion: near zero\u003c\/li\u003e\n\u003cli\u003eDigital Bitclock PLL for trouble-free varispeed ADAT operation\u003c\/li\u003e\n\u003cli\u003eSupported sample rates: 28 kHz up to 200 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eDigital Inputs\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/li\u003e\n\u003cli\u003eHigh-sensitivity input stage (\u0026lt; 0.3 Vpp)\u003c\/li\u003e\n\u003cli\u003eSPDIF compatible (IEC 60958)\u003c\/li\u003e\n\u003cli\u003eAccepts Consumer and Professional format\u003c\/li\u003e\n\u003cli\u003eLock range: 27 kHz – 200 kHz\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 30 dB (2.4 kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF coaxial\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x RCA,according to IEC 60958\u003c\/li\u003e\n\u003cli\u003eHigh-sensitivity input stage (\u0026lt; 0.3 Vpp)\u003c\/li\u003e\n\u003cli\u003eAccepts Consumer and Professional format\u003c\/li\u003e\n\u003cli\u003eLock range: 27 kHz – 200 kHz\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 30 dB (2.4 kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eADAT Optical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x TOSLINK, Format according to Alesis specification\u003c\/li\u003e\n\u003cli\u003eStandard: 8 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\u003cli\u003eDouble Speed (S\/MUX): 4 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eQuad Speed (S\/MUX4) : 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003cli\u003eBitclock PLL ensures perfect synchronisation even in varispeed operation\u003c\/li\u003e\n\u003cli\u003eLock Range: 31.5 kHz – 50 kHz\u003c\/li\u003e\n\u003cli\u003eJitter suppression: \u0026gt; 50 dB (2.4 kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSRC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe inputs AES, SPDIF coaxial or SPDIF optical switchable\u003c\/li\u003e\n\u003cli\u003e2 channels, 32 up to 192 kHz\u003c\/li\u003e\n\u003cli\u003eMax. conversion ratio. 1:7 and 7:1\u003c\/li\u003e\n\u003cli\u003eTHD+N: -139 dB\u003c\/li\u003e\n\u003cli\u003eDynamic range (DR): 139 dB (AES17), 142 dBA\u003c\/li\u003e\n\u003cli\u003eLatency: 109 Samples, 2,47 ms @ 44,1 kHz, 1,14 ms @ 96 kHz, 0,57 ms @ 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eDigital Outputs\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eXLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/li\u003e\n\u003cli\u003eOutput impedance 5 Vss\u003c\/li\u003e\n\u003cli\u003eFormat Professional according to AES3-1992 Amendment 4\u003c\/li\u003e\n\u003cli\u003eSingle Wire Mode, Supported sample rates: 28 kHz up to 200 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF coaxial\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x Cinch, according to IEC 60958\u003c\/li\u003e\n\u003cli\u003eOutput impedance 0,7 Vss\u003c\/li\u003e\n\u003cli\u003eFormat Consumer (SPDIF) according to IEC 60958\u003c\/li\u003e\n\u003cli\u003eSingle Wire Mode, Supported sample rates: 28 kHz up to 200 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eADAT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x TOSLINK\u003c\/li\u003e\n\u003cli\u003eStandard: 8 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\u003cli\u003eDouble Speed (S\/MUX): 4 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eQuad Speed (S\/MUX4) : 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eGeneral\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePower supply: USB bus power or external power supply\u003c\/li\u003e\n\u003cli\u003eTypical power consumption: 3 Watt\u003c\/li\u003e\n\u003cli\u003eCurrent at 12 V external power: 250 mA (3 Watt)\u003c\/li\u003e\n\u003cli\u003eDimensions (BxHxT): 215 x 44 x 130 mm (8.46\" x 1.73\" x 5.1\")\u003c\/li\u003e\n\u003cli\u003eWeight: 880 g (1.94 lbs)\u003c\/li\u003e\n\u003cli\u003eTemperature range: +5° up to +50° Celsius (41° F up to 122°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity: \u0026lt; 75%, non condensing\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":7078596805,"sku":"DIGIFACE AES","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Digiface-AES-C.png?v=1679913141"},{"product_id":"rme-fireface-ucx-ii","title":"RME Fireface UCX II","description":"\u003cp\u003e\u003cstrong\u003e40-Channel Advanced USB Audio Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact advanced interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003eThe most powerful \u0026amp; portable\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRME Audio USB Interface\u003c\/strong\u003e\n\u003c\/h1\u003e\n\u003cp\u003eThis unique audio system is capable of transferring analog and digital audio data directly to Windows and Mac computers. The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features like a well thought-out Settings dialog and an integrated routing solution realize a quick, comfortable and efficient operation of the Fireface UCX II.\u003c\/p\u003e\n\u003cp\u003eThe Fireface UCX II houses two mic\/line preamps in XLR combo configuration on the front panel, along with two digitally controlled line\/instrument inputs, followed by a headphone jack, various control buttons, a display, and the main volume knob. At the rear is a set of ten analogue balanced line inputs and outputs, MIDI I\/O, ADAT I\/O, AES\/EBU and SPDIF I\/O, USB 2.0 as well as a switchable word clock I\/O.\u003c\/p\u003e\n\u003cp\u003eWith the SteadyClock FS, the Fireface UCX II features the latest clock and jitter rejection technology from RME. Based on a femtosecond clock, SteadyClock FS reduces the intrinsic jitter when converting from and to analogue over all digital formats to a new all-time low.\u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003eFull Stand-alone\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eFunctionality\u003c\/h1\u003e\n\u003cp\u003eControl all device states directly from the front panel for convenient, direct access to all features. Four keys and the encoder, the high-resolution and clear color display, and a well thought-out menu structure enable the user to quickly change and configure the device’s settings. Additionally internal memory allows for the permanent storage of six different states of the unit. Therefore the Fireface UCX II is able to operate fully stand-alone, without any connected computer. In stand-alone operation it can transform into totally different devices by the simple click of a button. Furthermore TotalMix FX can also be controlled via MIDI.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003e40-Channels\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eready for your Mobile Recording Rig\u003c\/h1\u003e\n\u003cp\u003eDURec is an integrated digital recorder for all inputs and outputs directly to USB memory devices via the rear USB port. It allows to record on USB thumb drives or hard drives with up to 2 TB capacity. The recording functionality is provided by the internal DSP, and is therefore independent from a connected Windows or Mac computer. This USB port can alternatively be used for direct connection of RME’s optional \u003ca href=\"https:\/\/www.rme-audio.de\/arc-usb.html\"\u003eARC USB\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eremote control.\u003c\/p\u003e\n\u003cp\u003eThe Direct USB Recording converts the Fireface UCX II into a stand-alone field recorder and a powerful multichannel live player for previous recordings, e. g. for virtual sound checks. Live concerts, band rehearsals or spontaneous jam sessions can be directly recorded and played back from the medium - even completely stand-alone without computer or software. All input and output channels can be individually chosen for recording and playback.\u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003ePowerful Applications\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efor Mixing, Monitoring and Measurement included\u003c\/h1\u003e\n\u003cp\u003eThe Fireface UCX II comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DIGICheck Analyzer allowing to measure and analyze the digital data feed in both directions with maximum precision. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.\u003c\/p\u003e\n\u003cp\u003eThe additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME audio interfaces. TotalMix Remote mirrors the current state of the host system on the iPad and Windows\/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. Easily adjust all the mixer and FX settings from a distance, via Ethernet and WiFi.\u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003eDC-Coupled Outputs\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- CV\/Gate Voltage Control\u003c\/h1\u003e\n\u003cp\u003eMost audio interfaces are traditionally designed with what is called 'AC-coupled outputs', where capacitors are used to filter out any extreme low frequencies.\u003c\/p\u003e\n\u003cp\u003eWhilst these frequencies are generally considered undesirable for audio - eating into headroom and potentially causing damage to other equipment - one instance where DC-coupling remains desirable is the world of modular synthesizers, where static or slow-moving signals are used for control over various parameters such as pitch note values or LFOs.\u003c\/p\u003e\n\u003cp\u003eAll of the Fireface UCX II’s line-level outputs are fully DC-coupled, allowing for the sending of control voltages (CV) or Gate information to modular synthesizers (such as the popular Eurorack and Moog\/MOTM\/Synthesizers formats) and other studio hardware.\u003c\/p\u003e\n\u003ch1\u003eClass Compliant Audio\u003c\/h1\u003e\n\u003cp\u003eThe Fireface UCX II operates in two different modes: driver-based USB2 and Class Compliant. The Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OSX and Linux distributions. No proprietary drivers are required, the device will be directly recognized when the CC firmware is loaded. The natively available features will be limited in comparison to those provided by the RME driver for the UCX II.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":7078607173,"sku":"Fireface UCX II","price":1699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/Fireface-UCX-II-C.png?v=1643869211"},{"product_id":"zynaptiq-unveil","title":"Zynaptiq Unveil 1.x","description":"\u003cdiv class=\"csc-header csc-header-n1\"\u003e\n\u003cdiv class=\"csc-default\" id=\"c151\"\u003e\n\u003cdiv class=\"csc-header csc-header-n1\"\u003e\n\u003ch1 class=\"csc-firstHeader\"\u003eUNVEIL: De-Reverberation and Signal Focusing\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003e\u003cb\u003eUNVEIL\u003c\/b\u003e is a real-time, de-mixing based plug-in that allows attenuating or boosting reverb components within a mixed signal of any channel count, \u003cb\u003eincluding mono sources\u003c\/b\u003e, as well as modifying reverb characteristics. Additionally, UNVEIL allows you to bring the key features of a recording into focus, or move them to the background, by attenuating or boosting perceptionally less important signal components. Based on our proprietary, artificial intelligence based \u003cb\u003eMAP\u003c\/b\u003e (\u003cb\u003eM\u003c\/b\u003eixed-Signal \u003cb\u003eA\u003c\/b\u003eudio \u003cb\u003eP\u003c\/b\u003erocessing) technology, UNVEIL allows fixing previously unusable location audio and dialog, tightening up live music recordings, removing reverb and “mud” from musical signals, as well as creative sound design.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c157\"\u003e\n\u003cp class=\"bodytext\"\u003e\u003cb\u003eUNVEIL\u003c\/b\u003e has many uses, some of which are:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio engineers can attenuate reverb in recordings\u003c\/li\u003e\n\u003cli\u003eFilm mixers and dialog editors can remove reverb from dialog and location sound\u003c\/li\u003e\n\u003cli\u003eMusic producers can turn vintage drum-loops rich in reverb into dry recordings, and vice-versa\u003c\/li\u003e\n\u003cli\u003eFoley artists can remove ambience from sub-optimally captured sounds\u003c\/li\u003e\n\u003cli\u003eMix and mastering engineers can bring key mix elements into focus by attenuating components commonly referred to as \"mud\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c155\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eGood Bye, Reverb\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eRemoving reverb from recordings has always been difficult to impossible. Existing de-reverberation strategies either manipulate signal dynamics, require specific channel formats, are limited to certain signal types, or all of the above. Enter \u003cb\u003eUNVEIL\u003c\/b\u003e.\u003cbr\u003eUNVEIL is not an expander or envelope shaper, is not a spectral thresholding processor, does not use phase cancellation techniques or inter-channel correlation analysis, and thus works with any channel count from mono to whichever surround formats your DAW supports, and without changing signal dynamics. To achieve this, it utilizes a model of the human auditory system to discern which parts of the signal are reverb, effectively “listening” to your signal much like a human would. These components are then separated from your signal for processing using our MAP technology. From there, reducing the amount of reverb in your recording is as easy as adjusting the value of one of our slick track-ball-esque sliders.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c154\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eHello, Reverb\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eConversely, UNVEIL allows increasing the amount of reverb in a recording, too. You can turn a close-miked drum kit into a full-on room-heavy monster, move a sound back in the sound-stage or adapt the amount of reverb on different location recordings to match each other better. Additionally, UNVEIL gives you several parameters that allow manipulating reverb characteristics...like all of it's features, \u003ci\u003ewithin a mixed signal, in real-time\u003c\/i\u003e and even using \u003ci\u003emono source material\u003c\/i\u003e. No, that's not magic, that's advanced science. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c153\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eUNVEIL The Detail\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eUNVEIL's algorithm isn't limited to processing reverb. Actually, it processes any signal components that the human auditory system considers as being of little significance, which includes the parts that many engineers refer to as \"mud\". As a result, UNVEIL allows reducing the level of all the stuff that clouds your signal and masks the detail you work so hard to capture, bringing the key features into focus and, well, \u003ci\u003eunveiling\u003c\/i\u003e all the inherent detail. And again, you can use the inverse function to add grit and a less up-front character to your recording. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c156\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eOne Small Step...\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eExcept for the mathematics under the hood, everything about UNVEIL is simple and easy, results are always just \u003ci\u003eone small step\u003c\/i\u003e away. That being said, UNVEIL allows adjusting the process in a very wide range. No dumbed-down \"easy-mode\" in sight, just a perfectly stream-lined, no-nonsense GUI that looks as slick as UNVEIL sounds. And \u003ci\u003eoooooh yes\u003c\/i\u003e does it sound good. But don't take our word for it, grab the demo for a test-drive!\u003c\/p\u003e\n\u003cdiv class=\"csc-header csc-header-n1\"\u003e\n\u003ch1 class=\"csc-firstHeader\"\u003eFormats\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cp class=\"bodytext\"\u003eThis software is available for a variety of 64-bit formats.\u003c\/p\u003e\n\u003cp class=\"bodytext\"\u003eOn macOS:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eApple AudioUnits (AU)\u003c\/li\u003e\n\u003cli\u003eAvid AAX Native including AudioSuite\u003c\/li\u003e\n\u003cli\u003eSteinberg VST 2.4\u003c\/li\u003e\n\u003cli\u003eSteinberg VST 3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"bodytext\"\u003eOn Windows:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAvid AAX Native including AudioSuite\u003c\/li\u003e\n\u003cli\u003eSteinberg VST 2.4\u003c\/li\u003e\n\u003cli\u003eSteinberg VST 3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"bodytext\"\u003e32-bit support incl. Avid RTAS is available by downloading older versions.\u003c\/p\u003e\n\u003cdiv class=\"csc-default\" id=\"c986\"\u003e\n\u003cdiv class=\"csc-header csc-header-n3\"\u003e\n\u003ch1\u003eSystem Requirements Mac\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cul\u003e\n\u003cli\u003eApple Mac computer\u003c\/li\u003e\n\u003cli\u003emacOS 10.15.x or newer, 64 bit. For earlier OS from 10.12.x onward, 32\/64-bit, older versions may be downloaded..\u003c\/li\u003e\n\u003cli\u003eApple Silicon CPU, or Intel CPU with at least 2 Cores (i7 or better recommended).\u003c\/li\u003e\n\u003cli\u003eApple AU (AudioUnits), Steinberg VST 2.4, VST 3 or Avid AAX Native compatible Host software\u003cspan\u003e, processing audio as 32 bit float.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eiLok.com account for machine- or iLok 2\/3 based activation (of full as well as demo versions)\u003c\/li\u003e\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c987\"\u003e\n\u003cdiv class=\"csc-header csc-header-n4\"\u003e\n\u003ch1\u003eSystem Requirements Windows\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cul\u003e\n\u003cli\u003eWindows 8 or newer\u003c\/li\u003e\n\u003cli\u003eCPU with at least 2 Cores; Intel CPU recommended, i7 or better recommended.\u003c\/li\u003e\n\u003cli\u003eSteinberg VST 2.4, VST 3 or Avid AAX compatible 64-bit host software\u003cspan\u003e, processing audio as 32 bit float. \u003c\/span\u003eFor 32-bit application support, older versions may be downloaded.\u003c\/li\u003e\n\u003cli\u003eiLok.com account for machine- or iLok 2\/3 based activation (of full as well as demo versions)\u003c\/li\u003e\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":7078642501,"sku":"1063-49","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/254f1c2c86.png?v=1679074643"},{"product_id":"zynaptiq-unchirp","title":"Zynaptiq Unchirp 1.x","description":"\u003cdiv class=\"csc-default\" id=\"c568\"\u003e\n\u003cdiv class=\"csc-header csc-header-n1\"\u003e\n\u003ch1 class=\"csc-firstHeader\"\u003eCodec Artifact Removal \u0026amp; Transient Retrieval\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003e\u003cb\u003eUNCHIRP\u003c\/b\u003e is a plug-in for removing the most obnoxious artifacts associated with lossy audio encoding and other FFT based processes, such as spectral de-noising. Reduce musical noise, suppress high frequency chirping (also known as \u003ci\u003eunderwater sound\u003c\/i\u003e, \u003ci\u003ewarbling\u003c\/i\u003e or \u003ci\u003ethe tweeties\u003c\/i\u003e), fix transient smearing, and restore lost high frequencies – UNCHIRP does it all in one go. If you need to salvage poorly encoded music, speech that has gone through a low bit rate uplink, material that has been de-noised too strongly, or footage recorded with consumer mobile devices – or if you simply want to add contour and vibrance to already great sounding recordings – \u003cb\u003eUNCHIRP\u003c\/b\u003e is your (only) friend.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c566\"\u003e\n\u003cp class=\"bodytext\"\u003eThe \u003cb\u003eUNCHIRP\u003c\/b\u003e features at a glance: \u003c\/p\u003e\n\u003cul\u003e \n\u003cli\u003eSuppression of high frequency \"chirping\" artifacts.\u003c\/li\u003e\n\u003cli\u003eReduction of \"musical noise\" artifacts.\u003c\/li\u003e\n\u003cli\u003eTransient Synthesis to augment or replace smeared, over-limited or otherwise compromised transients.\u003c\/li\u003e\n\u003cli\u003ePsycho-Acoustically optimized Treble Boost circuit with Enhance and Excite modes.\u003c\/li\u003e\n\u003cli\u003eBreak-Point Curve Editor based frequency-dependent processing.\u003c\/li\u003e\n\u003cli\u003eSide-only algorithm mode for working with joint-stereo encoded material.\u003c\/li\u003e\n\u003cli\u003eHD algorithm mode for increased quality processing with higher CPU load (off-line processing recommended).\u003c\/li\u003e\n\u003cli\u003eSYNC parameter allows processing to be synchronized to signal transients for increasing clarity.\u003c\/li\u003e\n\u003cli\u003eOutput limiter for unsupervised use in batch processing applications.\u003c\/li\u003e\n\u003cli\u003eHighly time-efficient workflow and UI.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c567\"\u003e\n\u003cdiv class=\"csc-header csc-header-n3\"\u003e\n\u003ch2\u003eThe Problem\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eBoth lossy codecs as well as many of today's DSP processes (like de-noisers) make heavy use of a process called the \u003ci\u003eFast Fourier Transform\u003c\/i\u003e (FFT). This method has some major advantages. It also has some major drawbacks, which are the root cause for a variety of artifacts, such as Musical Noise, High Frequency Modulation (a.k.a. \u003ci\u003eChirping\u003c\/i\u003e), Transient Smearing, and overall \"blurring\" due to low localization in the time domain. Because of the way human hearing works, these artifacts are very obvious and sound distinctly unnatural. Additionally, lossy codecs and de-noisers often cause a loss of high frequencies, further degrading your audio. \u003cb\u003eUNCHIRP\u003c\/b\u003e is the medicine for all of these artifact types.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c255\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eTwo Is More Than One\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003e\u003cb\u003eUNCHIRP\u003c\/b\u003e identifies the \u003ci\u003ebirdies\u003c\/i\u003e, and applies proprietary processing to make them disappear. It offers two different, simultaneously available algorithms to achieve this, \u003ci\u003eMusical Noise Reduction\u003c\/i\u003e and \u003ci\u003eDechirping,\u003c\/i\u003e each featuring its own technological approach, unique sonic properties and its own breakpoint curve editor for frequency dependent processing. At Zynaptiq, we like over-delivering.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c253\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eSnap!\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eLike our award-winning de-reverberator UNVEIL, \u003cb\u003eUNCHIRP\u003c\/b\u003e allows bypassing transients for natural sounding results even with extreme settings. But we didn't stop there – we've added frequency dependency to the bypass threshold, and frequency dependent transient attenuation\/boost. The new \u003ci\u003eTransient Synthesis\u003c\/i\u003e can replace transients compromised by FFT processing such as lossy encoding, or by excessive dynamics processing. Finally, the \u003ci\u003eSync\u003c\/i\u003e function synchronizes processing to the signal's transients, adding overal clarity and coherence. These algorithms work equally well for fixing problem material as well as for augmenting already great sounding recordings, adding impact, detail and contour. It's like pulling a curtain aside. Try it, you'll love it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c565\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eThe Shining\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eAnd then, there's \u003ci\u003eTreble Boost,\u003c\/i\u003e which deals with the fact that low bit rate encoded audio may show a \"dead band\" in the treble range - there's simply a hard-limit to what any given bit rate can capture in terms of frequency. Regular EQ won't help because there's nothing to boost. The \u003ci\u003eTreble Boost\u003c\/i\u003e circuit offers two ways to recover some of that treble: a psycho-acoustically optimized Enhancer – equalization that is tailored in such a way that it implies frequency content in the dead band to the listener – and an Exciter, which synthesizes new harmonics to \"fill the gap\". These sound so good that you may end up turning to these for your treble processing in general – even with already great sounding signals – to add shine and vibrance to your audio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-textpic-clear\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c382\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eSupraluminal\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eAs time is the most scarce of resources, at Zynaptiq we're obsessed with saving it for you. \u003cb\u003eUNCHIRP\u003c\/b\u003e sports a variety of workflow features to help you get results faster than light. There's an output limiter to allow for unsupervised batch-processing without overs, an I\/O difference function to quickly hear what exactly you're removing, frequency dependent processing for all key parameters using breakpoint curves with snap-to-zero and copy\/paste functionality, and our preset manager that writes presets that you can then use across all platforms and formats. Start using UNCHIRP and go ahead and book another week of holidays.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":7078643973,"sku":"1063-51","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/641866cfb4.png?v=1679075168"},{"product_id":"zynaptiq-pitchmap","title":"Zynaptiq Pitchmap 1.x","description":"\u003cdiv class=\"csc-header csc-header-n1\"\u003e\n\u003cdiv class=\"csc-default\" id=\"c91\"\u003e\n\u003cp class=\"bodytext\"\u003e\u003cb\u003ePITCHMAP\u003c\/b\u003e is the world's first and only plug-in that allows processing the pitch of individual sounds within mixed signals \u003ci\u003ein real-time\u003c\/i\u003e. It lets you change the melodies and harmonies of any recording by simply playing your own on a MIDI keyboard or creating a pitch map using our stream-lined GUI, and optionally corrects any tuning issues at the same time. As if that weren't enough, PITCHMAP provides functions to suppress individual sounds within a mix, and can apply advanced synthesizer-like sound transformations to your audio. In short, it is an inspiring musical instrument, a precision corrective tool and the only processor that literally lets you shape music with your hands.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c137\"\u003e\n\u003cp class=\"bodytext\"\u003e\u003cb\u003ePITCHMAP\u003c\/b\u003e has so many uses we haven't yet discovered all of them ourselves. Here's a couple of the applications we're aware of:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEngineers can correct tuning inaccuracies in mixed recordings\u003c\/li\u003e\n\u003cli\u003eComposers can try different harmonies for their works in an immediate, hassle-free and inspiring manner\u003c\/li\u003e\n\u003cli\u003eMusic producers that work with sampled material can now sculpt the music inside the samples as if they were clay in the hands of a potter\u003c\/li\u003e\n\u003cli\u003eDJs can adapt the key\/scale of their songs to fit into a seamless set\u003c\/li\u003e\n\u003cli\u003eSound designers get a bunch of unique new ways of creating the sounds that make the films and games of today so immersive\u003c\/li\u003e\n\u003cli\u003eMash-Up artists and Re-Mixers now spend minutes instead of hours (or days) adapting the components they use to fit each other\u003c\/li\u003e\n\u003cli\u003eRapid song\/score prototyping using existing recordings that can be transformed to be something new on-the-fly\u003c\/li\u003e\n\u003cli\u003eMix element suppression under MIDI control\u003c\/li\u003e\n\u003cli\u003eCreating unique synthesizer sounds based on a live input\u003c\/li\u003e\n\u003cli\u003eCreate instant remixes and professional accompaniment tracks directly from your favorite songs or play list\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c93\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eMAP That Pitch\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eBased on our \u003cb\u003eM\u003c\/b\u003eixed-Signal \u003cb\u003eA\u003c\/b\u003eudio \u003cb\u003eP\u003c\/b\u003erocessing technology (\u003cb\u003eMAP\u003c\/b\u003e), PITCHMAP internally de-mixes the input signal into individual sounds, including their harmonics and transients. This technique is quite literally rocket science, and is done using perceptive modeling and pattern recognition techniques also used in artificial intelligence applications. The separated sounds can then be individually tuning-corrected and mapped to other pitches, a process we call \u003ci\u003ePitch Mapping\u003c\/i\u003e. MAP also enables PITCHMAP's  simple-to-use, yet very effective functions for suppressing or isolating mix elements. In real-time, of course.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c94\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eNatural\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eOur MAP process is based on a model of the human perceptive system, including the cochlea and the brain region responsible for interpreting its data. Hence our process is inherently very natural sounding with correct settings and reasonable amounts of pitch modification. The human voice, however, has a very specific sonic topology that is very different from any musical instrument, and human hearing is trained to detect even the most subtle sonic variations in a voice. As a result, processing voice simultaneously with other instruments has been a challenge in the past. To accommodate for this, we've added an extra layer of intelligence that recognizes voice elements and processes them separately. We've called this \u003ci\u003eNatural Mode\u003c\/i\u003e. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c95\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eElectric \u0026amp; Creative\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eCertain pitch correction algorithm artifacts have become quite popular. We've got those, too, if you want them. But our MAP process has more sonic options than that.  We've added parameters called \u003ci\u003ePurify\u003c\/i\u003e and \u003ci\u003eElectrify\u003c\/i\u003e that allow making your sound more or less synthetic sounding, and threw in a polyphonic Portamento option named\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGlide\u003c\/i\u003e, for good measure. In combination with the live MIDI function, these parameters can basically turn PITCHMAP into a unique synthesizer allowing some very far out sound design.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c96\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eNo PhD Required\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eAlthough the DSP code itself is insanely complex, the process of Mapping Pitch is as simple as playing some notes on a MIDI keyboard or dragging sliders on our super-slick GUI to assign source pitches to target pitches. Or you can let your computer do the pitch mapping by using dedicated macro controls to go from one key\/scale to another with just a couple of clicks. Changing pitches in a mixed signal has never been so intuitive and musical. Instant correction of tuning issues, straight-forward re-harmonisation or intricate restructuring of a composition's pitches... the choice is yours, PITCHMAP does the rest.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c97\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eLightning Fast\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eTo increase workflow efficiency even more, we've provided comprehensive Snapshot functionality. 8 Snapshot slots let you compare multiple settings, adapt the process to different parts of a recording individually and create parameter automation without a headache. Summed up, PITCHMAP gives you near-instant results while at the same time giving you access to every little detail.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":7078647685,"sku":"1063-52","price":169.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/befb9f1467.png?v=1679074412"},{"product_id":"zynaptiq-unfilter","title":"Zynaptiq Unfilter 1.x","description":"\u003cdiv class=\"csc-default\" id=\"c328\"\u003e\n\u003cdiv class=\"csc-header csc-header-n1\"\u003e\n\u003ch1 class=\"csc-firstHeader\"\u003eAdaptive Tonal Contour Linearization\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003e\u003cb\u003eUNFILTER\u003c\/b\u003e is a real-time plug-in that removes filtering effects, such as comb filtering, resonance, or excessive equalization – effectively linearizing the frequency response of a signal automatically. UNFILTER can also apply a detected filter response to another signal, or export it to disk as an impulse response, and can even perform mastering grade adaptive, free-form, and graphic equalization. Whether you're in music production, film post, game audio, broadcast, sound design, forensics, or engineering – UNFILTER makes time-consuming and often impossible tasks as effortless as adjusting one control.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c346\"\u003e\n\u003cp class=\"bodytext\"\u003eThe \u003cb\u003eUNFILTER\u003c\/b\u003e features at a glance: \u003c\/p\u003e\n\u003cul\u003e \n\u003cli\u003eAutomatically detect and remove resonances, equalization, roll-offs and the effects of comb filtering from musical,  location, dialog and surveillance recordings.\u003c\/li\u003e\n\u003cli\u003eApply the measured filter response to other signals to place them in the same \"acoustic world\".\u003c\/li\u003e\n\u003cli\u003eExport the measured filter response to or import it from a linear- or minimum-phase impulse response file (WAV).\u003c\/li\u003e\n\u003cli\u003eMastering grade adaptive, free-form and graphic equalization.\u003c\/li\u003e\n\u003cli\u003eExtremely steep 96dB\/octave shelving high-pass filter.\u003c\/li\u003e\n\u003cli\u003eOutput limiter for unsupervised use in batch processing applications.\u003c\/li\u003e\n\u003cli\u003eHighly time-efficient workflow and UI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"bodytext\"\u003eFor an overview of the use cases for UNFILTER in \u003ca href=\"https:\/\/www.zynaptiq.com\/unfilter\/applications\/#post\"\u003esound for picture\u003c\/a\u003e, \u003ca href=\"https:\/\/www.zynaptiq.com\/unfilter\/applications\/#music\"\u003emusic production\/mastering\u003c\/a\u003e, \u003ca href=\"https:\/\/www.zynaptiq.com\/unfilter\/applications\/#sounddesign\"\u003esound design\u003c\/a\u003e, \u003ca href=\"https:\/\/www.zynaptiq.com\/unfilter\/applications\/#broadcast\"\u003ebroadcast\u003c\/a\u003e or \u003ca href=\"https:\/\/www.zynaptiq.com\/unfilter\/applications\/#forensics\"\u003eforensics\u003c\/a\u003e, please have a look at the \u003ca class=\"internal-link\" title=\"Opens internal link in current window\" href=\"https:\/\/www.zynaptiq.com\/unfilter\/unfilter-applications\/\"\u003eUNFILTER applications page\u003c\/a\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c347\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eSet It Straight\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003e\u003cb\u003eUNFILTER\u003c\/b\u003e automatically detects resonances, EQ or filter effects – essentially any frequency response anomalies that aren't part of the original signal. You can then remove these by simply adjusting one control, leaving the rest of the signal virtually untouched. As a result, previously problematic or unusable recordings can be made to sound good, and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003egood\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003erecordings to sound\u003cspan\u003e \u003c\/span\u003e\u003ci\u003egreat\u003c\/i\u003e. In real-time, and with minimal effort, Zynaptiq-style.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c348\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eMake It So\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eYou can also \u003ci\u003eapply\u003c\/i\u003e the measured filter response from one recording to another – placing the two in the same acoustic \"world\". Or you can create room-tone to fill editing gaps, by applying a measured filter response to noise. You can of course also store filter responses to disk as linear- or minimum-phase impulse response files, building a library of \"colors\" to have at your disposal any time. Whether you need to make ADR blend with production dialog, get one guitar snippet to sound like part of another, or create new sounds, UNFILTER makes this task fast and easy.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c349\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eMore Equal\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003e\u003cb\u003eUNFILTER\u003c\/b\u003e is also an EQ. Three mastering grade EQs and an excellent high-pass filter, actually. For one, its (un-)filtering engine can function as an adaptive program equalizer that continuously adjusts itself while the audio is playing. This helps maintain a balanced spectrum when working with audio that changes over time, for example when streaming mixed music in broadcast applications. Secondly, UNFILTER sports a free-form EQ with various curve interpolation modes, from super-gentle slopes, through narrow notches, to brickwall steps. Thirdly, we added a streamlined 7-band graphic EQ for good measure. And finally, there’s a super-steep 96dB per octave shelving high-pass filter that removes low frequency rumble so efficiently you’ll forget that there was ever anything down there.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c350\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eRocket Science\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eHow does \u003cb\u003eUNFILTER\u003c\/b\u003e do all that? Technically, it performs a \u003ci\u003ereal-time blind de-convolution\u003c\/i\u003e, a cutting-edge technology rarely found even in the most advanced of research institutes. Fortunately, we don't do lab coats.\u003cbr\u003eThis technology allows UNFILTER to \u003ci\u003etake a close look at\u003c\/i\u003e your audio, estimate what happened to its frequency response, and then create a filter that will undo the process. Sounds like rocket science? That's because it \u003ci\u003eis\u003c\/i\u003e. But all the technology in the world doesn't matter if it's difficult to operate or doesn't sound good. Well, UNFILTER is a breeze to use, and doesn't just sound \u003ci\u003egood\u003c\/i\u003e...it sounds \u003ci\u003eamazing\u003c\/i\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c351\"\u003e\n\u003cdiv class=\"csc-textpic csc-textpic-intext-left-nowrap\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cdiv class=\"csc-textpicHeader csc-textpicHeader-26\"\u003e\n\u003ch2\u003eLightspeed\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp class=\"bodytext\"\u003eThe \u003cb\u003eUNFILTER\u003c\/b\u003e UI is so fast and easy to use that corrective EQ can often be done within seconds by adjusting just one of our super-slick trackball sliders. And for advanced customization, every single function and control has been engineered with painstaking attention to detail – finely-tuned for optimal workflow and results. Whichever control you move, the right setting is never far away. UNFILTER is not only a life-saver, it is also a time-saver par excellance. But don't take our word for it, experience it for yourself using \u003ca class=\"internal-link\" title=\"Opens internal link in current window\" href=\"https:\/\/www.zynaptiq.com\/unfilter\/unfilter-downloads\/\"\u003ethe free trial version\u003c\/a\u003e!\u003c\/p\u003e\n\u003cdiv class=\"csc-header csc-header-n1\"\u003e\n\u003ch1 class=\"csc-firstHeader\"\u003eFormats\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cp class=\"bodytext\"\u003eThis software is available for a variety of 64-bit formats.\u003c\/p\u003e\n\u003cp class=\"bodytext\"\u003eOn macOS:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eApple AudioUnits (AU)\u003c\/li\u003e\n\u003cli\u003eAvid AAX Native including AudioSuite\u003c\/li\u003e\n\u003cli\u003eSteinberg VST 2.4\u003c\/li\u003e\n\u003cli\u003eSteinberg VST 3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"bodytext\"\u003eOn Windows:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAvid AAX Native including AudioSuite\u003c\/li\u003e\n\u003cli\u003eSteinberg VST 2.4\u003c\/li\u003e\n\u003cli\u003eSteinberg VST 3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"bodytext\"\u003e32-bit support incl. Avid RTAS is available by downloading older versions.\u003c\/p\u003e\n\u003cdiv class=\"csc-default\" id=\"c986\"\u003e\n\u003cdiv class=\"csc-header csc-header-n3\"\u003e\n\u003ch1\u003eSystem Requirements Mac\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cul\u003e\n\u003cli\u003eApple Mac computer\u003c\/li\u003e\n\u003cli\u003emacOS 10.15.x or newer, 64 bit. For earlier OS from 10.12.x onward, 32\/64-bit, older versions may be downloaded..\u003c\/li\u003e\n\u003cli\u003eApple Silicon CPU, or Intel CPU with at least 2 Cores (i7 or better recommended).\u003c\/li\u003e\n\u003cli\u003eApple AU (AudioUnits), Steinberg VST 2.4, VST 3 or Avid AAX Native compatible Host software\u003cspan\u003e, processing audio as 32 bit float.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eiLok.com account for machine- or iLok 2\/3 based activation (of full as well as demo versions)\u003c\/li\u003e\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-default\" id=\"c987\"\u003e\n\u003cdiv class=\"csc-header csc-header-n4\"\u003e\n\u003ch1\u003eSystem Requirements Windows\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cul\u003e\n\u003cli\u003eWindows 8 or newer\u003c\/li\u003e\n\u003cli\u003eCPU with at least 2 Cores; Intel CPU recommended, i7 or better recommended.\u003c\/li\u003e\n\u003cli\u003eSteinberg VST 2.4, VST 3 or Avid AAX compatible 64-bit host software\u003cspan\u003e, processing audio as 32 bit float. \u003c\/span\u003eFor 32-bit application support, older versions may be downloaded.\u003c\/li\u003e\n\u003cli\u003eiLok.com account for machine- or iLok 2\/3 based activation (of full as well as demo versions)\u003c\/li\u003e\n\u003cli\u003eInternet Connection for Software Activation (though not necessarily on the computer used for audio)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Zynaptiq","offers":[{"title":"Default Title","offer_id":7078648901,"sku":"1063-50","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0988\/4668\/products\/1670b50b3c.png?v=1679074954"}],"url":"https:\/\/www.proaudiodesign.com\/collections\/computer-audio.oembed?page=37","provider":"Professional Audio Design, Inc","version":"1.0","type":"link"}